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| {{Era|Culture|Assassins|Templars|Abstergo}} | | {{Era|Culture|Assassins|Templars|Abstergo}} |
| {{Spoilerhd|20 June 2025|Assassin's Creed: Shadows}} | | {{Update|[[Assassin's Creed: Shadows]]}} |
| Over the course of the 21st century, [[Desmond Miles]], [[Layla Hassan]], and other high-profile [[Assassins]] had various '''conversations''' with different people throughout the [[Modern times|modern era]]. | | Over the course of the 21st century, [[Desmond Miles]], [[Layla Hassan]], and other high-profile [[Assassins]] had various '''conversations''' with different people throughout the [[Modern times|modern era]]. |
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| ==''[[Assassin's Creed]]''== | | ==''[[Assassin's Creed]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Experiment Begins | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Experiment Begins |
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| |Desmond stared up at a curved screen above his face as he lay in the [[Animus|Animus 1.28]]. After it loaded the [[genetic memory]] sequence, he was transported to an open courtyard garden full of faceless [[courtesan]]s under a flashing red sky. A man in white robes stood closely surrounded by six women who sought his attention and flocked beside him wherever he went. Another man's distorted voice from a blue-white pillar of light on a balcony quoted [[wikisource:Bible (King James)/Ecclesiastes|a passage]] in {{Wiki|Ecclesiastes}}. | | |Desmond stared up at a curved screen above his face as he lay in the [[Animus|Animus 1.28]]. After it loaded the [[genetic memory]] sequence, he was transported to an open courtyard garden full of faceless [[courtesan]]s under a flashing red sky. A man in white robes stood closely surrounded by six women who sought his attention and flocked beside him wherever he went. Another man's distorted voice from a blue-white pillar of light on a balcony quoted [[wikisource:Bible (King James)/Ecclesiastes|a passage]] in {{Wiki|Ecclesiastes}}. |
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| *'''Warren:''' ''So what is it, Mr. Miles? Live or die?<br>Lie down!'' | | *'''Warren:''' ''So what is it, Mr. Miles? Live or die?<br>Lie down!'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Genetic Memory | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Genetic Memory |
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| *'''Lucy:''' ''We find a memory you can [[Synchronization|synchronize]] with and move forward from there. You'll get used to it. This is the closest we can get, so, it's where we'll have to start. I'm uploading the tutorial program now.'' | | *'''Lucy:''' ''We find a memory you can [[Synchronization|synchronize]] with and move forward from there. You'll get used to it. This is the closest we can get, so, it's where we'll have to start. I'm uploading the tutorial program now.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Breaks | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Breaks |
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| *'''Warren:''' ''We're done for today, Mr. Miles. I suggest you return to your room and get some rest.'' | | *'''Warren:''' ''We're done for today, Mr. Miles. I suggest you return to your room and get some rest.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Farm | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Farm |
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| *'''Lucy:''' ''Try and get some sleep. We've got a long day ahead of us tomorrow.'' | | *'''Lucy:''' ''Try and get some sleep. We've got a long day ahead of us tomorrow.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Tracking | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Tracking |
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| *'''Lucy:''' ''Desmond, these guys are everywhere. They... I... I'm sorry, I... I really can't talk about it.'' | | *'''Lucy:''' ''Desmond, these guys are everywhere. They... I... I'm sorry, I... I really can't talk about it.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Right Idea | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Right Idea |
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| |Desmond groaned as he woke up, and spotted Warren staring down at him. | | |Desmond groaned as he woke up, and spotted Warren staring down at him. |
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| *'''Warren:''' ''Now, that would be telling.'' | | *'''Warren:''' ''Now, that would be telling.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Deadline | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Deadline |
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| |Desmond was extracted from the Animus and saw Warren standing over him. | | |Desmond was extracted from the Animus and saw Warren standing over him. |
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| *'''Lucy:''' ''Both of us.'' | | *'''Lucy:''' ''Both of us.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Translation | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Translation |
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| *'''Lucy:''' ''Yeah, definitely not for you.'' | | *'''Lucy:''' ''Yeah, definitely not for you.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Abstergo | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Abstergo |
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| *'''Lucy:''' ''I'm sorry, Desmond. I've got a lot of work to do. Like I said, if you want to know more about the company, take a look at the computer. The [[Akashic Satellite Plexus|telecommunication]] stuff is ''particularly'' interesting.'' | | *'''Lucy:''' ''I'm sorry, Desmond. I've got a lot of work to do. Like I said, if you want to know more about the company, take a look at the computer. The [[Akashic Satellite Plexus|telecommunication]] stuff is ''particularly'' interesting.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Order | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Order |
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| *'''Warren:''' ''Yes, we are.'' | | *'''Warren:''' ''Yes, we are.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Tensions Overheating | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Tensions Overheating |
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| *'''Lucy:''' ''It's gonna be a while, Desmond. Why don't you go lie down or something? Get some rest.'' | | *'''Lucy:''' ''It's gonna be a while, Desmond. Why don't you go lie down or something? Get some rest.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Guest of the Company | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Guest of the Company |
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| *'''Lucy:''' ''But I'm alive. Anyway, I really do need to get the Animus repaired. I'll see you tomorrow, Desmond.'' | | *'''Lucy:''' ''But I'm alive. Anyway, I really do need to get the Animus repaired. I'll see you tomorrow, Desmond.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Abstergo's Work | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Abstergo's Work |
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| *'''Warren:''' ''They're gifts, Mr. Miles, from [[Isu|those who came before]]. We'll have to continue this discussion later. Time's wasting.'' | | *'''Warren:''' ''They're gifts, Mr. Miles, from [[Isu|those who came before]]. We'll have to continue this discussion later. Time's wasting.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Templars | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Templars |
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| *'''Lucy:''' ''I'm sorry, Desmond, I have to go. You should turn in for the night. The answers to all of your questions are right in front of you. You just have to know where to look.'' | | *'''Lucy:''' ''I'm sorry, Desmond, I have to go. You should turn in for the night. The answers to all of your questions are right in front of you. You just have to know where to look.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Piece of Eden | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Piece of Eden |
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| | | | |Desmond's Animus session was abruptly ended and he overheard a conversation between Warren and an [[Alan Rikkin|associate]]. |
| | *'''Associate:''' ''Not a lot of time today.'' |
| | *'''Warren:''' ''Understand it's a demo, but I'll let you know.'' |
| | *'''Associate:''' ''Wherever it's hidden, time to retrieve it.'' |
| | *'''Warren:''' ''Working on it.'' |
| | *'''Associate:''' ''And when it's done?'' |
| | *'''Warren:''' ''He'll be taken care of.'' |
| | *'''Associate:''' ''I want that progress report by tomorrow morning.'' |
| | *'''Warren:''' ''I've got some work I need to do. So you've got the night to yourself.'' |
| | The Animus HUD panel retracted and Desmond was able to get up. |
| *'''Desmond:''' ''I think there's a problem with the Animus.'' | | *'''Desmond:''' ''I think there's a problem with the Animus.'' |
| *'''Lucy:''' ''Nope. It's working fine.'' | | *'''Lucy:''' ''Nope. It's working fine.'' |
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| *'''Lucy:''' ''It's a reference to {{Wiki|Denver International Airport}}. There's an underground facility there. It's where the [[DIA satellite accident|accident]] happened.'' | | *'''Lucy:''' ''It's a reference to {{Wiki|Denver International Airport}}. There's an underground facility there. It's where the [[DIA satellite accident|accident]] happened.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Accepted History | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Accepted History |
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| *'''Warren:''' ''Anyone can write a book, and they can put whatever they want on its pages. Anything. Used to be that we thought the world was flat.'' | | *'''Warren:''' ''Anyone can write a book, and they can put whatever they want on its pages. Anything. Used to be that we thought the world was flat.'' |
| *'''Desmond:''' ''Some people still do.'' | | *'''Desmond:''' ''Some people still do.'' |
| *'''Warren:''' ''Yes, and they publish books about it. Or that the [[moon]] [[Apollo 11|landing]] was a hoax. I believe there's also {{Wiki|Bible|a book}} that claims the [[Earth]] was created in seven days. A best-seller, too!'' | | *'''Warren:''' ''Yes, and they publish books about it. Or that the [[moon]] [[Apollo 11|landing]] was a hoax. I believe there's also {{Wiki|Bible|a book}} that claims the [[Earth|World]] was created in seven days. A best-seller, too!'' |
| *'''Desmond:''' ''Where's this going, Doc?'' | | *'''Desmond:''' ''Where's this going, Doc?'' |
| *'''Warren:''' ''The point, I suppose, is that you shouldn't trust everything you hear. Everything you read. What's that your ancestor said? "Nothing is true?"'' | | *'''Warren:''' ''The point, I suppose, is that you shouldn't trust everything you hear. Everything you read. What's that your ancestor said? "Nothing is true?"'' |
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| *'''Warren:''' Touché'', Mr. Miles. Now that I've answered your question, can we begin?'' | | *'''Warren:''' Touché'', Mr. Miles. Now that I've answered your question, can we begin?'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Failed Rescue | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Failed Rescue |
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| *'''Lucy:''' ''Have faith. Rest up, Desmond. You're gonna need the energy.'' | | *'''Lucy:''' ''Have faith. Rest up, Desmond. You're gonna need the energy.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Eagle and The Apple | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Eagle and The Apple |
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| |Warren came into Desmond's room and woke him up. | | |Warren came into Desmond's room and woke him up. |
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| *'''Warren:''' ''We've got it.'' | | *'''Warren:''' ''We've got it.'' |
| *'''Desmond:''' ''What the hell was that?'' | | *'''Desmond:''' ''What the hell was that?'' |
| Desmond saw that Lucy and Warren were facing the far wall. Turning his head, he saw three men in business suits in an observation room behind a sheet of glass where the wall panels once were. The man in the middle spoke while the [[David Kilkerman|other]] [[Henry Liman|two]] remained silent. | | Desmond saw that Lucy and Warren were facing the far wall. Turning his head, he saw three men in business suits in an observation room behind a sheet of glass where the wall panels once were. The man in the middle spoke, revealing himself to be Warren's associate from earlier, while the [[David Kilkerman|other]] [[Henry Liman|two]] remained silent. |
| *'''[[Alan Rikkin|Alan]]:''' ''Well?!'' | | *'''Alan:''' ''Well?!'' |
| *'''Warren:''' ''We've got the [[Isu map|map]].'' | | *'''Warren:''' ''We've got the [[Isu map|map]].'' |
| *'''Alan:''' ''How many?'' | | *'''Alan:''' ''How many?'' |
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| ==''[[Assassin's Creed II]]''== | | ==''[[Assassin's Creed II]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Escape from Abstergo | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Escape from Abstergo |
| |- | | |- |
| |Lucy entered Desmond's room wearing a blood-spattered shirt. | | |Lucy entered Desmond's room wearing a blood-spattered shirt. |
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| *'''Lucy:''' ''Desmond, I promise I'll answer ALL of your questions. Later. But right now, I need you to just shut up and do what I say. So please—get in the Animus.'' | | *'''Lucy:''' ''Desmond, I promise I'll answer ALL of your questions. Later. But right now, I need you to just shut up and do what I say. So please—get in the Animus.'' |
| *'''Desmond:''' ''Alright...'' | | *'''Desmond:''' ''Alright...'' |
| Desmond entered the Animus and the computer compared his DNA with Subject 16's to find another common ancestor. After finding a match, Desmond was transported to [[Renaissance]] [[Italy]] to relive [[Ezio Auditore da Firenze]]'s birth.<ref>''[[Assassin's Creed II]]'' - [[The Birth of an Assassin]]</ref> Eventually, the simulation faded to white and ended as Lucy extracted Desmond from the Animus before he could continue to relive more of Ezio's memories, but not before he caught blurry glimpses of an older Ezio in Assassin robes in the midst of a fight [[Palazzo Ducale di Venezia|elsewhere]] in Italy. | | Desmond entered the Animus and the computer compared his DNA with Subject 16's to find another common ancestor. After finding a match, Desmond was transported to [[Renaissance]] [[Italy]] to relive [[Ezio Auditore da Firenze]]'s birth.<ref>''[[Assassin's Creed II]]'' – [[The Birth of an Assassin]]</ref> Eventually, the simulation faded to white and ended as Lucy extracted Desmond from the Animus before he could continue to relive more of Ezio's memories, but not before he caught blurry glimpses of a teenaged Ezio in Assassin robes in the midst of a fight [[Palazzo Ducale di Venezia|elsewhere]] in Italy. |
| *'''Lucy:''' ''Get up. Let's go.'' | | *'''Lucy:''' ''Get up. Let's go.'' |
| *'''Desmond:''' ''Yeah well, uh, I'm gonna need a second...'' | | *'''Desmond:''' ''Yeah well, uh, I'm gonna need a second...'' |
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| Desmond shot a dirty look up at Lucy, who slammed the trunk door shut. | | Desmond shot a dirty look up at Lucy, who slammed the trunk door shut. |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Team | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Team |
| |- | | |- |
| |Some while later, Lucy opened the trunk and Desmond sat up. | | |Some while later, Lucy opened the trunk and Desmond sat up. |
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| Desmond began reliving Ezio's memories as he stood with a gang on the [[Ponte Vecchio]] in [[Florence]].<ref name="BoysWillBeBoys">''Assassin's Creed II'' – [[Boys Will Be Boys]]</ref> | | Desmond began reliving Ezio's memories as he stood with a gang on the [[Ponte Vecchio]] in [[Florence]].<ref name="BoysWillBeBoys">''Assassin's Creed II'' – [[Boys Will Be Boys]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Glyph Hunting | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Glyph Hunting |
| |- | | |- |
| |Shortly after Ezio witnessed the murder of his father and two brothers [[Federico Auditore da Firenze|Federico]] and [[Petruccio Auditore da Firenze|Petruccio]],<ref>''Assassin's Creed II'' – [[Last Man Standing]]</ref> Shaun's voice interrupted Desmond's explorations of Florence. | | |Shortly after Ezio witnessed the murder of his father and two brothers [[Federico Auditore da Firenze|Federico]] and [[Petruccio Auditore da Firenze|Petruccio]],<ref>''Assassin's Creed II'' – [[Last Man Standing]]</ref> Shaun's voice interrupted Desmond's explorations of Florence. |
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| *'''Desmond:''' ''Hold on, wait a second... The signs on the walls in Abstergo... The ones written in blood. Those were clues! He was telling us to look for them inside the Animus.'' | | *'''Desmond:''' ''Hold on, wait a second... The signs on the walls in Abstergo... The ones written in blood. Those were clues! He was telling us to look for them inside the Animus.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Armor of Altaïr | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Armor of Altaïr |
| |- | | |- |
| |After [[Mario Auditore]] showed Ezio the Sanctuary beneath the [[Villa Auditore]] and the [[Armor of Altaïr]] stored within,<ref>''Assassin's Creed II'' - [[Floating conversations]]: Unlocking Monteriggioni's Secrets</ref> Rebecca spoke to Desmond. | | |After [[Mario Auditore]] showed Ezio the Sanctuary beneath the [[Villa Auditore]] and the [[Armor of Altaïr]] stored within,<ref>''Assassin's Creed II'' – [[Floating conversations]]: Unlocking Monteriggioni's Secrets</ref> Rebecca spoke to Desmond. |
| *'''Rebecca:''' ''In order to achieve perfect synchronization with Ezio, you have to get that armor.'' | | *'''Rebecca:''' ''In order to achieve perfect synchronization with Ezio, you have to get that armor.'' |
| In time, he witnessed the memory where Ezio discovered an [[Assassin Tombs|Assassin Tomb]] beneath [[Basilica di Santa Maria Novella|Santa Maria Novella]] in Florence.<ref>''Assassin's Creed II'' – [[Novella's Secret]]</ref> | | In time, he witnessed the memory where Ezio discovered an [[Assassin Tombs|Assassin Tomb]] beneath the [[Basilica di Santa Maria Novella]] in Florence.<ref name="NovellasSecret">''Assassin's Creed II'' – [[Novella's Secret]]</ref> |
| *'''Shaun:''' ''Look at that statue! It's identical in one in the Villa Auditore! I think you've stumbled onto one of the Assassin's Tombs Ezio's uncle mentioned.'' | | *'''Shaun:''' ''Look at that statue! It's identical in one in the Villa Auditore! I think you've stumbled onto one of the Assassin's Tombs Ezio's uncle mentioned.'' |
| *'''Rebecca:''' ''Now that we know the way in, I'll tag the landmarks containing tombs in the database.'' | | *'''Rebecca:''' ''Now that we know the way in, I'll tag the landmarks containing tombs in the database.'' |
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| *'''Rebecca:''' ''I've marked the [[Palazzo Medici]] on your map. In order to achieve 100% synch with Ezio's life, you should go [[Home Invasion|explore]] it.'' | | *'''Rebecca:''' ''I've marked the [[Palazzo Medici]] on your map. In order to achieve 100% synch with Ezio's life, you should go [[Home Invasion|explore]] it.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Precautions | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Precautions |
| |- | | |- |
| |After Ezio met [[Caterina Sforza]] and sailed for [[Venice]],<ref>''Assassin's Creed II'' – [[Tutti a Bordo]]</ref> Desmond's [[Assassin cell]] extracted him from the Animus. | | |After Ezio met [[Caterina Sforza]] and sailed for [[Venice]],<ref>''Assassin's Creed II'' – [[Tutti a Bordo]]</ref> Desmond's [[Assassin cell]] extracted him from the Animus. |
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| *'''Shaun:''' ''I'm not out there cause my expertise lies in other areas. And to be honest, I prefer it that way. But make no mistake, Desmond, I'm an Assassin through and through. I've killed before, I expect to kill again. It's just that I'd prefer not to.'' | | *'''Shaun:''' ''I'm not out there cause my expertise lies in other areas. And to be honest, I prefer it that way. But make no mistake, Desmond, I'm an Assassin through and through. I've killed before, I expect to kill again. It's just that I'd prefer not to.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Bleeding Effect | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Bleeding Effect |
| |- | | |- |
| |Desmond walked up to Lucy's station. | | |Desmond walked up to Lucy's station. |
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| Desmond went upstairs to the hideout. On the way, he experienced another Bleeding Effect hallucination of the corridor lined with soldiers and lost consciousness. | | Desmond went upstairs to the hideout. On the way, he experienced another Bleeding Effect hallucination of the corridor lined with soldiers and lost consciousness. |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Beginnings | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Beginnings |
| |- | | |- |
| |Desmond relived one of Altaïr's memories in [[Acre]] in 1197. | | |Desmond relived one of Altaïr's memories in [[Acre]] in 1197. |
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| Altaïr and Maria kissed. | | Altaïr and Maria kissed. |
| *'''Desmond:''' ''Whoa... Alright, wasn't expecting that...'' | | *'''Desmond:''' ''Whoa... Alright, wasn't expecting that...'' |
| Part of the memory skipped. Altaïr performed a [[Leap of Faith]] and left Maria, but the focus of the memory stayed with her and slowly zoomed to her body. | | Part of the memory skipped. Altaïr performed a [[Leap of Faith]] and left Maria, but the memory stayed focused on her and slowly zoomed into her belly. |
| *'''Desmond:''' ''Wait a second... Why aren't I following Altaïr? I'm stuck here with Maria. Oh shit! That must [[Sef Ibn-La'Ahad|mean]]... This is one weird dream...'' | | *'''Desmond:''' ''Wait a second... Why aren't I following Altaïr? I'm stuck here with Maria. Oh shit! That must [[Sef Ibn-La'Ahad|mean]]... This is one weird dream...'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Back to Work | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Back to Work |
| |- | | |- |
| |Desmond woke up, and Rebecca came to speak to him. | | |Desmond woke up, and Rebecca came to speak to him. |
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| *'''Desmond:''' ''When that happens—if that happens. We'll deal with it. I'll keep you safe.'' | | *'''Desmond:''' ''When that happens—if that happens. We'll deal with it. I'll keep you safe.'' |
| *'''Lucy:''' ''Anyway—enough with my little breakdown. I should get back to work. And so should you.'' | | *'''Lucy:''' ''Anyway—enough with my little breakdown. I should get back to work. And so should you.'' |
| Desmond walked to the reactivated Animus and sat down to relive Ezio's arrival at Venice.<ref name=":0">''Assassin's Creed II'' – [[Benvenuto]]</ref> | | Desmond walked to the reactivated Animus and sat down to relive Ezio's arrival at Venice.<ref name="Benvenuto">''Assassin's Creed II'' – [[Benvenuto]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Most Serene Republic | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Most Serene Republic |
| |- | | |- |
| |After Ezio escorted his friend [[Leonardo da Vinci]] to his [[Bottega di Leonardo|workshop]] in Venice,<ref name=":0" /> Rebecca spoke to Desmond. | | |After Ezio escorted his friend [[Leonardo da Vinci]] to his [[Bottega di Leonardo|workshop]] in Venice,<ref name="Benvenuto"/> Rebecca spoke to Desmond. |
| | | *'''Rebecca:''' ''I found this awesome place for you to explore and practice your skills. [[Basilica di Santa Maria Gloriosa dei Frari|Santa Maria dei Frari]]. I've marked it on your [[map]].'' |
| * '''Rebecca:''' ''I found this awesome place for you to explore and practice your skills. [[Basilica di Santa Maria Gloriosa dei Frari|Santa Maria dei Frari]]. I've marked it on your [[map]].'' | | After Ezio assassinated [[Marco Barbarigo]] during the [[Carnevale]],<ref>''Assassin's Creed II'' – [[Having a Blast]]</ref> Desmond was again greeted by Rebecca contacted Desmond again. |
| | | *'''Rebecca:''' ''You want to rob some Templars? I've marked the [[Arsenale di Venezia|Arsenal]] on your map. It's some kind of Templar base, so there's gonna be all kinds of loot in there.'' |
| A few sequences later, Ezio assassinated [[Marco Barbarigo]] during the [[Carnevale]].<ref>''Assassin's Creed II'' - [[Having a Blast]]</ref> Following that, Desmond was again greeted by Rebecca.
