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| {{Era|Culture|Assassins|Templars|Abstergo}} | | {{Era|Culture|Assassins|Templars|Abstergo}} |
| | {{Update|[[Assassin's Creed: Shadows]]}} |
| Over the course of the 21st century, [[Desmond Miles]], [[Layla Hassan]], and other high-profile [[Assassins]] had various '''conversations''' with different people throughout the [[Modern times|modern era]]. | | Over the course of the 21st century, [[Desmond Miles]], [[Layla Hassan]], and other high-profile [[Assassins]] had various '''conversations''' with different people throughout the [[Modern times|modern era]]. |
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| ==''[[Assassin's Creed]]''== | | ==''[[Assassin's Creed]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Experiment Begins | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Experiment Begins |
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| |Desmond stared up at a curved screen above his face as he lay in the [[Animus|Animus 1.28]]. After it loaded the [[genetic memory]] sequence, he was transported to an open courtyard garden full of faceless [[courtesan]]s under a flashing red sky. A man in white robes stood closely surrounded by six women who sought his attention and flocked beside him wherever he went. Another man's distorted voice from a blue-white pillar of light on a balcony quoted [[wikisource:Bible (King James)/Ecclesiastes|a passage]] in {{Wiki|Ecclesiastes}}. | | |Desmond stared up at a curved screen above his face as he lay in the [[Animus|Animus 1.28]]. After it loaded the [[genetic memory]] sequence, he was transported to an open courtyard garden full of faceless [[courtesan]]s under a flashing red sky. A man in white robes stood closely surrounded by six women who sought his attention and flocked beside him wherever he went. Another man's distorted voice from a blue-white pillar of light on a balcony quoted [[wikisource:Bible (King James)/Ecclesiastes|a passage]] in {{Wiki|Ecclesiastes}}. |
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| *'''Warren:''' ''So what is it, Mr. Miles? Live or die?<br>Lie down!'' | | *'''Warren:''' ''So what is it, Mr. Miles? Live or die?<br>Lie down!'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Genetic Memory | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Genetic Memory |
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| *'''Lucy:''' ''We find a memory you can [[Synchronization|synchronize]] with and move forward from there. You'll get used to it. This is the closest we can get, so, it's where we'll have to start. I'm uploading the tutorial program now.'' | | *'''Lucy:''' ''We find a memory you can [[Synchronization|synchronize]] with and move forward from there. You'll get used to it. This is the closest we can get, so, it's where we'll have to start. I'm uploading the tutorial program now.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Breaks | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Breaks |
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| *'''Warren:''' ''Lucy! This isn't my decision. I don't set the deadlines, but I'm smart enough not to challenge them! Do you want to wind up like [[Leila Marino|Leila]]?'' | | *'''Warren:''' ''Lucy! This isn't my decision. I don't set the deadlines, but I'm smart enough not to challenge them! Do you want to wind up like [[Leila Marino|Leila]]?'' |
| *'''Lucy:''' ''I know the accident has everyone on edge.'' | | *'''Lucy:''' ''I know the accident has everyone on edge.'' |
| *'''Warren:''' ''Which is why we don't have time to coddle him!'' | | *'''Warren:''' ''Which is why there's no time to coddle him!'' |
| *'''Lucy:''' ''If you push him too hard, he'll shut down. And then, we'll have nothing!'' | | *'''Lucy:''' ''If you push him too hard, he'll shut down. And then, we'll have nothing!'' |
| *'''Warren:''' ''We have nothing now!'' | | *'''Warren:''' ''We have nothing now!'' |
| *'''Lucy:''' ''But we will. You just need to have a little faith.'' | | *'''Lucy:''' ''But we will. You just need to have a little faith.'' |
| *'''Warren:''' ''Fine. But I want you thinking of ways to improve his staying power. We can't afford to stop every time the man breaks a sweat! It's bad enough that we have to traipse through these useless memories!'' | | *'''Warren:''' ''Fine. But I want you thinking up ways to improve his staying power. We can't afford to stop every time the man breaks a sweat! It's bad enough he has to traipse through all of these useless memories!'' |
| *'''Lucy:''' ''I'll do what I can.'' | | *'''Lucy:''' ''I'll do what I can.'' |
| The pair came out of the conference room. | | The pair came out of the conference room. |
| *'''Warren:''' ''That's enough for today, Mr. Miles.'' | | *'''Warren:''' ''We're done for today, Mr. Miles. I suggest you return to your room and get some rest.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Farm | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Farm |
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| *'''Desmond:''' ''I was supposed to be one. But I ran away from "[[the Farm]]" when I was 16.'' | | *'''Desmond:''' ''I was supposed to be one. But I ran away from "[[the Farm]]" when I was 16.'' |
| *'''Lucy:''' ''Farm?'' | | *'''Lucy:''' ''Farm?'' |
| *'''Desmond:''' ''Yeah, that's what they called the place where I grew up. "The Farm." Like [[Masyaf]], I guess, only not so, uh... creepy. Just a small desert community out in the middle of nowhere. About 30 of us living, you know, off the grid.'' | | *'''Desmond:''' ''Yeah, that's what they called the place where I grew up. "The Farm." Like [[Masyaf]], I guess, only not so, uh... creepy. Just a small desert community in the middle of nowhere. About 30 of us living, you know, off the grid.'' |
| *'''Lucy:''' ''Why?'' | | *'''Lucy:''' ''Why?'' |
| *'''Desmond:''' ''I thought my parents were a bunch of crazy hippies trying to stick it to the man, you know. My [[William Miles|dad]] was always going on about our enemies, how they'd be looking for us, how we [[Assassin-Templar War|have to be prepared]]. But... no one ever came. Nothing ever happened.'' | | *'''Desmond:''' ''Thought my parents were just crazy hippies trying to stick it to the man, you know. My [[William Miles|dad]] was always going on about our enemies, how they'd be looking for us, how we [[Assassin-Templar War|have to be prepared]]. No one ever came. Nothing ever happened.'' |
| *'''Lucy:''' ''Why did you run away?'' | | *'''Lucy:''' ''Why'd you run away?'' |
| *'''Desmond:''' ''I could never leave the compound. Do you have any idea what it's like being stuck in a place, knowing there's a whole world out there you'll never get to see?'' | | *'''Desmond:''' ''I could never leave the compound. You have any idea what it's like being trapped in a place, knowing there is a whole world out there I'd never get to see?'' |
| *'''Lucy:''' ''Don't you miss your parents?'' | | *'''Lucy:''' ''Don't you miss your parents?'' |
| *'''Desmond:''' ''No. As far as I'm concerned, they were never my parents. They were my wardens and I was their prisoner.'' | | *'''Desmond:''' ''No. Far as I'm concerned, they weren't my parents. They were my wardens and I was their prisoner.'' |
| *'''Lucy:''' ''It sounds like they only wanted to protect you.'' | | *'''Lucy:''' ''It sounds like they only wanted to protect you.'' |
| *'''Desmond:''' ''With all that's happened... I don't know. Seems like they were right.'' | | *'''Desmond:''' ''With all that's happened... I don't know. I guess they were right.'' |
| *'''Lucy:''' ''I'm sorry. I didn't mean to dredge up the past.'' | | *'''Lucy:''' ''I'm sorry. I didn't mean to dredge up the past.'' |
| *'''Desmond:''' ''It's all right. Gives me something to think about.'' | | *'''Desmond:''' ''It's all right. Gives me something to think about.'' |
| *'''Lucy:''' ''Try and get some sleep. We've got a long day ahead of us tomorrow.'' | | *'''Lucy:''' ''Try and get some sleep. We've got a long day ahead of us tomorrow.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Tracking | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Tracking |
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| *'''Desmond:''' ''Got a question before I turn in.'' | | *'''Desmond:''' ''Got a question for you before I turn in.'' |
| *'''Lucy:''' ''Sure.'' | | *'''Lucy:''' ''Sure.'' |
| *'''Desmond:''' ''How did they find me? I mean, I haven't been near another Assassin in ten years.'' | | *'''Desmond:''' ''How did they find me? I mean, I haven't been anywhere near another Assassin for ten years.'' |
| *'''Lucy:''' ''Use your real name?'' | | *'''Lucy:''' ''Use your real name?'' |
| *'''Desmond:''' ''Never. Not before today.'' | | *'''Desmond:''' ''Nope. Not before today.'' |
| *'''Lucy:''' ''Credit cards?'' | | *'''Lucy:''' ''Credit cards?'' |
| *'''Desmond:''' ''Cash only.'' | | *'''Desmond:''' ''Cash only.'' |
| *'''Lucy:''' ''Telephone number?'' | | *'''Lucy:''' ''Telephone?'' |
| Desmond chuckled. | | Desmond chuckled. |
| *'''Desmond:''' ''There's no one to call.'' | | *'''Desmond:''' ''There's no one to call.'' |
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| *'''Desmond:''' ''Motorcycle. Guilty pleasure.'' | | *'''Desmond:''' ''Motorcycle. Guilty pleasure.'' |
| *'''Lucy:''' ''There's your answer. Photo, fingerprint.'' | | *'''Lucy:''' ''There's your answer. Photo, fingerprint.'' |
| *'''Desmond:''' ''This is a drug company! What's Abstergo got to do with the {{Wiki|Department of Motor Vehicles|DMV}}?!'' | | *'''Desmond:''' ''This is a drug company! What does Abstergo have to do with the {{Wiki|Department of motor vehicles|DMV}}?!'' |
| *'''Lucy:''' ''Desmond, these guys are everywhere. They... I... I'm sorry. I really can't talk about it.'' | | *'''Lucy:''' ''Desmond, these guys are everywhere. They... I... I'm sorry, I... I really can't talk about it.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Right Idea | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Right Idea |
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| |Desmond groaned as he woke up, and spotted Warren staring down at him. | | |Desmond groaned as he woke up, and spotted Warren staring down at him. |
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| *'''Warren:''' ''Now, that would be telling.'' | | *'''Warren:''' ''Now, that would be telling.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Deadline | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Deadline |
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| | | | |Desmond was extracted from the Animus and saw Warren standing over him. |
| *'''Desmond:''' ''So, care to tell me who shoved the stick up his ass?'' | | *'''Warren:''' ''Out of the machine, Mister Miles.'' |
| | *'''Desmond:''' ''What's the matter, Doc?'' |
| | *'''Warren:''' ''Miss Stillman is once again insisting I let you rest.'' |
| | Warren walked out of the room, before Desmond went to talk to Lucy. |
| | *'''Desmond:''' ''So, feel like telling me who put the stick up his ass?'' |
| *'''Lucy:''' ''We have a deadline. One week... well, six days now.'' | | *'''Lucy:''' ''We have a deadline. One week... well, six days now.'' |
| *'''Desmond:''' ''Deadline?'' | | *'''Desmond:''' ''Deadline?'' |
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| *'''Lucy:''' ''Both of us.'' | | *'''Lucy:''' ''Both of us.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Translation | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Translation |
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| *'''Desmond:''' ''Hey, you know what? I think I have a question you can ''actually'' answer.'' | | *'''Desmond:''' ''Hey, you know what? I've got a question I think you can ''actually'' answer.'' |
| *'''Lucy:''' ''What's up?'' | | *'''Lucy:''' ''What's up?'' |
| *'''Desmond:''' ''Why is it that sometimes the guys in there talk like they're from the future?'' | | *'''Desmond:''' ''Why is it that sometimes the guys in there talk like they're from the future?'' |
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| *'''Lucy:''' ''Yeah, definitely not for you.'' | | *'''Lucy:''' ''Yeah, definitely not for you.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Abstergo | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Abstergo |
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| *'''Desmond:''' ''But you already said this wasn't about testing a drug. So, what's the deal?'' | | *'''Desmond:''' ''But you already said this wasn't about testing a drug. So, what's the deal?'' |
| *'''Lucy:''' ''I don't like where this is going.'' | | *'''Lucy:''' ''I don't like where this is going.'' |
| *'''Desmond:''' ''So it's safe to assume the Animus isn't a part of their public face.'' | | *'''Desmond:''' ''So it's safe to assume the Animus is not a part of their public face.'' |
| *'''Lucy:''' ''What, you haven't seen the commercials?'' | | *'''Lucy:''' ''What, you haven't seen the commercials?'' |
| *'''Desmond:''' ''Oh my [[Christianity|God]]. She has a sense of humor.'' | | *'''Desmond:''' ''Oh my [[Christianity|God]]. She has a sense of humor.'' |
| *'''Lucy:''' ''I'm sorry, Desmond. I've got a lot of work to do. Like I said, if you want to know more about the company, take a look at the computer. The [[Akashic Satellite Plexus|telecommunication]] stuff is ''particularly'' interesting.'' | | *'''Lucy:''' ''I'm sorry, Desmond. I've got a lot of work to do. Like I said, if you want to know more about the company, take a look at the computer. The [[Akashic Satellite Plexus|telecommunication]] stuff is ''particularly'' interesting.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Order | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Order |
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| *'''Warren:''' ''Let's go, Mr. Miles! Time's wasting!'' | | *'''Warren:''' ''Let's go, Mr. Miles! Time's wasting!'' |
| | Desmond stepped out into the main room, and noticed Lucy's absence. |
| *'''Desmond:''' ''Where's Lucy?'' | | *'''Desmond:''' ''Where's Lucy?'' |
| *'''Warren:''' ''Oh, don't worry, she'll be with us soon enough.'' | | *'''Warren:''' ''Oh, don't worry, she'll be with us soon enough.'' |
| *'''Desmond:''' ''So why are you doing this, Doc? What're you hoping to accomplish?'' | | *'''Desmond:''' ''So why are you doing all this, Doc? What're you hoping to accomplish?'' |
| *'''Warren:''' ''You turn the television on lately? Read the newspaper?'' | | *'''Warren:''' ''You turn the television on lately? Read the newspaper?'' |
| *'''Desmond:''' ''Never cared much for that stuff.'' | | *'''Desmond:''' ''Never cared much for that stuff.'' |
| *'''Warren:''' ''Then let me sum it up for you: The world's a mess! It's pathetic, really. You've seen it first-hand yourself. A thousand years between you and your ancestor and society remains just as barbaric, just as stupid.'' | | *'''Warren:''' ''Then let me sum it up for you: The world's a mess! It's pathetic, really. You've seen it first-hand yourself. A thousand years between you and your ancestor, and society remains just as barbaric, just as stupid.'' |
| *'''Desmond:''' ''And your point is...'' | | *'''Desmond:''' ''And your point is...'' |
| *'''Warren:''' ''[[New World Order|Order]], Mr. Miles. The world needs order. ''That'' is what we are working towards, and ''that'' is what you are helping us to achieve.'' | | *'''Warren:''' ''[[New World Order|Order]], Mr. Miles. The world needs order. ''That'' is what we are working towards, and ''that'' is what you are helping us to achieve.'' |
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| *'''Desmond:''' ''I told you, I'm not an Assassin.'' | | *'''Desmond:''' ''I told you, I'm not an Assassin.'' |
| *'''Warren:''' ''Right, right.'' | | *'''Warren:''' ''Right, right.'' |
| *'''Desmond:''' ''I still don't know where I fit into this.'' | | *'''Desmond:''' ''I still don't see where I fit into things.'' |
| *'''Warren:''' ''In time, Mr. Miles. In time, you'll understand... or you won't! I don't care either way, just as long as you show us where it is.'' | | *'''Warren:''' ''In time, Mr. Miles. In time, you'll understand... or you won't! I don't care either way, just as long as you show us where it is.'' |
| *'''Desmond:''' ''Where ''what'' is?!'' | | *'''Desmond:''' ''Where ''what'' is?!'' |
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| *'''Warren:''' ''Yes, we are.'' | | *'''Warren:''' ''Yes, we are.'' |
| |} | | |} |
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| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Tensions Overheating | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Tensions Overheating |
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| *'''Lucy:''' ''It's gonna be a while, Desmond. Why don't you go lie down or something? Get some rest.'' | | *'''Lucy:''' ''It's gonna be a while, Desmond. Why don't you go lie down or something? Get some rest.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Guest of the Company | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Guest of the Company |
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| *'''Lucy:''' ''But I'm alive. Anyway, I really do need to get the Animus repaired. I'll see you tomorrow, Desmond.'' | | *'''Lucy:''' ''But I'm alive. Anyway, I really do need to get the Animus repaired. I'll see you tomorrow, Desmond.'' |
| |} | | |} |
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| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Abstergo's Work | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Abstergo's Work |
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| *'''Warren:''' ''They're gifts, Mr. Miles, from [[Isu|those who came before]]. We'll have to continue this discussion later. Time's wasting.'' | | *'''Warren:''' ''They're gifts, Mr. Miles, from [[Isu|those who came before]]. We'll have to continue this discussion later. Time's wasting.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Templars | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Templars |
| |- | | |- |
| | | | | |
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| *'''Lucy:''' ''I'm sorry, Desmond, I have to go. You should turn in for the night. The answers to all of your questions are right in front of you. You just have to know where to look.'' | | *'''Lucy:''' ''I'm sorry, Desmond, I have to go. You should turn in for the night. The answers to all of your questions are right in front of you. You just have to know where to look.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Piece of Eden | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Piece of Eden |
| |- | | |- |
| | | | |Desmond's Animus session was abruptly ended and he overheard a conversation between Warren and an [[Alan Rikkin|associate]]. |
| | *'''Associate:''' ''Not a lot of time today.'' |
| | *'''Warren:''' ''Understand it's a demo, but I'll let you know.'' |
| | *'''Associate:''' ''Wherever it's hidden, time to retrieve it.'' |
| | *'''Warren:''' ''Working on it.'' |
| | *'''Associate:''' ''And when it's done?'' |
| | *'''Warren:''' ''He'll be taken care of.'' |
| | *'''Associate:''' ''I want that progress report by tomorrow morning.'' |
| | *'''Warren:''' ''I've got some work I need to do. So you've got the night to yourself.'' |
| | The Animus HUD panel retracted and Desmond was able to get up. |
| *'''Desmond:''' ''I think there's a problem with the Animus.'' | | *'''Desmond:''' ''I think there's a problem with the Animus.'' |
| *'''Lucy:''' ''Nope. It's working fine.'' | | *'''Lucy:''' ''Nope. It's working fine.'' |
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| *'''Lucy:''' ''Got it.'' | | *'''Lucy:''' ''Got it.'' |
| Lucy hung up. | | Lucy hung up. |
| *'''Desmond:''' ''So, what? They're using me to find the Templar treasure? What do they call it? The "[[Piece of Eden|Piece]] of [[Eden]]?"'' | | *'''Desmond:''' ''So, what? They're using me to find the Templar treasure? What do they call it? The "[[Piece of Eden]]?"'' |
| *'''Lucy:''' ''Yes.'' | | *'''Lucy:''' ''Yes.'' |
| *'''Desmond:''' ''Well, it's looking like it's at Masyaf. So I don't know why they're wasting all this time with me. Why don't they just send their people to pick it up?'' | | *'''Desmond:''' ''Well, it's looking like it's at Masyaf. So I don't know why they're wasting all this time with me. Why don't they just send their people to pick it up?'' |
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| *'''Lucy:''' ''It's a reference to {{Wiki|Denver International Airport}}. There's an underground facility there. It's where the [[DIA satellite accident|accident]] happened.'' | | *'''Lucy:''' ''It's a reference to {{Wiki|Denver International Airport}}. There's an underground facility there. It's where the [[DIA satellite accident|accident]] happened.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Accepted History | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Accepted History |
| |- | | |- |
| | | | | |
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| *'''Warren:''' ''Anyone can write a book, and they can put whatever they want on its pages. Anything. Used to be that we thought the world was flat.'' | | *'''Warren:''' ''Anyone can write a book, and they can put whatever they want on its pages. Anything. Used to be that we thought the world was flat.'' |
| *'''Desmond:''' ''Some people still do.'' | | *'''Desmond:''' ''Some people still do.'' |
| *'''Warren:''' ''Yes, and they publish books about it. Or that the [[moon]] [[Apollo 11|landing]] was a hoax. I believe there's also {{Wiki|Bible|a book}} that claims the [[Earth]] was created in seven days. A best-seller, too!'' | | *'''Warren:''' ''Yes, and they publish books about it. Or that the [[moon]] [[Apollo 11|landing]] was a hoax. I believe there's also {{Wiki|Bible|a book}} that claims the [[Earth|World]] was created in seven days. A best-seller, too!'' |
| *'''Desmond:''' ''Where's this going, Doc?'' | | *'''Desmond:''' ''Where's this going, Doc?'' |
| *'''Warren:''' ''The point, I suppose, is that you shouldn't trust everything you hear. Everything you read. What's that your ancestor said? "Nothing is true?"'' | | *'''Warren:''' ''The point, I suppose, is that you shouldn't trust everything you hear. Everything you read. What's that your ancestor said? "Nothing is true?"'' |
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| *'''Warren:''' Touché'', Mr. Miles. Now that I've answered your question, can we begin?'' | | *'''Warren:''' Touché'', Mr. Miles. Now that I've answered your question, can we begin?'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Failed Rescue | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Failed Rescue |
| |- | | |- |
| | | | | |
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| *'''Lucy:''' ''Have faith. Rest up, Desmond. You're gonna need the energy.'' | | *'''Lucy:''' ''Have faith. Rest up, Desmond. You're gonna need the energy.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Eagle and The Apple | | !style="background:#007777; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Eagle and The Apple |
| |- | | |- |
| |Warren came into Desmond's room and woke him up. | | |Warren came into Desmond's room and woke him up. |
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| *'''Warren:''' ''We've got it.'' | | *'''Warren:''' ''We've got it.'' |
| *'''Desmond:''' ''What the hell was that?'' | | *'''Desmond:''' ''What the hell was that?'' |
| Desmond saw that Lucy and Warren were facing the far wall. Turning his head, he saw three men in business suits in an observation room behind a sheet of glass where the wall panels once were. The man in the middle spoke while the [[David Kilkerman|other]] [[Henry Liman|two]] remained silent. | | Desmond saw that Lucy and Warren were facing the far wall. Turning his head, he saw three men in business suits in an observation room behind a sheet of glass where the wall panels once were. The man in the middle spoke, revealing himself to be Warren's associate from earlier, while the [[David Kilkerman|other]] [[Henry Liman|two]] remained silent. |
| *'''[[Alan Rikkin|Alan]]:''' ''Well?!'' | | *'''Alan:''' ''Well?!'' |
| *'''Warren:''' ''We've got the [[Isu map|map]].'' | | *'''Warren:''' ''We've got the [[Isu map|map]].'' |
| *'''Alan:''' ''How many?'' | | *'''Alan:''' ''How many?'' |
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|
| |
|
| ==''[[Assassin's Creed II]]''== | | ==''[[Assassin's Creed II]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Escape from Abstergo | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Escape from Abstergo |
| |- | | |- |
| |Lucy entered Desmond's room wearing a blood-spattered shirt. | | |Lucy entered Desmond's room wearing a blood-spattered shirt. |
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| *'''Lucy:''' ''Desmond, I promise I'll answer ALL of your questions. Later. But right now, I need you to just shut up and do what I say. So please—get in the Animus.'' | | *'''Lucy:''' ''Desmond, I promise I'll answer ALL of your questions. Later. But right now, I need you to just shut up and do what I say. So please—get in the Animus.'' |
| *'''Desmond:''' ''Alright...'' | | *'''Desmond:''' ''Alright...'' |
| Desmond entered the Animus and the computer compared his DNA with Subject 16's to find another common ancestor. After finding a match, Desmond was transported to [[Renaissance]] [[Italy]] as a woman was in the process of giving birth at home in bed. She was assisted by two maids, one at the foot of the bed and another at her shoulders. | | Desmond entered the Animus and the computer compared his DNA with Subject 16's to find another common ancestor. After finding a match, Desmond was transported to [[Renaissance]] [[Italy]] to relive [[Ezio Auditore da Firenze]]'s birth.<ref>''[[Assassin's Creed II]]'' – [[The Birth of an Assassin]]</ref> Eventually, the simulation faded to white and ended as Lucy extracted Desmond from the Animus before he could continue to relive more of Ezio's memories, but not before he caught blurry glimpses of a teenaged Ezio in Assassin robes in the midst of a fight [[Palazzo Ducale di Venezia|elsewhere]] in Italy. |
| *'''[[Maria Auditore da Firenze|Maria]]:''' (screams)
| |
| The first maid looked between Maria's legs then back at Maria.
| |
| *'''Maid:''' Spingi! Spingi! ''(Push! Push!) ''Di nuovo!'' (Again!)''
| |
| *'''Maria:''' (yells)
| |
| With one last contraction, Maria's child was born. The second maid moved to the foot of the bed to cut the umbilical cord.
| |
| *'''Maid:''' Si! Si! Brava! ''(Yes! Yes! Good!)''
| |
| The maid looked down at the baby.
| |
| *'''Maid:''' ''It's a boy!''
| |
| Despite the happy proclamation, the child still failed to make a sound, and the maid looked to her partner in consternation. Suddenly, Maria's husband burst into the room and rushed to her side.
| |
| *'''[[Giovanni Auditore da Firenze|Giovanni]]:''' ''Oh, my love! ''Mi dispiace!'' (I'm sorry!) I was at the [[bank]] when they told me! Did I miss it? Am I too late?''
| |
| Giovanni saw his son, who still was not breathing.
| |
| *'''Giovanni:''' ''Give him here.''
| |
| He took the boy from the maid and held him.
| |
| *'''Maria:''' ''Giovanni...?''
| |
| *'''Giovanni:''' ''Shhh, my love. It will be alright.''
| |
| He inclined his head close to his son and spoke to him.
| |
| *'''Giovanni:''' Tu se un [[House of Auditore|Auditore]]. Sei un combattente. Perciò combatti! ''(You are an Auditore. You are a fighter. So fight!)''
| |
| As if listening to his father's words, the baby flailed his limbs and soon began loudly crying.
| |
| *'''Giovanni:''' ''Listen to him! A fine set of lungs!''
| |
| *'''Maria:''' ''And what shall we call him, my love?''
| |
| Giovanni held his child aloft in celebration as he christened him.
| |
| *'''Giovanni:''' ''Ezio! [[Ezio Auditore da Firenze]]!''
| |
| The simulation faded to white and ended as Lucy extracted Desmond from the Animus before he could continue to relive more of Ezio's memories, but not before he caught blurry glimpses of an older Ezio in Assassin robes elsewhere in Italy.
| |
| *'''Lucy:''' ''Get up. Let's go.'' | | *'''Lucy:''' ''Get up. Let's go.'' |
| *'''Desmond:''' ''Yeah well, uh, I'm gonna need a second...'' | | *'''Desmond:''' ''Yeah well, uh, I'm gonna need a second...'' |
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| Desmond shot a dirty look up at Lucy, who slammed the trunk door shut. | | Desmond shot a dirty look up at Lucy, who slammed the trunk door shut. |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Team | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Team |
| |- | | |- |
| |Some while later, Lucy opened the trunk and Desmond sat up. | | |Some while later, Lucy opened the trunk and Desmond sat up. |
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| *'''Lucy:''' ''This way.'' | | *'''Lucy:''' ''This way.'' |
| Desmond got out of the trunk and followed Lucy. | | Desmond got out of the trunk and followed Lucy. |
| *'''Desmond:''' ''So...gonna tell me what's going on now?'' | | *'''Desmond:''' ''So... gonna tell me what's going on now?'' |
| *'''Lucy:''' ''There was [[Project Siren|a reason]] for the escape, Desmond.'' | | *'''Lucy:''' ''There was [[Project Siren|a reason]] for the escape, Desmond.'' |
| Desmond scoffed. | | Desmond scoffed. |
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| *'''Desmond:''' ''I still don't see how I fit into things...'' | | *'''Desmond:''' ''I still don't see how I fit into things...'' |
| *'''Lucy:''' ''We're going to train you—turn you into one of us.'' | | *'''Lucy:''' ''We're going to train you—turn you into one of us.'' |
| Desmond was shocked.
| | He was shocked. |
| *'''Desmond:''' ''What?! No, no...you've seen me in action—I'm no good at this. And even if I was... It would take months—years, even.'' | | *'''Desmond:''' ''What?! No, no...you've seen me in action—I'm no good at this. And even if I was... It would take months—years, even.'' |
| *'''Lucy:''' ''No. Not with the Animus. Not with the [[Bleeding Effect]].'' | | *'''Lucy:''' ''No. Not with the Animus. Not with the [[Bleeding Effect]].'' |
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| Lucy hugged Desmond warmly. | | Lucy hugged Desmond warmly. |
| *'''Lucy:''' ''Thank you.'' | | *'''Lucy:''' ''Thank you.'' |
| They kept walking into the [[Rome]] [[Rome hideout|hideout]], and [[Rebecca Crane]] jumped up when she saw Lucy. | | They walked into the [[Rome hideout]]. [[Rebecca Crane]] jumped up when she saw Lucy. |
| *'''Rebecca:''' ''Lucy! You made it! God! It's been so long! Seven years! Can you believe it?!'' | | *'''Rebecca:''' ''Lucy! You made it! God! It's been so long! Seven years! Can you believe it?!'' |
| *'''[[Shaun Hastings|Shaun]]:''' ''Indeed. Welcome back.'' | | *'''[[Shaun Hastings|Shaun]]:''' ''Indeed. Welcome back.'' |
| Shaun noticed Desmond. | | Shaun Hastings noticed Desmond. |
| *'''Shaun:''' ''Ah, so this must be the infamous subject seventeen... Desmond Miles, was it?'' | | *'''Shaun:''' ''Ah, so this must be the infamous subject seventeen... Desmond Miles, was it?'' |
| *'''Desmond:''' ''Who are you?'' | | *'''Desmond:''' ''Who are you?'' |
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| *'''Desmond:''' ''You really think this will work? That I'll become an Assassin?'' | | *'''Desmond:''' ''You really think this will work? That I'll become an Assassin?'' |
| *'''Lucy:''' ''You already are an Assassin. You'll just be better at it.'' | | *'''Lucy:''' ''You already are an Assassin. You'll just be better at it.'' |
| *'''Shaun:''' ''Yeah, hopefully much better at it. I mean – seriously – I saw the tapes from Abstergo. You didn't even TRY and escape.'' | | *'''Shaun:''' ''Yeah, hopefully much better at it. I mean—seriously—I saw the tapes from Abstergo. You didn't even TRY and escape.'' |
| *'''Desmond:''' ''What a dick...'' | | *'''Desmond:''' ''What a dick...'' |
| Desmond walked over to Rebecca. | | Desmond walked over to Rebecca. |
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| *'''Shaun:''' ''Well...'' | | *'''Shaun:''' ''Well...'' |
| *'''Rebecca:''' ''Here we go!'' | | *'''Rebecca:''' ''Here we go!'' |
| Desmond began reliving Ezio's memories as he stood with a gang on the [[Ponte Vecchio]] in [[Florence]].<ref name="BoysWillBeBoys">''[[Assassin's Creed II]]'' – [[Boys Will Be Boys]]</ref> | | Desmond began reliving Ezio's memories as he stood with a gang on the [[Ponte Vecchio]] in [[Florence]].<ref name="BoysWillBeBoys">''Assassin's Creed II'' – [[Boys Will Be Boys]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Glyph Hunting | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Glyph Hunting |
| |- | | |- |
| |Shortly after Ezio witnessed the murder of his father and two brothers [[Federico Auditore da Firenze|Federico]] and [[Petruccio Auditore da Firenze|Petruccio]],<ref>''Assassin's Creed II'' – [[Last Man Standing]]</ref> Shaun's voice interrupted Desmond's explorations of Florence. | | |Shortly after Ezio witnessed the murder of his father and two brothers [[Federico Auditore da Firenze|Federico]] and [[Petruccio Auditore da Firenze|Petruccio]],<ref>''Assassin's Creed II'' – [[Last Man Standing]]</ref> Shaun's voice interrupted Desmond's explorations of Florence. |
| *'''Shaun:''' ''I've got a little request for you. I've identified several strange markings that I've discovered right across Renaissance Italy. Now, I don't know what they're doing there, but I want you to help me find out. Rebecca has marked their general location in the database with an eye icon and she's made them glow as well. Keep an eye out.'' | | *'''Shaun:''' ''I've got a little request for you. I've identified several strange markings that I've discovered right across Renaissance Italy. Now, I don't know what they're doing there, but I want you to help me find out. Rebecca has marked their general location in the [[database]] with an eye icon and she's made them glow as well. Keep an eye out.'' |
| After Desmond found the first [[Glyphs|Glyph]].
| | In time, Desmond found the first [[Glyphs|Glyph]]. |
| *'''Shaun:''' ''There's one of the symbols! What does it mean? It must be there for a reason. Can you take a closer look? Hey! Try using Eagle Vision.'' | | *'''Shaun:''' ''There's one of the symbols! What does it mean? It must be there for a reason. Can you take a closer look? Hey! Try using Eagle Vision. I've got all day...'' |
| *'''Rebecca:''' ''Wait, that's not possible. This can't be... hold on, that's computer code. Let me compile it... aw shit, it's an encrypted file.'' | | *'''Rebecca:''' ''Wait, that's not possible. This can't be... hold on, that's computer code. Let me compile it... aww shit, it's an encrypted file!'' |
| *'''Shaun:''' ''Upload it to my computer. I'm a master at decryption.'' | | *'''Shaun:''' ''Upload it to my computer. I'm a master at decryption.'' |
| *'''Rebecca:''' ''I can't. It's only compatible with the Animus itself.'' | | *'''Rebecca:''' ''I can't, it's only compatible with the Animus itself.'' |
| *'''Shaun:''' ''Up-upload it to Desmond then. I can't believe this.'' | | *'''Shaun:''' ''Up-upload it to Desmond then... I can't believe this.'' |
| After listening to Subject 16's recording.
| | Desmond accessed the first Glyph and heard a recording from Subject 16. |
| | *'''Subject 16:''' ''Hello. This is... they call me Subject Sixteen. Listen, I don't have much time. There's something I have to show you. We've been lied to this whole time. Everything we kow, everything we've been brought up to believe. It's wrong. Okay, umm... I've uploaded the evidence, the file, that proves it all. But I've split it into twenty pieces and locked each with a code. Queen [[Isabella I of Castile|Isabella]]... no, not her, hmm... what century is it? Umm... nevermind. I've hidden the code to the first file inside this program. Find it... find them all—and along the way you'll begin to see the truth.'' |
| | The spech faded into static. |
| *'''Shaun:''' ''What the he—! How did this get inside our Animus?'' | | *'''Shaun:''' ''What the he—! How did this get inside our Animus?'' |
| *'''Lucy:''' ''Oh, oh. The Memory Core, we transferred Sixteen's Memory Data from Abstergo into the Animus 2.0. He must have hacked the machine when Vidic left him alone between sessions.'' | | *'''Lucy:''' ''Oh. Oh. The Memory Core, we transferred Sixteen's Memory Data from Abstergo into the Animus 2.0. He must have hacked the machine when Vidic left him alone between sessions.'' |
| *'''Desmond:''' ''Hold on, wait a second... The signs on the walls in Abstergo... The ones written in blood. Those were clues! He was telling us to look for them inside the Animus.'' | | *'''Desmond:''' ''Hold on, wait a second... The signs on the walls in Abstergo... The ones written in blood. Those were clues! He was telling us to look for them inside the Animus.'' |
| Eventually, Desmond discovered an [[Assassin Tombs|Assassin Tomb]].
| | |} |
| *'''Shaun:''' ''Look at that statue! It's identical in one in the [[Villa Auditore]]! I think you've stumbled onto one of the Assassin's Tombs Ezio's [[Mario Auditore|uncle]] mentioned.'' | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Armor of Altaïr |
| | |- |
| | |After [[Mario Auditore]] showed Ezio the Sanctuary beneath the [[Villa Auditore]] and the [[Armor of Altaïr]] stored within,<ref>''Assassin's Creed II'' – [[Floating conversations]]: Unlocking Monteriggioni's Secrets</ref> Rebecca spoke to Desmond. |
| | *'''Rebecca:''' ''In order to achieve perfect synchronization with Ezio, you have to get that armor.'' |
| | In time, he witnessed the memory where Ezio discovered an [[Assassin Tombs|Assassin Tomb]] beneath the [[Basilica di Santa Maria Novella]] in Florence.<ref name="NovellasSecret">''Assassin's Creed II'' – [[Novella's Secret]]</ref> |
| | *'''Shaun:''' ''Look at that statue! It's identical in one in the Villa Auditore! I think you've stumbled onto one of the Assassin's Tombs Ezio's uncle mentioned.'' |
| *'''Rebecca:''' ''Now that we know the way in, I'll tag the landmarks containing tombs in the database.'' | | *'''Rebecca:''' ''Now that we know the way in, I'll tag the landmarks containing tombs in the database.'' |
| | A while later, Ezio met [[Lorenzo de' Medici]] at the [[Ponte Vecchio]] after killing [[Francesco de' Pazzi]]. When the conversation was finished,<ref>''Assassin's Creed II'' – [[Four to the Floor]]</ref> Rebecca patched into the sound system. |
| | *'''Rebecca:''' ''I've marked the [[Palazzo Medici]] on your map. In order to achieve 100% synch with Ezio's life, you should go [[Home Invasion|explore]] it.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Precautions | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Precautions |
| |- | | |- |
| |After Ezio met [[Caterina Sforza]],<ref>''Assassin's Creed II'' – [[Tutti a Bordo]]</ref> Desmond's [[Assassin cell]] extracted him from the Animus. | | |After Ezio met [[Caterina Sforza]] and sailed for [[Venice]],<ref>''Assassin's Creed II'' – [[Tutti a Bordo]]</ref> Desmond's [[Assassin cell]] extracted him from the Animus. |
| *'''Desmond:''' ''Everything all right?'' | | *'''Desmond:''' ''Everything all right?'' |
| *'''Lucy:''' ''Better than all right. You're making amazing progress.'' | | *'''Lucy:''' ''Better than all right. You're making amazing progress.'' |
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| *'''Shaun:''' ''I'm not out there cause my expertise lies in other areas. And to be honest, I prefer it that way. But make no mistake, Desmond, I'm an Assassin through and through. I've killed before, I expect to kill again. It's just that I'd prefer not to.'' | | *'''Shaun:''' ''I'm not out there cause my expertise lies in other areas. And to be honest, I prefer it that way. But make no mistake, Desmond, I'm an Assassin through and through. I've killed before, I expect to kill again. It's just that I'd prefer not to.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Bleeding Effect | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Bleeding Effect |
| |- | | |- |
| |Desmond walked up to Lucy's station. | | |Desmond walked up to Lucy's station. |
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| *'''Desmond:''' ''Aw, come on. Not even a hint?'' | | *'''Desmond:''' ''Aw, come on. Not even a hint?'' |
| *'''Lucy:''' ''Open your eyes, Desmond.'' | | *'''Lucy:''' ''Open your eyes, Desmond.'' |
| Desmond started the course and began to suffer from the Bleeding Effect. | | Desmond started the course and began to suffer from the Bleeding Effect, "seeing" ghostly soldiers walking around him. |
| *'''Desmond:''' ''Uh, Lucy... I'm seeing things.'' | | *'''Desmond:''' ''Uh, Lucy... I'm seeing things.'' |
| *'''Lucy:''' ''Do the hallucinations last longer than thirty seconds?'' | | *'''Lucy:''' ''Do the hallucinations last longer than thirty seconds?'' |
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| *'''Desmond:''' ''So you're after the Codex ''and'' the Vault?'' | | *'''Desmond:''' ''So you're after the Codex ''and'' the Vault?'' |
| *'''Lucy:''' ''I knew you had an ancestor in Italy who was at the center of all this.'' | | *'''Lucy:''' ''I knew you had an ancestor in Italy who was at the center of all this.'' |
| Desmond successfully reached all of the sensors. | | Desmond resumed the course and was suddenly interrupted by a vision of a [[horse]] running towards him, then successfully reached the last sensor without further isue. |
| *'''Lucy:''' ''Alright, I think we're done for today.'' | | *'''Lucy:''' ''Alright, I think we're done for today.'' |
| *'''Desmond:''' ''Lucy, what happened to Sixteen wasn't your fault. You were just as much a prisoner as I was.'' | | *'''Desmond:''' ''Lucy, what happened to Sixteen wasn't your fault. You were just as much a prisoner as I was.'' |
| *'''Lucy:''' ''Thanks. Good night, Desmond. I'm glad you're here.'' | | *'''Lucy:''' ''Thanks. Good night, Desmond. I'm glad you're here.'' |
| Desmond went upstairs to the hideout. On the way, he experienced another vision and lost consciousness. | | Desmond went upstairs to the hideout. On the way, he experienced another Bleeding Effect hallucination of the corridor lined with soldiers and lost consciousness. |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Altaïr and Maria | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Beginnings |
| |- | | |- |
| |Desmond relived one of Altaïr's memories in [[Acre]]. | | |Desmond relived one of Altaïr's memories in [[Acre]] in 1197. |
| *'''Desmond:''' ''What the hell... What is this?... Where am I?... It's Acre. And... Altaïr? How the hell... I'm not even in the Animus. I must've passed out. Just having some kind of weird dream... Going without sleep for who knows how long... Guess I shouldn't be surprised...'' | | *'''Desmond:''' ''What the hell... What is this?... Where am I?... It's Acre. And... Altaïr? How the hell... I'm not even in the Animus. I must've passed out. Just having some kind of weird dream... Going without sleep for who knows how long... Guess I shouldn't be surprised...'' |
| Desmond noticed a person who ran once they spotted Altaïr. | | Desmond noticed a person who ran once they spotted Altaïr. |
| *'''Desmond:''' ''Hmm. That must be his target...'' | | *'''Desmond:''' ''Hmm. That must be his target...'' |
| Altaïr chased his target to the top of the tower, where they took off their hood. | | Altaïr chased his target to the top of a tower by the city limits, where they took off their hood. |
| *'''Desmond:''' ''Hey, it's the woman from Acre. What was her name? [[Maria Thorpe|Maria]]. Yeah. Wonder what he wants with her...'' | | *'''Desmond:''' ''Hey, it's the woman from Acre. What was her name? [[Maria Thorpe|Maria]]. Yeah. Wonder what he wants with her...'' |
| Altaïr and Maria kissed. | | Altaïr and Maria kissed. |
| *'''Desmond:''' ''Whoa... Alright, wasn't expecting that...'' | | *'''Desmond:''' ''Whoa... Alright, wasn't expecting that...'' |
| Part of the memory skipped. Altaïr performed a [[Leap of Faith]] and left Maria, but the focus of the memory stayed with Maria. | | Part of the memory skipped. Altaïr performed a [[Leap of Faith]] and left Maria, but the memory stayed focused on her and slowly zoomed into her belly. |
| *'''Desmond:''' ''Wait a second... Why aren't I following Altaïr? I'm stuck here with Maria. Oh shit! That must [[Sef Ibn-La'Ahad|mean]]... This is one weird dream...'' | | *'''Desmond:''' ''Wait a second... Why aren't I following Altaïr? I'm stuck here with Maria. Oh shit! That must [[Sef Ibn-La'Ahad|mean]]... This is one weird dream...'' |
| |} | | |} |
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| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Back to Work | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Back to Work |
| |- | | |- |
| |Desmond woke up, and Rebecca came to speak to him. | | |Desmond woke up, and Rebecca came to speak to him. |
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| *'''Desmond:''' ''When that happens—if that happens. We'll deal with it. I'll keep you safe.'' | | *'''Desmond:''' ''When that happens—if that happens. We'll deal with it. I'll keep you safe.'' |
| *'''Lucy:''' ''Anyway—enough with my little breakdown. I should get back to work. And so should you.'' | | *'''Lucy:''' ''Anyway—enough with my little breakdown. I should get back to work. And so should you.'' |
| | Desmond walked to the reactivated Animus and sat down to relive Ezio's arrival at Venice.<ref name="Benvenuto">''Assassin's Creed II'' – [[Benvenuto]]</ref> |
| |} | | |} |
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| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Corrupted Sequences | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Most Serene Republic |
| | |- |
| | |After Ezio escorted his friend [[Leonardo da Vinci]] to his [[Bottega di Leonardo|workshop]] in Venice,<ref name="Benvenuto"/> Rebecca spoke to Desmond. |
| | *'''Rebecca:''' ''I found this awesome place for you to explore and practice your skills. [[Basilica di Santa Maria Gloriosa dei Frari|Santa Maria dei Frari]]. I've marked it on your [[map]].'' |
| | After Ezio assassinated [[Marco Barbarigo]] during the [[Carnevale]],<ref>''Assassin's Creed II'' – [[Having a Blast]]</ref> Desmond was again greeted by Rebecca contacted Desmond again. |
| | *'''Rebecca:''' ''You want to rob some Templars? I've marked the [[Arsenale di Venezia|Arsenal]] on your map. It's some kind of Templar base, so there's gonna be all kinds of loot in there.'' |
| | |} |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Corrupted Sequences |
| |- | | |- |
| |After Ezio was [[Initiation into the Assassin Order|initiated]] into the [[Italian Brotherhood of Assassins|Italian Brotherhood]],<ref>''Assassin's Creed II'' – [[Play Along]]</ref> Desmond was extracted from the Animus again. | | |After Ezio was [[Initiation into the Assassin Order|initiated]] into the [[Italian Brotherhood of Assassins|Italian Brotherhood]],<ref name="PlayAlong">''Assassin's Creed II'' – [[Play Along]]</ref> Desmond was extracted from the Animus again holding his ring finger, as if feeling the pain Ezio experienced while his finger was being branded. |
| *'''Lucy:''' ''Are you okay? Do you want to stop?'' | | *'''Lucy:''' ''Are you okay? Do you want to stop?'' |
| *'''Desmond:''' ''No, I need to go back. Right now. | | *'''Desmond:''' ''No, I need to go back. Right now.'' |
| Desmond resumed his Animus session, but was left waiting in the [[Memory Corridor]] for the next sequence to load. | | Desmond resumed his Animus session, but was left waiting in the [[Memory Corridor]] for the next sequence to load. |
| *'''Desmond:''' ''Everything okay out there?'' | | *'''Desmond:''' ''Everything okay out there?'' |
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| *'''Shaun:''' ''No, I would advise against that. I'm picking up a fair amount of radio chatter. Abstergo is none too pleased about losing you and Lucy and it's only a matter of time before they wind up here. We'd better finish with this before then.'' | | *'''Shaun:''' ''No, I would advise against that. I'm picking up a fair amount of radio chatter. Abstergo is none too pleased about losing you and Lucy and it's only a matter of time before they wind up here. We'd better finish with this before then.'' |
| *'''Desmond:''' ''Alright. But what about the missing years? Anything important happen that we should know about?'' | | *'''Desmond:''' ''Alright. But what about the missing years? Anything important happen that we should know about?'' |