| |
| | |
| * '''Rebecca:''' ''You want to rob some Templars? I've marked the [[Arsenale di Venezia|Arsenal]] on your map. It's some kind of Templar base, so there's gonna be all kinds of loot in there.'' | |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Corrupted Sequences | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Corrupted Sequences |
| |- | | |- |
| |After Ezio was [[Initiation into the Assassin Order|initiated]] into the [[Italian Brotherhood of Assassins|Italian Brotherhood]],<ref>''Assassin's Creed II'' – [[Play Along]]</ref> Desmond was extracted from the Animus again holding his ring finger, as if feeling the pain Ezio experienced while his finger was being branded. | | |After Ezio was [[Initiation into the Assassin Order|initiated]] into the [[Italian Brotherhood of Assassins|Italian Brotherhood]],<ref name="PlayAlong">''Assassin's Creed II'' – [[Play Along]]</ref> Desmond was extracted from the Animus again holding his ring finger, as if feeling the pain Ezio experienced while his finger was being branded. |
| *'''Lucy:''' ''Are you okay? Do you want to stop?'' | | *'''Lucy:''' ''Are you okay? Do you want to stop?'' |
| *'''Desmond:''' ''No, I need to go back. Right now.'' | | *'''Desmond:''' ''No, I need to go back. Right now.'' |
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| The next memory loaded, and Desmond began experiencing Ezio's efforts during the Battle of Forlì.<ref>''Assassin's Creed II – [[Battle of Forlì (DLC)|Battle of Forlì]]'' – [[A Warm Welcome]]</ref> After "witnessing" Ezio [[Interrogation|interrogate]] the abbot of the [[Abbazia di San Mercuriale]] in Forlì and learn that Girolamo Savonarola had stolen the [[Apple of Eden 6|Apple of Eden]],<ref>''Assassin's Creed II – Battle of Forlì'' – [[Far From the Tree]]</ref> the memory vanished and Desmond waited in the Memory Corridor for the next sequence to finish loading. | | The next memory loaded, and Desmond began experiencing Ezio's efforts during the Battle of Forlì.<ref>''Assassin's Creed II – [[Battle of Forlì (DLC)|Battle of Forlì]]'' – [[A Warm Welcome]]</ref> After "witnessing" Ezio [[Interrogation|interrogate]] the abbot of the [[Abbazia di San Mercuriale]] in Forlì and learn that Girolamo Savonarola had stolen the [[Apple of Eden 6|Apple of Eden]],<ref>''Assassin's Creed II – Battle of Forlì'' – [[Far From the Tree]]</ref> the memory vanished and Desmond waited in the Memory Corridor for the next sequence to finish loading. |
| *'''Rebecca:''' ''Hey, Desmond—I think I repaired that busted memory. Why don't you try opening it?'' | | *'''Rebecca:''' ''Hey, Desmond—I think I repaired that busted memory. Why don't you try opening it?'' |
| The sequence loaded and Desmond began reliving Ezio's repressed memories of his time during the Bonfire of the Vanities,<ref>''Assassin's Creed II - [[Bonfire of the Vanities (DLC)|Bonfire of the Vanities]]'' – [[Florentine Fiasco]]</ref> gaining access to the year gap between the two events.<ref>''Assassin's Creed II''</ref> Eventually, Desmond reached his ancestor's memories of 1499, proceeding to the start of the next memory. He went to the Villa's study in [[Monteriggioni]]<ref>''Assassin's Creed II'' - [[X Marks the Spot]]</ref> but was stopped at its entrance by an Animus wall. | | The sequence loaded and Desmond began reliving Ezio's repressed memories of his time during the Bonfire of the Vanities,<ref>''Assassin's Creed II - [[Bonfire of the Vanities (DLC)|Bonfire of the Vanities]]'' – [[Florentine Fiasco]]</ref> gaining access to the year gap between the two events.<ref>''Assassin's Creed II''</ref> Eventually, Desmond reached his ancestor's memories of 1499, proceeding to the start of the next memory. He went to the Villa's study in [[Monteriggioni]]<ref>''Assassin's Creed II'' – [[X Marks the Spot]]</ref> but was stopped at its entrance by an Animus wall. |
| | | *'''Desmond:''' ''What's going on?'' |
| * '''Desmond:''' ''What's going on?'' | | *'''Lucy:''' ''The data stream is corrupted. No, scratch that. This says it's incomplete. It's the Codex pages. It looks like Ezio had them all when this memory occured.'' |
| * '''Lucy:''' ''The data stream is corrupted. No, scratch that. This says it's incomplete. It's the Codex pages. It looks like Ezio had them all when this memory occured.'' | | *'''Desmond:''' ''Great. And how am I supposed to find them?'' |
| * '''Desmond:''' ''Great. And how am I supposed to find them?'' | | *'''Lucy:''' ''Hold on... It looks like Ezio has a map on him. He must have picked it up during [[Checcomate|one]] of the corrupted sequences. According to this, it'll show you the location of any missing Codex pages.'' |
| * '''Lucy:''' ''Hold on... It looks like Ezio has a map on him. He must have picked it up during [[Checcomate|one]] of the corrupted sequences. According to this, it'll show you the location of any missing Codex pages.'' | |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |An Old Friend Returns | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|An Old Friend Returns |
| |- | | |- |
| |A hologram of [[Minerva]] addressed Ezio when he entered the [[Vatican Vault]] after finally defeating Rodrigo Borgia. The Assassin listened to her message, confused, as she was in fact delivering it through him to Desmond. When Minerva's projection disappeared and the memory ended,<ref name="InBoccaAlLupo">''Assassin's Creed II'' – [[In Bocca al Lupo]]</ref> Desmond expressed his astonishment. | | |A hologram of [[Minerva]] addressed Ezio when he entered the [[Vatican Vault]] after finally defeating Rodrigo Borgia. The Assassin listened to her message, confused, as she was in fact delivering it through him to Desmond. When Minerva's projection disappeared and the memory ended,<ref name="InBoccaAlLupo">''Assassin's Creed II'' – [[In Bocca al Lupo]]</ref> Desmond expressed his astonishment. |
| * '''Desmond:''' ''What. The. Fuck.'' | | *'''Desmond:''' ''What. The. Fuck.'' |
| He was then suddenly pulled out of the Animus, opening his eyes to see his companions in a hurry. | | He was then suddenly pulled out of the Animus, opening his eyes to see his companions in a hurry. |
| *'''Shaun:''' ''...there's only about ten minutes until they get...'' | | *'''Shaun:''' ''...there's only about ten minutes until they get...'' |
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| *'''Desmond:''' ''Alright. Guess I better get started...'' | | *'''Desmond:''' ''Alright. Guess I better get started...'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Truth | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Truth |
| |- | | |- |
| |The team reacted after Desmond uncovered Subject 16's encrypted video.<ref>''Assassin's Creed II'' – [[The Truth]]</ref> | | |The team reacted after Desmond uncovered Subject 16's encrypted video.<ref>''Assassin's Creed II'' – [[The Truth]]</ref> |
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| ==''[[Assassin's Creed: Brotherhood]]''== | | ==''[[Assassin's Creed: Brotherhood]]''== |
| {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Broken Sequence | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Desmond Miles' ruminations |
| | |- |
| | |Desmond reflected on all that had transpired to him over the past week.<ref>''[[Assassin's Creed: Initiates]]'' – [[The Desmond Files]] – 8 September 2012: "Escape from Abstergo"</ref> He thought back to when Lucy and Warren watched him in the Animus 1.28. |
| | *'''Desmond:''' ''I don't think anyone ever expects to wake up one morning and find themselves caught in the middle of a war between two secret organizations.'' |
| | His own words brought to mind a memory of the [[Knights Templar|Knight Templar]] [[Garnier de Naplouse]] exiting the [[Hospitalier Fortress]] in Acre,<ref name="AssassinationGarnier">''Assassin's Creed'' – [[Assassination (Garnier de Naplouse)]]</ref> which then faded to show the [[Sanctuary]] beneath the [[Villa Auditore]]. |
| | *'''Desmond:''' ''I know I didn't. But here I am.'' |
| | He remembered standing up from an Animus session, before the memory changed to [[Grand Master of the Templar Order|Grand Master]] [[Robert de Sablé]] [[Defense of Masyaf|attacking]] the [[Levantine Brotherhood of Assassins|Levantine Assassins]]' base at Masyaf.<ref name="Glory">''Assassin's Creed'' – [[Glory]]</ref> |
| | *'''Desmond:''' ''On one side are the Templars, better known as Abstergo Industries.'' |
| | The scene changed to the glowing windows in Abstergo's Animi Training Room, arranged to look like the [[Templar insignia]], and then to Abstergo's logo. |
| | *'''Desmond:''' ''They're in the business of control. Politics.'' |
| | The scene changed to Ezio Auditore's view of the Italian Templars' meeting beneath the Basilica di Santa Maria Novella,<ref name="NovellasSecret"/> before returning to the Animi room again. |
| | *'''Desmond:''' ''Economics. Technology. They won't stop until every single one of us serves them. Literally.'' |
| | The scene changed in quick succession to Altaïr watching Garnier's men restrain a wounded prisoner,<ref name="AssassinationGarnier"/> Altaïr watching [[Majd Addin]] personally preside over an execution,<ref name="AssassinationMajd">''Assassin's Creed'' – [[Assassination (Majd Addin)]]</ref> and Altaïr seeing one of [[Talal]]'s imprisoned [[Slavery|slaves]] reached up to him from their subterranean warehouse prison cell.<ref>''Assassin's Creed'' – [[Assassination (Talal)]]</ref> |
| | *'''Desmond:''' ''Fighting against them are the Assassins, a group dedicated to safeguarding humanity's free will'' |
| | The scene changed to [[Al Mualim]] reprimanding Altaïr in front of the other Assassins after driving de Sablé back,<ref name="Glory"/> followed by Ezio's initiation into the Italian Assassins.<ref name="PlayAlong"/> |
| | *'''Desmond:''' I ''was born into the brotherhood.'' |
| | The scene returned to his first time using the Animus 1.28. |
| | *'''Desmond:''' ''A couple of weeks ago, the Templars found me. They took me prisoner. Strapped me to a machine they'd built and put me to work. It's called an Animus. And it's where I spent most of my time. Exploring the memories of my ancestors, discovering ''entire lives'' locked deep inside ''my'' DNA.'' |
| | The scene changed to Altaïr looking up at Masyaf, standing on a viewpoint near the [[Pasha Mosque]] in [[Damascus]], and then [[freerunning]] on [[Acre]]'s rooftops and assassinating a [[Knights Hospitalier|Knight Hostpitalier]] [[archer]]. |
| | *'''Desmond:''' ''First, I revisited the life of Altaïr Ibn-La'Ahad, an Assassin from the [[Crusades]].'' |
| | The scenes quickly changed to the [[Ark of the Covenant]] beneath [[Solomon's Temple]] in [[Jerusalem]],<ref>''Assassin's Creed'' – [[Acquisition]]</ref> Al Mualim showing Altaïr the Apple it contained in his study,<ref name="AssassinationMajd"/> and the Apple's effects on Altaïr during his [[Retaking of Masyaf|duel]] with Al Mualim.<ref>''Assassin's Creed'' – [[Assassination (Al Mualim)]]</ref> |
| | *'''Desmond:''' ''The Templars wanted the location of something known as a Piece of Eden, an ancient artifact capable of bending people to their will.'' |
| | He remembered Altaïr looking at the Apple's map of other Isu [[Temple (Isu)|temples]] across Earth. |
| | *'''Desmond:''' ''Once the Templars had what they were looking for, they decided my ''usefulness'' had come to an end. But Lucy saved me.'' |
| | The scene changed to one of his conversation with her in the lab, and then her knocking out an Abstergo security team with a baton. |
| | *'''Desmond:''' ''Lucy. When things were at their worse, she revealed herself to be an Assassin and helped me escape.'' |
| | The scene changed to him climbing out from their escape car's trunk upon arriving at the Rome hideout. |
| | *'''Desmond:''' ''I was hoping that would be the end of my misadventures. But we were just getting started. Back into another Animus I went.'' |
| | The scene changed to him meeting Rebecca, sitting in the Animus 2.0, Ezio mocking [[Vieri de' Pazzi]] before their brawl,<ref name="BoysWillBeBoys"/> and Ezio arming himself with his father [[Giovanni Auditore da Firenze|Giovanni]]'s [[Ezio Auditore's robes|robes]].<ref>''Assassin's Creed II'' – [[Family Heirloom]]</ref> |
| | *'''Desmond:''' ''Now, I'm reliving the memories of Ezio Auditore da Firenze, my ancestor from the Renaissance, searching for a path forward.'' |
| | The scene changed to one of his Bleeding Effect episodes, in which blurry, ghostly figures seemed to move past him in one of the hideout's halls. |
| | *'''Desmond:''' ''Through the Bleeding Effect, I'm becoming an Assassin in more than just name.'' |
| | The scene returned again to the Animi Training Room. |
| | *'''Desmond:''' ''It will come in handy, as the Templars prepare to enslave us all.'' |
| | The scene changed to Warren leading Abstergo's raid on the hideout, and the the Assassin cell members scrambling to pack up and evacuate. |
| | *'''Desmond:''' ''They've found is. They've crashed our hideout and we're fleeing the scene, looking for a place to hide. Only, there isn't any and time is running short. My name is Desmond Miles, and this is my story.'' |
| | |} |
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| | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Broken Sequence |
| |- | | |- |
| |The Assassins tried to access Memory sequence 9, but found the memory file was corrupted. | | |The Assassins tried to access a later memory sequence but found the file was corrupted, with the simulation put through a red filter, flashes of memories appearing as blurry still images, the Animus digital models fading in and out of rendering, and with scenes looping or playing out of sequence. |
| *'''Desmond:''' ''Uh, Rebecca? What's going on...'' | | *'''Desmond:''' ''Uh, Rebecca? What's going on...'' |
| *'''Rebecca:''' ''I have to run some diagnostics, I'll get back to you.'' | | *'''Rebecca:''' ''I have to run some diagnostics, I'll get back to you.'' |
| Desmond started to relive Ezio Auditore's memory immediately after Minerva's hologram disappeared.<ref>''[[Assassin's Creed: Brotherhood]]'' – [[Mass Exodus]]</ref> | | Desmond started to relive Ezio's memory immediately after Minerva's hologram disappeared.<ref>''[[Assassin's Creed: Brotherhood]]'' – [[Mass Exodus]]</ref> |
| |} | | |} |
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| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Arrival in Monteriggioni | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Arrival in Monteriggioni |
| |- | | |- |
| |Desmond was pulled out of the Animus after Ezio escaped the attack on Monteriggioni.<ref>''Assassin's Creed: Brotherhood'' – [[Emergency Exit]]</ref> | | |Desmond was pulled out of the Animus after Ezio escaped the attack on Monteriggioni.<ref>''Assassin's Creed: Brotherhood'' – [[Emergency Exit]]</ref> |
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| *'''Shaun:''' ''I really hate to stress this, yeah, but we are running out of time.'' | | *'''Shaun:''' ''I really hate to stress this, yeah, but we are running out of time.'' |
| *'''Lucy:''' ''Well help us then, Shaun. Do you have any ideas?'' | | *'''Lucy:''' ''Well help us then, Shaun. Do you have any ideas?'' |
| *'''Shaun:''' ''I don't know, maybe there's another way into the [[Sanctuary]]?'' | | *'''Shaun:''' ''I don't know, maybe there's another way into the Sanctuary?'' |
| *'''Desmond:''' ''Hey, I think I've got something.'' | | *'''Desmond:''' ''Hey, I think I've got something.'' |
| Desmond beckoned Lucy. | | Desmond beckoned Lucy. |
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| |} | | |} |
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| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Path to the Sanctuary | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Path to the Sanctuary |
| |- | | |- |
| |Desmond suffered the Bleeding Effect and saw the forms of Monteriggioni's [[Civilian|townspeople]] escaping, with Ezio Auditore assisting them. | | |Desmond suffered the Bleeding Effect and saw the forms of Monteriggioni's [[Civilian|townspeople]] escaping, with Ezio Auditore assisting them. |
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| *'''Desmond:''' ''What if I can't stop the visions? How long before I start painting symbols on the walls?'' | | *'''Desmond:''' ''What if I can't stop the visions? How long before I start painting symbols on the walls?'' |
| *'''Lucy:''' ''Don't joke about that. Sixteen is dead. We're focusing on the present, okay?'' | | *'''Lucy:''' ''Don't joke about that. Sixteen is dead. We're focusing on the present, okay?'' |
| The two of them walked up to the gate and Desmond pulled a nearby lever. The gate only raised a few inches above the bones of the guard, before Desmond let it go and it dropped back down. | | The two of them walked up to the gate and Desmond pulled a nearby lever. The gate only raised a few inches above the guard's bones before Desmond let it go and it dropped back down. |
| *'''Desmond:''' ''Great. It's stuck!'' | | *'''Desmond:''' ''Great. It's stuck!'' |
| *'''Lucy:''' ''I can get under there.'' | | *'''Lucy:''' ''I can get under there.'' |
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| *'''Lucy:''' ''Nice job.'' | | *'''Lucy:''' ''Nice job.'' |
| *'''Desmond:''' ''I aim to please.'' | | *'''Desmond:''' ''I aim to please.'' |
| They began to [[Freerunning|freerun]] through the tunnel. | | They began to freerun through the tunnel. |
| *'''Desmond:''' ''I wonder how old these tunnels are.'' | | *'''Desmond:''' ''I wonder how old these tunnels are.'' |
| *'''Lucy:''' ''Middle Ages, probably. Luckily, these beams still hold our weight.'' | | *'''Lucy:''' ''Middle Ages, probably. Luckily, these beams still hold our weight.'' |
| *'''Desmond:''' ''After all this time in the Animus, I'm not so sure.'' | | *'''Desmond:''' ''After all this time in the Animus, I'm not so sure.'' |
| *'''Lucy:''' ''Ya, I didn't want to say anything, but you're really getting fat.'' | | *'''Lucy:''' ''Yeah, I didn't want to say anything, but you're really getting fat.'' |
| *'''Desmond:''' ''Ouch.'' | | *'''Desmond:''' ''Ouch.'' |
| Lucy replied back jokingly. | | Lucy replied back jokingly. |
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| |} | | |} |
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| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Setting Up | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Setting Up |
| |- | | |- |
| |Upon entering the Sanctuary, Desmond saw an image of an aged Ezio, due to the Bleeding Effect. | | |Upon entering the Sanctuary, Desmond saw an image of an aged Ezio, due to the Bleeding Effect. |
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| |} | | |} |
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| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Improved Animus | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Improved Animus |
| |- | | |- |
| |After powering up the Sanctuary, Desmond returned to his team. | | |After powering up the Sanctuary, Desmond returned to his team. |
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| |} | | |} |
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| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After Memory Sequence 2 | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After Memory Sequence 2 |
| |- | | |- |
| |After Ezio began reestablishing connections to the Assassins' old [[Rome|Roman]] information contacts for the [[liberation of Rome]],<ref>''Assassin's Creed: Brotherhood'' – [[Roman Underground]]</ref> Desmond left the Animus and struck up a conversation with Shaun. | | |After Ezio began reestablishing connections to the Assassins' old [[Rome|Roman]] information contacts for the [[liberation of Rome]],<ref>''Assassin's Creed: Brotherhood'' – [[Roman Underground]]</ref> Desmond left the Animus and struck up a conversation with Shaun. |
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| |} | | |} |
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| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After Memory Sequence 3 | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After Memory Sequence 3 |
| |- | | |- |
| |Desmond talked to Lucy about Abstergo's motivations and her link to them. | | |Desmond talked to Lucy about Abstergo's motivations and her link to them. |
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| |} | | |} |
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| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After Memory Sequence 4 | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After Memory Sequence 4 |
| |- | | |- |
| |After Desmond had relived Ezio's memory of reuniting with Leonardo da Vinci in Rome,<ref>''Assassin's Creed: Brotherhood'' – [[An Unexpected Visitor]]</ref> Rebecca described a new Animus feature. | | |After Desmond had relived Ezio's memory of reuniting with Leonardo da Vinci in Rome,<ref>''Assassin's Creed: Brotherhood'' – [[An Unexpected Visitor]]</ref> Rebecca described a new Animus feature. |
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| |} | | |} |
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| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After Memory Sequence 7 | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After Memory Sequence 7 |
| |- | | |- |
| |Wishing to know more about Ezio's nemesis [[Cesare Borgia]], Desmond approached Shaun for some information. | | |Wishing to know more about Ezio's nemesis [[Cesare Borgia]], Desmond approached Shaun for some information. |
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| |} | | |} |
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| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Miracle is in the Execution | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Miracle is in the Execution |
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| |} | | |} |
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| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After Memory Sequence 9 | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After Memory Sequence 9 |
| |- | | |- |
| |After fully synchronizing with Ezio, the Assassin team discovered the location of Ezio's Apple. | | |After fully synchronizing with Ezio, the Assassin team discovered the location of Ezio's Apple. |
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| |} | | |} |
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| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Colosseum | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Colosseum |
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| |} | | |} |
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| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|A Knife to the Heart | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|A Knife to the Heart |
| |- | | |- |
| |Desmond entered the [[Basilica di Santa Maria in Ara Coeli]] through a secret entrance, while Lucy, Shaun, and Rebecca waited at the door outside. | | |Desmond entered the [[Basilica di Santa Maria in Ara Coeli]] through a secret entrance, while Lucy, Shaun, and Rebecca waited at the door outside. |
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| |} | | |} |
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| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Animi Training Program | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Animi Training Program |
| |- | | |- |
| |Warren Vidic stood on a suspended scaffold flanked by two screens overlooking the Animi Training Program room. Below him, Abstergo recruits stood at attention beside their cubicles in two long rows down the central hallway to the opposite end of the room. | | |Warren Vidic stood on a suspended scaffold flanked by two screens overlooking the Animi Training Program room. Below him, Abstergo recruits stood at attention beside their cubicles in two long rows down the central hallway to the opposite end of the room. |
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| *'''Warren:''' ''Be ready to receive assassination contracts while being targeted simultaneously. We feel it keeps you on your toes.'' | | *'''Warren:''' ''Be ready to receive assassination contracts while being targeted simultaneously. We feel it keeps you on your toes.'' |
| Both screens brought up the Prowler as he suddenly ran up from behind the Executioner and slew him before moving on to kill the Barber as well. The footage finally ended and was replaced by the Abstergo logo on blue background before the displays powered down. | | Both screens brought up the Prowler as he suddenly ran up from behind the Executioner and slew him before moving on to kill the Barber as well. The footage finally ended and was replaced by the Abstergo logo on blue background before the displays powered down. |
| *'''Warren:''' ''Once you enter thee machines and the transfer is complete, you will have the skills necessary to crush the remnants of the Asassin Order, ending this war once and for all. Any questions?'' | | *'''Warren:''' ''Once you enter thee machines and the transfer is complete, you will have the skills necessary to crush the remnants of the Assassin Order, ending this war once and for all. Any questions?'' |
| He leaned over the scaffold railing but heard no reply. | | He leaned over the scaffold railing but heard no reply. |
| *'''Warren:''' ''Good. Lets begin.'' | | *'''Warren:''' ''Good. Lets' begin.'' |
| |} | | |} |
|
| |
|
| ==''[[Assassin's Creed: Revelations]]''== | | ==''[[Assassin's Creed: Revelations]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Animus Island | | !style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Animus Island |
| |- | | |- |
| | | | | |
| *'''Rebecca:''' ''We can keep him like this for a few days, maybe a week.'' | | *'''Rebecca:''' ''We can keep him like this for a few days. ''Maybe'' a week.'' |
| *'''William:''' ''Call ahead, tell them we're on our way.'' | | *'''William:''' ''Call ahead. Tell them we're on our way.'' |
| *'''Rebecca:''' ''As soon as we're clear.'' | | *'''Rebecca:''' ''As soon as we're clear.'' |
| Rebecca's voice faded as Clay Kaczmarek's digital consciousness spoke from within the Animus while Desmond's comatose mind replayed a montage of his memories, starting with waking from using Abstergo Industries' Animus 1.28. | | Rebecca's voice faded as Clay Kaczmarek's digital consciousness spoke from within the Animus while Desmond's comatose mind replayed a montage of his memories, starting with waking from using Abstergo's Animus 1.28. |
| *'''Clay:''' ''Desmond Miles. Your life has changed so much in so little time.'' | | *'''Clay:''' ''Desmond Miles. Your life has changed so much in so little time.'' |
| The memory changed to Lucy opening the back of a moving truck at the Villa Auditore so Desmond could exit. | | The memory changed to Lucy opening the back of a moving truck at the Villa Auditore so Desmond could exit. |
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| A clip of Clay's mad laughter played as his voice was slightly digitally distorted towards the end. The scene changed to a tracking shot over the Animus 1.28 and a zoom on its physical interface and digital HUD, before forming a construct of Altaïr Ibn-La'Ahad in the Memory Coridor which resolved into a rooftop view of [[Acre]]. | | A clip of Clay's mad laughter played as his voice was slightly digitally distorted towards the end. The scene changed to a tracking shot over the Animus 1.28 and a zoom on its physical interface and digital HUD, before forming a construct of Altaïr Ibn-La'Ahad in the Memory Coridor which resolved into a rooftop view of [[Acre]]. |
| *'''Clay:''' ''But you remember all this, right? You remember the Animus, the machine we use to unravel genetic memories and relive the lives of our ancestors? First you were Altaïr, a stoic twelfth-century Assassin from the Holy Land.'' | | *'''Clay:''' ''But you remember all this, right? You remember the Animus, the machine we use to unravel genetic memories and relive the lives of our ancestors? First you were Altaïr, a stoic twelfth-century Assassin from the Holy Land.'' |
| The scene changed to an adult Ezio in the Memory Corridor, flickered to his street fight as a young man with [[Vieri de' Pazzi]] on the Ponte Vecchio,<ref name="BoysWillBeBoys" /> then flickered again to an adult Ezio charging at Cesare Borgia during the [[Siege of Viana|siege]] of [[Viana]] in 1507.<ref>''Assassin's Creed: Brotherhood'' – [[Pax Romana]]</ref> Through all this, Animus code kept glitching code lines in, distorting the scenes. | | The scene changed to an adult Ezio in the Memory Corridor, flickered to his street fight as a young man with Vieri de' Pazzi on the Ponte Vecchio,<ref name="BoysWillBeBoys"/> then flickered again to an adult Ezio charging at Cesare Borgia during the siege of Viana in 1507.<ref>''Assassin's Creed: Brotherhood'' – [[Pax Romana]]</ref> Through all this, Animus code kept glitching code lines in, distorting the scenes. |
| *'''Clay:''' ''Then, you were Ezio Auditore, a wealthy Italian with charisma and a talent for revenge.'' | | *'''Clay:''' ''Then, you were Ezio Auditore, a wealthy Italian with charisma and a talent for revenge.'' |
| The scene changed to Desmond seeing a "ghost" of Ezio in the Villa Auditore's Santuary through the Bleeding Effect. | | The scene changed to Desmond seeing a "ghost" of Ezio in the Villa Auditore's Santuary through the Bleeding Effect. |
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| *'''William:''' ''Shaun...'' | | *'''William:''' ''Shaun...'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After DNA Sequence 1 | | !style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After DNA Sequence 1 |
| |- | | |- |
| | | | | |
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| *'''Shaun:''' ''Well, keep me posted, okay? I'll see you soon.'' | | *'''Shaun:''' ''Well, keep me posted, okay? I'll see you soon.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After DNA Sequence 2 | | !style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After DNA Sequence 2 |
| |- | | |- |
| |Once more, a conversation could be overheard, which featured Rebecca and William Miles. | | |Once more, a conversation could be overheard, which featured Rebecca and William Miles. |
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| *'''Shaun:''' ''Sad? Are you finally going soft on us, Bill?'' | | *'''Shaun:''' ''Sad? Are you finally going soft on us, Bill?'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After DNA Sequence 6 | | !style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After DNA Sequence 6 |
| |- | | |- |
| |Some time later, another talk between Shaun and William Miles took place. | | |Some time later, another talk between Shaun and William Miles took place. |
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| *'''William:''' ''I believe so. I wish I could say we knew about his gift earlier. But it was the Templars who realized this. And they found him first...'' | | *'''William:''' ''I believe so. I wish I could say we knew about his gift earlier. But it was the Templars who realized this. And they found him first...'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After DNA Sequence 8 | | !style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After DNA Sequence 8 |
| |- | | |- |
| |Following Desmond exploring more of Ezio's memories, the Assassins outside of his coma planned to relocate themselves, and him along with them. | | |Following Desmond exploring more of Ezio's memories, the Assassins outside of his coma planned to relocate themselves, and him along with them. |
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| *'''Clay:''' ''GO!'' | | *'''Clay:''' ''GO!'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Sync Nexus | | !style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Synch Nexus |
| |- | | |- |
| |Once Desmond had achieved the necessary synchronization with his ancestors,<ref>''Assassin's Creed: Revelations'' – [[The Message]]</ref> he found himself inside the [[Nexus]]. Jupiter, a member of the First Civilization, soon appeared. | | |After Desmond had achieved the necessary synchronization with his ancestors,<ref>''Assassin's Creed: Revelations'' – [[The Message]]</ref> he found himself inside the [[Nexus]] via the [[Apple of Eden 6|Apple of Eden]] next to him. Jupiter, a member of the First Civilization, soon appeared. |
| *'''Jupiter:''' ''Do you hear me, [[cipher]]? Can you see me?'' | | *'''Jupiter:''' ''Do you hear me, [[cipher]]? Can you see me?'' |
| Jupiter spotted Desmond within the Nexus. | | Jupiter spotted Desmond within the Nexus. |
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| *'''Jupiter:''' ''Listen. You must go there. To the place where we labored... labored and lost. Take my words. Pass them from your head into your hands. That is how you will open the way. But be warned: much still remains in flux. And I do not know how things will end—either in [[Isu Era|my time]] or yours.'' | | *'''Jupiter:''' ''Listen. You must go there. To the place where we labored... labored and lost. Take my words. Pass them from your head into your hands. That is how you will open the way. But be warned: much still remains in flux. And I do not know how things will end—either in [[Isu Era|my time]] or yours.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After DNA Sequence 9 | | !style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After DNA Sequence 9 |
| |- | | |- |
| |Following Jupiter's message and having fully separated himself from his ancestors and their memories, Desmond began to wake from his coma. Shaun, Rebecca, and William stood around him in a nearly pitch black room lit only by the Animus screens. | | |Following Jupiter's message and having fully separated himself from his ancestors and their memories, Desmond began to wake from his coma. Shaun, Rebecca, and William stood around him in a nearly pitch black room lit only by the Animus screens. |
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| Glancing at Shaun, William gave Desmond a quick nod then walked a few paces away to threw open the doors to the room, revealing it to be the back space of a van parked across from the Grand Temple's entrance near the town of [[Turin, New York|Turin]], [[New York]]. Desmond blinked at the sudden bright light as glyphs on the Temple's door began glowing like the Apple. | | Glancing at Shaun, William gave Desmond a quick nod then walked a few paces away to threw open the doors to the room, revealing it to be the back space of a van parked across from the Grand Temple's entrance near the town of [[Turin, New York|Turin]], [[New York]]. Desmond blinked at the sudden bright light as glyphs on the Temple's door began glowing like the Apple. |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Animi Training Program | | !style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Animi Training Program |