| *'''Shaun:''' ''Alright, let's take a look, shall we... According to this, it's a rather tumultuous time for Florence. Following [[Lorenzo de' Medici|Lorenzo]]'s death, the [[House of Medici|Medici]] are deposed, and a Dominican priest named [[Girolamo Savonarola|Savonarola]] is given control of the city. Now he promptly turns it into the most miserable place on Earth. According to this, it's when the [[Bonfire of the Vanities]] took place.'' | | *'''Shaun:''' ''Alright, let's take a look, shall we... According to this, it's a rather tumultuous time for Florence. Following Lorenzo's death, the [[House of Medici|Medici]] are deposed, and a [[Dominican Order|Dominican]] priest named [[Girolamo Savonarola|Savonarola]] is given control of the city. Now he promptly turns it into the most miserable place on Earth. According to this, it's when the [[Bonfire of the Vanities]] took place.'' |
| *'''Rebecca:''' ''Hey, I liked {{Wiki|The Bonfire of the Vanities (film)|that movie!}} | | *'''Rebecca:''' ''Hey, I liked {{Wiki|The Bonfire of the Vanities (film)|that movie}}!'' |
| *'''Shaun:''' ''Oh, did you like that movie? That's interesting! What other movies do you like? Rebecca—the grownups are talking! Now let's see what else we have here... Some entries on [[Niccolò Machiavelli|Machiavelli]], some trouble in [[Forlì]], a rather amusing anecdote about [[Caterina Sforza]] and, well, her reproductive organs... I'll tell you later... O-oh... oh dear...'' | | *'''Shaun:''' ''Oh, did you like that movie? That's interesting! What other movies do you like? Rebecca—the grownups are talking! Now let's see what else we have here... Some entries on [[Niccolò Machiavelli|Machiavelli]], some [[Battle of Forlì|trouble]] in [[Forlì]], a rather amusing [[A Warm Welcome|anecdote]] about Caterina Sforza and, well, her reproductive organs... I'll tell you later... O-oh... oh dear...'' |
| *'''Lucy:''' ''Shaun?'' | | *'''Lucy:''' ''Shaun?'' |
| *'''Shaun:''' ''Of course... How could I have forgotten?'' | | *'''Shaun:''' ''Of course... How could I have forgotten?'' |
| *'''Desmond:''' ''You wanna share with the rest of us?'' | | *'''Desmond:''' ''You wanna share with the rest of us?'' |
| *'''Shaun:''' ''[[Rodrigo Borgia]] is elected [[Papacy|Pope]] in 1492. Which means Ezio's greatest enemy is now also the most powerful man in Italy.'' | | *'''Shaun:''' ''[[Rodrigo Borgia]] is elected [[Papacy|Pope]] in 1492. Which means Ezio's greatest enemy is now also the most powerful man in Italy.'' |
| *'''Desmond:''' ''Always wanted to visit the Vatican.'' | | *'''Desmond:''' ''Always wanted to visit the [[Vaticano District|Vatican]].'' |
| *'''Shaun:''' ''Well, your luck's in Desmond, happy days. 'Cause that's exactly where you're going.'' | | *'''Shaun:''' ''Well, your luck's in happy days,Desmond. 'Cause that's exactly where you're going.'' |
| The next memory finally loaded, and Desmond began experiencing Ezio's efforts during the [[Battle of Forlì]].<ref>''Assassin's Creed II – [[Battle of Forlì (DLC)|Battle of Forlì]]'' – [[A Warm Welcome]]</ref> | | The next memory loaded, and Desmond began experiencing Ezio's efforts during the Battle of Forlì.<ref>''Assassin's Creed II – [[Battle of Forlì (DLC)|Battle of Forlì]]'' – [[A Warm Welcome]]</ref> After "witnessing" Ezio [[Interrogation|interrogate]] the abbot of the [[Abbazia di San Mercuriale]] in Forlì and learn that Girolamo Savonarola had stolen the [[Apple of Eden 6|Apple of Eden]],<ref>''Assassin's Creed II – Battle of Forlì'' – [[Far From the Tree]]</ref> the memory vanished and Desmond waited in the Memory Corridor for the next sequence to finish loading. |
| | *'''Rebecca:''' ''Hey, Desmond—I think I repaired that busted memory. Why don't you try opening it?'' |
| | The sequence loaded and Desmond began reliving Ezio's repressed memories of his time during the Bonfire of the Vanities,<ref>''Assassin's Creed II - [[Bonfire of the Vanities (DLC)|Bonfire of the Vanities]]'' – [[Florentine Fiasco]]</ref> gaining access to the year gap between the two events.<ref>''Assassin's Creed II''</ref> Eventually, Desmond reached his ancestor's memories of 1499, proceeding to the start of the next memory. He went to the Villa's study in [[Monteriggioni]]<ref>''Assassin's Creed II'' – [[X Marks the Spot]]</ref> but was stopped at its entrance by an Animus wall. |
| | *'''Desmond:''' ''What's going on?'' |
| | *'''Lucy:''' ''The data stream is corrupted. No, scratch that. This says it's incomplete. It's the Codex pages. It looks like Ezio had them all when this memory occured.'' |
| | *'''Desmond:''' ''Great. And how am I supposed to find them?'' |
| | *'''Lucy:''' ''Hold on... It looks like Ezio has a map on him. He must have picked it up during [[Checcomate|one]] of the corrupted sequences. According to this, it'll show you the location of any missing Codex pages.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Entering the Vault | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|An Old Friend Returns |
| |- | | |- |
| |A hologram of the First Civilization member [[Minerva]] addressed Ezio after he entered the Vault.<ref name="InBoccaAlLupo">''Assassin's Creed II'' – [[In Bocca al Lupo]]</ref> | | |A hologram of [[Minerva]] addressed Ezio when he entered the [[Vatican Vault]] after finally defeating Rodrigo Borgia. The Assassin listened to her message, confused, as she was in fact delivering it through him to Desmond. When Minerva's projection disappeared and the memory ended,<ref name="InBoccaAlLupo">''Assassin's Creed II'' – [[In Bocca al Lupo]]</ref> Desmond expressed his astonishment. |
| *'''Minerva:''' ''Greetings, prophet. It is good you have come. Let us see it. To give thanks.''
| | *'''Desmond:''' ''What. The. Fuck.'' |
| Ezio showed the [[Apple of Eden 6|Apple of Eden]] to Minerva, who "touched" it, and then Minerva spoke through Ezio to Desmond.
| | He was then suddenly pulled out of the Animus, opening his eyes to see his companions in a hurry. |
| *'''Minerva:''' ''We must speak.''
| |
| *'''Ezio:''' ''Who are you?''
| |
| *'''Minerva:''' ''Many names. When I died, it was Minerva. Before that Merva, and Mera. And on and on. The others, too: [[Juno]], who was before called Uni; [[Jupiter]], who was before called Tinia.''
| |
| *'''Ezio:''' ''You are... gods.''
| |
| Minerva's projection laughed.
| |
| *'''Minerva:''' ''No. Not gods. We simply came... before. Even when we walked the world, your kind struggled to understand our existence. We were more... advanced in time. Your minds were not yet ready.''
| |
| Minerva turned to Desmond.
| |
| *'''Minerva:''' ''Still not, maybe never. No matter. You may not comprehend us. But you will comprehend our warning. You must.''
| |
| *'''Ezio:''' ''None of what you are saying makes sense.''
| |
| Minerva addressed Ezio once more.
| |
| *'''Minerva:''' ''Our words are not meant for you.''
| |
| *'''Ezio:''' ''What are you talking about? There is no one else here!''
| |
| Minerva reprimanded Ezio.
| |
| *'''Minerva:''' ''Enough! I do not wish to speak with you, but through you. You are the prophet. You've played your part. You anchor him, but please be silent! That we may commune.''
| |
| Minerva returned her focus to Desmond.
| |
| *'''Minerva:''' ''Listen. When we were still flesh, and our homes still whole, your kind betrayed us. We who [[Project Anthropos|made]] you. We who gave you life! We were strong. But you were many. And both of us craved [[Human-Isu War|war]]. So busy were we with earthly concerns, we failed to notice the heavens. And by the time we did... the world [[Great Catastrophe|burned]] and naught remained but ash. It should have ended then and there. But we built you in our own image. We built you to survive. And so you did. Few were our numbers. Your kind and mine. It took sacrifice. Strength. Compassion. But we rebuilt. And as life returned to the world... We endeavored to ensure this tragedy would not be [[Second Disaster|repeated]]. But now we are dying. And time will work against us. Truth turned into myth and legend. What we built, misunderstood. Let my words preserve the message and make a record of our loss. But let my words also bring hope. You must find the other [[Temple (Isu)|temples]]. Built by those who knew to turn away from war. They worked to protect us—to save us from the fire. If you can find them... If their work can be saved... so too might this world. Be quick, for time grows short. And guard against [[Templar insignia|the Cross]], for there are many who will stand in your way. It is done. The message is delivered. We are gone from this world. All of us. We can do no more. The rest is up to you, Desmond.''
| |
| *'''Ezio:''' ''What? Who is Desmond? I don't understand! Please, wait! I have so many questions!''
| |
| *'''Desmond:''' ''What. The. Fuck?'' | |
| |}
| |
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| |
| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |An Old Friend Returns
| |
| |-
| |
| |Desmond was pulled out of the Animus immediately after Minerva's speech.
| |
| *'''Shaun:''' ''...there's only about ten minutes until they get...'' | | *'''Shaun:''' ''...there's only about ten minutes until they get...'' |
| *'''Rebecca:''' ''...need all of my equipment...'' | | *'''Rebecca:''' ''...need all of my equipment...'' |
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| *'''Lucy:''' ''Let's go.'' | | *'''Lucy:''' ''Let's go.'' |
| *'''Shaun:''' ''Stop screwing around, mate, and help her.<br>Desmond, go and help Lucy.'' | | *'''Shaun:''' ''Stop screwing around, mate, and help her.<br>Desmond, go and help Lucy.'' |
| | He ran to Lucy in the corridor. |
| *'''Desmond:''' ''So what's the plan? We ditch this place and then what?'' | | *'''Desmond:''' ''So what's the plan? We ditch this place and then what?'' |
| *'''Lucy:''' ''There's another safehouse. It's—We've got company. The truck's just up ahead.'' | | *'''Lucy:''' ''There's another safehouse. It's—We've got company. The truck's just up ahead.'' |
| | They both rushed to the warehouse as the alarm sensors detected Abstergo's presence and started ringing. After reaching the lower floor, they saw Vidic surronded by several security guards. |
| *'''Warren:''' ''Mister Miles! This is an unexpectedly pleasant turn of events! And here I thought I'd have to waste more men on you! Kind of you to save me the trouble.'' | | *'''Warren:''' ''Mister Miles! This is an unexpectedly pleasant turn of events! And here I thought I'd have to waste more men on you! Kind of you to save me the trouble.'' |
| *'''Desmond:''' ''What do you want, Vidic?'' | | *'''Desmond:''' ''What do you want, Vidic?'' |
| Line 910: |
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| *'''Lucy:''' ''You need to stop him.'' | | *'''Lucy:''' ''You need to stop him.'' |
| *'''Desmond:''' ''I'm on it.'' | | *'''Desmond:''' ''I'm on it.'' |
| Desmond and Lucy fought with Abstergo guards. | | Desmond and Lucy fought with the Abstergo guards, with him using the Hidden Blade to flawlessly kill them. |
| *'''Warren:''' ''Well, well! It seems Mister Miles learned to fight! It's only a matter of time before you're both back where you belong! Is this necessary? Our resources are infinite while yours dwindle by the minute.'' | | *'''Warren:''' ''Well, well! It seems Mister Miles learned to fight! It's only a matter of time before you're both back where you belong! Is this necessary? Our resources are infinite while yours dwindle by the minute.'' |
| Desmond incapacitated all of the guards with Lucy's help. | | Desmond incapacitated all of the guards with Lucy's help. |
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| *'''Rebecca:''' ''Desmond! We have to go!'' | | *'''Rebecca:''' ''Desmond! We have to go!'' |
| *'''Shaun:''' ''There you are! Come on. Help Lucy into the van. Hurry, Desmond! We need to go!'' | | *'''Shaun:''' ''There you are! Come on. Help Lucy into the van. Hurry, Desmond! We need to go!'' |
| | The cell left the hideout. |
| *'''Lucy:''' ''You'll have your turn, Desmond. Warren's gonna get what he deserves. I promise.'' | | *'''Lucy:''' ''You'll have your turn, Desmond. Warren's gonna get what he deserves. I promise.'' |
| *'''Desmond:''' ''So what now? Where are we headed?'' | | *'''Desmond:''' ''So what now? Where are we headed?'' |
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| *'''Desmond:''' ''Alright. Guess I better get started...'' | | *'''Desmond:''' ''Alright. Guess I better get started...'' |
| |} | | |} |
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| ! style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Truth | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Truth |
| |- | | |- |
| |The team reacted after Desmond uncovered Subject 16's encrypted video.<ref>''Assassin's Creed II'' – [[The Truth]]</ref> | | |The team reacted after Desmond uncovered Subject 16's encrypted video.<ref>''Assassin's Creed II'' – [[The Truth]]</ref> |
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|
| |
|
| ==''[[Assassin's Creed: Brotherhood]]''== | | ==''[[Assassin's Creed: Brotherhood]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Broken Sequence | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Desmond Miles' ruminations |
| | |- |
| | |Desmond reflected on all that had transpired to him over the past week.<ref>''[[Assassin's Creed: Initiates]]'' – [[The Desmond Files]] – 8 September 2012: "Escape from Abstergo"</ref> He thought back to when Lucy and Warren watched him in the Animus 1.28. |
| | *'''Desmond:''' ''I don't think anyone ever expects to wake up one morning and find themselves caught in the middle of a war between two secret organizations.'' |
| | His own words brought to mind a memory of the [[Knights Templar|Knight Templar]] [[Garnier de Naplouse]] exiting the [[Hospitalier Fortress]] in Acre,<ref name="AssassinationGarnier">''Assassin's Creed'' – [[Assassination (Garnier de Naplouse)]]</ref> which then faded to show the [[Sanctuary]] beneath the [[Villa Auditore]]. |
| | *'''Desmond:''' ''I know I didn't. But here I am.'' |
| | He remembered standing up from an Animus session, before the memory changed to [[Grand Master of the Templar Order|Grand Master]] [[Robert de Sablé]] [[Defense of Masyaf|attacking]] the [[Levantine Brotherhood of Assassins|Levantine Assassins]]' base at Masyaf.<ref name="Glory">''Assassin's Creed'' – [[Glory]]</ref> |
| | *'''Desmond:''' ''On one side are the Templars, better known as Abstergo Industries.'' |
| | The scene changed to the glowing windows in Abstergo's Animi Training Room, arranged to look like the [[Templar insignia]], and then to Abstergo's logo. |
| | *'''Desmond:''' ''They're in the business of control. Politics.'' |
| | The scene changed to Ezio Auditore's view of the Italian Templars' meeting beneath the Basilica di Santa Maria Novella,<ref name="NovellasSecret"/> before returning to the Animi room again. |
| | *'''Desmond:''' ''Economics. Technology. They won't stop until every single one of us serves them. Literally.'' |
| | The scene changed in quick succession to Altaïr watching Garnier's men restrain a wounded prisoner,<ref name="AssassinationGarnier"/> Altaïr watching [[Majd Addin]] personally preside over an execution,<ref name="AssassinationMajd">''Assassin's Creed'' – [[Assassination (Majd Addin)]]</ref> and Altaïr seeing one of [[Talal]]'s imprisoned [[Slavery|slaves]] reached up to him from their subterranean warehouse prison cell.<ref>''Assassin's Creed'' – [[Assassination (Talal)]]</ref> |
| | *'''Desmond:''' ''Fighting against them are the Assassins, a group dedicated to safeguarding humanity's free will'' |
| | The scene changed to [[Al Mualim]] reprimanding Altaïr in front of the other Assassins after driving de Sablé back,<ref name="Glory"/> followed by Ezio's initiation into the Italian Assassins.<ref name="PlayAlong"/> |
| | *'''Desmond:''' I ''was born into the brotherhood.'' |
| | The scene returned to his first time using the Animus 1.28. |
| | *'''Desmond:''' ''A couple of weeks ago, the Templars found me. They took me prisoner. Strapped me to a machine they'd built and put me to work. It's called an Animus. And it's where I spent most of my time. Exploring the memories of my ancestors, discovering ''entire lives'' locked deep inside ''my'' DNA.'' |
| | The scene changed to Altaïr looking up at Masyaf, standing on a viewpoint near the [[Pasha Mosque]] in [[Damascus]], and then [[freerunning]] on [[Acre]]'s rooftops and assassinating a [[Knights Hospitalier|Knight Hostpitalier]] [[archer]]. |
| | *'''Desmond:''' ''First, I revisited the life of Altaïr Ibn-La'Ahad, an Assassin from the [[Crusades]].'' |
| | The scenes quickly changed to the [[Ark of the Covenant]] beneath [[Solomon's Temple]] in [[Jerusalem]],<ref>''Assassin's Creed'' – [[Acquisition]]</ref> Al Mualim showing Altaïr the Apple it contained in his study,<ref name="AssassinationMajd"/> and the Apple's effects on Altaïr during his [[Retaking of Masyaf|duel]] with Al Mualim.<ref>''Assassin's Creed'' – [[Assassination (Al Mualim)]]</ref> |
| | *'''Desmond:''' ''The Templars wanted the location of something known as a Piece of Eden, an ancient artifact capable of bending people to their will.'' |
| | He remembered Altaïr looking at the Apple's map of other Isu [[Temple (Isu)|temples]] across Earth. |
| | *'''Desmond:''' ''Once the Templars had what they were looking for, they decided my ''usefulness'' had come to an end. But Lucy saved me.'' |
| | The scene changed to one of his conversation with her in the lab, and then her knocking out an Abstergo security team with a baton. |
| | *'''Desmond:''' ''Lucy. When things were at their worse, she revealed herself to be an Assassin and helped me escape.'' |
| | The scene changed to him climbing out from their escape car's trunk upon arriving at the Rome hideout. |
| | *'''Desmond:''' ''I was hoping that would be the end of my misadventures. But we were just getting started. Back into another Animus I went.'' |
| | The scene changed to him meeting Rebecca, sitting in the Animus 2.0, Ezio mocking [[Vieri de' Pazzi]] before their brawl,<ref name="BoysWillBeBoys"/> and Ezio arming himself with his father [[Giovanni Auditore da Firenze|Giovanni]]'s [[Ezio Auditore's robes|robes]].<ref>''Assassin's Creed II'' – [[Family Heirloom]]</ref> |
| | *'''Desmond:''' ''Now, I'm reliving the memories of Ezio Auditore da Firenze, my ancestor from the Renaissance, searching for a path forward.'' |
| | The scene changed to one of his Bleeding Effect episodes, in which blurry, ghostly figures seemed to move past him in one of the hideout's halls. |
| | *'''Desmond:''' ''Through the Bleeding Effect, I'm becoming an Assassin in more than just name.'' |
| | The scene returned again to the Animi Training Room. |
| | *'''Desmond:''' ''It will come in handy, as the Templars prepare to enslave us all.'' |
| | The scene changed to Warren leading Abstergo's raid on the hideout, and the the Assassin cell members scrambling to pack up and evacuate. |
| | *'''Desmond:''' ''They've found is. They've crashed our hideout and we're fleeing the scene, looking for a place to hide. Only, there isn't any and time is running short. My name is Desmond Miles, and this is my story.'' |
| | |} |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Broken Sequence |
| |- | | |- |
| |The Assassins tried to access Memory sequence 9, but found the memory file was corrupted. | | |The Assassins tried to access a later memory sequence but found the file was corrupted, with the simulation put through a red filter, flashes of memories appearing as blurry still images, the Animus digital models fading in and out of rendering, and with scenes looping or playing out of sequence. |
| *'''Desmond:''' ''Uh, Rebecca? What's going on...'' | | *'''Desmond:''' ''Uh, Rebecca? What's going on...'' |
| *'''Rebecca:''' ''I have to run some diagnostics, I'll get back to you.'' | | *'''Rebecca:''' ''I have to run some diagnostics, I'll get back to you.'' |
| Desmond started to relive Ezio Auditore's memory immediately after Minerva's hologram disappeared.<ref>''[[Assassin's Creed: Brotherhood]]'' – [[Mass Exodus]]</ref> | | Desmond started to relive Ezio's memory immediately after Minerva's hologram disappeared.<ref>''[[Assassin's Creed: Brotherhood]]'' – [[Mass Exodus]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Arrival in Monteriggioni | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Arrival in Monteriggioni |
| |- | | |- |
| |Desmond was pulled out of the Animus after Ezio returned to Monteriggioni.<ref>''Assassin's Creed: Brotherhood'' – [[Homecoming (Brotherhood)|Homecoming]]</ref> | | |Desmond was pulled out of the Animus after Ezio escaped the attack on Monteriggioni.<ref>''Assassin's Creed: Brotherhood'' – [[Emergency Exit]]</ref> |
| *'''Rebecca:''' ''Lucy, I can't seem to get a position on Ezio's P.O.E.'' | | *'''Rebecca:''' ''Lucy, I can't seem to get a position on Ezio's P.O.E.'' |
| *'''Desmond:''' ''P.O.E? Could one of you tell me what's going on?'' | | *'''Desmond:''' ''P.O.E? Could one of you tell me what's going on?'' |
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| *'''Shaun:''' ''I really hate to stress this, yeah, but we are running out of time.'' | | *'''Shaun:''' ''I really hate to stress this, yeah, but we are running out of time.'' |
| *'''Lucy:''' ''Well help us then, Shaun. Do you have any ideas?'' | | *'''Lucy:''' ''Well help us then, Shaun. Do you have any ideas?'' |
| *'''Shaun:''' ''I don't know, maybe there's another way into the [[Sanctuary]]?'' | | *'''Shaun:''' ''I don't know, maybe there's another way into the Sanctuary?'' |
| *'''Desmond:''' ''Hey, I think I've got something.'' | | *'''Desmond:''' ''Hey, I think I've got something.'' |
| Desmond beckoned Lucy. | | Desmond beckoned Lucy. |
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| *'''Lucy:''' ''We have light!'' | | *'''Lucy:''' ''We have light!'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Path to the Sanctuary | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Path to the Sanctuary |
| |- | | |- |
| |Desmond suffered the Bleeding Effect and saw the forms of Monteriggioni's [[Civilian|townspeople]] escaping, with Ezio Auditore assisting them. | | |Desmond suffered the Bleeding Effect and saw the forms of Monteriggioni's [[Civilian|townspeople]] escaping, with Ezio Auditore assisting them. |