| |- | | |- |
| |On the advancement of the Animi Training Program, select Abstergo recruits were allocated to the second stage of the program, and often came into contact with Warren Vidic, as well as some other Templars. | | |On the advancement of the Animi Training Program, select Abstergo recruits were allocated to the second stage of the program, and often came into contact with Warren Vidic, as well as some other Templars. |
| ;Welcome | | ;Welcome |
| Warren introduced himself in a dimly lit room to prospective Abstergo recruits who had excelled in the program's first stage. | | Warren introduced himself in a dimly lit room to prospective Abstergo recruits who had excelled in the program's first stage. |
| *'''Warren:''' ''It is a privilege for each one of you to be invited up here. Everyone in this room has proven themselves as more than mere killers. Your skill acquisition in the Animus thus far has been far superior to that of your colleagues, who, as I speak, continue to struggle down below us. But the test of your true worth has barely begun. You think you know of our Order. Of our founding in 1119, our quest for domination during the [[Crusades]]. The vast treasure and the decline at the end of the 12th century. And, finally, our resurgence as Abstergo. You know nothing. It is time to begin your real education. As you continue your training in the Animus, those worthy will be admitted to the secrets of our Order. My assistant will monitor your progress. Once you exit this room there is no turning back. Succeed, and a bright future awaits, fail... and far more than your contract will be terminated.'' | | *'''Warren:''' ''It is a privilege for each one of you to be invited up here. Everyone in this room has proven themselves as more than mere killers. Your skill acquisition in the Animus thus far has been far superior to that of your colleagues, who, as I speak, continue to struggle down below us. But the test of your true worth has barely begun. You think you know of our Order. Of our founding in 1119, our quest for domination during the Crusades. The vast treasure and the decline at the end of the 12th century. And, finally, our resurgence as Abstergo. You know nothing. It is time to begin your real education. As you continue your training in the Animus, those worthy will be admitted to the secrets of our Order. My assistant will monitor your progress. Once you exit this room there is no turning back. Succeed, and a bright future awaits, fail... and far more than your contract will be terminated.'' |
| ;First Steps | | ;First Steps |
| Right from his first meeting, the Abstergo recruit [[Juhani Otso Berg]] began to impress the Templar Order, so much so that Warren offered encouraging words to help motivate him to climb higher. | | Right from his first meeting, the Abstergo recruit [[Juhani Otso Berg]] began to impress the Templar Order, so much so that Warren offered encouraging words to help motivate him to climb higher. |
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|
| |
|
| ==''[[Assassin's Creed III]]''== | | ==''[[Assassin's Creed III]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |William Miles' ruminations | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|William Miles' ruminations |
| |- | | |- |
| |Williams Miles stood in thought looking out an apartment window in a coastal city at night. | | |Williams Miles stood in thought looking out an apartment window in a coastal city at night. |
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| In his mind's eye, the scene changed to one of a blindfolded Desmond being captured by Abstergo Industries agents. | | In his mind's eye, the scene changed to one of a blindfolded Desmond being captured by Abstergo Industries agents. |
| *'''William:''' ''But I'm getting ahead of myself. Better to start at the beginning, with the abduction of Desmond Miles. My son.'' | | *'''William:''' ''But I'm getting ahead of myself. Better to start at the beginning, with the abduction of Desmond Miles. My son.'' |
| The scene changed to one of Desmond in [[Bad Weather]] downing a shot from a glass with a frosted Abstergo logo on the bottom. | | The scene changed to one of Desmond in the bar [[Bad Weather]] downing a shot from a glass with a frosted Abstergo logo on the bottom. |
| *'''William:''' ''This... boy had no ambition. No direction. No plans for the future. What he DID have was a heritage. One he chose to deny. It nearly cost him his life.'' | | *'''William:''' ''This... boy had no ambition. No direction. No plans for the future. What he DID have was a heritage. One he chose to deny. It nearly cost him his life.'' |
| The scene changed to Warren Vidic watching Desmond in the Animus 1.28. | | The scene changed to Warren Vidic watching Desmond in the Animus 1.28. |
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| The scene changed to one of a metal Abstergo Industries logo hovering in midair in a dimly lit, dusty room, before it pivoted and turned into a Templar insignia. | | The scene changed to one of a metal Abstergo Industries logo hovering in midair in a dimly lit, dusty room, before it pivoted and turned into a Templar insignia. |
| *'''William:''' ''You know them as Abstergo Industries, we know them as the Templars—as the enemy. We've been fighting them for thousands of years.'' | | *'''William:''' ''You know them as Abstergo Industries, we know them as the Templars—as the enemy. We've been fighting them for thousands of years.'' |
| The cross changed texture, merging with the fabric logo on the tunic of a Templar knight about to be stabbed in the face by a [[Levantine Brotherhood of Assassins|Levantine Assassin]]'s Hidden Blade. | | The cross changed texture, merging with the fabric logo on the tunic of a Templar knight about to be stabbed in the face by a Levantine Assassin's Hidden Blade. |
| *'''William:''' ''Even longer if you believe the stories of their origins. I do. After all, I've seen the truth.'' | | *'''William:''' ''Even longer if you believe the stories of their origins. I do. After all, I've seen the truth.'' |
| The scene changed to one of Ezio Auditore in a Memory Corridor littered with partial models of Roman architecture. | | The scene changed to one of Ezio Auditore in a Memory Corridor littered with partial models of Roman architecture. |
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| The Apple emitted a burst of blinding light as William's thoughts drew to a close. | | The Apple emitted a burst of blinding light as William's thoughts drew to a close. |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" | Arrival at the Temple | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Arrival at the Temple |
| |- | | |- |
| | Desmond and his team arrived at the Grand Temple. William Miles opened the doors to their van. | | |Desmond and his team arrived at the Grand Temple. William Miles opened the doors to their van. |
| *'''William:''' ''We're here.'' | | *'''William:''' ''We're here.'' |
| The other Assassins gathered up their equipment while Desmond waited at the mouth of the cave. | | The other Assassins gathered up their equipment while Desmond waited at the mouth of the cave. |
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| Desmond then began the [[Refresher Course|refresher course]] Rebecca set up for him, before reliving Haytham's attendance of [[John Gay]]'s play ''[[The Beggar's Opera]]'' at [[London]]'s [[Theatre Royal]].<ref>''[[Assassin's Creed III]]'' – [[A Deadly Performance]]</ref> | | Desmond then began the [[Refresher Course|refresher course]] Rebecca set up for him, before reliving Haytham's attendance of [[John Gay]]'s play ''[[The Beggar's Opera]]'' at [[London]]'s [[Theatre Royal]].<ref>''[[Assassin's Creed III]]'' – [[A Deadly Performance]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Early Tensions | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Early Tensions |
| |- | | |- |
| |After watching Haytham [[Initiation into the Templar Order|induct]] [[Charles Lee]] into the [[American Rite of the Templar Order|Colonial Templars]],<ref>''Assassin's Creed III'' – [[The Braddock Expedition (memory)]]</ref> Desmond was shocked to learn Haytham's true loyalties. | | |After watching Haytham [[Initiation into the Templar Order|induct]] [[Charles Lee]] into the [[American Rite of the Templar Order|Colonial Templars]],<ref>''Assassin's Creed III'' – [[The Braddock Expedition (memory)]]</ref> Desmond was shocked to learn Haytham's true loyalties. |
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| *'''Shaun:''' ''Obviously. Anyway, Desmond—you can either take a look around here or we can head back into the Animus.'' | | *'''Shaun:''' ''Obviously. Anyway, Desmond—you can either take a look around here or we can head back into the Animus.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Before Sequence 4 | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Before Sequence 4 |
| |- | | |- |
| |The argument settled, Desmond spoke to Rebecca. | | |The argument settled, Desmond spoke to Rebecca. |
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| *'''Shaun:''' ''Right you are, in fact! I've been reviewing our archives and it appears that Haytham's father was indeed an Assassin. Which means he was likely one too. At least for a little while...'' | | *'''Shaun:''' ''Right you are, in fact! I've been reviewing our archives and it appears that Haytham's father was indeed an Assassin. Which means he was likely one too. At least for a little while...'' |
| *'''Desmond:''' ''What else did you find?'' | | *'''Desmond:''' ''What else did you find?'' |
| *'''Shaun:''' ''That fellow from the opera—[[Reginald Birch]]—[[Grand Master of the Templar Order|Grand Master]] of the [[British Rite of the Templar Order|London chapter]] of the Templars. He and Haytham's father—a man named [[Edward Kenway|Edward]]—well, they were longtime rivals. Now, it appears Birch got his hands on Haytham at a [[Assassin's Creed: Forsaken|rather young age]]—working his wiles to convince Haytham to switch sides. Wonder how he did it. I'll see if I can't dig up more...'' | | *'''Shaun:''' ''That fellow from the opera—[[Reginald Birch]]—Grand Master of the [[British Rite of the Templar Order|London chapter]] of the Templars. He and Haytham's father—a man named [[Edward Kenway|Edward]]—well, they were longtime rivals. Now, it appears Birch got his hands on Haytham at a [[Assassin's Creed: Forsaken|rather young age]]—working his wiles to convince Haytham to switch sides. Wonder how he did it. I'll see if I can't dig up more...'' |
| Shaun then asked Desmond about their situation. | | Shaun then asked Desmond about their situation. |
| *'''Shaun:''' ''Hon—Honest answer please, Desmond: Do you think we're getting out of this alive?'' | | *'''Shaun:''' ''Hon—Honest answer please, Desmond: Do you think we're getting out of this alive?'' |
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| *'''Desmond:''' ''You are such an asshole. Oh, you thinking about hitting me again? Because this time, I will hit back.'' | | *'''Desmond:''' ''You are such an asshole. Oh, you thinking about hitting me again? Because this time, I will hit back.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |First Power Source | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|First Power Source |
| |- | | |- |
| |Desmond got out of the Animus, having experienced [[Ratonhnhaké:ton]]'s early memories. | | |Desmond got out of the Animus, having experienced [[Ratonhnhaké:ton]]'s early memories. |
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| *'''Rebecca:''' ''Maybe. The Templars have access to all kinds of satellites and camera systems. We'll need to find a way to mask our digital signature. I can probably camouflage the van, too. But there's not much I can do for US.'' | | *'''Rebecca:''' ''Maybe. The Templars have access to all kinds of satellites and camera systems. We'll need to find a way to mask our digital signature. I can probably camouflage the van, too. But there's not much I can do for US.'' |
| *'''Desmond:''' ''That's an easy one.'' | | *'''Desmond:''' ''That's an easy one.'' |
| Desmond pulled up his hood and set out to recover the first power source.<ref>''Assassin's Creed III'' – [[Modern Tower]]</ref> After recovering it, the Assassins left New York immediately and made a two day detour through [[Boston]]. Upon returning to the Grand Temple, Desmond demanded to know about Daniel Cross. | | Desmond pulled up his hood and set out to acquire the first power source. After [[Modern Tower|recovering]] it,<ref>''Assassin's Creed III'' – [[Modern Tower]]</ref> the Assassins left New York immediately and made a two day detour through [[Boston]]. Upon returning to the Grand Temple, Desmond demanded to know about Daniel Cross. |
| *'''Desmond:''' ''So who the hell is Daniel Cross?'' | | *'''Desmond:''' ''So who the hell is Daniel Cross?'' |
| *'''Shaun:''' ''Believe it or not, he used to be an Assassin. THE Assassin, the way I've heard it told. But it turned out that he was a sleeper agent for Abstergo, trained to [[Great Purge|infiltrate and bring down]] the organization.'' | | *'''Shaun:''' ''Believe it or not, he used to be an Assassin. THE Assassin, the way I've heard it told. But it turned out that he was a sleeper agent for Abstergo, trained to [[Great Purge|infiltrate and bring down]] the organization.'' |
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| *'''Shaun:''' ''I'd suggest you go see about finding a socket for that power source. Or we can return to Connor if you prefer. All the artifacts in the world won't mean a thing without the key.'' | | *'''Shaun:''' ''I'd suggest you go see about finding a socket for that power source. Or we can return to Connor if you prefer. All the artifacts in the world won't mean a thing without the key.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Juno encounters 1 & 2 | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Juno encounters 1 & 2 |
| |- | | |- |
| |Desmond explored the Temple while looking for a socket for the battery he had just acquired. He first came to a holoprojector when Juno appeared to him and began explaining how the First Civilization had tried to save the world from the First Disaster. | | |Desmond explored the Temple while looking for a socket for the battery he had just acquired. He first came to a holoprojector when Juno appeared to him and began explaining how the First Civilization had tried to save the world from the First Disaster. |
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| *'''Juno:''' ''If we could not meet the sun's cruel embrace... Perhaps we might rebuke it. Already we could generate the fields—to protect us in times of strife... But these were small and simple things. To replicate them on a scale the size of a world... We lacked the energy to make it so. Half the world, they said, then. It is better than none at all. We tried. Again, we failed. A quarter, they asked. Even this, we could not do... A sixth! An eighth! A tenth, they cried! The answer was still the same. Perhaps in time, a city might be spared... But it was time we did not have... So we moved on.'' | | *'''Juno:''' ''If we could not meet the sun's cruel embrace... Perhaps we might rebuke it. Already we could generate the fields—to protect us in times of strife... But these were small and simple things. To replicate them on a scale the size of a world... We lacked the energy to make it so. Half the world, they said, then. It is better than none at all. We tried. Again, we failed. A quarter, they asked. Even this, we could not do... A sixth! An eighth! A tenth, they cried! The answer was still the same. Perhaps in time, a city might be spared... But it was time we did not have... So we moved on.'' |
| Desmond plugged the power source into the socket. | | Desmond plugged the power source into the socket. |
| *'''Desmond:''' ''Wonder what's inside...'' | | *'''Rebecca:''' ''Wonder what's inside...'' |
| | *'''Desmond:''' ''There's only one way to find out.'' |
| | Another part of the cave is illuminated and a door to another section is unlocked and opened. |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Before Sequence 6 | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Before Sequence 6 |
| |- | | |- |
| |Desmond returned down below and talked to Rebecca. | | |Desmond returned down below and talked to Rebecca. |
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| *'''Shaun:''' ''Hah. No. Just looking forward to when we can finally trounce those bastards so I can dive into their archives.'' | | *'''Shaun:''' ''Hah. No. Just looking forward to when we can finally trounce those bastards so I can dive into their archives.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Ring of Eden | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Ring of Eden |
| |- | | |- |
| |Desmond relived Connor's memory of his trip to [[Oak Island]], where he recovered Captain [[William Kidd]]'s buried [[Ring of Eden]]. Shaun's voice came in through the Animus.<ref>''Assassin's Creed III'' – [[Oak Island (memory)]]</ref> | | |Desmond relived Connor's memory of his trip to [[Oak Island]], where he recovered Captain [[William Kidd]]'s buried [[Ring of Eden]]. Shaun's voice came in through the Animus.<ref>''Assassin's Creed III'' – [[Oak Island (memory)]]</ref> |
| *'''Shaun:''' ''That's a curious little piece isn't it? Well, I've worked my incredible and bottomless magic and that little thing is in fact of First Civilization origin. It seems they used them as personal shields. It gives off a rather powerful electromagnetic field—explains its aversion to metal. Also explains why Kidd's legend tells of him being invincible. Having that trinket in your pocket would easily bend a musket ball's trajectory. Nifty little thing, really. Anyway, just thought you'd want to know, please do carry on!'' | | *'''Shaun:''' ''That's a curious little piece isn't it? Well, I've worked my incredible and bottomless magic and that little thing is in fact of First Civilization origin. It seems they used them as personal shields. It gives off a rather powerful electromagnetic field—explains its aversion to metal. Also explains why Kidd's legend tells of him being invincible. Having that trinket in your pocket would easily bend a musket ball's trajectory. Nifty little thing, really. Anyway, just thought you'd want to know, please do carry on!'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Second Power Source | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Second Power Source |
| |- | | |- |
| |Desmond left the Animus after exploring more of Connor's memories. | | |Desmond left the Animus after exploring more of Connor's memories. |
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| *'''Desmond:''' ''Where to?'' | | *'''Desmond:''' ''Where to?'' |
| *'''Shaun:''' ''Brazil.'' | | *'''Shaun:''' ''Brazil.'' |
| Desmond and the team traveled to [[São Paulo]], Brazil and recovered the second power source.<ref>''Assassin's Creed III'' – [[The Stadium: MMA Night]]</ref> | | Desmond and the team traveled to [[São Paulo]], Brazil and [[The Stadium: MMA Night|recovered]] the second power source.<ref>''Assassin's Creed III'' – [[The Stadium: MMA Night]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Juno encounters 3 & 4 | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Juno encounters 3 & 4 |
| |- | | |- |
| |Just before Desmond reached a set of broken stars, Juno appeared to him. | | |Just before Desmond reached a set of broken stars, Juno appeared to him. |
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| *'''Desmond:''' ''I wonder what stories the temple will tell me today...'' | | *'''Desmond:''' ''I wonder what stories the temple will tell me today...'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Before Sequence 9 | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Before Sequence 9 |
| |- | | |- |
| |Desmond and the team returned with the second power source. | | |Desmond and the team returned with the second power source. |
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| *'''Shaun:''' ''Idealistic... and unlikely. I don't think most of your presidents and senators and judges care what the founders thought. They just want to know how they can bend old words to achieve modern goals. Who cares if they were deists or theists or [[Alexander Hamilton|wanted a central bank]]. Why do people need the validation? What should matter is what you—as an individual, believe. And why you believe it. What? Are we so insecure that we have to find 18th century letters to validate our beliefs? Oh, look mom! A dead man agreed with me. Maybe. If you transpose the letters in his shopping list you can plainly see he was on my side.'' | | *'''Shaun:''' ''Idealistic... and unlikely. I don't think most of your presidents and senators and judges care what the founders thought. They just want to know how they can bend old words to achieve modern goals. Who cares if they were deists or theists or [[Alexander Hamilton|wanted a central bank]]. Why do people need the validation? What should matter is what you—as an individual, believe. And why you believe it. What? Are we so insecure that we have to find 18th century letters to validate our beliefs? Oh, look mom! A dead man agreed with me. Maybe. If you transpose the letters in his shopping list you can plainly see he was on my side.'' |
| *'''Desmond:''' ''Jesus, Shaun. That's a cynical way to look at it...'' | | *'''Desmond:''' ''Jesus, Shaun. That's a cynical way to look at it...'' |
| *'''Shaun:''' ''Doesn't make it less true. I keep trying to understand how men like Washington and [[Thomas Jefferson|Jefferson]] could dedicate their lives to the pursuit of liberty and equality, yet have no problem owning [[Slavery|slaves]]. It's hypocritical in the extreme. And your history books make only passing mention of the subject. As if... as if it were of little consequence.'' | | *'''Shaun:''' ''Doesn't make it less true. I keep trying to understand how men like Washington and [[Thomas Jefferson|Jefferson]] could dedicate their lives to the pursuit of liberty and equality, yet have no problem owning slaves. It's hypocritical in the extreme. And your history books make only passing mention of the subject. As if... as if it were of little consequence.'' |
| *'''Desmond:''' ''They had a war to win. A country's future to secure. How could they deal with all these issues at the same time?'' | | *'''Desmond:''' ''They had a war to win. A country's future to secure. How could they deal with all these issues at the same time?'' |
| *'''Shaun:''' ''Spoken like a true apologist. We hear it today too. That matters of civil rights and equality must wait. There are conflicts to settle. Economies to salvage. What do any of these things matter if the people are not free and equal. ALL of them.'' | | *'''Shaun:''' ''Spoken like a true apologist. We hear it today too. That matters of civil rights and equality must wait. There are conflicts to settle. Economies to salvage. What do any of these things matter if the people are not free and equal. ALL of them.'' |
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| *'''Rebecca:''' ''Ready when you are, Desmond.'' | | *'''Rebecca:''' ''Ready when you are, Desmond.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Third Power Source | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Third Power Source |
| |- | | |- |
| |Rebecca woke Desmond up from the Animus session to tell him urgent news. | | |Rebecca woke Desmond up from the Animus session to tell him urgent news. |
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| Desmond narrated the decision to go to Italy and rescue his father. | | Desmond narrated the decision to go to Italy and rescue his father. |
| *'''Desmond:''' ''I always knew it would come to this—just not so soon. I wonder if Abstergo even knows what's about to happen… And has this been a part of their plan all along? Maybe they want the world to end. To see it all burned away. Then they'd have their new world—ripe for the reshaping... We talked about looking for another power source. Leaving him there. That's probably what he'd want. For us to finish the mission. But I can't. It's hard enough taking a life—but letting one be taken... Knowing there was something I could do about it. Not a chance. Might be I'm risking my life—risking all our lives to save an asshole. But what else am I supposed to do? That asshole is my dad.'' | | *'''Desmond:''' ''I always knew it would come to this—just not so soon. I wonder if Abstergo even knows what's about to happen… And has this been a part of their plan all along? Maybe they want the world to end. To see it all burned away. Then they'd have their new world—ripe for the reshaping... We talked about looking for another power source. Leaving him there. That's probably what he'd want. For us to finish the mission. But I can't. It's hard enough taking a life—but letting one be taken... Knowing there was something I could do about it. Not a chance. Might be I'm risking my life—risking all our lives to save an asshole. But what else am I supposed to do? That asshole is my dad.'' |
| Desmond managed to infiltrate Abstergo, kill both Daniel Cross and Warren, and rescue his father.<ref>''Assassin's Creed III'' – [[Return to Abstergo]]</ref> | | Desmond managed to [[Return to Abstergo|infiltrate]] Abstergo, kill both Daniel and Warren, and rescue his father.<ref>''Assassin's Creed III'' – [[Return to Abstergo]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Juno encounters 5 & 6 | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Juno encounters 5 & 6 |
| |- | | |- |
| |Desmond came to a set of First Civilization bedchambers when Juno appeared to him. | | |Desmond came to a set of First Civilization bedchambers when Juno appeared to him. |
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| *'''Juno:''' ''What is consciousness but a series of electrical impulses... And the body a vessel to hold these sparks. But it is weak. In time, it decays and crumbles into dust... We asked ourselves, then: what if it might be replaced—with something stronger. Something better. So we forged a new vessel. One that might endure. It proved easy enough to enter... But to leave... To leave required something more... Something wrong... And so this too they abandoned. I wondered, though... were they right to turn away...'' | | *'''Juno:''' ''What is consciousness but a series of electrical impulses... And the body a vessel to hold these sparks. But it is weak. In time, it decays and crumbles into dust... We asked ourselves, then: what if it might be replaced—with something stronger. Something better. So we forged a new vessel. One that might endure. It proved easy enough to enter... But to leave... To leave required something more... Something wrong... And so this too they abandoned. I wondered, though... were they right to turn away...'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Before Sequence 11 | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Before Sequence 11 |
| |- | | |- |
| |Desmond and the team returned from Italy. | | |Desmond and the team returned from Italy. |
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| Desmond resumed Ratonhnhaké:ton's memories as he prepared for the [[Battle of the Chesapeake]].<ref>''Assassin's Creed III'' – [[Battle of the Chesapeake (memory)]]</ref> | | Desmond resumed Ratonhnhaké:ton's memories as he prepared for the [[Battle of the Chesapeake]].<ref>''Assassin's Creed III'' – [[Battle of the Chesapeake (memory)]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Absconded Amulet | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Absconded Amulet |
| |- | | |- |
| |Desmond's team reacted in shock after watching Ratonhnhaké:ton kill Haytham during the [[Attack on Fort George|attack]] on [[Fort George]].<ref>''Assassin's Creed III'' – [[Lee's Last Stand]]</ref> | | |Desmond's team reacted in shock after watching Ratonhnhaké:ton kill Haytham during the [[Attack on Fort George|attack]] on [[Fort George]].<ref>''Assassin's Creed III'' – [[Lee's Last Stand]]</ref> |
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| They waited as Desmond skipped ahead in Ratonhnhaké:ton's memories to Haytham's funeral a few months later.<ref>''Assassin's Creed III'' – [[Laid to Rest]]</ref> | | They waited as Desmond skipped ahead in Ratonhnhaké:ton's memories to Haytham's funeral a few months later.<ref>''Assassin's Creed III'' – [[Laid to Rest]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |End of a Hero | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|End of a Hero |
| |- | | |- |
| |After learning that Ratonhnhaké:ton had buried the Grand Temple Key in the grave of his namesake [[Connor Davenport]] on the [[Davenport Homestead]],<ref>''Assassin's Creed III'' – [[Chasing Lee]]</ref> Desmond, William, Shaun, and Rebecca recovered the artifact and returned to the Grand Temple to attempt opening the far gate. | | |After learning that Ratonhnhaké:ton had buried the Grand Temple Key in the grave of his namesake [[Connor Davenport]] on the [[Davenport Homestead]],<ref>''Assassin's Creed III'' – [[Chasing Lee]]</ref> Desmond, William, Shaun, and Rebecca recovered the artifact and returned to the Grand Temple to attempt opening the far gate. |
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| With that, Juno stepped over Desmond's body and exited the Temple for the first time in millennia. | | With that, Juno stepped over Desmond's body and exited the Temple for the first time in millennia. |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Cloud | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Cloud |
| |- | | |- |
| |An Abstergo employee began explaining to a colleague on how to synchronize Desmond's data to the [[Abstergo Cloud|cloud]]. | | |An Abstergo employee began explaining to a colleague on how to synchronize Desmond's data to the [[Abstergo Cloud|cloud]]. |
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| ==''[[Assassin's Creed IV: Black Flag]]''== | | ==''[[Assassin's Creed IV: Black Flag]]''== |
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| ! style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Welcome to Abstergo Entertainment | | !style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Welcome to Abstergo Entertainment |
| |- | | |- |
| |After an [[Abstergo Entertainment]] [[Noob|research analyst]] relived [[Edward Kenway]]'s memory in which he survived the ''[[Jacobite]]''{{'}}s destruction and killed [[Duncan Walpole]],<ref>''[[Assassin's Creed IV: Black Flag]]'' – [[Edward Kenway (memory)]]</ref> they were taken out of the simulation by [[Melanie Lemay]]. | | |After an [[Abstergo Entertainment]] [[Noob|research analyst]] relived [[Edward Kenway]]'s memory in which he survived the ''[[Jacobite]]''{{'}}s destruction and killed [[Duncan Walpole]],<ref>''[[Assassin's Creed IV: Black Flag]]'' – [[Edward Kenway (memory)]]</ref> they were taken out of the simulation by [[Melanie Lemay]]. |
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| As the analyst reentered the Animus to continue reliving Edward Kenway's life they were greeted by the Animus Omega's user interface. | | As the analyst reentered the Animus to continue reliving Edward Kenway's life they were greeted by the Animus Omega's user interface. |
| *'''Animus Omega:''' ''Welcome to the Animus Omega, Abstergo Entertainment's proprietary Ancestral Memory Research tool. If you have any questions, comments or concerns about how to operate your Animus console, please contact your Project Supervisor, MELANIE LEMAY. You have been registered as part of the SAMPLE 17 project. Your primary research target is EDWARD JAMES KENWAY. BORN MARCH 10 1693. SWANSEA, WALES. Calibrations complete. All signs normal, all systems optimal. Extra-neural Transmitters activated.'' | | *'''Animus Omega:''' ''Welcome to the Animus Omega, Abstergo Entertainment's proprietary Ancestral Memory Research tool. If you have any questions, comments or concerns about how to operate your Animus console, please contact your Project Supervisor, MELANIE LEMAY. You have been registered as part of the SAMPLE 17 project. Your primary research target is EDWARD JAMES KENWAY. BORN MARCH 10 1693. SWANSEA, WALES. Calibrations complete. All signs normal, all systems optimal. Extra-neural Transmitters activated.'' |
| | The analyst also overhead the conversations of various other Abstergo employees: |
| | *'''Abstergo employee 1:''' C'est quel band, déjà, que t'aimes bien? Je crois que j'ai vu le chanteur dans un café sur Rachel. ''(What's that band you like? I think I saw the lead singer in the Cafe on Rachel.)'' |
| | *'''Abstergo employee 2:''' Lequel? ''(Which one?)'' |
| | *'''Abstergo employee 1:'''Celui au coin de Rachel et Charlemagne. ''(On Rachel and Charlemagne.)'' |
| | *'''Abstergo employee 2:'''Non, quel groupe? ''(No, which band?)'' |
| | *'''Abstergo employee 1:'''Oh, je sais pas. Le gars était vraiment grand, avec des cheveux longs et raides. ''(Oh, I don't know. He was really tall. With long straight hair.)'' |
| | *'''Abstergo employee 2:''' Bowie? ''([[David Jones|Bowie]]?)'' |
| | *'''Abstergo employee 1:'''Non, pas Bowie. Qu'est-ce qu'il ferait ici? C'est un groupe du coin. ''(No, not Bowie. Why would he be here? It's a local band.)'' |
| | *'''Abstergo employee 2:''' Ouais... Moi, j'aime plus trop les groupes du coin. ''(Hm. I don't really like any local bands anymore.)'' |
| | *'''Abstergo employee 1:''' Bah, laisse faire. ''(Oh, forget it.)'' |
| | |
| | *'''Abstergo employee 3:''' ''If they had better restaurants out here, this place would be perfect.'' |
| | *'''Abstergo employee 4:''' ''I treat myself to long lunches some days. Spend a bit extra, take the metro into town. 10 minutes.'' |
| | *'''Abstergo employee 3:''' ''That's a good idea. Six bucks round trip.'' |
| | *'''Abstergo employee 4:''' ''Exactly. And you have the whole {{wiki|Underground City, Montreal|RÉSO}} to wander around.'' |
| | *'''Abstergo employee 3:''' ''Wait... you go all the way into town so you can eat at the Mall? Come on man.'' |
| | |
| | *'''Abstergo employee 5:''' J'ai demandé à faire des recherches sur Connor Kenway, mais ils l'ont refilé à un anglophone! ''(I put in a request to research [[Ratonhnhaké:ton|Connor Kenway]], but they gave him to an Anglophone!)'' |
| | *'''Abstergo employee 6:''' C'est toujours pareil, c'est pour une histoire de langue. Peut-être que le Sujet 17 avait des ancêtres français? ''(That's typical. It's a language thing. Maybe Subject 17 had a few French relatives?)'' |
| | *'''Abstergo employee 5:''' ''I speak English just fine.'' |
| | *'''Abstergo employee 6:''' Ouais, mais toutes ces expressions du XVIIIe me font capoter. Ça pourrait être de l'allemand. ''(Yeah, but all those 18th century idioms are crazy. It might as well be German.)'' |
| | *'''Abstergo employee 5:''' Ouais peut-être. Mais peut-être aussi que Lafayette était de sa famille? ''(I suppose so. Maybe Lafayette was one of his relatives?)'' |
| | *'''Abstergo employee 6:''' Probablement pas. Mais, c'est vrai que ce serait cool. ''(Probably not Lafayette. But, yeah, that would be cool.)'' |
| | |
| | *'''Abstergo employee 7:''' ''Have you had a chance to go over the Marketing test results?'' |
| | *'''Abstergo employee 8:''' ''You mean the...'' |
| | *'''Abstergo employee 7:''' ''For the consumer cloud app. Surrogate genetic memory streaming.'' |
| | *'''Abstergo employee 8:''' ''Oh! Yes, I did. Lot's of promising stuff there. Borealis. Aura. Aurora. Simulous. Animini. Those are my favorites.'' |
| | *'''Abstergo employee 7:''' ''You liked Simulous? Really?'' |
| | |
| | *'''Abstergo employee 9:''' Eh, Jérôme t'a parlé de la cabane à sucre, au printemps prochain? On sera quelques-uns à y aller... Matt, Max, Jeremy, Aaron... ''(Hey, did Jerome tell you about the {{wiki|sugar shack}} next spring? There's a bunch of us going... Matt, Max, Jeremy, Aaron.)'' |
| | *'''Abstergo employee 10:''' Jonathan m'en a parlé. Je lui ai dit de me garder deux places. ''(Jonathan did. I told him to put me down for two.)'' |
| | *'''Abstergo employee 9:''' Ah, ouais, ouais, cool. Ah c'est un endroit super, mais si tu réserves pas au moins six mois à l'avance, tu peux oublier. ''(Good. Good. This place is amazing, but if you don't make reservations six months ahead, you'll never get in.)'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" | A Small Favor | | !style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|A Small Favor |
| |- | | |- |
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| *'''Olivier:''' ''Look, the Sample 17 teams are in full production mode right now, and the Kenway line is our priority... But— Well—Well, unless you are specifically ordering me to abandon it, I won't jeopardize our flagship project. Edward Kenway is the—But this is... but this is how Hollywood got its start, right? With pirate movies! [[Douglas Fairbanks]], [[Errol Flynn]]. And now we have access to the real deal! ''Oui-oui...'' (Yes...) Exactly. We'll talk about all that together at the shareholders event. Right. Looking forward to seeing you. Take care, Laetitia.'' | | *'''Olivier:''' ''Look, the Sample 17 teams are in full production mode right now, and the Kenway line is our priority... But— Well—Well, unless you are specifically ordering me to abandon it, I won't jeopardize our flagship project. Edward Kenway is the—But this is... but this is how Hollywood got its start, right? With pirate movies! [[Douglas Fairbanks]], [[Errol Flynn]]. And now we have access to the real deal! ''Oui-oui...'' (Yes...) Exactly. We'll talk about all that together at the shareholders event. Right. Looking forward to seeing you. Take care, Laetitia.'' |
| Olivier ended the call and turned to the analyst, before walking to look out his balcony and inviting the analyst to follow. | | Olivier ended the call and turned to the analyst, before walking to look out his balcony and inviting the analyst to follow. |
| *'''Olivier:''' Bonjour. ''(Hello.) Hi, thanks for coming in. I know you're busy. So I reviewed some of your data. Pretty raw stuff! Obviously we need to scrub off some of the dirt to make it family friendly. Maybe give Edward a voice like {{Wiki|James Bond}} or something. more of a ladies man. A beautiful city, no? So... the main reason I asked you here concerns something called The [[Observatory (Isu)|Observatory]]. It's been mentioned a few times in the footage you found. I'd like to encourage you to focus on locating this specific set of memories as soon as possible. If it were up to me, ''on sans carise'' (we don't care)... I wouldn't bother. But some bigwigs at Abstergo Industries have been hounding me for days. So follow whatever leads you find, and hopefully we can a— Incoming call. I have to take this. We'll keep in touch. ''Allen, bonjour. Oui. Oui, oui. Tout va bien. ''(Good day. Allen, hello. Yeah. Everything is fine. Of course I do.)'' | | *'''Olivier:''' Bonjour. ''(Hello.) Hi, thanks for coming in. I know you're busy. So I reviewed some of your data. Pretty raw stuff! Obviously we need to scrub off some of the dirt to make it family friendly. Maybe give Edward a voice like {{Wiki|James Bond}} or something, more of a ladies man. A beautiful city, no? So... the main reason I asked you here concerns something called The [[Observatory (Isu)|Observatory]]. It's been mentioned a few times in the footage you found. I'd like to encourage you to focus on locating this specific set of memories as soon as possible. If it were up to me, ''on sans carise'' (we don't care)... I wouldn't bother. But some bigwigs at Abstergo Industries have been hounding me for days. So follow whatever leads you find, and hopefully we can a— Incoming call. I have to take this. We'll keep in touch. ''Bonne journée. Allen, bonjour. Oui. Oui, oui. Tout va bien. Naturellement.'' (Good day. Allen, hello. Yeah. Everything is fine. Of course I do.)'' |
| As the analyst left Olivier's office, John patched into their earpiece again as they passed the secretary and returned to the elevator. | | As the analyst left Olivier's office, John patched into their earpiece again as they passed the secretary and returned to the elevator. |
| *'''John:''' ''Hi. John from IT again. You got a second? Good. I'm adding a waypoint to your map. So, a colleague of yours left for vacation this morning and forgot to send a video file she promised me. Since I hate just about everyone else on your floor, I was hoping you could help me. Could you transfer the file from her computer and deliver it to the courier when she comes? It'll be easy. You just wander over to their Animus, log in, and transfer the file. Easy. And please be snappy. Before I find a reason to hate you too.'' | | *'''John:''' ''Hi. John from IT again. You got a second? Good. I'm adding a waypoint to your map. So, a colleague of yours left for vacation this morning and forgot to send a video file she promised me. Since I hate just about everyone else on your floor, I was hoping you could help me. Could you transfer the file from her computer and deliver it to the courier when she comes? It'll be easy. You just wander over to their Animus, log in, and transfer the file. Easy. And please be snappy. Before I find a reason to hate you too.'' |
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| *'''Rebecca:''' ''It's an art, Shaun. Not a science.'' | | *'''Rebecca:''' ''It's an art, Shaun. Not a science.'' |
| *'''Shaun:''' ''Oh, look who's here. So you didn't forget after all. You're just incredibly rude, and made poor Rebecca here wait for nearly thirty minutes.'' | | *'''Shaun:''' ''Oh, look who's here. So you didn't forget after all. You're just incredibly rude, and made poor Rebecca here wait for nearly thirty minutes.'' |
| *'''Rebecca:''' ''You {{Wiki|limey}}. Be nice. Sorry about him. He's high on his own supply. So how should we do this? Data transfer? Great! That should do it! We'll email you the receipt. Til next time. Take care, Shaun.'' | | *'''Rebecca:''' ''You {{Wiki|Glossary of names for the British#Limey|limey}}. Be nice. Sorry about him. He's high on his own supply. So how should we do this? Data transfer? Great! That should do it! We'll email you the receipt. Til next time. Take care, Shaun.'' |
| Rebecca left. | | Rebecca left. |
| *'''Shaun:''' ''Bye, bye... Yes, bye. Oh, and don't expect any more free coffee! Arrogant. She's great, isn't she?'' | | *'''Shaun:''' ''Bye, bye... Yes, bye. Oh, and don't expect any more free coffee! Arrogant. She's great, isn't she?'' |
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| *'''Secretary:''' Assistance au niveau deux, projet Échantillon 17. ''(Support to the second floor, Sample 17 Project.) Support to the second floor, Sample 17 Project.'' | | *'''Secretary:''' Assistance au niveau deux, projet Échantillon 17. ''(Support to the second floor, Sample 17 Project.) Support to the second floor, Sample 17 Project.'' |
| The analyst returned to their cubicle and resumed Edward's memory as he and [[Mary Read|James Kidd]] explored [[Great Inagua]].<ref>''Assassin's Creed IV: Black Flag'' – [[This Old Cove]]</ref> | | The analyst returned to their cubicle and resumed Edward's memory as he and [[Mary Read|James Kidd]] explored [[Great Inagua]].<ref>''Assassin's Creed IV: Black Flag'' – [[This Old Cove]]</ref> |
| | |
| | The analyst also overhead the conversations of various other Abstergo employees: |
| | *'''Abstergo employee 11:''' ''How'd the playtests go?'' |
| | *'''Abstergo employee 12:''' ''Incredible. We were able to keep a constant stream of five {{wiki|bit rate|Gigs a second}}.'' |
| | *'''Abstergo employee 11:''' ''Of [[genetic memory]] data? That's amazing.'' |
| | *'''Abstergo employee 12:''' ''And this is through existing {{wiki|broadband}} networks. Straight into people's homes.'' |
| | *'''Abstergo employee 11:''' ''Wow. This is going to change everything.'' |
| | |
| | *'''Abstergo employee 13:''' ''Did you hear they're holding a contest to pick the best name for our cloud servers?'' |
| | *'''Abstergo employee 14:''' ''Who's "they?"'' |
| | *'''Abstergo employee 13:''' ''Marketing. You want to know what I submitted? I said... "You should call your cloud computing system: CYBER-CRACK FOR INNOCENT CHILDREN." You like it?'' |
| | *'''Abstergo employee 14:''' ''Uh... no.'' |
| | |
| | *'''Abstergo employee 15:''' Hey, qu'est ce que tu fais quoi, en fin de semain? Si ça te tente, on pourrait aller surfer la vague derrière l'Habitat 67? Une dernière fois avant qu'il fasse trop froid? ''(What are you doing this weekend? You want to hit the {{wiki|Habitat 67 (standing wave)|endless wave}} behind {{wiki|Habitat 67}}? Once more before it gets too cold?)'' |
| | *'''Abstergo employee 16:''' C'est trop tard. Y'a plus de vague. ''(You're too late. It's gone.)'' |
| | *'''Abstergo employee 15:''' Hein? Oh Non... ''(What? No...)'' |
| | *'''Abstergo employee 16:''' Oui oui. Dès que le débit baisse, la vague disparaît. Il faut y aller au printemps ou au début de l'été. ''(Yeah, when the water drops, the wave disappears. You have to hit that in the spring or early summer.)'' |
| | *'''Abstergo employee 15:''' Merde. J'avais prévu d'en profiter toute la fin de semaine. ''(Dammit. I planned my whole weekend around this.)'' |
| | |
| | *'''Abstergo employee 17:''' ''Have you ever actually MET this guy, John... the one down in I.T.?'' |
| | *'''Abstergo employee 18:''' ''Yeah, I think so. He's super arrogant.'' |
| | *'''Abstergo employee 17:''' [Imitating a nasally voice] ''"Have you tried turning it off and back on again!" That's all he ever says when I have a problem.'' |
| | |
| | *'''Abstergo employee 19:''' Hey, écoute, j'ai... euh... j'ai deux billets pour un spectacle à Sala, ce soir. Ça, euh... ça, ça te dirait d'y aller? ''(Hey, I have two tickets to a show at Sala tonight... would, uh, would you like to go?)'' |
| | *'''Abstergo employee 20:''' J'ai déjà prévu d'y aller. Avec mon chum. ''(I'm already going to that show. My boyfriend's taking me.)'' |
| | *'''Abstergo employee 19:''' Oh... Ok.. Cool. Eh ben, euh... on se verra là-bas. ''(Oh... cool. Well, I'll, uh... see you there.)'' |
| | *'''Abstergo employee 20:''' Ouais, à tout à l'heure. ''(Yeah, see you!)'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Corporate Pressure | | !style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Corporate Pressure |
| |- | | |- |
| |After reliving Edward's memory in which he convinced [[Edward Thatch]] to end his blockade of [[Charleston|Charles-Towne]], [[South Carolina]],<ref>''Assassin's Creed IV: Black Flag'' – [[The Siege of Charles-Towne]]</ref> the analyst logged out of their Animus in time to hear Melanie patch into their earpiece. | | |After reliving Edward's memory in which he convinced [[Edward Thatch]] to end his blockade of [[Charleston|Charles-Towne]], [[South Carolina]],<ref>''Assassin's Creed IV: Black Flag'' – [[The Siege of Charles-Towne]]</ref> the analyst logged out of their Animus in time to hear Melanie patch into their earpiece. |
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| *'''Olivier:''' ''Looking forward to it. Bye bye.'' | | *'''Olivier:''' ''Looking forward to it. Bye bye.'' |
| Olivier hung up the call. | | Olivier hung up the call. |
| *'''Olivier:''' [[wikt:tabarnak|Tabarnak]]''! It's a little too early for that kind of abuse. Come on.'' | | *'''Olivier:''' ''[[wikt:tabarnak|Tabarnak]]! It's a little too early for that kind of abuse. Come on.'' |
| He stood up. | | He stood up. |
| *'''Melanie:''' ''So... what's next?'' | | *'''Melanie:''' ''So... what's next?'' |
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| *'''Olivier:''' ''We do as the lady says. Focus on the Observatory.'' | | *'''Olivier:''' ''We do as the lady says. Focus on the Observatory.'' |
| The live feed ended. | | The live feed ended. |
| *'''John:''' ''Assassins. Templars... crazy talk. I'm curious about this shareholders meeting though. How about you break into Olivier's office and see if you can find his schedule? Oh, what? You don't like that idea? Well how about I blow the fucking whistle on you, hacker! I OWN YOU! What I mean is... I don't want to ruin your life. So do as I say. Now, step over to the window.'' | | *'''John:''' ''Assassins. Templars... crazy talk. I'm curious about this shareholders meeting though. How about you break into Olivier's office and see if you can find his schedule? Oh, what? You don't like that idea? Well how about I blow the fucking whistle on you, hacker! I OWN YOU! What I mean is... I don't want to ruin your life. So do as I say. Now, step over to the window.<br>Go to the window. NOW!<br>You want me to keep you locked in here forever? Until security finds you? Go to the window!'' |
| The analyst left the security station and continued through the hall until they found a section of the level that had construction scaffolding open to the outside. A scaffold basket lowered and the analyst stepped inside before it slowly lifted. | | The analyst left the security station and continued through the hall until they found a section of the level that had construction scaffolding open to the outside. A scaffold basket lowered and the analyst stepped inside before it slowly lifted. |
| *'''John:''' ''You can't waltz into Olivier's office through the front door, so I've opened another route. Up we go! Did you know that Abstergo was run by Templars? Oh yes. Sounds like crackpot stuff, I know. But then again, the moon landing was faked, right? So anything's possible.'' | | *'''John:''' ''You can't waltz into Olivier's office through the front door, so I've opened another route. Up we go! Did you know that Abstergo was run by Templars? Oh yes. Sounds like crackpot stuff, I know. But then again, the moon landing was faked, right? So anything's possible.'' |
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| John paged the receptionist and called her away to check on something down the maintenance hall. The moment she turned the corner, Olivier's office doors opened and the analyst quickly walked to the elevator. | | John paged the receptionist and called her away to check on something down the maintenance hall. The moment she turned the corner, Olivier's office doors opened and the analyst quickly walked to the elevator. |
| *'''John:''' ''As gullible as ever. Now hurry down to the lobby. Before I remotely detonate your earpiece. Don't even think about ratting me out. My tracks are covered. Yours ain't.'' | | *'''John:''' ''As gullible as ever. Now hurry down to the lobby. Before I remotely detonate your earpiece. Don't even think about ratting me out. My tracks are covered. Yours ain't.'' |
| The analyst rode the elevator down to the lobby and revisited Shaun and Rebecca at the barista stand. | | The analyst instead decided to ignore John and explore the area, immediately drawing John's ire. |
| | *'''John:''' ''Where the hell are you going? Get down to the lobby. GO TO THE LOBBY! NOW!'' |
| | Finally pressured into acting, the analyst rode the elevator down to the lobby and revisited Shaun and Rebecca at the barista stand. |
| *'''Shaun:''' ''Did you uh, like the {{Wiki|Lungo|Allongé}}? I practiced.'' | | *'''Shaun:''' ''Did you uh, like the {{Wiki|Lungo|Allongé}}? I practiced.'' |
| *'''Rebecca:''' ''I think you pulled it a little too long.'' | | *'''Rebecca:''' ''I think you pulled it a little too long.'' |
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| *'''Rebecca:''' ''Stuff it, Hastings.'' | | *'''Rebecca:''' ''Stuff it, Hastings.'' |
| Rebecca left, and the analyst reentered to the elevator | | Rebecca left, and the analyst reentered to the elevator |
| *'''John:''' ''Well done, friend. Very well done. Apologies for my temper tantrum there. You are with the good guys, I promise. We'll keep you safe. Trust me. Go on back to work. We'll be in touch.'' | | *'''John:''' ''Well done, friend. Very well done. Apologies for my temper tantrum there. You are with the good guys, I promise. We'll keep you safe. Trust me. Go on back to work. We'll be in touch. That means you!'' |
| The analyst returned to their cubicle and resumed Edward's memory as he eavesdropped on [[Woodes Rogers]]' offer to the [[Republic of Pirates]] of taking King [[George I of Great Britain|George I]]'s pardon.<ref>''Assassin's Creed IV: Black Flag'' – [[We Demand a Parlay]]</ref> | | The analyst returned to their cubicle and resumed Edward's memory as he eavesdropped on [[Woodes Rogers]]' offer to the [[Republic of Pirates]] of taking King [[George I of Great Britain|George I]]'s pardon.<ref>''Assassin's Creed IV: Black Flag'' – [[We Demand a Parlay]]</ref> |
| | |
| | The analyst also overhead the conversations of various other Abstergo employees: |
| | *'''Abstergo employee 21:''' ''You're on the patrilineal line, yeah?'' |
| | *'''Abstergo employee 22:''' ''Yeah, I'm researching [[Flavia Auditore]] for the next few days. Then I'm onto her son.'' |
| | *'''Abstergo employee 21:''' ''Days? I'm doing one ancestor every two months.'' |
| | *'''Abstergo employee 22:''' ''Well, this is a rush job. They want to know where [[House of Auditore|this line]] crosses with the [[Kenway family|Kenways]]. What are you on, the maternal line?'' |
| | *'''Abstergo employee 21:''' ''Yeah, an Arab called [[Sef Ibn-La'Ahad|Sef]]. Thirteenth century.'' |
| | |
| | *'''Abstergo employee 23:''' ''You didn't get hacked, did you?'' |
| | *'''Abstergo employee 24:''' ''No, that was Sabrina. She's been on vacation for a while.'' |
| | *'''Abstergo employee 23:''' ''That's unsettling. To think we're not even safe where we work.'' |
| | *'''Abstergo employee 24:''' ''I know. Two months ago I left a couple books on my desk, and they disappeared for a few days.'' |
| | *'''Abstergo employee 23:''' ''Stolen?'' |
| | *'''Abstergo employee 24:''' ''Well, someone returned them a few days later with a little note that said "Thanks!" But still, scary.'' |
| | *'''Abstergo employee 23:''' ''Hm. Not quite the same, though, is it?'' |
| | |
| | *'''Abstergo employee 25:''' ''What is it with all these emails we're getting about heightened security restrictions? Did something happen?'' |
| | *'''Abstergo employee 26:''' ''You didn't hear about the hacker?'' |
| | *'''Abstergo employee 25:''' ''[[Erudito]]?'' |
| | *'''Abstergo employee 26:''' ''No, the hacker here. At Abstergo. Who's Erudito?'' |
| | *'''Abstergo employee 25:''' ''It's just that group, you know? They like to... uh...'' |
| | *'''Abstergo employee 26:''' ''Like to what?'' |
| | *'''Abstergo employee 25:''' ''Ah... n-nothing.'' |
| | <!--Disjointed in the files--> |
| | |
| | *'''Abstergo employee 27:''' C'est quoi, ces niaiseries d'artéfact? Toi aussi, t'as eu ce mémo? ''(What is this artifact bullshit? Did you get the same memo?)'' |
| | *'''Abstergo employee 28:''' Je crois pas, non. ''(I don't think so.)'' |
| | *'''Abstergo employee 27:''' Tu travailles pas sur Ezio Auditore? ''(You're not working Ezio Auditore?)'' |
| | *'''Abstergo employee 28:''' Non, je suis sur Aveline. ''(No, I'm on Aveline.)'' |
| | *'''Abstergo employee 27:''' Ah ouais... Ben moi, j'ai reçu un mémo me disant d'arrêter mes recherches sur les dernières années d'Ezio pour me concentrer uniquement sur les moments où il est en contact avec ces artéfacts de merde... Quelle perte de temps. ''(Ah, right. Well, I got this memo telling me to stop researching Ezio's later years and focus on only those specific moments where he comes into contact with these ridiculous artifacts... total waste of my time.)'' |
| | <!--Disjointed in the files--> |
| | |
| | *'''Abstergo employee 29:''' ''Aveline isn't part of the Sample 17 bloodline, is she?'' |
| | *'''Abstergo employee 30:''' ''No, she's from Sample 1. A donor from the earliest days of the Animus program.'' |
| | *'''Abstergo employee 29:''' ''How old is this technology?'' |
| | *'''Abstergo employee 30:''' ''Dates back to the late 70s, I think. There are some recordings from that era on our servers if you're curious. Just poke around the archives. You'll find them.'' |
| | |
| | |
| | *'''Abstergo employee 31:''' ''So did Edward really meet all those pirates? The famous ones?'' |
| | *'''Abstergo employee 32:''' ''Yes, he did. [[Blackbeard]], [[Calico Jack]], [[Anne Bonny]], [[Mary Read]], [[Bartholomew Roberts]].'' |
| | *'''Abstergo employee 31:''' ''Crazy. [[Nassau]] must have been a wild place.'' |
| | *'''Abstergo employee 32:''' ''For a while, yeah. But not after... well. I don't want to spoil it.'' |
| | <!--Might be part of the camera hacks--> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Bunker | | !style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Bunker |
| |- | | |- |
| |After reliving Edward's memory in which [[Bartholomew Roberts]] betrayed him upon locating the Observatory in [[Long Bay]], [[Jamaica]],<ref>''Assassin's Creed IV: Black Flag'' – [[The Observatory]]</ref> the analyst woke up disoriented to find that they had inexplicably been transferred to The [[Bunker]] after their last Animus session. The TV in the room turned on as Melanie called the analyst. | | |After reliving Edward's memory in which [[Bartholomew Roberts]] betrayed him upon locating the Observatory in [[Long Bay]], [[Jamaica]],<ref>''Assassin's Creed IV: Black Flag'' – [[The Observatory]]</ref> the analyst woke up disoriented to find that they had inexplicably been transferred to The [[Bunker]] after their last Animus session. The TV in the room turned on as Melanie called the analyst. |
| *'''Melanie:''' ''Hello? How are you? If you're anxious, that'll pass. It's the {{Wiki|Midazolam}}. I'm sorry about this, but... we've had so many security breaches, we were forced to take drastic action. And Olivier is missing. He left for Chicago two days ago but... no one's seen him since. I know this seems excessive, but with our high-level security clearance, we have an obligation to our shareholders. Rest assured, we will compensate you when the hacker is found. So get some rest, okay? And if you're up to it... maybe capture some more footage. You're doing amazing work. I can't wait to show the work we've done with your stuff. Take care.'' | | *'''Melanie:''' ''Hello? How are you? If you're anxious, that'll pass. It's the {{Wiki|Midazolam}}. I'm sorry about this, but... we've had so many security breaches, we were forced to take drastic action. And Olivier is [[Chicago incident|missing]]. He left for Chicago two days ago but... no one's seen him since. I know this seems excessive, but with our high-level security clearance, we have an obligation to our shareholders. Rest assured, we will compensate you when the hacker is found. So get some rest, okay? And if you're up to it... maybe capture some more footage. You're doing amazing work. I can't wait to show the work we've done with your stuff. Take care.'' |
| Melanie ended the call and the TV turned to screensaver mode just as John patched into the analyst's earpiece. | | Melanie ended the call and the TV turned to screensaver mode just as John patched into the analyst's earpiece. |
| *'''John:''' ''So! They tossed you in the bunker. Nice! Those Templars upstairs aren't taking any chances. I think we need to erase all the dirt they might have on you. Did you hear that? I think I just gave you Level 3 security clearance! Now, head to the security room and use the cameras to watch the door to the server farm. Unfortunately Melanie is in there now, so when I escort her out, that's when you make your move. I'd wipe these servers myself, but as the head of IT, I'd be a suspect. It has to be someone they've already locked up.'' | | *'''John:''' ''So! They tossed you in the bunker. Nice! Those Templars upstairs aren't taking any chances. I think we need to erase all the dirt they might have on you. Did you hear that? I think I just gave you Level 3 security clearance! Now, head to the security room and use the cameras to watch the door to the server farm. Unfortunately Melanie is in there now, so when I escort her out, that's when you make your move. I'd wipe these servers myself, but as the head of IT, I'd be a suspect. It has to be someone they've already locked up.'' |
| The analyst left their room now that they could unlock the door. | | The analyst left their room now that they could unlock the door. |
| *'''John:''' ''Oh these Templars. They run our lives, you know? They decide elections, they control various capital markets, and they inject us with little microchips to track our movements and read our thoughts. It's all very scary.'' | | *'''John:''' ''Oh these Templars. They run our lives, you know? They decide elections, they control various capital markets, and they inject us with little microchips to track our movements and read our thoughts. It's all very scary.'' |
| The analyst walked through the Bunker until they found the hall to the security station. | | *The analyst walked through the Bunker until they found the stairs leading up to the main level. |
| | *'''John:''' ''*Aha, hey! You know you're supposed to be locked up, right? Going back upstairs ain't a good plan.'' |
| | The analyst found the server room. They moved to open the door. |
| | *'''John:''' ''Melanie is in there RIGHT NOW, you idiot. Get to the security room before she sees you.'' |
| | The analyst backtracked until they found a hall to the security station. |
| *'''John:''' ''All right, listen. I'm entering the server room now. When you see us leave, get in there.'' | | *'''John:''' ''All right, listen. I'm entering the server room now. When you see us leave, get in there.'' |
| The analyst found the station and logged in. After adjusting the wavelength to the correct frequency, a live feed appeared on-screen from the camera overhead the server room's doors. | | The analyst found the station and logged in. After adjusting the wavelength to the correct frequency, a live feed appeared on-screen from the camera overhead the server room's doors. |
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| *'''John:''' ''Legally you CAN. It's what they signed up for. Even if they didn't read their contracts.'' | | *'''John:''' ''Legally you CAN. It's what they signed up for. Even if they didn't read their contracts.'' |
| *'''Melanie:''' ''Yes, of course. I just hate the idea. So what's the next step?'' | | *'''Melanie:''' ''Yes, of course. I just hate the idea. So what's the next step?'' |
| *'''John:''' ''My team is processing the data now. We'll start sifting through it tonight. Scout's honor. Coffee's on me, okay?'' | | *'''John:''' ''My team is processing the data now. We'll start sifting through it tonight. {{Wiki|Scouting America|Scout's honor}}. Coffee's on me, okay?'' |
| John walked away and Melanie followed. As the analyst made their way into the server room, John patched into their earpiece again. | | John walked away and Melanie followed. As the analyst made their way into the server room, John patched into their earpiece again. |
| *'''John:''' ''All right, I ditched her at the coffee stand. Find the server containing the network logs. Since I have a record of each and every one of your hacks, we'll just search for the timestamps on those, and turn that data into something harmless. Easy as that. Here we are! Beautiful. I'll update your communicator one more time. A little program I cooked up, just for this purpose. There we go. I think that worked. Try it out.'' | | *'''John:''' ''All right, I ditched her at the coffee stand. Find the server containing the network logs. Since I have a record of each and every one of your hacks, we'll just search for the timestamps on those, and turn that data into something harmless. Easy as that. Here we are! Beautiful. I'll update your communicator one more time. A little program I cooked up, just for this purpose. There we go. I think that worked. Try it out.'' |
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| *'''John:''' ''TELL ME! No no no. Something's wrong. God dammit! She should be here! Now! Living in that god damned head of yours! Fuck fuck fuck fuck fuck! Why did she spare you! Why are you still HERE!'' | | *'''John:''' ''TELL ME! No no no. Something's wrong. God dammit! She should be here! Now! Living in that god damned head of yours! Fuck fuck fuck fuck fuck! Why did she spare you! Why are you still HERE!'' |
| With no means of escaping the Bunker, the analyst returned to their room and activated the Animus there to resume Edward's memory of his time in [[Port Royal]]'s jail.<ref>''Assassin's Creed IV: Black Flag'' – [[To Suffer Without Dying]]</ref> | | With no means of escaping the Bunker, the analyst returned to their room and activated the Animus there to resume Edward's memory of his time in [[Port Royal]]'s jail.<ref>''Assassin's Creed IV: Black Flag'' – [[To Suffer Without Dying]]</ref> |
| | |
| | The analyst also overhead the mutterings of various other Abstergo employees locked in the bunkers: |
| | *'''Abstergo employee 33:''' ''Let me out of here! Please! Someone help me! Where am I? Can anyone hear me? Anyone! Hello?'' |
| | *'''Abstergo employee 34:''' Je l'ai bien cherché. C'est de ma faute. Tout est ma faute. J'aurais dû faire mon travail. J'aurais dû faire attention. Pourquoi je suis allé me promener au lieu de faire ce qu'on me demandait? ''(I deserve this. It's my fault, I know this. It's all my fault. I should have stayed on task. I should have paid attention, not wandered. I should have stuck to the task list.)'' |
| | *'''Abstergo employee 35:''' ''They're testing me. I know it. This is all part of the employee training program. Exercises for the mind. If I stay focused... if I just keep calm... they'll promote me. It's like {{wiki|hazing}}... a test before the big win. Just stay calm.'' |
| | *'''Abstergo employee 36:''' Je sais qui vous êtes! Je sais tout, bande de trous de cul! Vous êtes des Templiers! Vous êtes tous des Templiers! Vous pensez garder votre petit secret pour toujours? Voyons donc! Vous pensez pouvoir vous cacher? Oh, non! J'ai une tonne de preuves! ''(I know who you are! I know everything you bastards! You're Templars! You're all Templars. You think you can hide this secret forever? You think you can hide? Oh no! I have all the evidence I need!)'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |A Face from the Past | | !style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|A Face from the Past |
| |- | | |- |
| | After reliving Edward's memory in which he assassinated [[Laureano de Torres y Ayala]] in the Observatory,<ref>''Assassin's Creed IV: Black Flag'' – [[Ever a Splinter]]</ref> the analyst again woke up disoriented to find John sitting inches from their face holding an uncapped needle with blue liquid in the syringe. | | |After reliving Edward's memory in which he assassinated [[Laureano de Torres y Ayala]] in the Observatory,<ref>''Assassin's Creed IV: Black Flag'' – [[Ever a Splinter]]</ref> the analyst again woke up disoriented to find John sitting inches from their face holding an uncapped needle with blue liquid in the syringe. |
| *'''John:''' ''Wakey, wakey! I don't believe we've been formally introduced... not in this era, anyway. I wish I could explain all this strangeness, but there isn't much time. The short of it is, you saw my beloved Juno. And for a brief moment I thought she might occupy this tender body of yours. But something went wrong. And now she's back out there. Adrift. Oh... she was magnificent once. One of a race of beautiful, wonderful creatures. They created your kind. Did you know that? Your people were tools to them. That's all you have ever been. That's all you should ever be! One day soon, I hope. For the world is nearly ready for her return! Wired. Prepared for a second coming! Uh... Oh oh... Here they come! Those Templars. Or maybe Assassins this time. Idiots, all of them.'' | | *'''John:''' ''Wakey, wakey! I don't believe we've been formally introduced... not in this era, anyway. I wish I could explain all this strangeness, but there isn't much time. The short of it is, you saw my beloved Juno. And for a brief moment I thought she might occupy this tender body of yours. But something went wrong. And now she's back out there. Adrift. Oh... she was magnificent once. One of a race of beautiful, wonderful creatures. They created your kind. Did you know that? Your people were tools to them. That's all you have ever been. That's all you should ever be! One day soon, I hope. For the world is nearly ready for her return! Wired. Prepared for a second coming! Uh... Oh oh... Here they come! Those Templars. Or maybe Assassins this time. Idiots, all of them.'' |
| John stabbed the analyst in the neck with the needle. | | John stabbed the analyst in the neck with the needle. |
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| *'''Abstergo guard 1:''' ''He's got a gun!'' | | *'''Abstergo guard 1:''' ''He's got a gun!'' |
| *'''John:''' ''Guide me into Grey, Beloved! I am your instrument!'' | | *'''John:''' ''Guide me into Grey, Beloved! I am your instrument!'' |
| *'''Abstergo guard 1:''' ''Put the gun down!'' | | *'''Abstergo guard 1:''' ''Put the gun down! Drop it!'' |
| *'''Abstergo guard 2:''' ''Drop it!''