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| *'''Desmond:''' ''What if I can't stop the visions? How long before I start painting symbols on the walls?'' | | *'''Desmond:''' ''What if I can't stop the visions? How long before I start painting symbols on the walls?'' |
| *'''Lucy:''' ''Don't joke about that. Sixteen is dead. We're focusing on the present, okay?'' | | *'''Lucy:''' ''Don't joke about that. Sixteen is dead. We're focusing on the present, okay?'' |
| The two of them walked up to the gate and Desmond pulled a nearby lever. The gate only raised a few inches above the bones of the guard, before Desmond let it go and it dropped back down. | | The two of them walked up to the gate and Desmond pulled a nearby lever. The gate only raised a few inches above the guard's bones before Desmond let it go and it dropped back down. |
| *'''Desmond:''' ''Great. It's stuck!'' | | *'''Desmond:''' ''Great. It's stuck!'' |
| *'''Lucy:''' ''I can get under there.'' | | *'''Lucy:''' ''I can get under there.'' |
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| *'''Lucy:''' ''Nice job.'' | | *'''Lucy:''' ''Nice job.'' |
| *'''Desmond:''' ''I aim to please.'' | | *'''Desmond:''' ''I aim to please.'' |
| They began to [[Freerunning|freerun]] through the tunnel. | | They began to freerun through the tunnel. |
| *'''Desmond:''' ''I wonder how old these tunnels are.'' | | *'''Desmond:''' ''I wonder how old these tunnels are.'' |
| *'''Lucy:''' ''Middle Ages, probably. Luckily, these beams still hold our weight.'' | | *'''Lucy:''' ''Middle Ages, probably. Luckily, these beams still hold our weight.'' |
| *'''Desmond:''' ''After all this time in the Animus, I'm not so sure.'' | | *'''Desmond:''' ''After all this time in the Animus, I'm not so sure.'' |
| *'''Lucy:''' ''Ya, I didn't want to say anything, but you're really getting fat.'' | | *'''Lucy:''' ''Yeah, I didn't want to say anything, but you're really getting fat.'' |
| *'''Desmond:''' ''Ouch.'' | | *'''Desmond:''' ''Ouch.'' |
| Lucy replied back jokingly. | | Lucy replied back jokingly. |
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| *'''Lucy:''' ''Thanks. We make a good team. I can see the Sanctuary up ahead.'' | | *'''Lucy:''' ''Thanks. We make a good team. I can see the Sanctuary up ahead.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Setting Up | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Setting Up |
| |- | | |- |
| |Upon entering the Sanctuary, Desmond saw an image of an aged Ezio, due to the Bleeding Effect. | | |Upon entering the Sanctuary, Desmond saw an image of an aged Ezio, due to the Bleeding Effect. |
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| *'''Rebecca:''' ''You guys did it!'' | | *'''Rebecca:''' ''You guys did it!'' |
| *'''Shaun:''' ''About bloody time!'' | | *'''Shaun:''' ''About bloody time!'' |
| Shaun noticed the symbol on the wall. | | Shaun noticed the symbol on the wall while Rebecca went down the stairs to inspect the Sanctuary. |
| *'''Shaun:''' ''What's that?'' | | *'''Shaun:''' ''What's that?'' |
| *'''Desmond:''' ''Looks like something Ezio left behind.'' | | *'''Desmond:''' ''Looks like something Ezio left behind.'' |
| Desmond activated Eagle Vision to try and learn more about it, and noticed three numbers. | | Desmond activated Eagle Vision to try and learn more about it, and noticed three numbers. |
| *'''Desmond:''' ''There are numbers underneath it. 1419, 1420, 1421.'' | | *'''Desmond:''' ''There are numbers underneath it. 1419, 1420, 1421.'' |
| | He felt a headache coming on and held his head in pain. |
| *'''Lucy:''' ''Maybe you should lie down for a bit.'' | | *'''Lucy:''' ''Maybe you should lie down for a bit.'' |
| *'''Desmond:''' ''Nah, its all right. I'm fine.'' | | *'''Desmond:''' ''Nah, its all right. I'm fine.'' |
| | Rebecca came back up the stairs. |
| *'''Rebecca:''' ''Whoa, they built this place to last. No signs of structural damage. No cell signal either. Let's get the Animus set up down there.'' | | *'''Rebecca:''' ''Whoa, they built this place to last. No signs of structural damage. No cell signal either. Let's get the Animus set up down there.'' |
| *'''Lucy:''' ''All right, that's good. Shaun, hide the van in town, and make sure you aren't followed.'' | | *'''Lucy:''' ''All right, that's good. Shaun, hide the van in town, and make sure you aren't followed.'' |
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| *'''Desmond:''' ''It's... my clothes.'' | | *'''Desmond:''' ''It's... my clothes.'' |
| *'''Shaun:''' ''They smell like you swam through a sewer.'' | | *'''Shaun:''' ''They smell like you swam through a sewer.'' |
| Desmond replied back playfuly. | | Desmond replied back playfully. |
| *'''Desmond:''' ''It was Lucy's idea.'' | | *'''Desmond:''' ''It was Lucy's idea.'' |
| Lucy shot Desmond a dirty look, as he had called her out. | | Lucy shot Desmond a dirty look, as he had called her out. |
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| *'''Shaun:''' ''Right, look around Monteriggioni for circuit boxes. Rebecca's little doodads, they'll reroute small amounts of electricity to the power line underneath the Villa. Don't ask me how they work, if I understood that, I wouldn't be the fellow hiding the van.'' | | *'''Shaun:''' ''Right, look around Monteriggioni for circuit boxes. Rebecca's little doodads, they'll reroute small amounts of electricity to the power line underneath the Villa. Don't ask me how they work, if I understood that, I wouldn't be the fellow hiding the van.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Improved Animus | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Improved Animus |
| |- | | |- |
| |After powering up the Sanctuary, Desmond returned to his team. | | |After powering up the Sanctuary, Desmond returned to his team. |
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| *'''Shaun:''' ''Desmond, I've been looking about these gibberish five-digit codes from the end of Subject 16's files and I seem to discovered a remarkable coincidence. The codes correspond perfectly with coordinates inside the Animus. I've tagged the landmarks pinpointed by the coordinates with eye icons in the database. Now, odds are you won't find anything there, but well, who knows?'' | | *'''Shaun:''' ''Desmond, I've been looking about these gibberish five-digit codes from the end of Subject 16's files and I seem to discovered a remarkable coincidence. The codes correspond perfectly with coordinates inside the Animus. I've tagged the landmarks pinpointed by the coordinates with eye icons in the database. Now, odds are you won't find anything there, but well, who knows?'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After Memory Sequence 2 | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After Memory Sequence 2 |
| |- | | |- |
| |Desmond struck up a conversation with Shaun. | | |After Ezio began reestablishing connections to the Assassins' old [[Rome|Roman]] information contacts for the [[liberation of Rome]],<ref>''Assassin's Creed: Brotherhood'' – [[Roman Underground]]</ref> Desmond left the Animus and struck up a conversation with Shaun. |
| *'''Desmond:''' ''You still managing the teams out in the field?'' | | *'''Desmond:''' ''You still managing the teams out in the field?'' |
| *'''Shaun:''' ''No phone line. Rebecca's working on patching us into the network.'' | | *'''Shaun:''' ''No phone line. Rebecca's working on patching us into the network.'' |
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| *'''Lucy:''' ''But for how long? Vidic won't give up. I know it.'' | | *'''Lucy:''' ''But for how long? Vidic won't give up. I know it.'' |
| *'''Desmond:''' ''Neither will we.'' | | *'''Desmond:''' ''Neither will we.'' |
| After talking with Lucy, Desmond inquired about Rebecca, and whether she tried out the Animus for herself. | | After talking with Lucy, Desmond inquired of Rebecca about her history with the Animus. |
| *'''Desmond:''' ''Why do we have to stay down here all day?'' | | *'''Desmond:''' ''Why do we have to stay down here all day?'' |
| *'''Rebecca:''' ''Abstergo's still looking for us. It'd be better if we never went out at all, but then, we'd run out of supplies.'' | | *'''Rebecca:''' ''Abstergo's still looking for us. It'd be better if we never went out at all, but then, we'd run out of supplies.'' |
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| *'''Rebecca:''' ''Worse. A [[Prussia]]n [[mercenary]]. I spent hours firing guns. BORING.'' | | *'''Rebecca:''' ''Worse. A [[Prussia]]n [[mercenary]]. I spent hours firing guns. BORING.'' |
| *'''Shaun:''' ''Yeah. Guns are for sissies.'' | | *'''Shaun:''' ''Yeah. Guns are for sissies.'' |
| | Desmond reentered the Animus and relived Ezio's memory of his confrontation with [[La Volpe]] over the Roman thieves' suspicions that [[Niccolò Machiavelli]] was secretly a Templar agent.<ref>''Assassin's Creed: Brotherhood'' – [[Double Agent]]</ref> When Ezio reconnected with the ''[[Rosa in Fiore]]''{{'}}s [[courtesan]]s,<ref>''Assassin's Creed: Brotherhood'' – [[High-Stakes Negotiation]]</ref> Desmond saw a [[Rifts|rift]] on the outside north wall of the [[brothel]]'s second floor wall. He entered it and found himself in a red-tinted featureless plane with a cube hovering above the floor. He touched it and the block sank into the floor while more cubes sprang up and created a moving wall. |
| | *'''Rebecca:''' ''You dropped out of the grid. Where were you?'' |
| | *'''Desmond:''' ''Not sure. Some kind of fragmented memory?'' |
| | *'''Rebecca:''' ''Maybe you should stop.'' |
| | *'''Desmond:''' ''I'm good. I want to keep going.'' |
| | Desmond completed the rift's cluster of puzzles and unlocked a static-filled video fragment. Rebecca filed it within an Animus partition she titled "The Truth". |
| | *'''Rebecca:''' ''I'll put 16's video files here. Hopefully, they'll begin to make sense as you free up each file.'' |
| | Desmond left the brothel and relived Ezio's memory of when his information contacts' representatives delivered reports to him at the Assassins' [[Tiber Island headquarters|headquarters]] on [[Tiber Island]].<ref>''Assassin's Creed: Brotherhood'' – [[Collective Intelligence]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After Memory Sequence 3 | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After Memory Sequence 3 |
| |- | | |- |
| |Desmond decided to talk to Lucy, regarding Abstergo's motivations and her link to them. | | |Desmond talked to Lucy about Abstergo's motivations and her link to them. |
| *'''Desmond:''' ''Any news from the outside?'' | | *'''Desmond:''' ''Any news from the outside?'' |
| *'''Lucy:''' ''Rebecca's patched in a phone line. The Templars are still guarding the border, and Vidic seems to be busy too.'' | | *'''Lucy:''' ''Rebecca's patched in a phone line. The Templars are still guarding the border, and Vidic seems to be busy too.'' |
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| *'''Desmond:''' ''Hey, wassa matta you, Altaïr?'' | | *'''Desmond:''' ''Hey, wassa matta you, Altaïr?'' |
| *'''Rebecca:''' ''That's racist!'' | | *'''Rebecca:''' ''That's racist!'' |
| Desmond replied back in an insulted manner. | | Desmond replied, insulted. |
| *'''Desmond:''' ''You're racist!'' | | *'''Desmond:''' ''You're racist!'' |
| *'''Lucy:''' ''Really? This is what you guys are doing?'' | | *'''Lucy:''' ''Really? This is what you guys are doing?'' |
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| Lucy raised her voice to try and drown out the others who were arguing. | | Lucy raised her voice to try and drown out the others who were arguing. |
| *'''Lucy:''' ''ENOUGH! Look, everyone's under a lot of pressure, but we're the only ones who can stop Abstergo. So we need to keep it together.'' | | *'''Lucy:''' ''ENOUGH! Look, everyone's under a lot of pressure, but we're the only ones who can stop Abstergo. So we need to keep it together.'' |
| Still displeased, but somewhat calmer, Desmond replied back. | | Still displeased, but somewhat calmer, Desmond mused aloud. |
| *'''Desmond:''' ''She's right. We need to be a "hive mind" here, people.'' | | *'''Desmond:''' ''She's right. We need to be a "hive mind" here, people.'' |
| Shaun, who had remained silent through the argument, cut in nonchalantly. | | Shaun, who had remained silent throughout, cut in nonchalantly. |
| *'''Shaun:''' ''Anybody up for some reconciliatory yoga? Anyone?'' | | *'''Shaun:''' ''Anybody up for some reconciliatory yoga? Anyone?'' |
| *'''Lucy:''' ''Very funny, guys.'' | | *'''Lucy:''' ''Very funny, guys.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After Memory Sequence 4 | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After Memory Sequence 4 |
| |- | | |- |
| |Desmond struck up some conversation with Shaun, revolving around Caterina Sforza and the main Assassin base. | | |After Desmond had relived Ezio's memory of reuniting with Leonardo da Vinci in Rome,<ref>''Assassin's Creed: Brotherhood'' – [[An Unexpected Visitor]]</ref> Rebecca described a new Animus feature. |
| | *'''Rebecca:''' ''Desmond, I've scanned Leo's location into the map so you can keep track of him when he moves. To synchronize with Ezio, you will have to destroy Leo's [[War machine|machines]]. I've marked the whereabouts of the Templars overseeing their construction. I'll update the map when the machines' locations are found.'' |
| | Shortly after, Desmond finished Ezio's memory of conferring with his allies to plan their [[Liberation of Rome|fight]] against the Borgia.<ref>''Assassin's Creed: Brotherhood'' – [[The Plan]]</ref> He exited the Animus and struck up some conversation with Shaun about Caterina Sforza and the main Assassin base. |
| *'''Desmond:''' ''What happened to Caterina Sforza?'' | | *'''Desmond:''' ''What happened to Caterina Sforza?'' |
| *'''Shaun:''' ''She went back to Florence and petitioned unsuccessfully for the return of her lands. Then, she died of pneumonia.'' | | *'''Shaun:''' ''She went back to Florence and petitioned unsuccessfully for the return of her lands. Then, she died of pneumonia.'' |
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| *'''Shaun:''' ''Apparently, it exists. Though I'm not sure because I've never been.'' | | *'''Shaun:''' ''Apparently, it exists. Though I'm not sure because I've never been.'' |
| *'''Lucy:''' ''You'll get to see it once we have the Apple.'' | | *'''Lucy:''' ''You'll get to see it once we have the Apple.'' |
| *'''Shaun:''' ''Well, I expect amazing things. A private espresso bar for example.'' | | *'''Shaun:''' ''Well, I expect amazing things. A private [[Coffee|espresso]] bar for example.'' |
| *'''Lucy:''' ''What a waste of money.'' | | *'''Lucy:''' ''What a waste of money.'' |
| *'''Shaun:''' ''You obviously aren't an [[Coffee|espresso]] drinker.'' | | *'''Shaun:''' ''You obviously aren't an espresso drinker.'' |
| After speaking with Shaun, Desmond walked over to Rebecca to chat about the power and the Animus. | | After speaking with Shaun, Desmond walked over to Rebecca to chat about the power and the Animus. |
| *'''Desmond:''' ''How's the power situation?'' | | *'''Desmond:''' ''How's the power situation?'' |
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| *'''Shaun:''' ''No, Europe in general.'' | | *'''Shaun:''' ''No, Europe in general.'' |
| *'''Rebecca:''' ''I didn't know [[England]] is a third world country.'' | | *'''Rebecca:''' ''I didn't know [[England]] is a third world country.'' |
| *'''Shaun:''' ''England is not in Europe actually, Rebecca. We tolerate Europe... You know, like a person tolerates herpes.'' | | *'''Shaun:''' ''England is not in Europe actually, Rebecca. We tolerate Europe... You know, like a person tolerates {{Wiki|herpes}}.'' |
| *'''Desmond:''' ''How did you manage to create a copy of the Animus?'' | | *'''Desmond:''' ''How did you manage to create a copy of the Animus?'' |
| *'''Rebecca:''' ''Oh, you know. Lucy sent me schematics.'' | | *'''Rebecca:''' ''Oh, you know. Lucy sent me schematics.'' |
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| *'''Rebecca:''' ''She had her ways. I improvised on the rest.'' | | *'''Rebecca:''' ''She had her ways. I improvised on the rest.'' |
| *'''Desmond:''' ''Huh.'' | | *'''Desmond:''' ''Huh.'' |
| A hungry Desmond then went to Lucy, concerning the food supplies, as well as to inspire some hope in her. | | A hungry Desmond then went to Lucy, concerned about the food supplies but also aiming to inspire some hope in her. |
| *'''Desmond:''' ''We going to get any food in here?'' | | *'''Desmond:''' ''We going to get any food in here?'' |
| *'''Lucy:''' ''People who don't work, don't eat...'' | | *'''Lucy:''' ''People who don't work, don't eat...'' |
| A brief awkward silence filled the Sanctuary. | | A brief, awkward silence filled the Sanctuary. |
| *'''Lucy:''' ''I'm kidding! You knew I was kidding, right?'' | | *'''Lucy:''' ''I'm kidding! You knew I was kidding, right?'' |
| *'''Shaun:''' ''Riiight. Smile and nod.'' | | *'''Shaun:''' ''Riiight. Smile and nod.'' |
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| *'''Shaun:''' ''Hypocrite! Did you know plants give off chemicals which attract predatory insects when they're attacked? Sounds pretty animal-like to me.'' | | *'''Shaun:''' ''Hypocrite! Did you know plants give off chemicals which attract predatory insects when they're attacked? Sounds pretty animal-like to me.'' |
| *'''Rebecca:''' ''You know too much for your own good.'' | | *'''Rebecca:''' ''You know too much for your own good.'' |
| *'''Shaun:''' ''That's what my [[Scholar|priest]] used to say.'' | | *'''Shaun:''' ''That's what my [[priest]] used to say.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After Memory Sequence 7 | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After Memory Sequence 7 |
| |- | | |- |
| |Wishing to know more about Ezio's nemesis [[Cesare Borgia]], Desmond approached Shaun for some information. | | |Wishing to know more about Ezio's nemesis [[Cesare Borgia]], Desmond approached Shaun for some information. |
| *'''Desmond:''' ''Any good stories about Cesare?'' | | *'''Desmond:''' ''Any good stories about Cesare?'' |
| *'''Shaun:''' ''Are you kidding? He was notorious. Get this: in 1502, his top captains rebelled against him. He made concessions to all of them and they rejoined his army. Then, on New Year's Eve in 1503, he got them together inside a room in {{Wiki|Senigallia}}. Everyone was arrested. Two were put [[Vitellozzo Vitelli|back]] to [[Oliverotto da Fermo|back]] and [[Assassin's Creed: Ascendance|strangled]] by [[Micheletto Corella|Micheletto]] that very night. The rest were thrown into chains and... and killed a few weeks later.'' | | *'''Shaun:''' ''Are you kidding? He was notorious. Get this: in 1502, his top captains rebelled against him. He made concessions to all of them and they rejoined his army. Then, on New Year's Eve in 1503, he got them together inside a room in [[Senigallia]]. Everyone was arrested. Two were put [[Vitellozzo Vitelli|back]] to [[Oliverotto da Fermo|back]] and [[Assassin's Creed: Ascendance|strangled]] by [[Micheletto Corella|Micheletto]] that very night. The rest were thrown into chains and... and killed a few weeks later.'' |
| *'''Desmond:''' ''Wow.'' | | *'''Desmond:''' ''Wow.'' |
| *'''Shaun:''' ''The amazing thing is that Cesare was so friendly during the months before, they never saw the trap coming. Machiavelli called him the master deceiver.'' | | *'''Shaun:''' ''The amazing thing is that Cesare was so friendly during the months before, they never saw the trap coming. Machiavelli called him the master deceiver.'' |
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| *'''Lucy:''' ''I was afraid you'd say that.'' | | *'''Lucy:''' ''I was afraid you'd say that.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Miracle is in the Execution | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Miracle is in the Execution |
| |- | | |- |
| | | | | |
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| *'''Lucy:''' ''When you're ready, let's continue.'' | | *'''Lucy:''' ''When you're ready, let's continue.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After Memory Sequence 9 | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After Memory Sequence 9 |
| |- | | |- |
| |After fully synchronizing with Ezio, the Assassin team discovered the location of Ezio's Apple. | | |After fully synchronizing with Ezio, the Assassin team discovered the location of Ezio's Apple. |
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| *'''Rebecca:''' ''It seems to open with a verbally triggered mechanism. I've never seen anything like it.'' | | *'''Rebecca:''' ''It seems to open with a verbally triggered mechanism. I've never seen anything like it.'' |
| *'''Lucy:''' ''You mean it needs a password?'' | | *'''Lucy:''' ''You mean it needs a password?'' |
| *'''Shaun:''' ''Try humming {{Wiki|Ludwig van Beethoven|Beethoven}}'s {{Wiki|Symphony No. 5 (Beethoven)|Fifth}}.'' | | *'''Shaun:''' ''Try humming [[Ludwig van Beethoven|Beethoven]]'s {{Wiki|Symphony No. 5 (Beethoven)|Fifth}}.'' |
| All of a sudden, the power cut out
| | Suddenly, the power cut out. |
| *'''Rebecca:''' ''Damn European power grid. Now we can't scan Ezio's memories to find the password.'' | | *'''Rebecca:''' ''Damn {{Wiki|Synchronous grid of Continental Europe|European power grid}}. Now we can't scan Ezio's memories to find the password.'' |
| *'''Lucy:''' ''We have to find that password.'' | | *'''Lucy:''' ''We have to find that password.'' |
| *'''Rebecca:''' ''Ezio knows the answer. Problem is, he's dead.'' | | *'''Rebecca:''' ''Ezio knows the answer. Problem is, he's dead.'' |
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| *'''Lucy:''' ''Shaun, go get the van.'' | | *'''Lucy:''' ''Shaun, go get the van.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Colosseum | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Colosseum |
| |- | | |- |
| | | | | |
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| *'''Desmond:''' ''OK.'' | | *'''Desmond:''' ''OK.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |A Knife to the Heart | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|A Knife to the Heart |
| |- | | |- |
| |Desmond entered [[Santa Maria in Aracoeli|Santa Maria Aracoeli]] through a secret entrance, while Lucy, Shaun and Rebecca waited at the door outside. | | |Desmond entered the [[Basilica di Santa Maria in Ara Coeli]] through a secret entrance, while Lucy, Shaun, and Rebecca waited at the door outside. |
| *'''Desmond:''' ''I'm coming.'' | | *'''Desmond:''' ''I'm coming.'' |
| Desmond unbarred the door. | | Desmond unbarred the door. |
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| *'''Shaun:''' ''Whatever this is, it doesn't do anything. It's a dead end.'' | | *'''Shaun:''' ''Whatever this is, it doesn't do anything. It's a dead end.'' |
| *'''Desmond:''' ''I'm not so sure—'' | | *'''Desmond:''' ''I'm not so sure—'' |
| Desmond moved his hand above the pedestal, which activated into a lift on sensing his First Civilization genes, that took the Assassins underground. | | Desmond moved his hand above the pedestal, which activated into a lift on sensing his Isu genes, that took the Assassins underground. |
| *'''Lucy:''' ''What's going on?!'' | | *'''Lucy:''' ''What's going on?!'' |
| The lift stopped, and the entrance to Juno's Temple could be seen. | | The lift stopped, and the entrance to Juno's Temple could be seen. |
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| *'''Rebecca:''' ''Hey, Desmond. Those beams poking out of the wall look like switches. If you hit all of them, you might get some power to the central platform.'' | | *'''Rebecca:''' ''Hey, Desmond. Those beams poking out of the wall look like switches. If you hit all of them, you might get some power to the central platform.'' |
| *'''Shaun:''' ''Or you might cause this room to turn into an alien spaceship and fly away. Think about it!'' | | *'''Shaun:''' ''Or you might cause this room to turn into an alien spaceship and fly away. Think about it!'' |
| *'''Juno:''' ''A hundred years I might speak and still you would not know us. You with five senses. Us with six. The one we kept from you. To be safe. Now, you can never know. Only try. Grasp. You can SEE. SMELL. TASTE. TOUCH. HEAR. Knowledge has been locked away. After, when the world became undone, we tried to pass it through the blood. Tried to [[Hybrid|join you]] with us. You see the blue shimmer. You hear the words. But you do not know. '''WE SHOULD HAVE LEFT YOU AS YOU WERE'''. It is hard to stay contained. Knowing as we do. We wait for you, Desmond. You will come here. You will activate it. You will know only when it is too late.'' | | *'''Juno:''' ''A hundred years I might speak and still you would not know us. You with five senses. Us with six. The one we kept from you. To be safe. Now, you can never know. Only try. Grasp. You can SEE. SMELL. TASTE. TOUCH. HEAR. Knowledge has been locked away. After, when the world became undone, we tried to pass it through the blood. Tried to [[Hybrid|join you]] with us. You see the blue shimmer. You hear the words. But you do not know. WE SHOULD HAVE LEFT YOU AS YOU WERE. It is hard to stay contained. Knowing as we do. We wait for you, Desmond. You will come here. You will activate it. You will know only when it is too late.'' |
| *'''Desmond:''' ''Do you hear any of that?'' | | *'''Desmond:''' ''Do you hear any of that?'' |
| *'''Lucy:''' ''Any of what, Desmond?'' | | *'''Lucy:''' ''Any of what, Desmond?'' |
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| The Apple activated and showed many different symbols around it. | | The Apple activated and showed many different symbols around it. |
| *'''Lucy:''' ''You sure you asked the right thing?'' | | *'''Lucy:''' ''You sure you asked the right thing?'' |
| *'''Shaun:''' ''I know this, I know this symbol. That's a {{Wiki|Phrygian cap}}. It stands for freedom... and that, that's a {{Wiki|Eye of Providence|Masonic eye}}. Now those two come together in only one place—'' | | *'''Shaun:''' ''I know this, I know this symbol. That's a {{Wiki|Phrygian cap}}. It stands for freedom... and that, that's a {{Wiki|Eye of Providence|Masonic eye}}. Now those two come {{Wiki|Declaration of the Rights of Man and of the Citizen|together}} in only [[French Revolution|one place]]—'' |
| Desmond touched the Apple, and it took control of his body, while the other Assassins were frozen in time. | | Desmond touched the Apple and it took control of his body while the other Assassins appeared frozen. |
| *'''Desmond:''' ''What's happening? I can't move!'' | | *'''Desmond:''' ''What's happening? I can't move!'' |
| *'''Juno:''' ''Your DNA communes with the Apple. You have activated it.'' | | *'''Juno:''' ''Your DNA communes with the Apple. You have activated it.'' |
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| Forced to move by Juno, Desmond unwillingly approached Lucy and stabbed her in the stomach with his [[Hidden Blade]]. | | Forced to move by Juno, Desmond unwillingly approached Lucy and stabbed her in the stomach with his [[Hidden Blade]]. |
| *'''Juno:''' ''It is done. The way lies all before you. Only she remains to be found. Awaken the sixth. Go. ALONE!'' | | *'''Juno:''' ''It is done. The way lies all before you. Only she remains to be found. Awaken the sixth. Go. ALONE!'' |
| Afterwards, both Desmond and Lucy fell to the ground, with blood seeping out from her wound, while Desmond's mind began to lapse into unconsciousness. Following this, a short conversation between two people could be heard after a few minutes.
| | Both Desmond and Lucy fell to the ground, with blood seeping out from her wound while Desmond's mind began to lapse into unconsciousness. A few minutes later, he heard his father William Miles and [[Harlan Cunningham]] having a short conversation. |
| *'''[[Harlan Cunningham|Harlan]]:''' ''Shit! He's gone into shock!'' | | *'''Harlan:''' ''Shit! He's gone into shock!'' |
| *'''William:''' ''Put him back in the machine! It's the only way to fix this!'' | | *'''William:''' ''Put him back in the machine! It's the only way to fix this!'' |
| *'''Harlan:''' ''But the Animus did this to him!'' | | *'''Harlan:''' ''But the Animus did this to him!'' |
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| Desmond then began experiencing Ezio's memories of a repressed memory sequence.<ref>''Assassin's Creed: Brotherhood – [[The Da Vinci Disappearance]]'' – [[A Roll of the Dice]]</ref> | | Desmond then began experiencing Ezio's memories of a repressed memory sequence.<ref>''Assassin's Creed: Brotherhood – [[The Da Vinci Disappearance]]'' – [[A Roll of the Dice]]</ref> |
| *'''Desmond:''' ''What was that?'' | | *'''Desmond:''' ''What was that?'' |
| *'''Voice:''' ''What's happening?'' | | *'''Harlan:''' ''What's happening?'' |
| *'''William:''' ''Ezio seems to be remembering something. Something from 1506.'' | | *'''William:''' ''Ezio seems to be remembering something. Something from 1506.'' |
| *'''Voice:''' ''Desmond's heart rate is increasing. I'm administering the sedative.'' | | *'''Harlan:''' ''Desmond's heart rate is increasing. I'm administering the sedative.'' |
| *'''William:''' ''No. The missing data may be there. The Piece of Eden is useless until we have it. Let him continue.'' | | *'''William:''' ''No. The missing data may be there. The Piece of Eden is useless until we have it. Let him continue.'' |
| *'''Voice:''' ''Yes, William.'' | | *'''Harlan:''' ''Yes, William.'' |
| Desmond finished exploring the repressed memories.<ref>''Assassin's Creed: Brotherhood – The Da Vinci Disappearance'' – [[The Temple of Pythagoras]]</ref> | | Desmond finished exploring the repressed memories.<ref>''Assassin's Creed: Brotherhood – The Da Vinci Disappearance'' – [[The Temple of Pythagoras]]</ref> |
| *'''William:''' ''You can sedate Desmond now. We have the information we needed.'' | | *'''William:''' ''You can sedate Desmond now. We have the information we needed.'' |
| *'''Voice:''' ''It's too late, the damage is done. He seems to have entered some kind of coma.'' | | *'''Harlan:''' ''It's too late, the damage is done. He seems to have entered some kind of coma.'' |
| *'''William:''' ''He'll find his way out. He always has in the past.'' | | *'''William:''' ''He'll find his way out. He always has in the past.'' |
| *'''Voice:''' ''I've run the data through the computer, we have a location for the temple.'' | | *'''Harlan:''' ''I've run the data through the computer, we have a location for the temple.'' |
| *'''William:''' ''Then what are you waiting for? Let's go.'' | | *'''William:''' ''Then what are you waiting for? Let's go.'' |
| | |} |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Animi Training Program |
| | |- |
| | |Warren Vidic stood on a suspended scaffold flanked by two screens overlooking the Animi Training Program room. Below him, Abstergo recruits stood at attention beside their cubicles in two long rows down the central hallway to the opposite end of the room. |
| | *'''Warren:''' ''Animi, as far as the eye can see. It's a beautiful sight At least, from up here. But I digress. Our engineers have pent countless hours perfecting this top-secret, state-of-the-art facility, in order to houses our most ambitious project to date. We have uploaded DNA from dozens of our most...remarkable subjects and distilled the essence of their unique abilities.'' |
| | An image of Desmond Miles appeared on the left screen beside Warren. |
| | *'''Warren:''' ''You stand in this room today because you have served us impeccably, need I say, loyally. Now, it is time for you to become so much more.'' |
| | A short video of Borgia soldiers walking in front of the [[Pantheon]] appeared on both screens. |
| | *'''Warren:''' ''Your first time in the Animus will be disorienting. A few of you will panic. To adjust, focus on your training program.'' |
| | A clip played of the [[Prowler]] chasing the [[Nobleman (Animi Avatar)|Nobleman]] on Rome's rooftops, scanning the plaza below him for his target, and then using a [[chase breaker]] to swing around a corner as the Nobleman ran and pushed a civilian aside. |
| | *'''Warren:''' ''Some of you will be in teams protecting or de-synching a VIP, but most of you will be on your own.'' |
| | A new clip started, with the left screen providing a close-up of the [[Priest (Animi Avatar)|Priest]] as he ran out of the Pantheon, while the right screen first showed the [[Doctor (Animi Avatar)|Doctor]] before shifting to the [[Barber]]. This then changed to have the Barber on the left and the [[Harlequin]] on the right, before both screens had the Barber catch up to the clown from behind in a high-profile attack. The clip moved to the left screen, showing the Barber tilt his target's head back and slit their throat with the razor. Both screens resumed the first video through split footage, with the Nobleman on the left unaware of the [[Executioner]] behind him, while the left side depicted the brute knocking him down to deliver a killing bow with an axe. |
| | *'''Warren:''' ''Be ready to receive assassination contracts while being targeted simultaneously. We feel it keeps you on your toes.'' |
| | Both screens brought up the Prowler as he suddenly ran up from behind the Executioner and slew him before moving on to kill the Barber as well. The footage finally ended and was replaced by the Abstergo logo on blue background before the displays powered down. |
| | *'''Warren:''' ''Once you enter thee machines and the transfer is complete, you will have the skills necessary to crush the remnants of the Assassin Order, ending this war once and for all. Any questions?'' |
| | He leaned over the scaffold railing but heard no reply. |
| | *'''Warren:''' ''Good. Lets' begin.'' |
| |} | | |} |
|
| |
|
| ==''[[Assassin's Creed: Revelations]]''== | | ==''[[Assassin's Creed: Revelations]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Animus Island | | !style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Animus Island |
| |- | | |- |
| | | | | |
| *'''Rebecca:''' ''We can keep him like this for a few days, maybe a week.'' | | *'''Rebecca:''' ''We can keep him like this for a few days. ''Maybe'' a week.'' |
| *'''William:''' ''Call ahead, tell them we're on our way.'' | | *'''William:''' ''Call ahead. Tell them we're on our way.'' |
| *'''Rebecca:''' ''As soon as we're clear. | | *'''Rebecca:''' ''As soon as we're clear.'' |
| Rebecca's voic faded as Clay Kaczmarek's digital consciousness spoke from within the Animus while Desmond's comatose mind replayed a montage of his memories, starting with waking from using Abstergo Industries' Animus 1.28. | | Rebecca's voice faded as Clay Kaczmarek's digital consciousness spoke from within the Animus while Desmond's comatose mind replayed a montage of his memories, starting with waking from using Abstergo's Animus 1.28. |
| *'''Clay:''' ''Desmond Miles. Your life has changed so much in so little time.'' | | *'''Clay:''' ''Desmond Miles. Your life has changed so much in so little time.'' |
| The memory changed to Lucy opening the back of a moving truck at the Villa Auditore so Desmond could exit. | | The memory changed to Lucy opening the back of a moving truck at the Villa Auditore so Desmond could exit. |
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| The memory changed to Desmond, Shaun, Lucy, and Rebecca as they descended into the Colosseum Vault and opened its main door. | | The memory changed to Desmond, Shaun, Lucy, and Rebecca as they descended into the Colosseum Vault and opened its main door. |
| *'''Clay:''' ''One of the good guys, isn't that nice? Men and women dedicated to protecting and preserving human life and liberty.'' | | *'''Clay:''' ''One of the good guys, isn't that nice? Men and women dedicated to protecting and preserving human life and liberty.'' |
| The scene changed to Warren Vidic standing on suspended scaffolding delivering a speach over the Animi Training Program room before morphing to Warren's raid on the Rome hideout. | | The scene changed to Warren Vidic standing on suspended scaffolding delivering a speech over the Animi Training Program room before morphing to Warren's raid on the Rome hideout. |
| *'''Clay:''' ''Not like those Templars...cold and calculating autocrats, drunk on power, obsessed with order, all that... we're doing our best to stop them. Yeah, doing our best.'' | | *'''Clay:''' ''Not like those Templars... cold and calculating autocrats, drunk on power, obsessed with order, all that... we're doing our best to stop them. Yeah, doing our best.'' |
| A clip of Clay's mad laughter played as his voice was slightly digitally distorted towards the end. The scene changed to a tracking shot over the Animus 1.28 and a zoom on its physical interface and digital HUD, before forming a construct of Altaïr Ibn-La'Ahad in the Memory Coridor which resolved into a rooftop view of [[Acre]]. | | A clip of Clay's mad laughter played as his voice was slightly digitally distorted towards the end. The scene changed to a tracking shot over the Animus 1.28 and a zoom on its physical interface and digital HUD, before forming a construct of Altaïr Ibn-La'Ahad in the Memory Coridor which resolved into a rooftop view of [[Acre]]. |
| *'''Clay:''' ''But you remember all this, right? You remember the Animus, the machine we use to unravel genetic memories and relive the lives of our ancestors? First you were Altaïr, a stoic twelfth-century Assassin from the Holy Land.'' | | *'''Clay:''' ''But you remember all this, right? You remember the Animus, the machine we use to unravel genetic memories and relive the lives of our ancestors? First you were Altaïr, a stoic twelfth-century Assassin from the Holy Land.'' |
| The scene changed to an adult Ezio in the Memory Corridor, flickered to his street fight as a young man with [[Vieri de' Pazzi]] on the Ponte Vecchio,<ref name="BoysWillBeBoys"/> then flickered again to an adult Ezio charging at Cesare Borgia during the [[Siege of Viana|siege]] of [[Viana]] in 1507.<ref>''Assassin's Creed: Brotherhood'' – [[Pax Romana]]</ref> Through all this, Animus code kept glitching code lines in, distorting the scenes. | | The scene changed to an adult Ezio in the Memory Corridor, flickered to his street fight as a young man with Vieri de' Pazzi on the Ponte Vecchio,<ref name="BoysWillBeBoys"/> then flickered again to an adult Ezio charging at Cesare Borgia during the siege of Viana in 1507.<ref>''Assassin's Creed: Brotherhood'' – [[Pax Romana]]</ref> Through all this, Animus code kept glitching code lines in, distorting the scenes. |
| *'''Clay:''' ''Then, you were Ezio Auditore, a wealthy Italian with charisma and a talent for revenge.'' | | *'''Clay:''' ''Then, you were Ezio Auditore, a wealthy Italian with charisma and a talent for revenge.'' |
| The scene changed to Desmond seeing a "ghost" of Ezio in the Villa Auditore's Santuary through the Bleeding Effect. | | The scene changed to Desmond seeing a "ghost" of Ezio in the Villa Auditore's Santuary through the Bleeding Effect. |
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| As if prompted, Desmond's mind replayed his memory of touching the Apple of Eden in the Colosseum Vault. | | As if prompted, Desmond's mind replayed his memory of touching the Apple of Eden in the Colosseum Vault. |
| *'''Clay:''' ''That's right. The Apple of Eden.'' | | *'''Clay:''' ''That's right. The Apple of Eden.'' |
| A rapid series of visions passed, starting with Ezio using the Apple to manipulate a [[Brute]] into striking a [[Papal Guard]], Ezio collapsing after using the Apple on a group of Borgia guards, and finally to Ezio meeting Minerva. All the while, another clip of Clay's mad laughter played in the background. | | A rapid series of visions passed, starting with Ezio using the Apple to manipulate a [[Brute]] into striking a [[Papal Guard]], Ezio collapsing after using the Apple on a group of Borgia guards, and finally, to Ezio meeting Minerva. All the while, another clip of Clay's mad laughter played in the background. |
| *'''Clay:''' ''That strange artifact left behind by... those people. The ones who came before. You know the Apple's power. You felt it for yourself.'' | | *'''Clay:''' ''That strange artifact left behind by... those people. The ones who came before. You know the Apple's power. You felt it for yourself.'' |
| Prompted again, Desmond's mind replayed the events in the Colosseum Vault as he stabbed Lucy and then fell into a coma. | | Prompted again, Desmond's mind replayed the events in the Colosseum Vault as he stabbed Lucy and then fell into a coma. |
| *'''Clay:''' ''Oh, it's been fun, hasn't it, Desmond? But that's about to change.'' | | *'''Clay:''' ''Oh, it's been fun, hasn't it, Desmond? But that's about to change.'' |
| A "ghost" of an adult Ezio appeared before Altaïr in Acre, then Altaïr's "ghost" took the place of one of Ezio's Apple illusions in his fight against Rodrigo in 1499.<ref name="InBoccaAlLupo/> This "resolved" to both Altaïr and Ezio walking along the Leap of Faith platforms in Masyaf, all as the Animus began to glitch even more code lines into the simulations and Clay's laughter replayed. | | A "ghost" of an adult Ezio appeared before Altaïr in Acre, then Altaïr's "ghost" took the place of one of Ezio's Apple illusions in his fight against Rodrigo in 1499.<ref name="InBoccaAlLupo"/> This "resolved" to both Altaïr and Ezio walking along the Leap of Faith platforms in Masyaf, all as the Animus began to glitch even more code lines into the simulations and Clay's laughter replayed. |
| *'''Clay:''' ''Your mind is fragmenting, falling to pieces... and if you don't find a way to wake up, you may lose youreslf. Forever.'' | | *'''Clay:''' ''Your mind is fragmenting, falling to pieces... and if you don't find a way to wake up, you may lose yourself. Forever.'' |
| Overwhelmed by glitches, the Animus cut to black and restarted. | | Overwhelmed by glitches, the Animus cut to black and restarted. |
| *'''Rebecca:''' ''Okay, I shut down the Animus Monitoring System to free up a lot of memory, but even like this, it's still risky.'' | | *'''Rebecca:''' ''Okay, I shut down the Animus Monitoring System to free up a lot of memory, but even like this, it's still risky.'' |
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| *'''William:''' ''The Animus will do its part, and Desmond will do the rest.'' | | *'''William:''' ''The Animus will do its part, and Desmond will do the rest.'' |
| Desmond's consciousness woke in the Animus. | | Desmond's consciousness woke in the Animus. |
| *'''Desmond:''' ''What's happening? I... I can't move. I can't— No!'' | | *'''Desmond:''' ''What's happening? I... I can't move. I can't—No!'' |
| Desmond washed ashore on an island in the [[Black Room]] and took some steps forward to adjust to his surroundings. Meanwhile, the digital construct of Clay Kaczmarek initialized nearby. | | Desmond washed ashore on an island in the [[Black Room]] and took some steps forward to adjust to his surroundings. Meanwhile, the digital construct of Clay Kaczmarek initialized nearby. |
| *'''Clay:''' ''Just walked right past me.'' | | *'''Clay:''' ''Just walked right past me.'' |
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| *'''Clay:''' ''Let's talk, buddy. Walk with me.'' | | *'''Clay:''' ''Let's talk, buddy. Walk with me.'' |
| *'''Desmond:''' ''What is this place?'' | | *'''Desmond:''' ''What is this place?'' |
| *'''Clay:''' ''It's nice isn't it? We're in the guts of the Animus, the original test program. No memories here, just basic physics, weather simulations. Hello world! You're lucky someone up there had the sense to plug you in here. Saved your life.'' | | *'''Clay:''' ''It's nice isn't it? We're in the guts of the Animus, the original test program. No memories here, just basic physics, weather simulations. {{Wiki|"Hello, World!" program|Hello world}}! You're lucky someone up there had the sense to plug you in here. Saved your life.'' |
| *'''Desmond:''' ''Saved it from what?'' | | *'''Desmond:''' ''Saved it from what?'' |
| *'''Clay:''' ''Right now you should be sitting in a hospital ward, drooling and chewing on your tongue! For now, the Animus is keeping you intact, keeping all your ancestors from collapsing into one big mess. But if you can't find a [[Synch Nexus|synch-nexus]], all those personalities will smash together. And that won't be pretty.'' | | *'''Clay:''' ''Right now you should be sitting in a hospital ward, drooling and chewing on your tongue! For now, the Animus is keeping you intact, keeping all your ancestors from collapsing into one big mess. But if you can't find a [[Synch Nexus|synch-nexus]], all those personalities will smash together. And that won't be pretty.'' |