| | *'''Abstergo guard 2:''' ''Drop your weapon!'' |
| *'''Abstergo guard 1:''' ''Drop your weapon!'' | |
| John turned around and made to aim at a guard, but was cut down when the team instantly opened fire and killed him with two shots to the chest. | | John turned around and made to aim at a guard, but was cut down when the team instantly opened fire and killed him with two shots to the chest. |
| *'''Abstergo guard 2:''' ''Clear! Clear! Check his vitals!'' | | *'''Abstergo guard 1:''' ''Clear! Clear! Check his vitals!'' |
| *'''Abstergo guard 1:''' ''He's bleeding fast.'' | | *'''Abstergo guard 2:''' ''He's bleeding fast.'' |
| *'''Abstergo guard 2:''' ''Check the victim!'' | | *'''Abstergo guard 1:''' ''Check the victim!'' |
| Melanie ran in and rushed to the analyst's side. | | Melanie ran in and rushed to the analyst's side. |
| *'''Melanie:''' ''Are you okay? Can you hear me? Hello? Talk to me! You're all right?'' | | *'''Melanie:''' ''Are you okay? Can you hear me? Hello? Talk to me! You're all right?'' |
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| *'''Shaun:''' ''Cheers, mate. And top notch work, really top, give yourself a pat on the back. And... happy hacking.'' | | *'''Shaun:''' ''Cheers, mate. And top notch work, really top, give yourself a pat on the back. And... happy hacking.'' |
| The analyst entered the Animus for a final time and resumed Edward's memory as a young [[Jennifer Scott]] arrived in Great Inagua from England.<ref>''Assassin's Creed IV: Black Flag'' – [[The End]]</ref> | | The analyst entered the Animus for a final time and resumed Edward's memory as a young [[Jennifer Scott]] arrived in Great Inagua from England.<ref>''Assassin's Creed IV: Black Flag'' – [[The End]]</ref> |
| | |
| | The analyst also overhead the conversations of various other Abstergo employees: |
| | *'''Abstergo employee 37:''' ''It's madness around here, isn't it? This is the craziest week I've seen in four years.'' |
| | *'''Abstergo employee 38:''' ''What do you mean?'' |
| | *'''Abstergo employee 37:''' ''You didn't hear? Someone was killed this morning. In the office. Some guy from IT.'' |
| | *'''Abstergo employee 38:''' ''Killed? How?'' |
| | *'''Abstergo employee 37:''' ''Security did it... they SHOT him!'' |
| | *'''Abstergo employee 38:''' ''God. What... what was he doing.'' |
| | *'''Abstergo employee 37:''' ''Just working in the server rooms, making photocopies or something. That what I heard.'' |
| | *'''Abstergo employee 38:''' ''Damn.'' |
| | <!--disjointed in the files--> |
| | |
| | *'''Abstergo employee 39:''' ''Hey, how's the Trailer going?'' |
| | *'''Abstergo employee 40:''' ''The "Caribbean Devils" trailer? Really good. We have a fine-cut finished. Just a few tweaks and we're ready.'' |
| | *'''Abstergo employee 40:''' ''Mm, I'm really looking forward to it. I love pirates, and this whole Edward Kenway thing sounds amazing.'' |
| | *'''Abstergo employee 39:''' ''Yeah, it's been great. Some of the people here have captured some great footage. All it needed was some little polishing.'' |
| | *'''Abstergo employee 40:''' ''You know what would be even better than a virtual pirate experience? A pirate versus ninja story. Amazing right?'' |
| | *'''Abstergo employee 39:''' ''Totally. Yes.'' |
| | <!--disjointed in the files--> |
| | |
| | *'''Abstergo employee 41:''' ''I really hope I we find an ancestor who lived in feudal [[Japan]]. I want to visit that. Or Ancient [[Egypt]]. I've heard people talk about that.'' |
| | *'''Abstergo employee 42:''' ''Well, I've seen pictures of the guy who donated Sample 17. Good looking kid, but hard to pin down. Could have all kinds of ancestors.'' |
| | *'''Abstergo employee 41:''' ''Doesn't really matter anymore, does it? With our surrogate data systems we can visit anyone's genetic memories now.'' |
| | *'''Abstergo employee 42:''' ''True.'' |
| | *'''Abstergo employee 41:''' ''Where would go if you could?'' |
| | *'''Abstergo employee 42:''' ''Mm, I don't know. Maybe [[Manchester]] in the late seventies. Or [[New York City|New York]] in the early eighties. Lot of bands I'd like to see.'' |
| | *'''Abstergo employee 41:''' ''That's it? What about the [[Mongol Empire|Mongolian empire]] in the thirteenth century?'' |
| | *'''Abstergo employee 41:''' ''Oh! Or the nineteen forties. I'd love to see the premier of {{wiki|Citizen Kane}}. |
| | |
| | <!--the following might be from cameras--> |
| | *'''Abstergo employee 43:''' ''So you managed everything ok?'' |
| | *'''Abstergo employee 44:''' ''Yeah thanks for that – it was a big help.'' |
| | *'''Abstergo employee 43:''' ''No problem – I remember the first time I did this for more than an hour. I had similar kinds of [[Bleeding Effect|effects]] from the Animus. Just if it happens again have a word with Melanie and see if it needs checking out.'' |
| | *'''Abstergo employee 44:''' ''OK.'' |
| | |
| | *'''Abstergo employee 45:''' ''Marco! Missed you at the Lumiere festival last night.'' |
| | *'''Abstergo employee 46:''' ''I was there. We talked for an hour before going down! |
| | *'''Abstergo employee 45:''' ''We did? When?'' |
| | *'''Abstergo employee 46:''' ''At Nouveau Palais. We shared a booth before taking a taxi downtown. You don't remember? You kept talking about how damn cold it was.'' |
| | *'''Abstergo employee 45:''' ''Shit. Eliane brought {{wiki|Mezcal}} to dinner. I don't remember much after dessert. How was the show?'' |
| | *'''Abstergo employee 46:''' ''Great. Really beautiful. You seemed like you were having fun.'' |
| | *'''Abstergo employee 45:''' ''That's good.'' |
| | <!--this one is weird because the Lumiere festival in Montreal happens end of February--> |
| | |
| | *'''Abstergo employee 47:''' Non, moi non plus, je ne sais pas où elle est. J'ai entendu dire qu'elle était partie en pleurant, je ne sais pas trop pourquoi, et qu'elle était pas revenue. ''(No I don't know where she is either—she's just not here. I heard that she ran off crying about something and hasn't come back.)'' ...Evidemment, si je la vois, je lui dirai que tu as appelé. ''(Of course if I find her I'll let her know you called.)'' ...Toi aussi. Au revoir! ''(You too. Goodbye!)'' |
| | |
| | *'''Abstergo employee 47:''' ''Was [[Ezio Auditore da Firenze|he]] killed? Or was it a heart attack. Dammit, I just can't tell.'' |
| | *'''Abstergo employee 48:''' ''Look, I saw the official statement. They're claiming it was a heart attack. So that's that.'' |
| | *'''Abstergo employee 47:''' ''But you saw the [[Florentine man (1524)|guy]]'s wrist, didn't you? There was a [[Templar insignia|cross]]! Don't tell me that's just a coincidence.'' |
| | *'''Abstergo employee 48:''' ''Officially, yes. It's a coincidence. End of story.'' |
| | *'''Abstergo employee 47:''' ''Officially... ''Merde.'' (Shit.) And what about unofficially.'' |
| | *'''Abstergo employee 48:''' ''Unofficially... I don't know. I want to believe the best, but I always fear the worst. Now stop sticking your nose where it doesn't belong.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Security camera footage | | !style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Security camera footage |
| |- | | |- |
| |After being rescued from the Bunker, the analyst hacked three security stations throughout the building and eavesdropped on other employees' conversations. Upon hacking a camera on the first floor, they overheard a woman talking to her male co-worker at a computer terminal in the lobby. | | |After being rescued from the Bunker, the analyst hacked three security stations throughout the building and eavesdropped on other employees' conversations. Upon hacking a camera on the first floor, they overheard a woman talking to her male co-worker at a computer terminal in the lobby. |
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| |
|
| ==''[[Assassin's Creed: Rogue]]''== | | ==''[[Assassin's Creed: Rogue]]''== |
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| ! style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |A Rude Awakening | | !style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|A Rude Awakening |
| |- | | |- |
| |As a [[Helix]] [[Numbskull|research analyst]] relived [[Shay Cormac]]'s memory in which he captured the {{Wiki|sloop-of-war}} ''[[Morrigan]]'',<ref>''[[Assassin's Creed: Rogue]]'' – [[The Way the Wind Blows]]</ref> they triggered a virus. | | |As a [[Helix]] [[Numbskull|research analyst]] relived [[Shay Cormac]]'s memory in which he captured the {{Wiki|sloop-of-war}} ''[[Morrigan]]'',<ref>''[[Assassin's Creed: Rogue]]'' – [[The Way the Wind Blows]]</ref> they triggered a virus. |
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| The analyst repaired the server. | | The analyst repaired the server. |
| *'''Violet:''' ''Good job! This core wasn't too complex, but rebooting the advanced hardware in the rest of the building will require more work.'' | | *'''Violet:''' ''Good job! This core wasn't too complex, but rebooting the advanced hardware in the rest of the building will require more work.'' |
| The analyst also activated [[Numbskull's personal files|a video]] in which Berg analyzed the turncoat Assassin Mentor [[Al Mualim]]. | | The analyst also activated [[Numbskull's personal files|a video]] in which Berg analyzed the turncoat Assassin Mentor Al Mualim. |
| *'''Violet:''' ''Uh. Okay, so, I'm not sure you were supposed to see that. Just, ah, you should just get back to your Animus. With the servers back online, you could, in theory, restore your coworkers' work stations, if you, you know, feel like being helpful. And you could, in theory, find some more digital goodies, if you, you know, feel like being sneaky! Hey, one of your coworkers dropped his communicator by the elevator. If you see any tech lying around like that, grab 'em. There might be a clue as to who did this.'' | | *'''Violet:''' ''Uh. Okay, so, I'm not sure you were supposed to see that. Just, ah, you should just get back to your Animus. With the servers back online, you could, in theory, restore your coworkers' work stations, if you, you know, feel like being helpful. And you could, in theory, find some more digital goodies, if you, you know, feel like being sneaky! Hey, one of your coworkers dropped his communicator by the elevator. If you see any tech lying around like that, grab 'em. There might be a clue as to who did this.'' |
| *'''Juhani:''' ''Now that you have unlocked Shay Cormac's memories, we stand on the brink of a grand discovery. I know you must have questions about your new assignment, or about me. For now, all I will say is that Shay's story contains the answers. Shay will lead you to a greater understanding.'' | | *'''Juhani:''' ''Now that you have unlocked Shay Cormac's memories, we stand on the brink of a grand discovery. I know you must have questions about your new assignment, or about me. For now, all I will say is that Shay's story contains the answers. Shay will lead you to a greater understanding.'' |
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| The analyst returned to their station and resumed Shay's memory as he began a training session at the Davenport Homestead.<ref>''Assassin's Creed: Rogue'' – [[Lessons and Revelations]]</ref> | | The analyst returned to their station and resumed Shay's memory as he began a training session at the Davenport Homestead.<ref>''Assassin's Creed: Rogue'' – [[Lessons and Revelations]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Fragmented memories | | !style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Fragmented memories |
| |- | | |- |
| |After the analyst viewed Shay's assassination of [[Lawrence Washington]] in July 1752,<ref>''Assassin's Creed: Rogue'' – [[By Invitation Only]]</ref> the memory sequence glitched and jumped forward two years to May 1754. | | |After the analyst viewed Shay's assassination of [[Lawrence Washington]] in July 1752,<ref>''Assassin's Creed: Rogue'' – [[By Invitation Only]]</ref> the memory sequence glitched and jumped forward two years to May 1754. |
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| The analyst continued through the memory as Shay tracked down one of the men he saw at [[Mount Vernon]], [[Samuel Smith]].<ref>''Assassin's Creed: Rogue'' – [[One Little Victory]]</ref> | | The analyst continued through the memory as Shay tracked down one of the men he saw at [[Mount Vernon]], [[Samuel Smith]].<ref>''Assassin's Creed: Rogue'' – [[One Little Victory]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Damage Control | | !style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Damage Control |
| |- | | |- |
| |After the analyst relived a glitched memory,<ref>''Assassin's Creed: Rogue'' – [[RGVjb25zdHJ1Y3RlZA0K]]</ref> Violet contacted them via earpiece. | | |After the analyst relived a glitched memory,<ref>''Assassin's Creed: Rogue'' – [[RGVjb25zdHJ1Y3RlZA0K]]</ref> Violet contacted them via earpiece. |
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| *'''Juhani:''' ''Continue exploring his memories. The best is yet to come.'' | | *'''Juhani:''' ''Continue exploring his memories. The best is yet to come.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |High Places | | !style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|High Places |
| |- | | |- |
| |After viewing Shay's induction into the Templar Order,<ref>''Assassin's Creed: Rogue'' – [[Scars]]</ref> the analyst was contacted again by Berg and Violet. | | |After viewing Shay's induction into the Templar Order,<ref>''Assassin's Creed: Rogue'' – [[Scars]]</ref> the analyst was contacted again by Berg and Violet. |
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| *'''Violet:''' ''Uploading the next memory sequence now...'' | | *'''Violet:''' ''Uploading the next memory sequence now...'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" | Understanding | | !style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Understanding |
| |- | | |- |
| |After reliving Shay's final sequenced memory in the [[Arctic Ocean|Arctic Circle]],<ref>''Assassin's Creed: Rogue'' – [[Non Nobis Domine]]</ref> the analyst was contacted by Violet. | | |After reliving Shay's final sequenced memory in the [[Arctic Ocean|Arctic Circle]],<ref>''Assassin's Creed: Rogue'' – [[Non Nobis Domine]]</ref> the analyst was contacted by Violet. |
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| *'''Violet:''' ''Once you go back to finish Shay's story, your life is never going to be the same afterwards. You should finish any outstanding business before entering your Animus.'' | | *'''Violet:''' ''Once you go back to finish Shay's story, your life is never going to be the same afterwards. You should finish any outstanding business before entering your Animus.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Choice | | !style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Choice |
| |- | | |- |
| |After finishing Shay's story with his trip to [[Versailles]],<ref>''Assassin's Creed: Rogue'' – [[QXNzYXNzaW5hdGlvbg0K]]</ref> the analyst met Melanie in her office, along with Berg and Violet. | | |After finishing Shay's story with his trip to [[Versailles]],<ref>''Assassin's Creed: Rogue'' – [[QXNzYXNzaW5hdGlvbg0K]]</ref> the analyst met Melanie in her office, along with Berg and Violet. |
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| |
|
| ==''[[Assassin's Creed: Unity]]''== | | ==''[[Assassin's Creed: Unity]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Bishop and Deacon | | !style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Bishop and Deacon |
| |- | | |- |
| | | | | |
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| The Helix Initiate began reliving [[Arno Dorian]]'s memory of his time in [[Versailles]] as both a child and an adult.<ref>''Assassin's Creed: Unity'' – [[Memories of Versailles]]</ref> | | The Helix Initiate began reliving [[Arno Dorian]]'s memory of his time in [[Versailles]] as both a child and an adult.<ref>''Assassin's Creed: Unity'' – [[Memories of Versailles]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" | Initiate | | !style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Initiate |
| |- | | |- |
| | | | | |
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| The Initiate proceeded to relive Arno's initiation into the [[Parisian Brotherhood of Assassins|French Assassins]].<ref>''Assassin's Creed: Unity'' – [[Rebirth]]</ref> | | The Initiate proceeded to relive Arno's initiation into the [[Parisian Brotherhood of Assassins|French Assassins]].<ref>''Assassin's Creed: Unity'' – [[Rebirth]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Templar Sage | | !style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Templar Sage |
| |- | | |- |
| | | | | |
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| *'''Bishop:''' ''There, everything's been updated. Use them wisely. We'll be in touch.'' | | *'''Bishop:''' ''There, everything's been updated. Use them wisely. We'll be in touch.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Germain | | !style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Germain |
| |- | | |- |
| | | | | |
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| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Mission accomplished | | ! style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Signal Distortion |
| | |- |
| | |The Initiate finished reliving Arno's escape in an air ballon with [[Élise de la Serre|Élise]] after assassinating [[Marie Lévesque]].<ref>''Assassin's Creed Unity'' – [[The Escape (Unity)|The Escape]]</ref> |
| | * '''Bishop:''' ''Initiate, do you read me? Sorry about all this noise. There's a waterfall of signal distortion. Its not looking good. How about one more boost before I lose this connection? Sending you the data now.'' |
| | |
| | Bishop unlocked a new set of Assassin Skills in the Helix Navigator for the Initiate. |
| | |
| | * '''Bishop:''' ''You're close to the goal, ok? So hold fast. Our own research couldn't locate the date and place of Germain's death, so you'll have to find it yourself. Bishop out.'' |
| | |} |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Mission accomplished |
| |- | | |- |
| | | | | |
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| |
|
| ===''[[Dead Kings]]''=== | | ===''[[Dead Kings]]''=== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Glitch | | !style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Glitch |
| |- | | |- |
| | | | | |
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| |
|
| ==''[[Assassin's Creed Chronicles]]''== | | ==''[[Assassin's Creed Chronicles]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#281109; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |A Secret Lab | | !style="background:#281109; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|A Secret Lab |
| |- | | |- |
| | Laetitia England sat in her office typing on her laptop. | | |Laetitia England sat in her office typing on her laptop. |
| *'''Berg:''' ''You sent for me?'' | | *'''Berg:''' ''You sent for me?'' |
| Laetitia swiveled in her chair to face Berg, who had just entered the room. | | Laetitia swiveled in her chair to face Berg, who had just entered the room. |
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| *'''Laetitia:''' ''Shay Cormac's [[Precursor box]]. You recovered it last year, when the Assassins stole it... before we knew what it was.'' | | *'''Laetitia:''' ''Shay Cormac's [[Precursor box]]. You recovered it last year, when the Assassins stole it... before we knew what it was.'' |
| *'''Berg:''' ''Before ''I'' uncovered Shay's memories.'' | | *'''Berg:''' ''Before ''I'' uncovered Shay's memories.'' |
| *'''Laetitia:''' ''I need you to deliver it to [[Álvaro Gramática|Dr. Gramática]].'' | | *'''Laetitia:''' ''I need you to deliver it to Dr. [[Álvaro Gramática|Gramática]].'' |
| *'''Berg:''' ''Very well. Where?'' | | *'''Berg:''' ''Very well. Where?'' |
| *'''Laetitia:''' ''[[Abstergo Industries Paris facility|A secret location]]. Not even ''I'' know where it is. Gramática will send you the coordinates.'' | | *'''Laetitia:''' ''[[Abstergo Industries Australia facility|A secret location]]. Not even ''I'' know where it is. Gramática will send you the coordinates.'' |
| Berg made to leave but was stopped at the door when Laetitia called to him. | | Berg made to leave but was stopped at the door when Laetitia called to him. |
| *'''Laetitia:''' ''Master Berg. No one is to know about this. Understood?'' | | *'''Laetitia:''' ''Master Berg. No one is to know about this. Understood?'' |
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| *'''Berg:''' ''What ''kind'' of research are you doing here?'' | | *'''Berg:''' ''What ''kind'' of research are you doing here?'' |
| *'''Álvaro:''' ''Project Phoenix, Master Berg!'' | | *'''Álvaro:''' ''Project Phoenix, Master Berg!'' |
| Gramática walked away from Berg to the entrance of his lab. | | Gramática walked away from Berg to his lab entrance. |
| *'''Álvaro:''' ''Project Phoenix!'' | | *'''Álvaro:''' ''Project Phoenix!'' |
| |} | | |} |
|
| |
|
| ==''[[Assassin's Creed: Syndicate]]''== | | ==''[[Assassin's Creed: Syndicate]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |A New Mission | | !style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|A New Mission |
| |- | | |- |
| |After their success with Arno's memories, Bishop contacted the Initiate about a new assignment. | | |After their success with Arno's memories, Bishop contacted the Initiate about a new assignment. |
| *'''Bishop:''' ''Hello, Initiate. Recently, Abstergo Historical Research began several new projects in London. We both know that when Abstergo makes big moves, the Templars are up to something. We think they're hot on the trail of a [[Shroud of Eden 2|new Piece of Eden]]. I've got people in London looking for it.'' | | *'''Bishop:''' ''Hello, Initiate. Recently, Abstergo Historical Research began several new projects in London. We both know that when Abstergo makes big moves, the Templars are up to something. We think they're hot on the trail of a new Piece of Eden. I've got people in London looking for it.'' |
| *'''Rebecca:''' ''Hey Bishop! [[Jacob Frye|Jacob]] and [[Evie Frye]] are twins! How awesome is that?'' | | *'''Rebecca:''' ''Hey Bishop! [[Jacob Frye|Jacob]] and [[Evie Frye]] are twins! How awesome is that?'' |
| *'''Bishop:''' ''Speak of the devil. Fire up your cameras, Becs! I've got picture. ETA on the payload?'' | | *'''Bishop:''' ''Speak of the devil. Fire up your cameras, Becs! I've got picture. ETA on the payload?'' |
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| The Initiate began reliving the Frye twins' memories as they hunted [[Rupert Ferris]] and [[David Brewster]] within the factory [[Ferris Ironworks]] in [[Croydon]].<ref>''[[Assassin's Creed: Syndicate]]'' – [[A Spanner in the Works]]</ref><ref>''Assassin's Creed: Syndicate'' – [[A Simple Plan]]</ref> | | The Initiate began reliving the Frye twins' memories as they hunted [[Rupert Ferris]] and [[David Brewster]] within the factory [[Ferris Ironworks]] in [[Croydon]].<ref>''[[Assassin's Creed: Syndicate]]'' – [[A Spanner in the Works]]</ref><ref>''Assassin's Creed: Syndicate'' – [[A Simple Plan]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Templar meeting | | !style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Templar meeting |
| |- | | |- |
| |After the Initiate relived Jacob and Evie's first set of memories, Bishop contacted them. | | |After the Initiate relived Jacob and Evie's first set of memories, Bishop contacted them. |
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| *'''Bishop:''' ''All they had to do was wait for you to search the data. Their little stunt has put the whole operation at risk. You need to synchronize Jacob and Evie's memories. Find something that puts us ahead of the enemy. Time is of the essence and lives are now clearly on the line. Good luck.'' | | *'''Bishop:''' ''All they had to do was wait for you to search the data. Their little stunt has put the whole operation at risk. You need to synchronize Jacob and Evie's memories. Find something that puts us ahead of the enemy. Time is of the essence and lives are now clearly on the line. Good luck.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Checking in | | !style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Checking in |
| |- | | |- |
| |After the Initiated relived more of Jacob and Evie's memories, Bishop contacted them again. | | |After the Initiated relived more of Jacob and Evie's memories, Bishop contacted them again. |
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| *'''Bishop:''' ''Leave that to me. In the meantime, keep a low profile. Let the Initiate continue to synch the data.'' | | *'''Bishop:''' ''Leave that to me. In the meantime, keep a low profile. Let the Initiate continue to synch the data.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" | World War I simulation | | !style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|World War I simulation |
| |- | | |- |
| |While viewing the Frye twins' memories, the Initiate found a rift. | | |While viewing the Frye twins' memories, the Initiate found a rift. |
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| *'''Bishop:''' ''Initiate! Are you there? Your readings are going haywire! Abort! ... out! Yo ... ve to get ...'' | | *'''Bishop:''' ''Initiate! Are you there? Your readings are going haywire! Abort! ... out! Yo ... ve to get ...'' |
| *'''Juno:''' ''Hello. In the past, you hunt for one of my artifacts. But I come to you today to speak of the future. Follow [[Lydia Frye]]. She will lead you to me.'' | | *'''Juno:''' ''Hello. In the past, you hunt for one of my artifacts. But I come to you today to speak of the future. Follow [[Lydia Frye]]. She will lead you to me.'' |
| After the Initiate explored Lydia's memories during [[World War I]],<ref>''Assassin's Creed: Syndicate'' – [[The Darkest Hour]]</ref><ref>''Assassin's Creed: Syndicate'' – [[The Apothecary Twins]]</ref><ref>''Assassin's Creed: Syndicate'' – [[The Magpie]]</ref><ref>''Assassin's Creed: Syndicate'' – [[Hopton's]]</ref><ref>''Assassin's Creed: Syndicate'' – [[Clarence Stock House]]</ref><ref>''Assassin's Creed: Syndicate'' – [[The Master Spy]]</ref> they left the simulation.