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| *'''William:''' ''Shaun...'' | | *'''William:''' ''Shaun...'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After DNA Sequence 1 | | !style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After DNA Sequence 1 |
| |- | | |- |
| | | | | |
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| *'''Shaun:''' ''Well, keep me posted, okay? I'll see you soon.'' | | *'''Shaun:''' ''Well, keep me posted, okay? I'll see you soon.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After DNA Sequence 2 | | !style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After DNA Sequence 2 |
| |- | | |- |
| |Once more, a conversation could be overheard, which featured Rebecca and William Miles. | | |Once more, a conversation could be overheard, which featured Rebecca and William Miles. |
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| *'''Shaun:''' ''Sad? Are you finally going soft on us, Bill?'' | | *'''Shaun:''' ''Sad? Are you finally going soft on us, Bill?'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After DNA Sequence 6 | | !style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After DNA Sequence 6 |
| |- | | |- |
| |Some time later, another talk between Shaun and William Miles took place. | | |Some time later, another talk between Shaun and William Miles took place. |
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| *'''William:''' ''I believe so. I wish I could say we knew about his gift earlier. But it was the Templars who realized this. And they found him first...'' | | *'''William:''' ''I believe so. I wish I could say we knew about his gift earlier. But it was the Templars who realized this. And they found him first...'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After DNA Sequence 8 | | !style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After DNA Sequence 8 |
| |- | | |- |
| |Following Desmond exploring more of Ezio's memories, the Assassins outside of his coma planned to relocate themselves, and him along with them. | | |Following Desmond exploring more of Ezio's memories, the Assassins outside of his coma planned to relocate themselves, and him along with them. |
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| *'''Gavin:''' ''Absolutely, passports and papers for everyone.'' | | *'''Gavin:''' ''Absolutely, passports and papers for everyone.'' |
| *'''Shaun:''' ''Ah brilliant, so I'm... I'm what, a neurosurgeon now, am I?'' | | *'''Shaun:''' ''Ah brilliant, so I'm... I'm what, a neurosurgeon now, am I?'' |
| *'''Gavin:''' ''You're a medical team from {{Wiki|State University of New York|SUNY}} upstate, just back from Rome with your patient, experimental gene therapy.'' | | *'''Gavin:''' ''You're a medical team from [[State University of New York at Potsdam|SUNY upstate]], just back from Rome with your patient, experimental gene therapy.'' |
| *'''William:''' ''Good work, let's get this over with.'' | | *'''William:''' ''Good work, let's get this over with.'' |
| *'''Rebecca:''' ''Wait look, this is crazy!'' | | *'''Rebecca:''' ''Wait look, this is crazy!'' |
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| *'''Clay:''' ''GO!'' | | *'''Clay:''' ''GO!'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Sync Nexus | | !style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Synch Nexus |
| |- | | |- |
| |Once Desmond had achieved the necessary synchronization with his ancestors,<ref>''Assassin's Creed: Revelations'' – [[The Message]]</ref> he found himself inside the [[Nexus]]. Jupiter, a member of the First Civilization, soon appeared. | | |After Desmond had achieved the necessary synchronization with his ancestors,<ref>''Assassin's Creed: Revelations'' – [[The Message]]</ref> he found himself inside the [[Nexus]] via the [[Apple of Eden 6|Apple of Eden]] next to him. Jupiter, a member of the First Civilization, soon appeared. |
| *'''Jupiter:''' ''Do you hear me, [[cipher]]? Can you see me?'' | | *'''Jupiter:''' ''Do you hear me, [[cipher]]? Can you see me?'' |
| Jupiter spotted Desmond within the Nexus. | | Jupiter spotted Desmond within the Nexus. |
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| *'''Jupiter:''' ''Listen. You must go there. To the place where we labored... labored and lost. Take my words. Pass them from your head into your hands. That is how you will open the way. But be warned: much still remains in flux. And I do not know how things will end—either in [[Isu Era|my time]] or yours.'' | | *'''Jupiter:''' ''Listen. You must go there. To the place where we labored... labored and lost. Take my words. Pass them from your head into your hands. That is how you will open the way. But be warned: much still remains in flux. And I do not know how things will end—either in [[Isu Era|my time]] or yours.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After DNA Sequence 9 | | !style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After DNA Sequence 9 |
| |- | | |- |
| |Following Jupiter's message and having fully separated himself from his ancestors and their memories, Desmond began to wake from his coma. Shaun, Rebecca, and William stood around him in a nearly pitch black room lit only by the Animus screens. | | |Following Jupiter's message and having fully separated himself from his ancestors and their memories, Desmond began to wake from his coma. Shaun, Rebecca, and William stood around him in a nearly pitch black room lit only by the Animus screens. |
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| Glancing at Shaun, William gave Desmond a quick nod then walked a few paces away to threw open the doors to the room, revealing it to be the back space of a van parked across from the Grand Temple's entrance near the town of [[Turin, New York|Turin]], [[New York]]. Desmond blinked at the sudden bright light as glyphs on the Temple's door began glowing like the Apple. | | Glancing at Shaun, William gave Desmond a quick nod then walked a few paces away to threw open the doors to the room, revealing it to be the back space of a van parked across from the Grand Temple's entrance near the town of [[Turin, New York|Turin]], [[New York]]. Desmond blinked at the sudden bright light as glyphs on the Temple's door began glowing like the Apple. |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Animi Training Program | | !style="background:#2F4F4F; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Animi Training Program |
| |- | | |- |
| |On the advancement of the Animi Training Program, select Abstergo recruits were allocated to the second stage of the program, and often came into contact with Warren Vidic, as well as some other Templars. | | |On the advancement of the Animi Training Program, select Abstergo recruits were allocated to the second stage of the program, and often came into contact with Warren Vidic, as well as some other Templars. |
| ;Welcome | | ;Welcome |
| Taking place in a dark, dimly lit room, Warren introduced himself to the prospective Abstergo recruits who had excelled in the program's first stage.
| | Warren introduced himself in a dimly lit room to prospective Abstergo recruits who had excelled in the program's first stage. |
| *'''Warren:''' ''It is a privilege for each one of you to be invited up here. Everyone in this room has proven themselves as more than mere killers. Your skill acquisition in the Animus thus far has been far superior to that of your colleagues, who, as I speak, continue to struggle down below us. But the test of your true worth has barely begun. You think you know of our Order. Of our founding in 1119, our quest for domination during the [[Crusades]]. The vast treasure and the decline at the end of the 12th century. And, finally, our resurgence as Abstergo. You know nothing. It is time to begin your real education. As you continue your training in the Animus, those worthy will be admitted to the secrets of our Order. My assistant will monitor your progress. Once you exit this room there is no turning back. Succeed, and a bright future awaits, fail... and far more than your contract will be terminated.'' | | *'''Warren:''' ''It is a privilege for each one of you to be invited up here. Everyone in this room has proven themselves as more than mere killers. Your skill acquisition in the Animus thus far has been far superior to that of your colleagues, who, as I speak, continue to struggle down below us. But the test of your true worth has barely begun. You think you know of our Order. Of our founding in 1119, our quest for domination during the Crusades. The vast treasure and the decline at the end of the 12th century. And, finally, our resurgence as Abstergo. You know nothing. It is time to begin your real education. As you continue your training in the Animus, those worthy will be admitted to the secrets of our Order. My assistant will monitor your progress. Once you exit this room there is no turning back. Succeed, and a bright future awaits, fail... and far more than your contract will be terminated.'' |
| ;First Steps | | ;First Steps |
| From their previous first meeting, one Abstergo recruit, [[Juhani Otso Berg]], had began to impress the Templar Order, so much so that Warren offered encouraging words to help motivate him to climb higher.
| | Right from his first meeting, the Abstergo recruit [[Juhani Otso Berg]] began to impress the Templar Order, so much so that Warren offered encouraging words to help motivate him to climb higher. |
| *'''Warren:''' ''You served Abstergo well, and your skills in the Animus continue to impress. I do not use that term lightly. If you continue at this rate, it is a foregone conclusion that you will be the one to enter our inner chambers, and learn our most trusted secrets. Once you cross that threshold, your eyes will be opened, and you will see this world for what it truly is. Don't muck this up. Abstergo is counting on you.'' | | *'''Warren:''' ''You served Abstergo well, and your skills in the Animus continue to impress. I do not use that term lightly. If you continue at this rate, it is a foregone conclusion that you will be the one to enter our inner chambers, and learn our most trusted secrets. Once you cross that threshold, your eyes will be opened, and you will see this world for what it truly is. Don't muck this up. Abstergo is counting on you.'' |
| ;Promises''' | | ;Promises |
| As usual, Berg had quickly built upon his progress, impressing Warren's assistant who arranged another meeting with the doctor. | | As usual, Berg had quickly built upon his progress, impressing Warren's assistant who arranged another meeting with the doctor. |
| *'''Warren:''' ''Moving up through the ranks nicely, I see. Exactly as predicted. My assistant's reports have been glowing, although I find he is a little bit of a panderer. Do not let his flattery fool you. We will only continue to educate you as long as you continue to show promise. Prove yourself, however, and we are prepared to give you far more.'' | | *'''Warren:''' ''Moving up through the ranks nicely, I see. Exactly as predicted. My assistant's reports have been glowing, although I find he is a little bit of a panderer. Do not let his flattery fool you. We will only continue to educate you as long as you continue to show promise. Prove yourself, however, and we are prepared to give you far more.'' |
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| Berg opened the door and stepped out of the limousine, and Warren walked out of the mansion's entrance to greet him. | | Berg opened the door and stepped out of the limousine, and Warren walked out of the mansion's entrance to greet him. |
| *'''Warren:''' ''The Order of the Knights Templar welcomes you. After all, we engineered it that way.'' | | *'''Warren:''' ''The Order of the Knights Templar welcomes you. After all, we engineered it that way.'' |
| ;Inducted''' | | ;Inducted |
| Following Berg's luxurious treatment, Warren prepared to impart an important message to him, though he was interrupted. | | Following Berg's luxurious treatment, Warren prepared to impart an important message to him, though he was interrupted. |
| *'''Warren:''' ''I hope you are enjoying the new comforts we have granted you. Of course, you know there is no backing out now. We have plans for you. An important part of this company's future. Truth is—'' | | *'''Warren:''' ''I hope you are enjoying the new comforts we have granted you. Of course, you know there is no backing out now. We have plans for you. An important part of this company's future. Truth is—'' |
| *'''Intercom:''' ''Dr. Vidic. You are wanted in the processing plant.'' | | *'''Intercom:''' ''Dr. Vidic. You are wanted in the processing plant.'' |
| *'''Warren:''' ''Well... I suppose the truth will have to wait.'' | | *'''Warren:''' ''Well... I suppose the truth will have to wait.'' |
| ;Clearance''' | | ;Clearance |
| Determined not to disappoint, Berg had progressed even more since Warren's last visit, prompting him to tempt at allowing Berg deeper into the Templar Order. | | Determined not to disappoint, Berg had progressed even more since Warren's last visit, prompting him to tempt at allowing Berg deeper into the Templar Order. |
| *'''Warren:''' ''I see you have been busy while I was gone. Continue to increase in skill, and you may be invited to visit our inner offices. Be respectful, far more than your job is on the line. I have put in a request to have your security clearance raised, allowing us to share sensitive information with you. Something to look forward to... If you make it, of course.'' | | *'''Warren:''' ''I see you have been busy while I was gone. Continue to increase in skill, and you may be invited to visit our inner offices. Be respectful, far more than your job is on the line. I have put in a request to have your security clearance raised, allowing us to share sensitive information with you. Something to look forward to... If you make it, of course.'' |
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| *'''Warren:''' ''Be patient Daniel. I have an announcement to make. We now know where the [[Assassin leader]], William M., is located.'' | | *'''Warren:''' ''Be patient Daniel. I have an announcement to make. We now know where the [[Assassin leader]], William M., is located.'' |
| *'''Laetitia:''' ''Brilliant work. We need to send a retrieval team.'' | | *'''Laetitia:''' ''Brilliant work. We need to send a retrieval team.'' |
| The two Templars then turned to Berg, staring straight at him. | | The two Templars stared straight expectantly at Berg. |
| *'''Warren:''' ''Well, what are you waiting for? Go get him.'' | | *'''Warren:''' ''Well, what are you waiting for? Go get him.'' |
| |} | | |} |
|
| |
|
| ==''[[Assassin's Creed III]]''== | | ==''[[Assassin's Creed III]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |William Miles' ruminations | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|William Miles' ruminations |
| |- | | |- |
| |Williams Miles stood in thought looking out an apartment window in a coastal city at night. | | |Williams Miles stood in thought looking out an apartment window in a coastal city at night. |
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| In his mind's eye, the scene changed to one of a blindfolded Desmond being captured by Abstergo Industries agents. | | In his mind's eye, the scene changed to one of a blindfolded Desmond being captured by Abstergo Industries agents. |
| *'''William:''' ''But I'm getting ahead of myself. Better to start at the beginning, with the abduction of Desmond Miles. My son.'' | | *'''William:''' ''But I'm getting ahead of myself. Better to start at the beginning, with the abduction of Desmond Miles. My son.'' |
| The scene changed to one of Desmond in ''[[Bad Weather]]'' downing a shot from a glass with a frosted Abstergo logo on the bottom. | | The scene changed to one of Desmond in the bar [[Bad Weather]] downing a shot from a glass with a frosted Abstergo logo on the bottom. |
| *'''William:''' ''This... boy had no ambition. No direction. No plans for the future. What he DID have was a heritage. One he chose to deny. It nearly cost him his life.'' | | *'''William:''' ''This... boy had no ambition. No direction. No plans for the future. What he DID have was a heritage. One he chose to deny. It nearly cost him his life.'' |
| The scene changed to Warren Vidic watching Desmond in the Animus 1.28. | | The scene changed to Warren Vidic watching Desmond in the Animus 1.28. |
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| The scene changed to one of a metal Abstergo Industries logo hovering in midair in a dimly lit, dusty room, before it pivoted and turned into a Templar insignia. | | The scene changed to one of a metal Abstergo Industries logo hovering in midair in a dimly lit, dusty room, before it pivoted and turned into a Templar insignia. |
| *'''William:''' ''You know them as Abstergo Industries, we know them as the Templars—as the enemy. We've been fighting them for thousands of years.'' | | *'''William:''' ''You know them as Abstergo Industries, we know them as the Templars—as the enemy. We've been fighting them for thousands of years.'' |
| The cross changed texture, merging with the fabric logo on the tunic of a Templar knight about to be stabbed in the face by a [[Levant]]ine [[Levantine Brotherhood of Assassins|Assassin]]'s Hidden Blade. | | The cross changed texture, merging with the fabric logo on the tunic of a Templar knight about to be stabbed in the face by a Levantine Assassin's Hidden Blade. |
| *'''William:''' ''Even longer if you believe the stories of their origins. I do. After all, I've seen the truth.'' | | *'''William:''' ''Even longer if you believe the stories of their origins. I do. After all, I've seen the truth.'' |
| The scene changed to one of Ezio Auditore in a Memory Corridor littered with partial models of Roman architecture. | | The scene changed to one of Ezio Auditore in a Memory Corridor littered with partial models of Roman architecture. |
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| *'''William:''' ''But something larger than the Assassins and Templars is approaching. Bigger than all of us. And if we can't find a way to stop it—these next few weeks will probably be our last. EVERYONE's last.'' | | *'''William:''' ''But something larger than the Assassins and Templars is approaching. Bigger than all of us. And if we can't find a way to stop it—these next few weeks will probably be our last. EVERYONE's last.'' |
| The scene changed to show Altaïr Ibn-La'Ahad standing on a castle parapet. | | The scene changed to show Altaïr Ibn-La'Ahad standing on a castle parapet. |
| *'''William:''' ''In the end, it all comes down to him. To Desmond. Through the Animus, he discovered his heritage. Explored the lives of his ancestors and uncovered their secrets. | | *'''William:''' ''In the end, it all comes down to him. To Desmond. Through the Animus, he discovered his heritage. Explored the lives of his ancestors and uncovered their secrets.'' |
| Altaïr faded into the background as an image of Ezio Auditore came into focus. | | Altaïr faded into the background as an image of Ezio Auditore came into focus. |
| *'''William:''' ''When that was finished, he trained. He used another ancestor to provide decades of experience in the span of a few days. It worked. We think.'' | | *'''William:''' ''When that was finished, he trained. He used another ancestor to provide decades of experience in the span of a few days. It worked. We think.'' |
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| The Apple emitted a burst of blinding light as William's thoughts drew to a close. | | The Apple emitted a burst of blinding light as William's thoughts drew to a close. |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Arrival at the Temple | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Arrival at the Temple |
| |- | | |- |
| |Desmond and his team arrived at the Grand Temple. William Miles opened the doors to their van. | | |Desmond and his team arrived at the Grand Temple. William Miles opened the doors to their van. |
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| Desmond began to experience the Bleeding Effect. | | Desmond began to experience the Bleeding Effect. |
| *'''William:''' ''Son?'' | | *'''William:''' ''Son?'' |
| Desmond turned to face his father, but saw instead [[Haytham Kenway]]'s coachman. | | Desmond turned to face his father, but saw instead [[Haytham Kenway]]'s coachman, [[Jim Holden]]. |
| *'''[[Jim Holden|Holden]]:''' ''Sir?'' | | *'''Jim:''' ''Sir?'' |
| *'''Desmond:''' ''Here we go again.'' | | *'''Desmond:''' ''Here we go again.'' |
| Desmond collapsed. Some time later he awoke in the new Animus 3.0. | | Desmond collapsed. Some time later he awoke in the new Animus 3.0. |
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| *'''William:''' ''She?!'' | | *'''William:''' ''She?!'' |
| *'''Desmond:''' ''Juno, dad. She's... talking to me.'' | | *'''Desmond:''' ''Juno, dad. She's... talking to me.'' |
| Desmond then began the [[Refresher Course|refresher course]] Rebecca set up for him, before reliving Haytham's attendance of {{Wiki|John Gay}}'s play ''{{Wiki|The Beggar's Opera}}'' at [[London]]'s [[Theatre Royal]].<ref>''[[Assassin's Creed III]]'' – [[A Deadly Performance]]</ref> | | Desmond then began the [[Refresher Course|refresher course]] Rebecca set up for him, before reliving Haytham's attendance of [[John Gay]]'s play ''[[The Beggar's Opera]]'' at [[London]]'s [[Theatre Royal]].<ref>''[[Assassin's Creed III]]'' – [[A Deadly Performance]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Early Tensions | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Early Tensions |
| |- | | |- |
| |After watching Haytham [[Initiation into the Templar Order|induct]] [[Charles Lee]] into the [[American Rite of the Templar Order|Colonial Templars]],<ref>''Assassin's Creed III'' – [[The Braddock Expedition (memory)|The Braddock Expedition]]</ref> Desmond got out of the Animus, shocked about learning Haytham's true loyalties. | | |After watching Haytham [[Initiation into the Templar Order|induct]] [[Charles Lee]] into the [[American Rite of the Templar Order|Colonial Templars]],<ref>''Assassin's Creed III'' – [[The Braddock Expedition (memory)]]</ref> Desmond was shocked to learn Haytham's true loyalties. |
| | *'''Desmond:''' ''Wait, what?!'' |
| | He exited the Animus and spoke to his team. |
| *'''Desmond:''' ''You all saw that, right?'' | | *'''Desmond:''' ''You all saw that, right?'' |
| *'''Rebecca:''' ''Wow.'' | | *'''Rebecca:''' ''Wow.'' |
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| At this, Desmond showed his disgust at William's seeming inhumanity. | | At this, Desmond showed his disgust at William's seeming inhumanity. |
| *'''Desmond:''' ''Hey, he was your ancestor too. Why don't you hop in the Animus?!'' | | *'''Desmond:''' ''Hey, he was your ancestor too. Why don't you hop in the Animus?!'' |
| *'''William:''' ''Really? That's your response. It's like dealing with a six year old. What is wrong with you, Desmond?'' | | *'''William:''' ''Really? That's your response. It's like dealing with a six year old. What is wrong with you, Desmond?'' |
| Finally, Desmond let loose his rage and anger at being exploited. | | Finally, Desmond let loose his rage and anger at being exploited. |
| *'''Desmond:''' ''You wanna know what's wrong?! I'm sick of being treated like I'm not even here! Desmond, do this! Desmond, do that! Desmond, you'd better figure things out because the sun is going to turn us all to ash and I know I was really nice to you but actually, I'm just another Templar plot-twist and, yes, I would like very much for you to be controlled by a magic space wizard so that you can murder me! So there's you're answer! I'm sick of being a goddamn pawn! I thought it might be different with you! I mean you're my FATHER but is turns out you're no better than the fucking Templars!'' | | *'''Desmond:''' ''You wanna know what's wrong?! I'm sick of being treated like I'm not even here! Desmond, do this! Desmond, do that! Desmond, you'd better figure things out because the sun is going to turn us all to ash and I know I was really nice to you but actually, I'm just another Templar plot-twist and, yes, I would like very much for you to be controlled by a magic space wizard so that you can murder me! So there's you're answer! I'm sick of being a goddamn pawn! I thought it might be different with you! I mean you're my FATHER but is turns out you're no better than the fucking Templars!'' |
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| *'''Shaun:''' ''Obviously. Anyway, Desmond—you can either take a look around here or we can head back into the Animus.'' | | *'''Shaun:''' ''Obviously. Anyway, Desmond—you can either take a look around here or we can head back into the Animus.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Before Sequence 4 | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Before Sequence 4 |
| |- | | |- |
| |The argument settled, Desmond spoke to Rebecca. | | |The argument settled, Desmond spoke to Rebecca. |
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| *'''William:''' ''Imagine what it must be like for them.'' | | *'''William:''' ''Imagine what it must be like for them.'' |
| *'''Rebecca:''' ''What do you mean?'' | | *'''Rebecca:''' ''What do you mean?'' |
| *'''William:''' ''They've been separated from us by tens of thousands of years-A completely different language and culture...possessed of an intelligence vastly superior to our own. We're lucky they've communicated as much as they have.'' | | *'''William:''' ''They've been separated from us by tens of thousands of years-A completely different language and culture...possessed of an intelligence vastly superior to our own. We're lucky they've communicated as much as they have.'' |
| *'''Desmond:''' ''I don't know why they had to make this all so complicated. I mean if they need something from me, they should just come out and say it.'' | | *'''Desmond:''' ''I don't know why they had to make this all so complicated. I mean if they need something from me, they should just come out and say it.'' |
| *'''William:''' ''I've been wondering about that myself. I get the sense Juno and Minerva didn't exactly see eye to eye. I'm studying everything I can get my hands on...But maybe you'll find something down here that can shed light on the mystery. What happened between them-and why?'' | | *'''William:''' ''I've been wondering about that myself. I get the sense Juno and Minerva didn't exactly see eye to eye. I'm studying everything I can get my hands on...But maybe you'll find something down here that can shed light on the mystery. What happened between them-and why?'' |
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| *'''Shaun:''' ''Right you are, in fact! I've been reviewing our archives and it appears that Haytham's father was indeed an Assassin. Which means he was likely one too. At least for a little while...'' | | *'''Shaun:''' ''Right you are, in fact! I've been reviewing our archives and it appears that Haytham's father was indeed an Assassin. Which means he was likely one too. At least for a little while...'' |
| *'''Desmond:''' ''What else did you find?'' | | *'''Desmond:''' ''What else did you find?'' |
| *'''Shaun:''' ''That fellow from the opera—[[Reginald Birch]]—[[Grand Master of the Templar Order|Grand Master]] of the [[British Rite of the Templar Order|London chapter]] of the Templars. He and Haytham's father—a man named [[Edward Kenway|Edward]]—well, they were longtime rivals. Now, it appears Birch got his hands on Haytham at a rather young age<ref>''[[Assassin's Creed: Forsaken]]''</ref>—working his wiles to convince Haytham to switch sides. Wonder how he did it. I'll see if I can't dig up more...'' | | *'''Shaun:''' ''That fellow from the opera—[[Reginald Birch]]—Grand Master of the [[British Rite of the Templar Order|London chapter]] of the Templars. He and Haytham's father—a man named [[Edward Kenway|Edward]]—well, they were longtime rivals. Now, it appears Birch got his hands on Haytham at a [[Assassin's Creed: Forsaken|rather young age]]—working his wiles to convince Haytham to switch sides. Wonder how he did it. I'll see if I can't dig up more...'' |
| Shaun then asked Desmond about their situation. | | Shaun then asked Desmond about their situation. |
| *'''Shaun:''' ''Hon—Honest answer please, Desmond: Do you think we're getting out of this alive?'' | | *'''Shaun:''' ''Hon—Honest answer please, Desmond: Do you think we're getting out of this alive?'' |
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| *'''Desmond:''' ''You are such an asshole. Oh, you thinking about hitting me again? Because this time, I will hit back.'' | | *'''Desmond:''' ''You are such an asshole. Oh, you thinking about hitting me again? Because this time, I will hit back.'' |
| |} | | |} |
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| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |First Power Source | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|First Power Source |
| |- | | |- |
| |Desmond got out of the Animus, having experienced [[Ratonhnhaké:ton]]'s early memories. | | |Desmond got out of the Animus, having experienced [[Ratonhnhaké:ton]]'s early memories. |
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| *'''Rebecca:''' ''Maybe. The Templars have access to all kinds of satellites and camera systems. We'll need to find a way to mask our digital signature. I can probably camouflage the van, too. But there's not much I can do for US.'' | | *'''Rebecca:''' ''Maybe. The Templars have access to all kinds of satellites and camera systems. We'll need to find a way to mask our digital signature. I can probably camouflage the van, too. But there's not much I can do for US.'' |
| *'''Desmond:''' ''That's an easy one.'' | | *'''Desmond:''' ''That's an easy one.'' |
| Desmond pulled up his hood and set out to recover the first power source.<ref>''Assassin's Creed III'' – [[Modern Tower]]</ref> After recovering it, the Assassins left New York immediately and made a two day detour through [[Boston]]. Upon returning to the Grand Temple, Desmond demanded to know about Daniel Cross. | | Desmond pulled up his hood and set out to acquire the first power source. After [[Modern Tower|recovering]] it,<ref>''Assassin's Creed III'' – [[Modern Tower]]</ref> the Assassins left New York immediately and made a two day detour through [[Boston]]. Upon returning to the Grand Temple, Desmond demanded to know about Daniel Cross. |
| *'''Desmond:''' ''So who the hell is Daniel Cross?'' | | *'''Desmond:''' ''So who the hell is Daniel Cross?'' |
| *'''Shaun:''' ''Believe it or not, he used to be an Assassin. THE Assassin, the way I've heard it told. But it turned out that he was a sleeper agent for Abstergo, trained to [[Great Purge|infiltrate and bring down]] the organization.'' | | *'''Shaun:''' ''Believe it or not, he used to be an Assassin. THE Assassin, the way I've heard it told. But it turned out that he was a sleeper agent for Abstergo, trained to [[Great Purge|infiltrate and bring down]] the organization.'' |
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| *'''Shaun:''' ''I'd suggest you go see about finding a socket for that power source. Or we can return to Connor if you prefer. All the artifacts in the world won't mean a thing without the key.'' | | *'''Shaun:''' ''I'd suggest you go see about finding a socket for that power source. Or we can return to Connor if you prefer. All the artifacts in the world won't mean a thing without the key.'' |
| |} | | |} |
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| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" | Juno encounters 1 & 2 | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Juno encounters 1 & 2 |
| |- | | |- |
| |Desmond explored the Temple while looking for a socket for the battery he'd just acquired. Along the way, he encountered Juno, who explained the solutions the First Civilization had tried to save the world from the First Disaster. | | |Desmond explored the Temple while looking for a socket for the battery he had just acquired. He first came to a holoprojector when Juno appeared to him and began explaining how the First Civilization had tried to save the world from the First Disaster. |
| *'''Juno:''' ''In the beginning, when we thought we could be saved, we sought to face the sun's wrath and contain it. Four [[towers]] would be built—to pull her fury into this place and dispel it. But even with all we knew... with all we had... It would take too long. A thousand years we could labor and still the work would not be done... The first tower was never completed, the project abandoned... We moved on. But while we labored on other endeavors, a few returned. They thought to automate the process... Metal might finish what flesh could not. If we could not meet the sun's cruel embrace... Perhaps we might rebuke it. Already we could generate the fields—to protect us in times of strife... But these were small and simple things. To replicate them on a scale the size of a world... We lacked the energy to make it so. Half the world, they said, then. It is better than none at all. We tried. Again, we failed. A quarter, they asked. Even this, we could not do... A sixth! An eighth! A tenth, they cried! The answer was still the same. Perhaps in time, a city might be spared... But it was time we did not have... So we moved on.'' | | *'''Juno:''' ''In the beginning, when we thought we could be saved, we sought to face the sun's wrath and contain it. Four [[towers]] would be built—to pull her fury into this place and dispel it. But even with all we knew... with all we had... It would take too long. A thousand years we could labor and still the work would not be done... The first tower was never completed, the project abandoned... We moved on. But while we labored on other endeavors, a few returned. They thought to automate the process... Metal might finish what flesh could not...'' |
| | After traversing the broken architecture up to another level, Desmond was in sight of the power socket when Juno spoke to him again. |
| | *'''Juno:''' ''If we could not meet the sun's cruel embrace... Perhaps we might rebuke it. Already we could generate the fields—to protect us in times of strife... But these were small and simple things. To replicate them on a scale the size of a world... We lacked the energy to make it so. Half the world, they said, then. It is better than none at all. We tried. Again, we failed. A quarter, they asked. Even this, we could not do... A sixth! An eighth! A tenth, they cried! The answer was still the same. Perhaps in time, a city might be spared... But it was time we did not have... So we moved on.'' |
| | Desmond plugged the power source into the socket. |
| | *'''Rebecca:''' ''Wonder what's inside...'' |
| | *'''Desmond:''' ''There's only one way to find out.'' |
| | Another part of the cave is illuminated and a door to another section is unlocked and opened. |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Before Sequence 6 | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Before Sequence 6 |
| |- | | |- |
| |Desmond soon found a socket and plugged the power source into it. When this was done, he returned down below and talked to Rebecca. | | |Desmond returned down below and talked to Rebecca. |
| *'''Rebecca:''' ''I know everyone thinks I'm being silly, but I can't shake the feeling we're being watched.'' | | *'''Rebecca:''' ''I know everyone thinks I'm being silly, but I can't shake the feeling we're being watched.'' |
| *'''Desmond:''' ''We are being watched. By Juno. Or some version of her.'' | | *'''Desmond:''' ''We are being watched. By Juno. Or some version of her.'' |
| *'''Rebecca:''' ''Do you think it's a recording? Or is she a ghost? Or... something else? Is she talking to us the way Minerva talked to Ezio?'' | | *'''Rebecca:''' ''Do you think it's a recording? Or is she a ghost? Or... something else? Is she talking to us the way Minerva talked to Ezio?'' |
| *'''Desmond:''' ''No clue. I mean, who knows what else they were working on down here. There are still so many rooms we don't have access to...'' | | *'''Desmond:''' ''No clue. I mean, who knows what else they were working on down here. There are still so many rooms we don't have access to...'' |
| *'''Rebecca:''' ''But... do you think she's like literally down here? Waiting somewhere? Still alive?'' | | *'''Rebecca:''' ''But... do you think she's like literally down here? Waiting somewhere? Still alive?'' |
| *'''Shaun:''' ''Still alive, that's mental! That would mean she'd be at least—75? 80 thousand years old? They were powerful, yeah—but not that powerful.'' | | *'''Shaun:''' ''Still alive, that's mental! That would mean she'd be at least—75? 80 thousand years old? They were powerful, yeah—but not that powerful.'' |
| *'''Rebecca:''' ''They came down here looking for a way to survive... Maybe they found one?'' | | *'''Rebecca:''' ''They came down here looking for a way to survive... Maybe they found one?'' |
| Rebecca then nervously asked Desmond about his encounter with Daniel Cross. | | Rebecca then nervously asked Desmond about his encounter with Daniel Cross. |
| *'''Rebecca:''' ''Was it weird seeing Cross?'' | | *'''Rebecca:''' ''Was it weird seeing Cross?'' |
| *'''Desmond:''' ''What do you mean?'' | | *'''Desmond:''' ''What do you mean?'' |
| *'''Rebecca:''' ''It's different for you. You don't know what happened, I guess. For a long time he was... important to us. He was a different person.'' | | *'''Rebecca:''' ''It's different for you. You don't know what happened, I guess. For a long time he was... important to us. He was a different person.'' |
| *'''Desmond:''' ''Shaun said he was a sleeper agent. Like Lucy.'' | | *'''Desmond:''' ''Shaun said he was a sleeper agent. Like Lucy.'' |
| *'''Rebecca:''' ''It was different. She made a choice. But Cross... if you read the files... Abstergo just... they did terrible things to him.'' | | *'''Rebecca:''' ''It was different. She made a choice. But Cross... if you read the files... Abstergo just... they did terrible things to him.'' |
| *'''Desmond:''' ''Rebecca?'' | | *'''Desmond:''' ''Rebecca?'' |
| *'''Rebecca:''' ''You're lucky. We all are. We have people who care about us. Who look out for us. He was all alone—and the people he thought he could trust, they used him.'' | | *'''Rebecca:''' ''You're lucky. We all are. We have people who care about us. Who look out for us. He was all alone—and the people he thought he could trust, they used him.'' |
| *'''Desmond:''' ''Did you know him?'' | | *'''Desmond:''' ''Did you know him?'' |
| *'''Rebecca:''' ''No... But... I knew [[Hannah Mueller|Hannah]].'' | | *'''Rebecca:''' ''No... But... I knew [[Hannah Mueller|Hannah]].'' |
| *'''Desmond:''' ''Who's that?'' | | *'''Desmond:''' ''Who's that?'' |
| *'''Rebecca:''' ''She tried to help him. She trusted him. But there was a raid about a year ago... She stayed behind so the others could escape. Tried to reason with him. To see if she could fix things...'' | | *'''Rebecca:''' ''She tried to help him. She trusted him. But there was a raid about a year ago... She stayed behind so the others could escape. Tried to reason with him. To see if she could fix things...'' |
| *'''Desmond:''' ''What happened?'' | | *'''Desmond:''' ''What happened?'' |
| Rebecca's voice broke as she related what happened next. | | Rebecca's voice broke as she related what happened next. |
| *'''Rebecca:''' ''What do you think happened? He killed her. That's what he does. That's all he knows how to do. Sometimes, it seems that's all any of us know how to do...'' | | *'''Rebecca:''' ''What do you think happened? He killed her. That's what he does. That's all he knows how to do. Sometimes, it seems that's all any of us know how to do...'' |
| *'''Desmond:''' ''Rebecca...'' | | *'''Desmond:''' ''Rebecca...'' |
| Desmond then spoke to his father next. William first tried to apologize for the earlier punch, then to make peace for Desmond's rough childhood. | | Desmond then spoke to his father next. William first tried to apologize for the earlier punch, then to make peace for Desmond's rough childhood. |
| *'''William:''' ''Son? I... I owe you an apology. I shouldn't have lashed out like that. You have to understand I've never been very good at this. Nevermind that we live rather... extraordinary lives.'' | | *'''William:''' ''Son? I... I owe you an apology. I shouldn't have lashed out like that. You have to understand I've never been very good at this. Nevermind that we live rather... extraordinary lives.'' |
| *'''Desmond:''' ''Yeah... I kinda liked my ordinary one.'' | | *'''Desmond:''' ''Yeah... I kinda liked my ordinary one.'' |
| *'''William:''' ''You can't escape who you are, Desmond.'' | | *'''William:''' ''You can't escape who you are, Desmond.'' |
| *'''Desmond:''' ''So I've noticed.'' | | *'''Desmond:''' ''So I've noticed.'' |
| *'''William:''' ''Look... it's silly for us to go back and forth like this. I admit, I did a shitty job raising you. I apologize, I'm sorry. But it's important you understand it didn't come from a bad place. You're my son. I love you. I guess I was so busy trying to make sure nothing bad happened, I didn't... consider the consequences. Truce?'' | | *'''William:''' ''Look... it's silly for us to go back and forth like this. I admit, I did a shitty job raising you. I apologize, I'm sorry. But it's important you understand it didn't come from a bad place. You're my son. I love you. I guess I was so busy trying to make sure nothing bad happened, I didn't... consider the consequences. Truce?'' |
| *'''Desmond:''' ''I can't believe it's taken me so long to ask, but—how's [[Desmond Miles' mother|Mom]]? She's not...'' | | *'''Desmond:''' ''I can't believe it's taken me so long to ask, but—how's [[Desmond Miles' mother|Mom]]? She's not...'' |
| *'''William:''' ''No, no. Your mother's fine. We decided it would be better if we split up for this job.'' | | *'''William:''' ''No, no. Your mother's fine. We decided it would be better if we split up for this job.'' |
| *'''Desmond:''' ''Always assuming the worst.'' | | *'''Desmond:''' ''Always assuming the worst.'' |
| *'''William:''' ''Hmm. For good reason.'' | | *'''William:''' ''Hmm. For good reason.'' |
| *'''Desmond:''' ''Can I at least say hi to her?'' | | *'''Desmond:''' ''Can I at least say hi to her?'' |
| *'''William:''' ''I'm sorry... it's too risky. Maybe when we're done...'' | | *'''William:''' ''I'm sorry... it's too risky. Maybe when we're done...'' |
| *'''Desmond:''' ''Right. When we're done.'' | | *'''Desmond:''' ''Right. When we're done.'' |
| Desmond then asked his father if the Assassins and Templars had ever worked together. | | Desmond then asked his father if the Assassins and Templars had ever worked together. |
| *'''Desmond:''' ''Have... Have we ever tried to make peace with the Templars?'' | | *'''Desmond:''' ''Have... Have we ever tried to make peace with the Templars?'' |
| *'''William:''' ''Throughout our history, there have been moments... Several, in fact. But... It's impossible. There are... existential differences. Insurmountable. If there were to be unity, it wouldn't be a truce so much as a submission.'' | | *'''William:''' ''Throughout our history, there have been moments... Several, in fact. But... It's impossible. There are... existential differences. Insurmountable. If there were to be unity, it wouldn't be a truce so much as a submission.'' |
| *'''Desmond:''' ''But knowing what's about to happen... Wouldn't it make sense to try and talk to Vidic? Come to an arrangement? Even if it's only temporary?'' | | *'''Desmond:''' ''But knowing what's about to happen... Wouldn't it make sense to try and talk to Vidic? Come to an arrangement? Even if it's only temporary?'' |
| *'''William:''' ''We'd all be so busy watching our backs, nothing would be accomplished. Imagine that, we're more productive at war...'' | | *'''William:''' ''We'd all be so busy watching our backs, nothing would be accomplished. Imagine that, we're more productive at war...'' |
| *'''Desmond:''' ''Well, have we tried... sending in someone? Doing to them what they did to us with Lucy? Or Cross?'' | | *'''Desmond:''' ''Well, have we tried... sending in someone? Doing to them what they did to us with Lucy? Or Cross?'' |