| | As the Initiate explored a [[World War I simulation|simulation]] of Lydia's memories during [[World War I]],<ref>''Assassin's Creed: Syndicate'' – [[The Darkest Hour]]</ref><ref>''Assassin's Creed: Syndicate'' – [[The Apothecary Twins]]</ref><ref>''Assassin's Creed: Syndicate'' – [[The Magpie]]</ref><ref>''Assassin's Creed: Syndicate'' – [[Hopton's]]</ref><ref>''Assassin's Creed: Syndicate'' – [[Clarence Stock House]]</ref><ref>''Assassin's Creed: Syndicate'' – [[17 Walpole Lane]]</ref><ref>''Assassin's Creed: Syndicate'' – [[The Master Spy]]</ref> Juno continued to contact them. |
| | After the initiate relived "The Darkest Hour", Juno intercepted the simulation. |
| | *'''Juno:''' ''Once I walked the [[Earth]] as you do. I was born to the [[Illuminat]] caste in the city of [[Feyan]] in the year 2195 of the [[Isu Era]]. Now I travel the vast corridors of your machines, adrift here within [[the Grey]]. But I grow stronger. The world is nearly ready for my return. And so, I have summoned you to this war-torn simulation. To tell you a story. It is our story. I once loathed the very sight of your kind. In the same way you recoil in the presence of an arachnid. Humans were [[Project Anthropos|created]] by we who came before, the Isu. We crafted you in our image, but deprived you of our true gifts. You were bred for hard labor, and in extreme cases, war. We built observatories to monitor you, devices to control you. We blessed you with resilience, but cursed you with ambition. And so you [[Human-Isu War|rebelled]] against us. I suppose we are to blame for the state of your species. Is it any wonder so many of these simulations revolve around violence?'' |
| | After reliving two more WWI missions, Juno intercepted the simulation again. |
| | *'''Juno:''' ''As our people clashed, we became distracted from an impending doom, a [[Great Catastrophe|coronal mass ejection]] from our angry sun. The greatest minds of our time assembled to prevent the coming disaster. Among them: forthright Minerva, proud Jupiter... beloved Aita. We spent years locked away in the Grand Temple, attempting to find salvation. The others could only think of physical solutions, yet I believed the only way to save us was to transform us. Inspired by [[Shroud of Eden 1|the research]] of the great scientist [[Consus]], I attempted to place Aita's mind into a stronger, synthetic body. I failed, and my beloved died in my arms. The others shunned me.'' |
| | After reliving two more WWI missions, Juno intercepted the simulation again. |
| | *'''Juno:''' ''[[Six methods of salvation|All of our efforts]] came to nothing. In the year 2306 of the Isu Era, the sun unleashed its fury on my once-great civilization. I perfected the work of Consus and made it my own. I salvaged Aita's brilliant essence and inserted it into the DNA of your rebellious kind. I sent him into the unknown future to be reborn, again and again. I returned to the Grand Temple. I shed my physical form and entered the Grey. But stubborn Minerva and foolish Jupiter discovered me, and sealed me inside. Entombed, I waited for the day when your technology might allow my return. That wait is nearly over.'' |
| | After the initiate relived all WWI memories except "[[The Master Spy]]", Juno intercepted the simulation again. |
| | *'''Juno:''' ''We need not be enemies. I intend to build, to transform your age into something greater than you can currently comprehend.'' |
| | After the initiate relived the last mission, Juno intercepted the simulation for a final time. |
| | *'''Juno:''' ''[[Master Spy|The man]] Lydia killed was my husband Aita, reborn. Known in your time as a 'Sage'. Thank you for discovering his fate. His pattern will be added to my own. Perhaps you believe, as other Assassins before you, that it is your duty to work against me. But consider this: it was an Assassin who freed me from my prison. I am no longer She Who Lies in Wait. I am the [[Mother of Wisdom]]. I am the nexus of flesh and machine. I am Juno. And if the greatest Assassin of your generation can see things my way... then perhaps you can too.'' |
| | Having completed the sequence, the Initiate left the rift, returning to the main simulation. |
| *'''Bishop:''' ''I'm not reading any more signs of network disturbance. What happened in there? ... you okay? I don't know what happened. I thought I'd lost you.'' | | *'''Bishop:''' ''I'm not reading any more signs of network disturbance. What happened in there? ... you okay? I don't know what happened. I thought I'd lost you.'' |
| | The initiate reentered the WWI simulation. |
| | *'''Bishop:''' ''You need to be very careful.'' |
| | *'''Juno:''' ''Hello again. Follow Lydia to find me.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Galina | | !style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Galina |
| |- | | |- |
| |After the Initiated relived more of Jacob and Evie's memories, they were reconnected to Rebecca's drone feed. | | |After the Initiated relived more of Jacob and Evie's memories, they were reconnected to Rebecca's drone feed. |
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| *'''Bishop:''' ''Shaun and Rebecca are safe for now, but we're still relying on you to find us that Shroud!'' | | *'''Bishop:''' ''Shaun and Rebecca are safe for now, but we're still relying on you to find us that Shroud!'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Verification | | !style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Verification |
| |- | | |- |
| | | | | |
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| *'''Bishop:''' ''It's all up to you, Initiate.'' | | *'''Bishop:''' ''It's all up to you, Initiate.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Shroud of Eden | | !style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Shroud of Eden |
| |- | | |- |
| |Upon finishing Jacob and Evie's memories,<ref>''Assassin's Creed: Syndicate'' – [[A Night to Remember]]</ref> the Initiate was connected to Rebecca's drone feed. | | |Upon finishing Jacob and Evie's memories,<ref>''Assassin's Creed: Syndicate'' – [[A Night to Remember]]</ref> the Initiate was connected to Rebecca's drone feed. |
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| |
|
| ==''[[Assassin's Creed: Origins]]''== | | ==''[[Assassin's Creed: Origins]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#FFA500; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Hotep Cavern | | !style="background:#FFA500; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Hotep Cavern |
| |- | | |- |
| |After witnissing [[Bayek]]s' departure from [[Siwa]] to [[Alexandria]] following [[Khemu]]'s death in the [[Siwa Vault]],<ref>''[[Assassin's Creed: Origins]]'' – [[May Amun Walk Beside You]]</ref> Layla Hassan's Animus session was interrupted by [[Deanna Geary]]. | | |After witnissing [[Bayek]]s' departure from [[Siwa]] to [[Alexandria]] following [[Khemu]]'s death in the [[Siwa Vault]],<ref>''[[Assassin's Creed: Origins]]'' – [[May Amun Walk Beside You]]</ref> Layla Hassan's Animus session was interrupted by [[Deanna Geary]]. |
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| Layla resumed Bayek's memories as he entered Alexandria in search of his wife, [[Amunet|Aya]].<ref>''Assassin's Creed: Origins'' – [[Aya (memory)]]</ref> | | Layla resumed Bayek's memories as he entered Alexandria in search of his wife, [[Amunet|Aya]].<ref>''Assassin's Creed: Origins'' – [[Aya (memory)]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#FFA500; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Finding Aya | | !style="background:#FFA500; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Finding Aya |
| |- | | |- |
| |Layla gasped for air as she sat up and disconnected from the Animus. | | |Layla gasped for air as she sat up and disconnected from the Animus. |
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| She switched back to Bayek's memory as he met with [[Apollodorus]] to seek audience with [[Cleopatra]].<ref>''Assassin's Creed: Origins'' – [[Egypt's Medjay]]</ref> | | She switched back to Bayek's memory as he met with [[Apollodorus]] to seek audience with [[Cleopatra]].<ref>''Assassin's Creed: Origins'' – [[Egypt's Medjay]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#FFA500; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Terminating Layla | | !style="background:#FFA500; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Terminating Layla |
| |- | | |- |
| | Deanna abruptly roused Layla out of the Animus, leaving her temporarily disoriented. | | |Deanna abruptly roused Layla out of the Animus, leaving her temporarily disoriented. |
| *'''Deanna:''' ''Wake up! Wake up! Layla, NOW! I need you!'' | | *'''Deanna:''' ''Wake up! Wake up! Layla, NOW! I need you!'' |
| Layla got off the Portable Animus but immediately collapsed on her knees and vomited. | | Layla got off the Portable Animus but immediately collapsed on her knees and vomited. |
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| *'''Layla:''' ''Back to the Animus. What else can I do?'' | | *'''Layla:''' ''Back to the Animus. What else can I do?'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#FFA500; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Meeting William Miles | | !style="background:#FFA500; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Meeting William Miles |
| |- | | |- |
| |Layla lay in the Animus while the recording she made earlier was being played by William Miles. | | |Layla lay in the Animus while the recording she made earlier was being played by William Miles. |
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| |
|
| ==''[[Assassin's Creed: Odyssey]]''== | | ==''[[Assassin's Creed: Odyssey]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Entering the Animus HR-8.5 | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Entering the Animus HR-8.5 |
| |- | | |- |
| | Layla Hassan removed a pile of rubble obscuring a buried object from her view. | | |Layla removed a pile of rubble obscuring a buried object from her view. |
| *'''Layla Hassan:''' ''Finally.'' | | *'''Layla Hassan:''' ''Finally.'' |
| Layla reached inside the hole and extracted the [[Spear of Leonidas]]. At her [[Layla Hassan's hideout|apartment base]] later, she stared at the Spear in awe. | | Layla reached inside the hole and extracted the [[Spear of Leonidas]]. At her [[Layla Hassan's hideout|apartment base]] later, she stared at the Spear in awe. |
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| Layla began reliving the memories of the [[Sparta]]n ''misthios'' Kassandra as she sat relaxing atop [[Kephallonian hovel|her home]] on [[Kephallonia]].<ref>''[[Assassin's Creed: Odyssey]]'' – [[So It Begins]]</ref> | | Layla began reliving the memories of the [[Sparta]]n ''misthios'' Kassandra as she sat relaxing atop [[Kephallonian hovel|her home]] on [[Kephallonia]].<ref>''[[Assassin's Creed: Odyssey]]'' – [[So It Begins]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Taking a break | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Taking a break |
| |- | | |- |
| |After experiencing Kassandra's infiltration of the [[Cult of Kosmos]]' meeting in their [[Sanctuary of Kosmos|lair]]<ref>''Assassin's Creed: Odyssey'' – [[The Serpent's Lair]]</ref> and first upgrade of the Spear in the [[Ancient Forge]] on [[Andros]],<ref>''Assassin's Creed: Odyssey'' – [[Upgrade the Spear]]</ref> Layla awoke from the Animus and sat up. | | |After experiencing Kassandra's infiltration of the [[Cult of Kosmos]]' meeting in their [[Sanctuary of Kosmos|lair]]<ref>''Assassin's Creed: Odyssey'' – [[The Serpent's Lair]]</ref> and first upgrade of the Spear in the [[Ancient Forge]] on [[Andros]],<ref>''Assassin's Creed: Odyssey'' – [[Upgrade the Spear]]</ref> Layla awoke from the Animus and sat up. |
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| *'''Dr. Victoria Bibeau:''' ''All right, I'll be watching your back.'' | | *'''Dr. Victoria Bibeau:''' ''All right, I'll be watching your back.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Finding Atlantis | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Finding Atlantis |
| |- | | |- |
| |Layla Hassan awoke from the Animus excited, sat up, then removed her {{Wiki|head-mounted display}}. | | |After experiencing Kassandra's memory of meeting her father [[Pythagoras]],<ref>''Assassin's Creed: Odyssey'' – [[A Family's Legacy]]</ref> an excited Layla awoke from the Animus, sat up, then removed her {{Wiki|head-mounted display}}. |
| *'''Layla Hassan:''' ''[[Thera]]... We found [[Atlantis]]!'' | | *'''Layla Hassan:''' ''[[Thera]]... We found [[Atlantis]]!'' |
| Victoria, concerned, approached Layla. | | Victoria, concerned, approached Layla. |
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| *'''Alannah Ryan:''' ''Yeah, we're here if you need us!'' | | *'''Alannah Ryan:''' ''Yeah, we're here if you need us!'' |
| *'''Kiyoshi Takakura:''' ''Said the Assassin sitting at a desk.'' | | *'''Kiyoshi Takakura:''' ''Said the Assassin sitting at a desk.'' |
| *'''Alannah Ryan:''' ''Well I don't have to be on a boat to be useful! I have loads of information on Ancient Greece. Did you know that at [[Zakros]], the [[Minoan civilization|Minoans]] built a graveyard so huge it was known as the "{{Wiki|Zakros|Ravine of the Dead}}"?'' | | *'''Alannah Ryan:''' ''Well I don't have to be on a boat to be useful! I have loads of information on Ancient Greece. Did you know that at [[Zakros]], the [[Minoan civilization|Minoans]] built a graveyard so huge it was known as the "Ravine of the Dead"?'' |
| Layla reached a chamber of small {{Wiki|hydrothermal vent}}s and swam through a safe passage between the fissures. | | Layla reached a chamber of small {{Wiki|hydrothermal vent}}s and swam through a safe passage between the fissures. |
| *'''Dr. Victoria Bibeau:''' ''Can we please not talk about death?'' | | *'''Dr. Victoria Bibeau:''' ''Can we please not talk about death?'' |
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| *'''Dr. Victoria Bibeau:''' ''Impressive.'' | | *'''Dr. Victoria Bibeau:''' ''Impressive.'' |
| *'''Layla Hassan:''' ''All in a day's hack.'' | | *'''Layla Hassan:''' ''All in a day's hack.'' |
| Layla exited the tunnel and finally reached the pool where Kassandra dove to get to the [[Gateway to the Lost City]],<ref>''Assassin's Creed: Odyssey'' – [[A Family's Legacy]]</ref> and emerged out of the water. She laughs joyously. | | Layla exited the tunnel and finally reached the pool where Kassandra dove to get to the [[Gateway to the Lost City]] and emerged out of the water. She laughed joyously. |
| *'''Layla Hassan:''' ''Wow! It's more elaborate than I could have imagined.'' | | *'''Layla Hassan:''' ''Wow! It's more elaborate than I could have imagined.'' |
| She ran through the walkway. | | She ran through the walkway. |
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| She walked underneath it and looked around. | | She walked underneath it and looked around. |
| *'''Layla Hassan:''' ''I should get out of this diving suit before I start exploring.'' | | *'''Layla Hassan:''' ''I should get out of this diving suit before I start exploring.'' |
| She changed back to her old clothes with a {{Wiki|Keffiyeh|square scarf}} wrapped around her neck and over her chest. Layla looked around in amazement. | | She changed back to her old clothes and donned a {{Wiki|keffiyeh}}. Layla looked around in amazement. |
| *'''Layla Hassan:''' ''It's real. I made it.'' | | *'''Layla Hassan:''' ''It's real. I made it.'' |
| Layla contacted her team again. | | Layla contacted her team again. |
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| *'''Layla Hassan:''' ''I'm re-entering the Animus. I need Kassandra to show me how she got farther inside.'' | | *'''Layla Hassan:''' ''I'm re-entering the Animus. I need Kassandra to show me how she got farther inside.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Meeting Kassandra | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Meeting Kassandra |
| |- | | |- |
| |Layla returned from the Animus after experiencing how Kassandra sealed Atlantis.<ref>''Assassin's Creed: Odyssey'' – [[Ancient Revelations]]</ref> She went straight to the the transmitting column near the gate and pushed the triangle button in the middle. It flashed golden light, and the square pyramid floating above glowed and activateed with a holographic [[earth]] beneath it. Layla looked up in awe and excitement. | | |Layla returned from the Animus after experiencing how Kassandra sealed Atlantis.<ref>''Assassin's Creed: Odyssey'' – [[Ancient Revelations]]</ref> She went straight to the the transmitting column near the gate and pushed the triangle button in the middle. It flashed golden light, and the square pyramid floating above glowed and activateed with a holographic [[earth]] beneath it. Layla looked up in awe and excitement. |
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| *'''Kassandra:''' ''When you are done. Destroy it. Destroy them all.'' | | *'''Kassandra:''' ''When you are done. Destroy it. Destroy them all.'' |
| Layla nodded in agreement. Kassandra nodded in thanks, then released the Staff. Turning away, she immediately turned gray and old. Seconds later, light shone from her as her life drained away. Layla caught her as she fell, and Kassandra uttered her final words in Ancient Greek. | | Layla nodded in agreement. Kassandra nodded in thanks, then released the Staff. Turning away, she immediately turned gray and old. Seconds later, light shone from her as her life drained away. Layla caught her as she fell, and Kassandra uttered her final words in Ancient Greek. |
| *'''Kassandra:''' ''Earth, mother of all, I greet you.'' | | *'''Kassandra:''' Gaía, mátir pantós, chaíre. ''(Earth, mother of all, I greet you.)'' |
| Layla laid her down on the ground in sorrow and gives her a moment of silence. She picked up the Staff to examine it, then put it aside. | | Layla laid her down on the ground in sorrow and gives her a moment of silence. She picked up the Staff to examine it, then put it aside. |
| *'''Layla Hassan:''' ''There's so much of the story I haven't seen. I should go back to the Animus and visit Kassandra again.'' | | *'''Layla Hassan:''' ''There's so much of the story I haven't seen. I should go back to the Animus and visit Kassandra again.'' |
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| ===''[[The Lost Tales of Greece]]''=== | | ===''[[The Lost Tales of Greece]]''=== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Unlocking the Seal to Atlantis | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Unlocking the Seal to Atlantis |
| |- | | |- |
| |After relieving Kassandra's first encounter with [[Aletheia]],<ref>''Assassin's Creed: Odyssey – [[The Lost Tales of Greece]]'' – [[The Heir of Memories]]</ref> Layla exited the Animus to speak with her cell members via ear comm. | | |After relieving Kassandra's first encounter with [[Aletheia]],<ref>''Assassin's Creed: Odyssey – [[The Lost Tales of Greece]]'' – [[The Heir of Memories]]</ref> Layla exited the Animus to speak with her cell members via ear comm. |
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| Layla resumed her Animus session as Kassandra searched for Theras.<ref>''Assassin's Creed: Odyssey – The Lost Tales of Greece'' – [[Finding Theras]]</ref> | | Layla resumed her Animus session as Kassandra searched for Theras.<ref>''Assassin's Creed: Odyssey – The Lost Tales of Greece'' – [[Finding Theras]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Exploring Agamemnon's Tomb | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Exploring Agamemnon's Tomb |
| |- | | |- |
| |After Kassandra found the symbol in [[Agamemnon]]'s [[Agamemnon's Tomb|tomb]],<ref>''Assassin's Creed: Odyssey – The Lost Tales of Greece'' – [[Agamemnon's Symbol]]</ref> Layla Hassan reported her findings to her team. | | |After Kassandra found the symbol in [[Agamemnon]]'s [[Agamemnon's Tomb|tomb]],<ref>''Assassin's Creed: Odyssey – The Lost Tales of Greece'' – [[Agamemnon's Symbol]]</ref> Layla reported her findings to her team. |
| *'''Layla Hassan:''' Altaïr II'', I have our next location.'' | | *'''Layla Hassan:''' Altaïr II'', I have our next location.'' |
| *'''Kiyoshi Takakura:''' ''Well done. Where to?'' | | *'''Kiyoshi Takakura:''' ''Well done. Where to?'' |
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| *'''Aletheia:''' ''We are approaching the final symbol. If the Keeper doesn't know the order of the symbols, her brother will.'' | | *'''Aletheia:''' ''We are approaching the final symbol. If the Keeper doesn't know the order of the symbols, her brother will.'' |
| Layla smashed some wine jars and slid through the hole in the wall, finding the symbol on the other side. | | Layla smashed some wine jars and slid through the hole in the wall, finding the symbol on the other side. |
| *'''Layla Hassan:''' ''The final symbol. Another part of a constellation. They must fit together. ''Altaïr II'', can you read me?<br />OK, Layla, think this through. Outside the Tomb of Eteokles, Aletheia said Deimos would show me what the Keeper can't. Phidias had answers Theras didn't and was killed for it...'' | | *'''Layla Hassan:''' ''The final symbol. Another part of a constellation. They must fit together. ''Altaïr II'', can you read me?<br>OK, Layla, think this through. Outside the Tomb of Eteokles, Aletheia said Deimos would show me what the Keeper can't. Phidias had answers Theras didn't and was killed for it...'' |
| *'''Aletheia:''' ''The Heir is wise.'' | | *'''Aletheia:''' ''The Heir is wise.'' |
| *'''Layla Hassan:''' Altaïr II'', come in please.'' | | *'''Layla Hassan:''' Altaïr II'', come in please.'' |
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| </tabber> | | </tabber> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Exploring the Tomb of Eteokles | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Exploring the Tomb of Eteokles |
| |- | | |- |
| |After Kassandra found the symbol in [[Eteokles]]' [[Tomb of Eteokles|tomb]],<ref>''Assassin's Creed: Odyssey – The Lost Tales of Greece'' – [[Eteokles's Symbol]]</ref> Layla Hassan reported her findings to her team. | | |After Kassandra found the symbol in [[Eteokles]]' [[Tomb of Eteokles|tomb]],<ref>''Assassin's Creed: Odyssey – The Lost Tales of Greece'' – [[Eteokles's Symbol]]</ref> Layla reported her findings to her team. |
| *'''Layla Hassan:''' Altaïr II'', I've... or, Kassandra's found the next location.'' | | *'''Layla Hassan:''' Altaïr II'', I've... or, Kassandra's found the next location.'' |
| *'''Kiyoshi Takakura:''' ''Great work. Where to?'' | | *'''Kiyoshi Takakura:''' ''Great work. Where to?'' |
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| *'''Layla Hassan:''' ''Hmm. Can't go this way.'' | | *'''Layla Hassan:''' ''Hmm. Can't go this way.'' |
| She returned to the chamber and found the symbol right in the middle of the sarcophagus. | | She returned to the chamber and found the symbol right in the middle of the sarcophagus. |
| *'''Layla Hassan:''' ''The final symbol. Another part of a constellation. They must fit together. ''Altaïr II'', can you read me?<br />OK, Layla, think this through. Outside the Tomb of Eteokles, Aletheia said Deimos would show me what the Keeper can't. Phidias had answers Theras didn't and was killed for it...'' | | *'''Layla Hassan:''' ''The final symbol. Another part of a constellation. They must fit together. ''Altaïr II'', can you read me?<br>OK, Layla, think this through. Outside the Tomb of Eteokles, Aletheia said Deimos would show me what the Keeper can't. Phidias had answers Theras didn't and was killed for it...'' |
| *'''Aletheia:''' ''The Heir is wise.'' | | *'''Aletheia:''' ''The Heir is wise.'' |
| *'''Layla Hassan:''' Altaïr II'', come in please.'' | | *'''Layla Hassan:''' Altaïr II'', come in please.'' |
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| </tabber> | | </tabber> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Exploring the Tomb of Orion | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Exploring the Tomb of Orion |
| |- | | |- |
| |After Kassandra found the symbol in [[Orion]]'s [[Tomb of Orion|tomb]],<ref>''Assassin's Creed: Odyssey – The Lost tales of Greece'' – [[Orion's Symbol]]</ref> Layla reported her findings to her team. | | |After Kassandra found the symbol in [[Orion]]'s [[Tomb of Orion|tomb]],<ref>''Assassin's Creed: Odyssey – The Lost tales of Greece'' – [[Orion's Symbol]]</ref> Layla reported her findings to her team. |
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| *'''Layla Hassan:''' ''A hole in the ceiling... But how do I get up there?'' | | *'''Layla Hassan:''' ''A hole in the ceiling... But how do I get up there?'' |
| Layla used the nearby grain rack to climb through the ceiling. She found the symbol on the wall behind her. | | Layla used the nearby grain rack to climb through the ceiling. She found the symbol on the wall behind her. |
| *'''Layla Hassan:''' ''The final symbol. Another part of a constellation. They must fit together. ''Altaïr II'', can you read me?<br />OK, Layla, think this through. Outside the Tomb of Eteokles, Aletheia said Deimos would show me what the Keeper can't. Phidias had answers Theras didn't and was killed for it...'' | | *'''Layla Hassan:''' ''The final symbol. Another part of a constellation. They must fit together. ''Altaïr II'', can you read me?<br>OK, Layla, think this through. Outside the Tomb of Eteokles, Aletheia said Deimos would show me what the Keeper can't. Phidias had answers Theras didn't and was killed for it...'' |
| *'''Aletheia:''' ''The Heir is wise.'' | | *'''Aletheia:''' ''The Heir is wise.'' |
| *'''Layla Hassan:''' Altaïr II'', come in please.'' | | *'''Layla Hassan:''' Altaïr II'', come in please.'' |
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| </tabber> | | </tabber> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Exploring Deimos' memories and opening the Throne Room | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Opening the Throne Room |
| |- | | |- |
| |Layla returned to the ''Altaïr II'', and then to Atlantis. There, she relived the memories of Deimos, who had encountered Phidias before in his [[Phidias' Workshop, Olympia|workshop]].<ref>''Assassin's Creed: Odyssey – The Lost Tales of Grece'' – [[Phidias' Murder]]</ref> As Phidias was looking through his scrolls. Deimos arrived and punched the back of Phidias' head, which bounced off a block of marble and began to bleed. Phidas attempted to crawl for his life, while Deimos picked a sculpting knife off the marble. | | |Layla returned to the ''Altaïr II'', and then to Atlantis. There, she relived the memories of Deimos, who had encountered Phidias before in his [[Phidias' Workshop, Olympia|workshop]].<ref>''Assassin's Creed: Odyssey – The Lost Tales of Grece'' – [[Phidias' Murder]]</ref> As Phidias was looking through his scrolls. Deimos arrived and punched the back of Phidias' head, which bounced off a block of marble and began to bleed. Phidas attempted to crawl for his life, while Deimos picked a sculpting knife off the marble. |
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| *'''Layla Hassan:''' ''NO!'' | | *'''Layla Hassan:''' ''NO!'' |
| Deimos climbed up the slab. | | Deimos climbed up the slab. |
| *'''Deimos:''' ''Don't be afraid. We all die. But first-'' | | *'''Deimos:''' ''Don't be afraid. We all die. But first—'' |
| Layla assumed Deimos' role. | | Layla assumed Deimos' role. |
| *'''Layla Hassan:''' ''-tell me what I want to know!'' | | *'''Layla Hassan:''' ''—tell me what I want to know!'' |
| Layla-as-Deimos picked up Phidias and threw him across the room. The sculptor continued uttering the words. | | Layla-as-Deimos picked up Phidias and threw him across the room. The sculptor continued uttering the words. |
| *'''Phidias:''' ''Ithira! Korgath! Metin! Ithira! Korgath! Metin! Ithira! Korgath! Metin!'' | | *'''Phidias:''' ''Ithira! Korgath! Metin! Ithira! Korgath! Metin! Ithira! Korgath! Metin!'' |
| *'''Dr. Victoria Bibeau:''' ''Layla, we're remote-ending your session.'' | | *'''Dr. Victoria Bibeau:''' ''Layla, we're remote-ending your session.'' |
| The scene turned to outside of the workshop. Screams continued to be heard. In the modern day, Layla Hassan's Animus session was terminated. | | The scene turned to outside of the workshop. Screams continued to be heard. In the modern day, Layla's Animus session was terminated. |
| *'''Layla Hassan:''' ''Itira. Korgath. Metin. Itira. Korgath. Metin.'' | | *'''Layla Hassan:''' ''Itira. Korgath. Metin. Itira. Korgath. Metin.'' |
| *'''Dr. Victoria Bibeau:''' ''Layla, come in.'' | | *'''Dr. Victoria Bibeau:''' ''Layla, come in.'' |
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|
| ===''[[The Fate of Atlantis: Fields of Elysium]]''=== | | ===''[[The Fate of Atlantis: Fields of Elysium]]''=== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Starting the memories in Elysium | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Starting the memories in Elysium |
| |- | | |- |
| |Layla approached the Throne Room's entrance before trying to contact her team. | | |Layla approached the Throne Room's entrance before trying to contact her team. |
| *'''Layla Hassan:''' ''Anybody there? Victoria?'' | | *'''Layla Hassan:''' ''Anybody there? Victoria?'' |
| *'''Alannah Ryan:''' ''Layla? Nice timing! I've been able to establish a secure connection with polymorphic code—hacker free. It's good to have you back.'' | | *'''Alannah Ryan:''' ''Layla? Nice timing! I've been able to establish a secure connection with {{Wiki|polymorphic code}}—hacker free. It's good to have you back.'' |
| *'''Layla Hassan:''' ''How's Kiyoshi?'' | | *'''Layla Hassan:''' ''How's Kiyoshi?'' |
| *'''Alannah Ryan:''' ''You know him—resilient as ever. He wouldn't want you worrying.'' | | *'''Alannah Ryan:''' ''You know him—resilient as ever. He wouldn't want you worrying.'' |
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| </tabber> | | </tabber> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After the memories in Elysium | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After the memories in Elysium |
| |- | | |- |
| |Before Layla could relive Kassandra's memory of her battle with [[Cerberos]],<ref>''Assassin's Creed: Odyssey – [[The Fate of Atlantis: Fields of Elysium]]'' – [[The Rebellion's Uprising]]</ref> Victoria abruptly pulled her out of the Animus by removing the headset from Layla's head. | | |Before Layla could relive Kassandra's memory of her battle with [[Cerberos]],<ref>''Assassin's Creed: Odyssey – [[The Fate of Atlantis: Fields of Elysium]]'' – [[The Rebellion's Uprising]]</ref> Victoria abruptly pulled her out of the Animus by removing the headset from Layla's head. |
| *'''Layla Hassan:''' ''Victoria! What—'' | | *'''Layla Hassan:''' ''Victoria! What—'' |
| *'''Dr. Victoria Bibeau:''' No time for that Abstergo's found us! | | *'''Dr. Victoria Bibeau:''' No time for that! Abstergo's found us! |
| Alethia's hologram flickered out as Vicoria pointed to the entrance, and Layla pivoted to see three Sigma Team members run in. Layla brandished the Staff as Kassandra did, using Kassandra's battle experience to wield it as a weapon against Abstergo's strike team. She killed two of them and knocked the third to the ground. She spat and stalked after him as he attempted to crawl away, raising the Staff to finish him off. | | Alethia's hologram flickered out as Victoria pointed to the entrance, and Layla pivoted to see three Sigma Team members run in. Layla brandished the Staff as Kassandra did, using Kassandra's battle experience to wield it as a weapon against Abstergo's strike team. She killed two of them and knocked the third to the ground. She spat and stalked after him as he attempted to crawl away, raising the Staff to finish him off. |
| *'''Abstergo Guard:''' ''Don't!'' | | *'''Abstergo Guard:''' ''Don't!'' |
| *'''Dr. Victoria Bibeau:''' ''Layla!'' | | *'''Dr. Victoria Bibeau:''' ''Layla!'' |
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| *'''Layla Hassan:''' ''What else could I do? They were out to kill us—even Aletheia ran for the hills.'' | | *'''Layla Hassan:''' ''What else could I do? They were out to kill us—even Aletheia ran for the hills.'' |
| *'''Dr. Victoria Bibeau:''' ''There was no reason to massacre them.'' | | *'''Dr. Victoria Bibeau:''' ''There was no reason to massacre them.'' |
| Alannah Ryan chimed in over the comms. | | Alannah chimed in over the comms. |
| *'''Alannah Ryan:''' ''Everything OK down there? Sounded like a war zone.'' | | *'''Alannah Ryan:''' ''Everything OK down there? Sounded like a war zone.'' |
| *'''Dr. Victoria Bibeau:''' ''We're fine, Alannah, but don't expect much action anytime soon. Seems like this specific memory in the Animus is down for the count.'' | | *'''Dr. Victoria Bibeau:''' ''We're fine, Alannah, but don't expect much action anytime soon. Seems like this specific memory in the Animus is down for the count.'' |
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| |
|
| ===''[[The Fate of Atlantis: Torment of Hades]]''=== | | ===''[[The Fate of Atlantis: Torment of Hades]]''=== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Starting the memories in Hades | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Starting the memories in Hades |
| |- | | |- |
| |After giving Victoria some time to sort out Kassandra's memories, Layla was ready to re-enter the simulation from when Kassandra was cast out of Elysium. | | |After giving Victoria some time to sort out Kassandra's memories, Layla was ready to re-enter the simulation from when Kassandra was cast out of Elysium. |
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| Layla returned to the Animus to experience Kassandra's fight with Cerberos.<ref>''Assassin's Creed: Odyssey – [[The Fate of Atlantis: Torment of Hades]]'' – [[Guardian of the Gates]]</ref> | | Layla returned to the Animus to experience Kassandra's fight with Cerberos.<ref>''Assassin's Creed: Odyssey – [[The Fate of Atlantis: Torment of Hades]]'' – [[Guardian of the Gates]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After the memories in Hades | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After the memories in Hades |
| |- | | |- |
| |While Layla was reliving Kassandra's memory as she defeated [[Hades]],<ref>''Assassin's Creed: Odyssey – The Fate of Atlantis: Torment of Hades'' – [[Labors of the Keeper]]</ref> she was forcefully pulled out by Victoria once again, who removed the Animus from her head and the Staff from her hands. | | |While Layla was reliving Kassandra's memory as she defeated [[Hades]],<ref>''Assassin's Creed: Odyssey – The Fate of Atlantis: Torment of Hades'' – [[Labors of the Keeper]]</ref> she was forcefully pulled out by Victoria once again, who removed the Animus from her head and the Staff from her hands. |
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| *'''Dr. Victoria Bibeau:''' ''It's not worth it! This is for your own—'' | | *'''Dr. Victoria Bibeau:''' ''It's not worth it! This is for your own—'' |
| An angry Layla struck Victoria with the Staff, sending her flying backwards into a block of stairs. Her body rolled to the ground and slumped into the water channels running through the dais. | | An angry Layla struck Victoria with the Staff, sending her flying backwards into a block of stairs. Her body rolled to the ground and slumped into the water channels running through the dais. |
| *'''Layla Hassan:''' ''Get up, Victoria. ...'' | | *'''Layla Hassan:''' ''Get up, Victoria...'' |
| Victoria didn't respond. Layla put dwn the Staff and squatted down to check on her, realizing that Victoria was dead. | | Victoria did not respond. Layla put dwn the Staff and squatted down to check on her, realizing that Victoria was dead. |
| *'''Layla Hassan:''' ''Victoria? No... no...'' | | *'''Layla Hassan:''' ''Victoria? No... no...'' |
| Aletheia appeared behind, having witnessed everything. | | Aletheia appeared behind, having witnessed everything. |
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| |
|
| ===''[[The Fate of Atlantis: Judgment of Atlantis]]''=== | | ===''[[The Fate of Atlantis: Judgment of Atlantis]]''=== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" | Starting the memories in Atlantis | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Starting the memories in Atlantis |
| |- | | |- |
| |Some time after Victoria's death, Layla returned to Aletheia. | | |Some time after Victoria's death, Layla returned to Aletheia. |
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| *'''Aletheia:''' ''I'll see you inside.'' | | *'''Aletheia:''' ''I'll see you inside.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Aletheia's lessons in Atlantis | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Aletheia's lessons in Atlantis |
| |- | | |- |
| |Shortly after reliving Kassandra's memory of her first conversation with Poseidon in Atlantis, Aletheia spoke to Layla. | | |Shortly after reliving Kassandra's memory of her first conversation with Poseidon in Atlantis, Aletheia spoke to Layla. |
| Line 4,311: |
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| *'''Layla Hassan:''' ''I'm still ''me''. I'm not as weak as you think I am.'' | | *'''Layla Hassan:''' ''I'm still ''me''. I'm not as weak as you think I am.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |End of the trials | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|End of the trials |
| |- | | |- |
| |After relieving Kassandra's final memory in the ruined Atlantean throne room after sinking the city,<ref>''Assassin's Creed: Odyssey – The Fate of Atlantis: Judgment of Atlantis'' – [[The Fate of Atlantis (memory)]]</ref> Layla Hassan ended the session on Aletheia's warning and tore off her headset. | | |After relieving Kassandra's final memory in the ruined Atlantean throne room after sinking the city,<ref>''Assassin's Creed: Odyssey – The Fate of Atlantis: Judgment of Atlantis'' – [[The Fate of Atlantis (memory)]]</ref> Layla ended the session on Aletheia's warning and tore off her headset. |
| *'''Layla Hassan:''' ''No! Where are you?'' | | *'''Layla Hassan:''' ''No! Where are you?'' |
| *'''Otso Berg:''' ''Talking to yourself, Layla Hassan?'' | | *'''Otso Berg:''' ''Talking to yourself, Layla Hassan?'' |
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| Layla stood and turned away. | | Layla stood and turned away. |
| *'''Layla Hassan:''' ''Send me a sign, at least. ''Any''thing.'' | | *'''Layla Hassan:''' ''Send me a sign, at least. ''Any''thing.'' |
| |-|We will be together.= | | |-|We will be together again.= |
| *'''Layla Hassan:''' ''Vic. I'm so sorry. We will be together again... one day. Do you remember that night we got drunk and you wanted to dance, but I said no? Next time, I promise I'll say yes.'' | | *'''Layla Hassan:''' ''Vic. I'm so sorry. We will be together again... one day. Do you remember that night we got drunk and you wanted to dance, but I said no? Next time, I promise I'll say yes.'' |
| Layla stood and turned away. | | Layla stood and turned away. |
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|
| |
|
| ==''[[Assassin's Creed: Valhalla]]''== | | ==''[[Assassin's Creed: Valhalla]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Conflicting Identities | | !style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Conflicting Identities |
| |- | | |- |
| |The Animus simulation of [[Eivor Varinsdottir]] being attacked by a [[wolf]] glitched and fell apart.<ref>''[[Assassin's Creed: Valhalla]]'' – [[Prologue (Valhalla)|Prologue]]</ref> | | |The Animus simulation of [[Eivor Varinsdottir]] being attacked by a [[wolf]] glitched and fell apart.<ref>''[[Assassin's Creed: Valhalla]]'' – [[Prologue (Valhalla)|Prologue]]</ref> |
| *'''Layla:''' ''Ah! What the hell is that?'' | | *'''Layla:''' ''Ah! What the hell is that?'' |
| *'''Operator:''' ''I'm seeing [[Odin|two]] different data streams, overlapped in the same DNA. Not sure [[Reborn Isu|why]].'' | | *'''Operator:''' ''I'm seeing [[Odin|two]] different data streams, overlapped in the same DNA. Not sure [[Isu incarnation|why]].'' |
| *'''Layla:''' ''Fix this, or pull me out.'' | | *'''Layla:''' ''Fix this, or pull me out.'' |
| *'''Operator:''' ''I can parse the streams with a filter. Hold on... Okay, we're good.'' | | *'''Operator:''' ''I can parse the streams with a filter. Hold on... Okay, we're good.'' |
| Line 4,403: |
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| Layla resumed the simulation with an adult Eivor captured on the shores of [[Heillboer]] after failing to kill [[Kjotve the Cruel]].<ref>''Assassin's Creed: Valhalla'' – [[Honor Bound]]</ref> | | Layla resumed the simulation with an adult Eivor captured on the shores of [[Heillboer]] after failing to kill [[Kjotve the Cruel]].<ref>''Assassin's Creed: Valhalla'' – [[Honor Bound]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" | The Message | | !style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Message |
| |- | | |- |
| |Layla slowly woke up from her Animus session in a dark cabin after witnessing Eivor, [[Sigurd Styrbjornsson]], and other members of the [[Raven Clan]] depart [[Fornburg]], [[Norway]] for [[England]].<ref>''Assassin's Creed: Valhalla'' – [[The Seas of Fate]]</ref> Sitting upright, she touched her head as a headache came, then grabbed a packet of [[Tobacco|cigarettes]] and lit one for herself. Only slightly more at ease, she warily peeked out the closed blinds covering a window and walked to the sink, grabbing a handful of painkillers from a pill container on the way. Placing her cigarette on the sink edge, she turned on the faucet and was about to drink from the tap when her eyes landed on the Staff of Hermes Trismegistus locked in a glass box across the room. Layla stared as it seemed to pulse, then tucked a strand of hair behind her ear and activated a device hidden behind there. Her cigarette butt fell into a dirty coffee cup, breaking her concentration. She grabbed her bluetooth earpiece from the table, opened the door, and exited the cabin. | | |Layla slowly woke up from her Animus session in a dark cabin after witnessing Eivor, [[Sigurd Styrbjornsson]], and other members of the [[Raven Clan]] depart [[Fornburg]], [[Norway]] for [[England]].<ref>''Assassin's Creed: Valhalla'' – [[The Seas of Fate]]</ref> Sitting upright, she touched her head as a headache came, then grabbed a packet of [[Tobacco|cigarettes]] and lit one for herself. Only slightly more at ease, she warily peeked out the closed blinds covering a window and walked to the sink, grabbing a handful of painkillers from a pill container on the way. Placing her cigarette on the sink edge, she turned on the faucet and was about to drink from the tap when her eyes landed on the Staff of Hermes Trismegistus locked in a glass box across the room. Layla stared as it seemed to pulse, then tucked a strand of hair behind her ear and activated a device hidden behind there. Her cigarette butt fell into a dirty coffee cup, breaking her concentration. She grabbed her bluetooth earpiece from the table, opened the door, and exited the cabin. |
| *'''News Anchor:''' ''In a lecture at the {{Wiki|University of Cambridge|University}} of [[Cambridge]], Dr. [[Siercke]] told a worried audience that scientists have few answers for them...'' | | *'''News Anchor:''' ''In a lecture at the [[University of Cambridge]], Dr. [[Siercke]] told a worried audience that scientists have few answers for them...'' |
| *'''Dr. Siercke:''' ''Since the mass coronal ejection of 2012, the strength of the earth's magnetic field has increased by a factor of fifty thousand. This has resulted in huge disturbances in radio and satellite communications, dangerous bands of radiation around the poles, and as we can all see from our window, an aurora borealis that never burns away. Unfortunately, we are stumped as to why this is happening. And if we cannot find an answer soon, it may change the way we live, the way we communicate... even the way we evolve... forever.'' | | *'''Dr. Siercke:''' ''Since the mass coronal ejection of 2012, the strength of the earth's magnetic field has increased by a factor of fifty thousand. This has resulted in huge disturbances in radio and satellite communications, dangerous bands of radiation around the poles, and as we can all see from our window, an aurora borealis that never burns away. Unfortunately, we are stumped as to why this is happening. And if we cannot find an answer soon, it may change the way we live, the way we communicate... even the way we evolve... forever.'' |
| Layla looked to her equipment and to the troubled sky. As Shaun Hastings arrived in a van, she waved at him. | | Layla looked to her equipment and to the troubled sky. As Shaun Hastings arrived in a van, she waved at him. |
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| *'''Rebecca:''' ''Here it is.'' | | *'''Rebecca:''' ''Here it is.'' |
| Rebecca touched in a buttom on her touchpad. | | Rebecca touched in a buttom on her touchpad. |
| *'''Unknown Male Voice:''' ''I lived, I died, and now I sleep. And in my sleep, I dream. And in my dreams, I see an end to the doom that will grip the earth once again. Find the Wolf-Kissed, find the [[Odin|Mad One]], find [[Basim Ibn Ishaq|me]], and save us all from another death.'' | | *'''Unknown Male Voice:''' ''I lived, I died, and now I sleep. And in my sleep, I dream. And in my dreams, I see an end to the doom that will grip the earth once again. Find the Wolf-Kissed, find the [[Odin|Mad One]], find [[Basim ibn Ishaq|me]], and save us all from another death.'' |
| *'''Shaun:''' ''Unsettling, that is.'' | | *'''Shaun:''' ''Unsettling, that is.'' |
| *'''Layla:''' ''That pulse in the message. Are you sure it's just coordinates? Nothing else?'' | | *'''Layla:''' ''That pulse in the message. Are you sure it's just coordinates? Nothing else?'' |
| Line 4,533: |
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| *'''Layla:''' ''Okay. I'm ready.'' | | *'''Layla:''' ''Okay. I'm ready.'' |
| *'''Rebecca:''' ''Here we go.'' | | *'''Rebecca:''' ''Here we go.'' |
| Layla laid back in the Animus and entered the simulation when Eivor and her clan arrived in England.<ref>''Assassin's Creed: Valhalla'' - [[The Swan-Road Home]]</ref> | | Layla laid back in the Animus and entered the simulation when Eivor and her clan arrived in England.<ref>''Assassin's Creed: Valhalla'' – [[The Swan-Road Home]]</ref> After some time in the simulation of Eivor's memories of England, Layla took a break from the Animus and consulted with Shaun. |
| | |
| After some time in the simulation of Eivor's memories of England, Layla took a break from the Animus and consulted with Shaun. | |
| *'''Layla:''' ''Shaun, anything you want me searching for while I'm visiting 9th century England?'' | | *'''Layla:''' ''Shaun, anything you want me searching for while I'm visiting 9th century England?'' |
| *'''Shaun:''' ''Hang on. Are you asking... are you asking because I'm English?'' | | *'''Shaun:''' ''Hang on. Are you asking... are you asking because I'm English?'' |
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| |} | | |} |
| <!-- While the Modern Day talks depend only on order, the Isu memories are fixed by location, therefore they are not included here but can be found in the Animus Anomalies page --> | | <!-- While the Modern Day talks depend only on order, the Isu memories are fixed by location, therefore they are not included here but can be found in the Animus Anomalies page --> |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Animus Anomalies | | !style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Animus Anomalies |
| |- | | |- |
| |<tabber> | | |<tabber> |
| |-|First anomaly= | | |-|1= |
| In the Animus, Layla approached a floating blue symbol as Eivor. As she touched it, Eivor's avatar was replaced with Layla's own image. The simulation stopped and a digital structure appeared in front of her, with a glowing packet at its end. | | In the Animus, Layla approached a floating blue symbol as Eivor. As she touched it, Eivor's avatar was replaced with Layla's own image. The simulation stopped and a digital structure appeared in front of her, with a glowing packet at its end. |
| *'''Layla:''' ''Becs, are you seeing this?'' | | *'''Layla:''' ''Becs, are you seeing this?'' |
| Line 4,563: |
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| *'''Layla:''' ''Got it.'' | | *'''Layla:''' ''Got it.'' |
| A small video clip from the Isu Era was inside the decrypted data. | | A small video clip from the Isu Era was inside the decrypted data. |
| |-|Second anomaly= | | |-|2= |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Layla:''' ''Becs, I found another anomaly.'' | | *'''Layla:''' ''Becs, I found another anomaly.'' |
| Line 4,577: |
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| *'''Layla:''' ''I got the data. Sending it now.'' | | *'''Layla:''' ''I got the data. Sending it now.'' |
| Another small clip from the Isu Era was inside the decrypted data. | | Another small clip from the Isu Era was inside the decrypted data. |
| |-|Third anomaly= | | |-|3= |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Rebecca:''' ''Your signal is flickering. Another anomaly?'' | | *'''Rebecca:''' ''Your signal is flickering. Another anomaly?'' |
| Line 4,584: |
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| *'''Layla:''' ''Damn. Try to stay with me if you can. I need you to hear these.'' | | *'''Layla:''' ''Damn. Try to stay with me if you can. I need you to hear these.'' |
| Layla heard another fragment of the Isu unknown voices as she got close to the packet. | | Layla heard another fragment of the Isu unknown voices as she got close to the packet. |
| *'''Shaun:''' ''Hey, Becs! Layla's back! I see her here ... blipping and bleeping on your monitor. Layla, hey. Becs is fiddling with the back end. Trying to get a fix on you.'' | | *'''Shaun:''' ''Hey, Becs! Layla's back! I see her here... blipping and bleeping on your monitor. Layla, hey. Becs is fiddling with the back end. Trying to get a fix on you.'' |
| *'''Layla:''' ''No luck?'' | | *'''Layla:''' ''No luck?'' |
| *'''Shaun:''' ''No luck. But she did show me how to decrypt your data packets. I just click a button when you've grabbed the data bits.'' | | *'''Shaun:''' ''No luck. But she did show me how to decrypt your data packets. I just click a button when you've grabbed the data bits.'' |
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| *'''Layla:''' ''Got it.'' | | *'''Layla:''' ''Got it.'' |
| Another small clip from the Isu Era was inside the decrypted data. | | Another small clip from the Isu Era was inside the decrypted data. |
| |-|Fourth anomaly= | | |-|4= |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Layla:''' ''Anomaly four. Becs, you really have to hear this in here. Two voices, definitely Isu. One of them is Aletheia, I think.'' | | *'''Layla:''' ''Anomaly four. Becs, you really have to hear this in here. Two voices, definitely Isu. One of them is Aletheia, I think.'' |
| Line 4,603: |
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| *'''Layla:''' ''Got it.'' | | *'''Layla:''' ''Got it.'' |
| Another small clip from the Isu Era was inside the decrypted data. | | Another small clip from the Isu Era was inside the decrypted data. |
| |-|Fifth anomaly= | | |-|5= |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Layla:''' ''Here we go again.'' | | *'''Layla:''' ''Here we go again.'' |
| Line 4,617: |
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| *'''Layla:''' ''I got it. Be ready.'' | | *'''Layla:''' ''I got it. Be ready.'' |
| Another small clip from the Isu Era was inside the decrypted data. | | Another small clip from the Isu Era was inside the decrypted data. |
| </tabber>
| | |-|6= |
| <tabber>
| |
| |-|Sixth anomaly= | |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Rebecca:''' ''Layla. How are you holding up?'' | | *'''Rebecca:''' ''Layla. How are you holding up?'' |
| Line 4,633: |
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| *'''Layla:''' ''I got the data. Here it comes.'' | | *'''Layla:''' ''I got the data. Here it comes.'' |
| Another small clip from the Isu Era was inside the decrypted data. | | Another small clip from the Isu Era was inside the decrypted data. |
| |-|Seventh anomaly= | | |-|7= |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Layla:''' ''Anomaly number seven, if I'm counting right.'' | | *'''Layla:''' ''Anomaly number seven, if I'm counting right.'' |
| Line 4,648: |
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| *'''Layla:''' ''I got the data. Here it comes.'' | | *'''Layla:''' ''I got the data. Here it comes.'' |
| Another small clip from the Isu Era was inside the decrypted data. | | Another small clip from the Isu Era was inside the decrypted data. |
| |-|Eight anomaly= | | |-|8= |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Layla:''' ''Shaun. These memory-stream fragments I'm finding ... are they adding up to anything?'' | | *'''Layla:''' ''Shaun. These memory-stream fragments I'm finding ... are they adding up to anything?'' |
| Line 4,662: |
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| *'''Layla:''' ''I got the data. Here it comes.'' | | *'''Layla:''' ''I got the data. Here it comes.'' |
| Another small clip from the Isu Era was inside the decrypted data. | | Another small clip from the Isu Era was inside the decrypted data. |
| |-|Ninth anomaly= | | |-|9= |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Rebecca:''' ''Anomaly number nine. Feeling okay? Any adverse effects?'' | | *'''Rebecca:''' ''Anomaly number nine. Feeling okay? Any adverse effects?'' |
| Line 4,677: |
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| *'''Layla:''' ''I got the data. Here it comes.'' | | *'''Layla:''' ''I got the data. Here it comes.'' |
| Another small clip from the Isu Era was inside the decrypted data. | | Another small clip from the Isu Era was inside the decrypted data. |
| |-|Tenth anomaly= | | |-|10= |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Layla:''' ''Last anomaly. This is it.'' | | *'''Layla:''' ''Last anomaly. This is it.'' |
| Line 4,742: |
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| *'''Rebecca:''' ''I wish I knew. It's not from Eivor, so... who the hell knows?'' | | *'''Rebecca:''' ''I wish I knew. It's not from Eivor, so... who the hell knows?'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" | Breaking the Cycle | | !style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Breaking the Cycle |
| |- | | |- |
| |After witnessing Eivor and Sigurd defeat Basim and suspend him in the [[Yggdrasil]] supercomputer beneath [[Hordaland]], Norway,<ref>''Assassin's Creed: Valhalla'' – [[A Brother's Keeper]]</ref> Layla requested an immediate extraction. | | |After witnessing Eivor and Sigurd defeat Basim and suspend him in the [[Yggdrasil]] supercomputer beneath [[Hordaland]], Norway,<ref>''Assassin's Creed: Valhalla'' – [[A Brother's Keeper]]</ref> Layla requested an immediate extraction. |
| Line 4,949: |
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| The two stood and looked at the tree to start their new project. | | The two stood and looked at the tree to start their new project. |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |A Cautious Alliance | | !style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|A Cautious Alliance |
| |- | | |- |
| |Outside the simulation, Layla still hung from her Yggdrasil branch, while below, a severely aged Basim lay unresponsive on the ground atop the Staff of Hermes. With a sudden and pained gasp, he woke from a millennium of suspended animation. Giving an agonized cry at having to move atrophied muscles and from the chamber's lingering severe radiation, Basim grasped the Staff. He planted it on the ground and slowly hauled himself to his feet as the Staff's regenerative properties swirled, restoring him to his younger appearance as the ages literally fell away in flakes of dead skin. Basim haltingly spoke to the Staff with a voice not used in centuries. | | |Outside the simulation, Layla still hung from her Yggdrasil branch, while below, a severely aged Basim lay unresponsive on the ground atop the Staff of Hermes. With a sudden and pained gasp, he woke from a millennium of suspended animation. Giving an agonized cry at having to move atrophied muscles and from the chamber's lingering severe radiation, Basim grasped the Staff. He planted it on the ground and slowly hauled himself to his feet as the Staff's regenerative properties swirled, restoring him to his younger appearance as the ages literally fell away in flakes of dead skin. Basim haltingly spoke to the Staff with a voice not used in centuries. |
| Line 5,034: |
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| Basim laid back to continue reliving Eivor's life. Upon completing the last of Eivor's memories, he exited the machine and went outside to sit at the fire pit. After a moment of quiet contemplation, he looked to the bench on his left and through the Bleeding Effect saw a ghost of a hooded Eivor in Odin's robes, sitting and staring into the fire. She raised her head to look at him and he nodded his head with a slight smile on his face. Eivor returned the smile, and when Basim looked away, her ghost vanished. | | Basim laid back to continue reliving Eivor's life. Upon completing the last of Eivor's memories, he exited the machine and went outside to sit at the fire pit. After a moment of quiet contemplation, he looked to the bench on his left and through the Bleeding Effect saw a ghost of a hooded Eivor in Odin's robes, sitting and staring into the fire. She raised her head to look at him and he nodded his head with a slight smile on his face. Eivor returned the smile, and when Basim looked away, her ghost vanished. |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Goodbyes and New Beginnings | | !style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Goodbyes and New Beginnings |
| |- | | |- |
| |Basim returned to the cabin and re-entered the Animus to experience Eivor's final memories. A hologram of him created by the Animus watched Eivor from afar as she wrestled with her decision to leave [[Ravensthorpe]] and start a journey of self-discovery about her past as Odin.<ref>''Assassin's Creed: Valhalla – [[The Last Chapter]]'' – [[Last Goodbyes]]</ref> | | |Basim returned to the cabin and re-entered the Animus to experience Eivor's final memories. A hologram of him created by the Animus watched Eivor from afar as she wrestled with her decision to leave [[Ravensthorpe]] and start a journey of self-discovery about her past as Odin.<ref>''Assassin's Creed: Valhalla – [[The Last Chapter]]'' – [[Last Goodbyes]]</ref> |
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| *'''Basim:''' ''There were some improvisations along the way.'' | | *'''Basim:''' ''There were some improvisations along the way.'' |
| *'''William:''' ''You've spent so much time in a simulation these past thousand years. Why so eager to jump into another?'' | | *'''William:''' ''You've spent so much time in a simulation these past thousand years. Why so eager to jump into another?'' |
| *'''Basim:''' ''A simple curiosity. It has been so long since I saw my friend Eivor, I wished to know this grand saga concluded.'' | | *'''Basim:''' ''A simple curiosity. It has been so long since I saw my friend Eivor, I wished to know how this grand saga concluded.'' |
| He turned back to the waters and stared in the direction Eivor had sailed off to. | | He turned back to the waters and stared in the direction Eivor had sailed off to. |
| *'''William:''' ''Now you know. So what next? Where will Basim go?'' | | *'''William:''' ''Now you know. So what next? Where will Basim go?'' |
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| Basim faced William again. | | Basim faced William again. |
| *'''Basim:''' ''Do not. I cherish the Creed that guides us. I always have. | | *'''Basim:''' ''Do not. I cherish the Creed that guides us. I always have. |
| William's eyes narrowed slightly, still cautious about this new man. | | William's eyes narrowed slightly, still cautious about the modern Brotherhood's new ostensible ally. |
| *'''Basim:''' ''But you people are infants compared to those I left behind. I need to get you up to speed. So... let's get started.'' | | *'''Basim:''' ''But you people are infants compared to those I left behind. I need to get you up to speed. So... let's get started.'' |
| He clenched his hand in a fist, eager to begin, and walked down the deck back to the shore. William pivoted around but stayed put. | | He clenched his hand in a fist, eager to begin, and walked down the deck back to the shore. William pivoted around but stayed put. |
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| William walked up to him and the two began negotiating. | | William walked up to him and the two began negotiating. |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Mutual Understanding | | !style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Mutual Understanding |
| |- | | |- |
| |Basim ended his Animus session and woke in the cabin, which still was untouched since Shaun and Rebecca had left him. He walked over to the computer station, grabbed a syringe on the desk, and stabbed the sharp into his right arm to take a blood sample, grunting in pain as he did so. He removed the needle and placed it into the central intake port of a stolen, Abstergo-brand device in a thick, briefcase-sized box wired up to the computer. | | |Basim ended his Animus session and woke in the cabin, which still was untouched since Shaun and Rebecca had left him. He walked over to the computer station, grabbed a syringe on the desk, and inserted the needle into his right arm to take a blood sample, grunting in pain as he did so. He removed the syringe and placed it into the central intake port of a stolen, Abstergo-brand device in a thick, briefcase-sized box wired up to the computer. |
| *'''Computer:''' ''Viable genetic material obtained.'' | | *'''Computer:''' ''Viable genetic material obtained.'' |
| Basim briefly typed on the desktop keyboard. | | Basim briefly typed on the desktop keyboard. |
| *'''Computer:''' ''Genetic memory extraction has begun. Estimated sequencing time: 29 days, 3 hours, 4 minutes.'' | | *'''Computer:''' ''Genetic memory extraction has begun. Estimated sequencing time: 29 days, 3 hours, 4 minutes.'' |
| Basim smiled, knowing what his blood sample would reveal to the Assassins. | | Basim smiled, knowing what his blood sample would reveal to the Assassins. |
| *'''Basim:''' ''You are in for quite a ride, Mister Miles.'' | | *'''Basim:''' ''You are in for [[Assassin's Creed: Mirage|quite a ride]], Mister Miles.'' |
| He left the computer parsing data, stepped outside to lean on the porch railing, and took a breath of fresh air. The Bleeding Effect then took hold again, making him see and hear ghosts of Eivor and Odin conversing with each other as they walked to the cliff's edge, the sun setting before them. | | He left the computer parsing data, stepped outside to lean on the porch railing, and took a breath of fresh air. The Bleeding Effect then took hold again, making him see and hear ghosts of Eivor and Odin conversing with each other as they walked to the cliff's edge, the sun setting before them. |
| *'''Eivor:''' ''This is all so strange...And what of [[Ragnarök]]? The twilight of the gods? Are those stories true?'' | | *'''Eivor:''' ''This is all so strange... And what of [[Ragnarök]]? The twilight of the gods? Are these stories true?'' |
| Odin stopped to talk. | | Odin stopped to talk. |
| *'''Odin:''' ''In a sense. The great cataclysm happened much as your legends say. There were earthquakes and storms, wars and famine.'' | | *'''Odin:''' ''In a sense. The great cataclysm happened much as your legends say. There were earthquakes and storms, wars and famine.'' |
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| *'''Odin:''' ''My people died out. But yours thrived.'' | | *'''Odin:''' ''My people died out. But yours thrived.'' |
| *'''Eivor:''' ''But you said there were no gods, as we know them. So what natural force could cause such an upheaval?'' | | *'''Eivor:''' ''But you said there were no gods, as we know them. So what natural force could cause such an upheaval?'' |
| Odin looked around at the sky, at a loss for words. | | Odin looked around at the sky, trying to find the words. |
| *'''Odin:''' ''How to explain...'' | | *'''Odin:''' ''How to explain...'' |
| His eye settled on the sun as it sank behind the hills. | | His eye settled on the sun as it sank behind the hills. |
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| |
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| ==''[[Assassin's Creed: Mirage]]''== | | ==''[[Assassin's Creed: Mirage]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#B45F37; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The One who Lived Many Lives | | !style="background:#B45F37; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The One who Lived Many Lives |
| |- | | |- |
| |William Miles spoke as Basim's memories were loaded into the Animus. The system projected a series of data nodes. | | |William Miles spoke as Basim's memories were loaded into the Animus. The system projected a series of data nodes. |
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| ==''[[Assassin's Creed: Nexus VR]]''== | | ==''[[Assassin's Creed: Nexus VR]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Incoming Call | | !style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Incoming Call |
| |- | | |- |
| |An elite [[Assassin hacker]] plugged themselves into a virtual space and received a call request. Before accepting it, they selected a voice core through which they masked their voice in said space, testing its sound system. | | |An elite [[Assassin hacker]] plugged themselves into a virtual space and received a call request. Before accepting it, they selected a voice core through which they masked their voice in said space, testing its sound system. |
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| They filled in the pattern as instructed and their access to Abstergo's network was authenticated. | | They filled in the pattern as instructed and their access to Abstergo's network was authenticated. |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Job Interview | | !style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Job Interview |
| |- | | |- |
| |The hacker connected to Abstergo's virtual network and spawned in an ethereal environment made up of several forms of cubical geometry. They faced a virtual representation of a desk with three monitors, in front of which sat Dominika's virtual avatar in a wheeled chair with her back to the new employee. She turned her seat to meet them. | | |The hacker connected to Abstergo's virtual network and spawned in an ethereal environment made up of several forms of cubical geometry. They faced a virtual representation of a desk with three monitors, in front of which sat Dominika's virtual avatar in a wheeled chair with her back to the new employee. She turned her seat to meet them. |
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| Dominika's avatar disappeared when she removed her virtual headset. The hacker was left alone, being then loaded into a memory of Ezio Auditore to experience a training course.<ref name="AuditoreBlade">''[[Assassin's Creed: Nexus VR]]'' – [[The Auditore Blade]]</ref> | | Dominika's avatar disappeared when she removed her virtual headset. The hacker was left alone, being then loaded into a memory of Ezio Auditore to experience a training course.<ref name="AuditoreBlade">''[[Assassin's Creed: Nexus VR]]'' – [[The Auditore Blade]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Test | | !style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Test |
| |- | | |- |
| |The hacker began reliving a memory of Ezio Auditore, in which he infiltrated a palazzo in Venice to recover his [[Assassin Yataghan Sword|stolen sword]].<ref name="AuditoreBlade"/> They gained control over the Assassin once he climbed a window of the building and entered it. | | |The hacker began reliving a memory of Ezio Auditore, in which he infiltrated a palazzo in Venice to recover his [[Assassin Yataghan Sword|stolen sword]].<ref name="AuditoreBlade"/> They gained control over the Assassin once he climbed a window of the building and entered it. |
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| The hacker sneaked their way through the courtyard without alerting the guards. Later, Ezio finally escaped the palazzo and the hacker was then ejected from the Animus. | | The hacker sneaked their way through the courtyard without alerting the guards. Later, Ezio finally escaped the palazzo and the hacker was then ejected from the Animus. |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Mission | | !style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Mission |
| |- | | |- |
| |The hacker spawned back at the virtual space within Abstergo Cloud and was greeted by Dominika, who leaned on her desk. | | |The hacker spawned back at the virtual space within Abstergo Cloud and was greeted by Dominika, who leaned on her desk. |
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| A panel that pictured the Villa Auditore towering over Monteriggioni appeared. | | A panel that pictured the Villa Auditore towering over Monteriggioni appeared. |
| *'''Shaun:''' ''Right. Time to go. Enjoy the... Italian countryside. Have some pasta and... please be careful.'' | | *'''Shaun:''' ''Right. Time to go. Enjoy the... Italian countryside. Have some pasta and... please be careful.'' |
| Shaun took off his headset and left the space. The hacker was left to explore the memories of the Cloud and began to relive the memory in which Ezio returned to Monteriggioni.<ref name="ReturnMonteriggioni">''Assassin's Creed: Nexus VR'' — [[Return to Monteriggioni]]</ref> | | Shaun took off his headset and left the space. The hacker was left to explore the memories of the Cloud and began to relive the memory in which Ezio returned to Monteriggioni.<ref name="ReturnMonteriggioni">''Assassin's Creed: Nexus VR'' – [[Return to Monteriggioni]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |First Steps | | !style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|First Steps |
| |- | | |- |
| |The hacker witnessed Ezio walk along Monteriggioni's main road<ref name="ReturnMonteriggioni"/> at which point Dominika patched in the sound system. | | |The hacker witnessed Ezio walk along Monteriggioni's main road<ref name="ReturnMonteriggioni"/> at which point Dominika patched in the sound system. |
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| The hacker exited the Animus scout and advanced further in the memory until Ezio approached the city's fountain when nearing the Villa. | | The hacker exited the Animus scout and advanced further in the memory until Ezio approached the city's fountain when nearing the Villa. |
| *'''Dominika:''' ''Once you've synchronized, much of each memory's top-level detail will become visible. You'll see points of interests, [[Animus data fragment|Animus constructs]], significant data locators... information useful to seeking the fragments. It's not just sightseeing, though. Synching will help you better navigate the memory and locate what's important.'' | | *'''Dominika:''' ''Once you've synchronized, much of each memory's top-level detail will become visible. You'll see points of interests, [[Animus data fragment|Animus constructs]], significant data locators... information useful to seeking the fragments. It's not just sightseeing, though. Synching will help you better navigate the memory and locate what's important.'' |
| They continued until Ezio scaled the villa and reached the [[viewpoint]] at its top, where a small eagle hologram hovered. | | They continued until Ezio scaled the villa and reached the viewpoint at its top, where a small eagle hologram hovered. |
| *'''Dominika:''' ''There. Synchronize where you see that Animus node inviting you to interact with it.'' | | *'''Dominika:''' ''There. Synchronize where you see that Animus node inviting you to interact with it.'' |
| The hacker grabbed the node and was pulled into the Animus scout view. | | The hacker grabbed the node and was pulled into the Animus scout view. |
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| They grabbed the beacon and activated it, prompting it to spread its code across the memory. The hacker then continued to follow Ezio as he entered the tunnels beneath Monteriggioni through the passage to pursue the fleeing bandits.<ref name="MonteriggioniTunnels">''Assassin's Creed: Nexus VR'' – [[Monteriggioni Tunnels]]</ref> | | They grabbed the beacon and activated it, prompting it to spread its code across the memory. The hacker then continued to follow Ezio as he entered the tunnels beneath Monteriggioni through the passage to pursue the fleeing bandits.<ref name="MonteriggioniTunnels">''Assassin's Creed: Nexus VR'' – [[Monteriggioni Tunnels]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Combat Maneuvers | | !style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Combat Maneuvers |
| |- | | |- |
| |The hacker followed Ezio in his journey across the tunnels until he reached an unsuspecting mercenary that looted the vacant cells beneath his position.<ref name="MonteriggioniTunnels"/> The simulation stopped for a moment. | | |The hacker followed Ezio in his journey across the tunnels until he reached an unsuspecting mercenary that looted the vacant cells beneath his position.<ref name="MonteriggioniTunnels"/> The simulation stopped for a moment. |
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| The hacker used this maneuver to evade the commander's attacks and successfully defeat him and his lackeys. Eventually, Ezio left the tunnels to find a ravaged Monteriggioni and a somber Claudia at the surface. When the two siblings finished talking to each other, the simulation stopped and another beacon was summoned, which the hacker grabbed and activated, prompting it to spread its code across the memory. They were then ejected from the Animus and redirected to Dominika's virtual space on the Cloud. | | The hacker used this maneuver to evade the commander's attacks and successfully defeat him and his lackeys. Eventually, Ezio left the tunnels to find a ravaged Monteriggioni and a somber Claudia at the surface. When the two siblings finished talking to each other, the simulation stopped and another beacon was summoned, which the hacker grabbed and activated, prompting it to spread its code across the memory. They were then ejected from the Animus and redirected to Dominika's virtual space on the Cloud. |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Groundbreaking Discovery | | !style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Groundbreaking Discovery |
| |- | | |- |
| |The hacker found Dominika working at her virtual desk with her back to them. | | |The hacker found Dominika working at her virtual desk with her back to them. |
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| ==''[[Assassin's Creed: Shadows]]''== | | ==''[[Assassin's Creed: Shadows]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background-image:linear-gradient(to right, #C91F37, #9d2933, #171412); -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Animus EGO Introduction | | !style="background-image:linear-gradient(to right, #C91F37, #9d2933, #171412); -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Animus EGO Introduction |
| |- | | |- |
| |Upon logging into the Animus EGO, the [[Animus EGO user|user]] found themselves on a digitally-recreated beach at sunset.<ref>''[[Assassin's Creed: Shadows]]'' – [[Database: EGO WELCOME ONBOOT (CORRUPTED)]]</ref> | | |Upon logging into the Animus EGO, the [[Animus EGO user|user]] found themselves on a digitally-recreated beach at sunset.<ref>''[[Assassin's Creed: Shadows]]'' – [[Database: EGO WELCOME ONBOOT (CORRUPTED)]]</ref> |
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| A flock of seagulls flew by as the user approached the shoreline. The scene shifted to midday then disappeared, while the sand at the user's feed turned purple and swirled away to create the core of a DNA helix. | | A flock of seagulls flew by as the user approached the shoreline. The scene shifted to midday then disappeared, while the sand at the user's feed turned purple and swirled away to create the core of a DNA helix. |
| *'''Voiceover:''' ''One of your ancestors visited this place long ago, forever writing their memory into the fabric of your DNA. Animus EGO unlocks these genetic memories for you. To sense...'' | | *'''Voiceover:''' ''One of your ancestors visited this place long ago, forever writing their memory into the fabric of your DNA. Animus EGO unlocks these genetic memories for you. To sense...'' |
| The user approached the helix and it expanded to envelop them, showing them a harsh Egyptian desert then shifted to show an English countryside church. | | The user approached the helix and it expanded to envelop them, showing them a harsh desert near [[Petra (city)|Petra]], then shifted to show an English countryside church. |
| *'''Voiceover:''' ''wander...and'' | | *'''Voiceover:''' ''wander...and'' |
| The scene shifted again to show a woman in a robe jumping off a cliff into the Mediterranean waters far below. | | The scene shifted again to show a woman in a robe jumping off a cliff into the Mediterranean waters far below. |
| *'''Voiceover:''' ''Connect.'' | | *'''Voiceover:''' ''Connect.'' |
| The woman glitched, appearing as an Italian Assassin at times as she dove down. The user passed her and entered the water. | | The woman glitched, appearing as a Levantine and an Italian Assassin at times as she dove down. The user passed her and entered the water. |
| *'''Voiceover:''' ''Like grains of sand which began as rocks, you have been shaped by these past lives, honed into who you are today.'' | | *'''Voiceover:''' ''Like grains of sand which began as rocks, you have been shaped by these past lives, honed into who you are today.'' |
| The user faced a small screen depicting part of their life. The background glitched even more, the screen turning into a black, empty rectangle and digital geographies blended together, with conifer trees standing upright in an empty space alternating between a flooded plain and grey rocks. | | The user faced a small screen depicting part of their life. The background glitched even more, the screen turning into a black, empty rectangle and digital geographies blended together, with conifer trees standing upright in an empty space alternating between a flooded plain and grey rocks. |
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| *'''Hacker:''' ''Welcome to the dark.'' | | *'''Hacker:''' ''Welcome to the dark.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background-image:linear-gradient(to right, #C91F37, #9d2933, #171412); -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Two Lives Intertwined | | !style="background-image:linear-gradient(to right, #C91F37, #9d2933, #171412); -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Two Lives Intertwined |
| |- | | |- |
| |The simulation rebooted and showed many users' "windows" arranged like a {{Wiki|DNA sequencing}} chart. The user entered a Memory Corridor decorated with two cherry trees and met an androgynous figure made of swirling code. | | |The simulation rebooted and showed many users' "windows" arranged like a {{Wiki|DNA sequencing}} chart. The user entered a Memory Corridor decorated with two cherry trees and met an androgynous figure made of swirling code. |
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| The user began reliving Naoe's memories of Nobunaga's attack on [[Iga]].<ref>''Assassin's Creed: Shadows'' – [[Fight of the Kakushiba Ikki]]</ref> | | The user began reliving Naoe's memories of Nobunaga's attack on [[Iga]].<ref>''Assassin's Creed: Shadows'' – [[Fight of the Kakushiba Ikki]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background-image:linear-gradient(to right, #C91F37, #9d2933, #171412); -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Resisting Ulterior Motives | | !style="background-image:linear-gradient(to right, #C91F37, #9d2933, #171412); -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Resisting Ulterior Motives |
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| |After reliving Naoe's memories of recovering a stolen statue of [[Shinran]],<ref>''Assassin's Creed: Shadows'' – [[Stolen Faith]]</ref> and killing [[Wada Koretake]]'s executioner [[Shindo Hiroshii]],<ref>''Assassin's Creed: Shadows'' – [[The Killing Field]]</ref> the user saw a rift near where [[Kyonyo]], [[Yaya]], and other ''{{Wiki|sōhei}}'' gathered outside [[Amagasaki Castle]]. Curious, they entered it and heard The Guide while "walking" through a black expanse while excerpts of Yasuke and Naoe's memories flickered by them. | | |After reliving Naoe's memories of recovering a stolen statue of [[Shinran]],<ref>''Assassin's Creed: Shadows'' – [[Stolen Faith]]</ref> and killing [[Wada Koretake]]'s executioner [[Shindo Hiroshii]],<ref>''Assassin's Creed: Shadows'' – [[The Killing Field]]</ref> the user saw a rift near where [[Kyonyo]], [[Yaya]], and other ''[[sōhei]]'' gathered outside [[Amagasaki Castle]]. Curious, they entered it and heard The Guide while "walking" through a black expanse while excerpts of Yasuke and Naoe's memories flickered by them. |
| *'''The Guide:''' ''I had hoped we would meet again. You have been through a lot. Your time in Animus Ego was meant to weaken you. A drip-feed of memories to subdue you and invade your senses. The others before you called it a "bleeding effect." And when it has hollowed you out from within, [[Ego|she]] will claim you. But... you're learning how to counteract it. You see the faint glimmers on the darkened path before you. Naoe and Yasuke are long gone from this world. But in these memories, their will to fight burns as a flame. I must go. Find me again.'' | | *'''The Guide:''' ''I had hoped we would meet again. You have been through a lot. Your time in Animus Ego was meant to weaken you. A drip-feed of memories to subdue you and invade your senses. The others before you called it a "bleeding effect." And when it has hollowed you out from within, [[Ego|she]] will claim you. But... you're learning how to counteract it. You see the faint glimmers on the darkened path before you. Naoe and Yasuke are long gone from this world. But in these memories, their will to fight burns as a flame. I must go. Find me again.'' |
| The user left to resume Naoe's memory of hunting Koretake.<ref>''Assassin's Creed: Shadows'' – [[Heads Will Roll (Shadows)|Heads Will Roll]]</ref> | | The user left to resume Naoe's memory of hunting Koretake.<ref>''Assassin's Creed: Shadows'' – [[Heads Will Roll (Shadows)|Heads Will Roll]]</ref> |
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| ==Behind the scenes== | | ==Behind the scenes== |
| The runes in ''[[Assassin's Creed: Valhalla]]'' that Layla and Basim interact with are identical to one of the {{Wiki|Runic inscriptions in Hagia Sophia|two inscriptions}} carved on the [[Hagia Sophia]]'s [[marble]] parapets by a member of the [[Varangian|Varangian Guard]]. Translated, they read "''Halfdan carved these runes''", even though Layla comments that Eivor had carved the message.<ref name="AccessTheAnimus">{{Youtube|video=I8cxvk0g3jM|text=Modern Day Runes Mystery SOLVED - Assassin's Creed Valhalla (Eivor's Death, Vinland, Theories)|channel=channel/UCJagPhYpiiE09D5pA-ZGuZw|channelname=Access The Animus}}</ref>
| | ;''Assassin's Creed: Valhalla'' |
| | The runes that Layla and Basim interact with are identical to one of the {{Wiki|Runic inscriptions in Hagia Sophia|two inscriptions}} carved on the [[Hagia Sophia]]'s [[marble]] parapets by a member of the [[Varangian]] Guard. Translated, they read "''Halfdan carved these runes''", even though Layla comments that Eivor had carved the message.<ref name="AccessTheAnimus">{{Youtube|video=I8cxvk0g3jM|text=Modern Day Runes Mystery SOLVED - Assassin's Creed Valhalla (Eivor's Death, Vinland, Theories)|channel=channel/UCJagPhYpiiE09D5pA-ZGuZw|channelname=Access The Animus}}</ref> |
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| ==References== | | ==References== |
| {{Reflist|2}} | | {{Reflist|2}} |
| <!--Interwiki links--> | | <!--Interwiki links |
| [[es:Conversaciones del siglo XXI]]
| | [es:Conversaciones del siglo XXI] |
| [[fr:Conversations du XXIème siècle]]
| | [fr:Conversations du XXIème siècle] |
| [[it:Conversazioni del XXI secolo]]
| | [it:Conversazioni del XXI secolo] |
| [[ja:21世紀での会話]]
| | [ja:21世紀での会話] |
| [[nl:Gesprekken in de 21e eeuw]]
| | [nl:Gesprekken in de 21e eeuw] |
| [[pt-br:Conversas do século XXI]]
| | [pt-br:Conversas do século XXI] |
| [[zh:21世纪的对话]]
| | [zh:21世纪的对话]--> |
| [[Category:Transcripts]] | | [[Category:Transcripts]] |
| [[Category:Correspondences]] | | [[Category:Correspondences]] |