| *'''William:''' ''We have. And it's never worked. We either sent in people who were either too weak, and found themselves turned—or too strong, and were unable to carry out the charade.'' | | *'''William:''' ''We have. And it's never worked. We either sent in people who were either too weak, and found themselves turned—or too strong, and were unable to carry out the charade.'' |
| *'''Desmond:''' ''I just feel like we all want the same thing.'' | | *'''Desmond:''' ''I just feel like we all want the same thing.'' |
| *'''William:''' ''We use the same words, but that's all they are... words. In the end, it all comes down to freedom. We seek it. They detest it. And so there's never an end to the fight. Not until one side is completely gone.'' | | *'''William:''' ''We use the same words, but that's all they are... words. In the end, it all comes down to freedom. We seek it. They detest it. And so there's never an end to the fight. Not until one side is completely gone.'' |
| *'''Desmond:''' ''Is that even possible?'' | | *'''Desmond:''' ''Is that even possible?'' |
| *'''William:''' ''Probably not. Our two groups have existed in [[Hidden Ones|one form]] or [[Order of the Ancients|another]] since... well... forever. But things can be better than they are. And that's something.'' | | *'''William:''' ''Probably not. Our two groups have existed in one form or [[Order of the Ancients|another]] since... well... forever. But things can be better than they are. And that's something.'' |
| Desmond then asked William about whether he had ever looked for him. | | Desmond then asked William about whether he had ever looked for him. |
| *'''Desmond:''' ''Did you look for me, Dad? When I was gone.'' | | *'''Desmond:''' ''Did you look for me, Dad? When I was gone.'' |
| *'''William:''' ''Every day.'' | | *'''William:''' ''Every day.'' |
| *'''Desmond:''' ''Come on...'' | | *'''Desmond:''' ''Come on...'' |
| *'''William:''' ''I mean it. Every night I'd look. Searching for your name—or variations of it—hoping you'd slip up. Abstergo only found you first because they had better access. A few more days and it would have been me.'' | | *'''William:''' ''I mean it. Every night I'd look. Searching for your name—or variations of it—hoping you'd slip up. Abstergo only found you first because they had better access. A few more days and it would have been me.'' |
| *'''Desmond:''' ''Well, I'm here now.'' | | *'''Desmond:''' ''Well, I'm here now.'' |
| *'''William:''' ''And I'm glad.'' | | *'''William:''' ''And I'm glad.'' |
| *'''Desmond:''' ''Do you think Lucy regretted what she was doing?'' | | *'''Desmond:''' ''Do you think Lucy regretted what she was doing?'' |
| *'''William:''' ''I used to think I knew her well, but clearly, that wasn't the case. So I can't give you an honest answer.'' | | *'''William:''' ''I used to think I knew her well, but clearly, that wasn't the case. So I can't give you an honest answer.'' |
| *'''Desmond:''' ''She seemed so sincere, though. Like she really wanted to make a difference.'' | | *'''Desmond:''' ''She seemed so sincere, though. Like she really wanted to make a difference.'' |
| *'''William:''' ''Yes, well, when I first met him, I thought the same thing about Cross.'' | | *'''William:''' ''Yes, well, when I first met him, I thought the same thing about Cross.'' |
| Desmond then lamented the fact that more often than not, the Assassins kept defecting to the Templars than vice-versa. | | Desmond lamented the fact the frequency of Assassin defections. |
| *'''Desmond:''' ''It just keeps happening over and over again.'' | | *'''Desmond:''' ''It just keeps happening over and over again.'' |
| *'''William:''' ''What does?'' | | *'''William:''' ''What does?'' |
| *'''Desmond:''' ''Everything...'' | | *'''Desmond:''' ''Everything...'' |
| *'''William:''' ''Don't get weird on me, Desmond.'' | | *'''William:''' ''Don't get weird on me, Desmond.'' |
| *'''Desmond:''' ''No. It's fine. I'm fine. Don't worry.'' | | *'''Desmond:''' ''No. It's fine. I'm fine. Don't worry.'' |
| *'''William:''' ''Alright, then. You should think about getting back in the Animus. We've got to find that key.'' | | *'''William:''' ''Alright, then. You should think about getting back in the Animus. We've got to find that key.'' |
| Desmond then made his way over to Shaun, who wanted to use the Animus to go back to the beginning. | | Desmond then made his way over to Shaun, who wanted to use the Animus to go back to the beginning. |
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| *'''Desmond:''' ''Sure, I'd be up for it. Would be interesting to see what things were like back then.'' | | *'''Desmond:''' ''Sure, I'd be up for it. Would be interesting to see what things were like back then.'' |
| *'''Shaun:''' ''Excellent! I think it would prove most enlightening.'' | | *'''Shaun:''' ''Excellent! I think it would prove most enlightening.'' |
| Shaun then launched into seeing the [[American Revolutionary War|American Revolution]] from a decidedly British perspective. | | Shaun then launched into seeing the [[American Revolutionary War]] from a British perspective. |
| *'''Shaun:''' ''So this is how it started...'' | | *'''Shaun:''' ''So this is how it started...'' |
| *'''Desmond:''' ''What are you up to?'' | | *'''Desmond:''' ''What are you up to?'' |
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| *'''Shaun:''' ''Exactly. Seems the [[British Empire|Crown]] overspent in its attempt to keep the French out. Wound up with a great deal of debt. Believing that the colonists should help to shoulder the burden, new taxes were created. It was a reasonable request—even if [[Palace of Westminster|Parliament]] was rather, well, undiplomatic about it.'' | | *'''Shaun:''' ''Exactly. Seems the [[British Empire|Crown]] overspent in its attempt to keep the French out. Wound up with a great deal of debt. Believing that the colonists should help to shoulder the burden, new taxes were created. It was a reasonable request—even if [[Palace of Westminster|Parliament]] was rather, well, undiplomatic about it.'' |
| *'''Desmond:''' ''It's not really fair to tax people for a war they didn't want any part of...'' | | *'''Desmond:''' ''It's not really fair to tax people for a war they didn't want any part of...'' |
| *'''Shaun:''' ''What?! Didn't want any part of?! Did you not notice [[George Washington]] with [[Edward Braddock]]? He was right in the middle of it! So here you have the Crown spending who knows how much money to secure a place for the colonists to thrive—and then when they ask for a little bit of help... Right, look, think of it this way. King [[George III of the United Kingdom|George]] and the colonists, they all go out to dinner, right. And when the bill comes, George asks them to kick in and pay their share. Fair enough! But keep in mind, {{Wiki|House of Hanover|his family}}'s been taking them out to dinner, gratis, for DECADES now. But the colonists, oh no, they insist they only had a glass of water and a side salad. Nevermind the table is FULL of half-eaten food and empty bottles of wine. And then when the King points this out, what do the colonists do? Oh! They flip the table over and storm out of the restaurant—probably intending to return later and burn it down.'' | | *'''Shaun:''' ''What?! Didn't want any part of?! Did you not notice [[George Washington]] with [[Edward Braddock]]? He was right in the middle of it! So here you have the Crown spending who knows how much money to secure a place for the colonists to thrive—and then when they ask for a little bit of help... Right, look, think of it this way. King [[George III of the United Kingdom|George]] and the colonists, they all go out to dinner, right. And when the bill comes, George asks them to kick in and pay their share. Fair enough! But keep in mind, {{Wiki|House of Hanover|his family}}'s been taking them out to dinner, gratis, for DECADES now. But the colonists, oh no, they insist they only had a glass of water and a side salad. Nevermind the table is FULL of half-eaten food and empty bottles of wine. And then when the King points this out, what do the colonists do? Oh! They flip the table over and storm out of the restaurant—probably intending to return later and burn it down.'' |
| *'''Desmond:''' ''You left out the part where the King pointed a GUN at the colonists and forced them to cover dinner for EVERYONE at the restaurant.'' | | *'''Desmond:''' ''You left out the part where the King pointed a GUN at the colonists and forced them to cover dinner for EVERYONE at the restaurant.'' |
| *'''Shaun:''' ''Riiight. Right, yeah. Interesting take. IF he pulled out a gun—and it's not fair to say he did—it would only have been after the hundredth failed attempt at getting them to pay their fair share.'' | | *'''Shaun:''' ''Riiight. Right, yeah. Interesting take. IF he pulled out a gun—and I'm not sure he did—it would only have been after the hundredth failed attempt at getting them to pay their fair share.'' |
| *'''Desmond:''' ''But how do you define someone's fair share?'' | | *'''Desmond:''' ''But how do you define someone's fair share?'' |
| *'''Shaun:''' ''With a war, apparently.'' | | *'''Shaun:''' ''With a war, apparently.'' |
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| *'''Shaun:''' ''Hah. No. Just looking forward to when we can finally trounce those bastards so I can dive into their archives.'' | | *'''Shaun:''' ''Hah. No. Just looking forward to when we can finally trounce those bastards so I can dive into their archives.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Second Power Source | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Ring of Eden |
| | |- |
| | |Desmond relived Connor's memory of his trip to [[Oak Island]], where he recovered Captain [[William Kidd]]'s buried [[Ring of Eden]]. Shaun's voice came in through the Animus.<ref>''Assassin's Creed III'' – [[Oak Island (memory)]]</ref> |
| | *'''Shaun:''' ''That's a curious little piece isn't it? Well, I've worked my incredible and bottomless magic and that little thing is in fact of First Civilization origin. It seems they used them as personal shields. It gives off a rather powerful electromagnetic field—explains its aversion to metal. Also explains why Kidd's legend tells of him being invincible. Having that trinket in your pocket would easily bend a musket ball's trajectory. Nifty little thing, really. Anyway, just thought you'd want to know, please do carry on!'' |
| | |} |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Second Power Source |
| |- | | |- |
| |Desmond left the Animus after exploring more of Connor's memories. | | |Desmond left the Animus after exploring more of Connor's memories. |
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| *'''Desmond:''' ''Where to?'' | | *'''Desmond:''' ''Where to?'' |
| *'''Shaun:''' ''Brazil.'' | | *'''Shaun:''' ''Brazil.'' |
| Desmond and the team traveled to Brazil and recovered the second power source.<ref>''Assassin's Creed III'' – [[The Stadium: MMA Night]]</ref> | | Desmond and the team traveled to [[São Paulo]], Brazil and [[The Stadium: MMA Night|recovered]] the second power source.<ref>''Assassin's Creed III'' – [[The Stadium: MMA Night]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" | Before Sequence 9 | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Juno encounters 3 & 4 |
| | |- |
| | |Just before Desmond reached a set of broken stars, Juno appeared to him. |
| | *'''Juno:''' ''What is a fact? Is it fixed? Immutable? Certain in its existence and only awaiting discovery? Or might it be changed? Here we learned the answer—and thought that it might save us. They were used to command. To control. To own. But we soon discovered another use. When enough sat in thrall and were told to believe, their thoughts took on form. What was imagined became real. If a hundred minds could wish away a wall or create a tree, what might a thousand do? Ten thousand? More? Might we change the consensus and will the threat away? We resolved to send one into the sky where it illuminate us all. Once placed, a sentence would be uttered: Make us safe. In this way, we would change the consensus. We would save the world. But it never came to be. We sent a dozen of them skyward—but there was no way to maintain control. To direct the beam. To enthrall the world. To speak the words. Though this was strange and dangerous—what we tried next was worse...'' |
| | Desmond climbed up the broken flights of spiraling stairs. Near the top, Juno spoke to him again. |
| | *'''Juno:''' ''Our first instance was to travel back. To change the past. But we could not find a way. But forward... We could look forward... And so here we sought to see beyond ourselves—and know what was to come. First we watched to learn if our work would succeed. But the answer was always the same. So we moved on to other things, but she remained. The one you call Minerva. In time she too stopped looking—and instead began to speak. She called out across time in the hopes that you might be saved. She hid messages where none might find them, save for you and those within this place...'' |
| | *'''William:''' ''Fascinating...'' |
| | *'''Desmond:''' ''I'm tired of it. The cryptic warnings. The threats. Just tell us what you want!'' |
| | *'''William:''' ''But they are... "[[wikisource:Bible (King James)/Numbers|We saw the Nephilim there]]. We seemed like grasshoppers in our own eyes, and we looked the same to them." Imagine trying to explain all this to a two-year-old. To a grasshopper. When they said the will of the gods was unknowable, they meant it—literally.'' |
| | *'''Desmond:''' ''I killed her, you know. I killed Lucy.'' |
| | *'''William:''' ''It was the Apple, son. It was Juno.'' |
| | *'''Desmond:''' ''I saw what she was. What would happen if I let her live. I could have stopped myself. I mean... there was a force there. But I didn't have to. I chose to.'' |
| | *'''William:''' ''Desmond...'' |
| | *'''Desmond:''' ''Lucy was going to betray us and take the Apple back to Abstergo. I saw the satellite launch. I saw them turn it on. And then... it failed... Whatever's on the other side of that door—it benefits Juno. We need to be careful.'' |
| | He eventually found the power socket and plugged the next source into it. |
| | *'''Desmond:''' ''I wonder what stories the temple will tell me today...'' |
| | |} |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Before Sequence 9 |
| |- | | |- |
| |Desmond and the team returned with the second power source. | | |Desmond and the team returned with the second power source. |
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| *'''Shaun:''' ''Unbelievable...'' | | *'''Shaun:''' ''Unbelievable...'' |
| *'''Desmond:''' ''What's up?'' | | *'''Desmond:''' ''What's up?'' |
| *'''Shaun:''' ''Your politicians are constantly referencing the founding fathers—and insisting they must have been in support of one thing or another. I have never seen such a blatant disregard for history.'' | | *'''Shaun:''' ''Your politicians are constantly referencing the [[Founding Fathers|founding fathers]]—and insisting they must have been in support of one thing or another. I have never seen such a blatant disregard for history.'' |
| *'''Desmond:''' ''That's just typical political propaganda.'' | | *'''Desmond:''' ''That's just typical political propaganda.'' |
| *'''Shaun:''' ''It's also dishonest and delusional. How could anyone claim to know what these people wanted based off scraps of paper and wishful thinking?'' | | *'''Shaun:''' ''It's also dishonest and delusional. How could anyone claim to know what these people wanted based off scraps of paper and wishful thinking?'' |
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| *'''Shaun:''' ''Idealistic... and unlikely. I don't think most of your presidents and senators and judges care what the founders thought. They just want to know how they can bend old words to achieve modern goals. Who cares if they were deists or theists or [[Alexander Hamilton|wanted a central bank]]. Why do people need the validation? What should matter is what you—as an individual, believe. And why you believe it. What? Are we so insecure that we have to find 18th century letters to validate our beliefs? Oh, look mom! A dead man agreed with me. Maybe. If you transpose the letters in his shopping list you can plainly see he was on my side.'' | | *'''Shaun:''' ''Idealistic... and unlikely. I don't think most of your presidents and senators and judges care what the founders thought. They just want to know how they can bend old words to achieve modern goals. Who cares if they were deists or theists or [[Alexander Hamilton|wanted a central bank]]. Why do people need the validation? What should matter is what you—as an individual, believe. And why you believe it. What? Are we so insecure that we have to find 18th century letters to validate our beliefs? Oh, look mom! A dead man agreed with me. Maybe. If you transpose the letters in his shopping list you can plainly see he was on my side.'' |
| *'''Desmond:''' ''Jesus, Shaun. That's a cynical way to look at it...'' | | *'''Desmond:''' ''Jesus, Shaun. That's a cynical way to look at it...'' |
| *'''Shaun:''' ''Doesn't make it less true. I keep trying to understand how men like Washington and [[Thomas Jefferson|Jefferson]] could dedicate their lives to the pursuit of liberty and equality, yet have no problem owning [[Slavery|slaves]]. It's hypocritical in the extreme. And your history books make only passing mention of the subject. As if... as if it were of little consequence.'' | | *'''Shaun:''' ''Doesn't make it less true. I keep trying to understand how men like Washington and [[Thomas Jefferson|Jefferson]] could dedicate their lives to the pursuit of liberty and equality, yet have no problem owning slaves. It's hypocritical in the extreme. And your history books make only passing mention of the subject. As if... as if it were of little consequence.'' |
| *'''Desmond:''' ''They had a war to win. A country's future to secure. How could they deal with all these issues at the same time?'' | | *'''Desmond:''' ''They had a war to win. A country's future to secure. How could they deal with all these issues at the same time?'' |
| *'''Shaun:''' ''Spoken like a true apologist. We hear it today too. That matters of civil rights and equality must wait. There are conflicts to settle. Economies to salvage. What do any of these things matter if the people are not free and equal. ALL of them.'' | | *'''Shaun:''' ''Spoken like a true apologist. We hear it today too. That matters of civil rights and equality must wait. There are conflicts to settle. Economies to salvage. What do any of these things matter if the people are not free and equal. ALL of them.'' |
| | Shaun decided to change the subject and ruminate on discoveries in the Animus. |
| | *'''Shaun:''' ''I wish there was a way for us to share what we learned from the Animus with others. Imagine being able to accurately answer questions about the past—or experience lost civilizations?'' |
| | *'''Desmond:''' ''But how would you cite it? We can't just reveal the machine's existence to the world.'' |
| | *'''Rebecca:''' ''Why not?'' |
| | *'''Shaun:''' ''Desmond's right. It would be dangerous. And we still haven't found a way to manage the Bleeding Effect.'' |
| | *'''Desmond:''' ''Maybe when we're done saving the world, we can look into it.'' |
| | *'''Shaun:''' ''Even if we do manage to stave off the apocalypse, it's not like the Templars are simply going to disappear. I suspect our fight will continue long after this latest battle is finished...'' |
| Before Desmond went back into the Animus, Shaun discovered a third power source which William volunteered to retrieve on his own. | | Before Desmond went back into the Animus, Shaun discovered a third power source which William volunteered to retrieve on his own. |
| *'''Shaun:''' ''Look at that! I've found a third power source!'' | | *'''Shaun:''' ''Look at that! I've found a third power source!'' |
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| *'''Shaun:''' ''It popped up in an earlier search, but I've only just managed to confirm it.'' | | *'''Shaun:''' ''It popped up in an earlier search, but I've only just managed to confirm it.'' |
| *'''Desmond:''' ''Where?'' | | *'''Desmond:''' ''Where?'' |
| *'''Shaun:''' ''There's a {{Wiki|Egyptian Museum|museum}} in [[Cairo]] with one on display.'' | | *'''Shaun:''' ''There's a [[Egyptian Museum|museum]] in [[Cairo]] with one on display.'' |
| *'''Desmond:''' ''I guess Connor will have to wait.'' | | *'''Desmond:''' ''I guess Connor will have to wait.'' |
| *'''William:''' ''No. You stay. We need to find that key—and time is running out. I'll make the trip.'' | | *'''William:''' ''No. You stay. We need to find that key—and time is running out. I'll make the trip.'' |
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| *'''Rebecca:''' ''Ready when you are, Desmond.'' | | *'''Rebecca:''' ''Ready when you are, Desmond.'' |
| |} | | |} |
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| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Juno encounters 3 & 4 | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Third Power Source |
| |- | | |- |
| | | | |Rebecca woke Desmond up from the Animus session to tell him urgent news. |
| *'''Juno:''' ''What is a fact? Is it fixed? Immutable? Certain in its existence and only awaiting discovery? Or might it be changed? Here we learned the answer—and thought that it might save us. They were used to command. To control. To own. But we soon discovered another use. When enough sat in thrall and were told to believe, their thoughts took on form. What was imagined became real. If a hundred minds could wish away a wall or create a tree, what might a thousand do? Ten thousand? More? Might we change the consensus and will the threat away? We resolved to send one into the sky where it illuminate us all. Once placed, a sentence would be uttered: Make us safe. In this way, we would change the consensus. We would save the world. But it never came to be. We sent a dozen of them skyward—but there was no way to maintain control. To direct the beam. To enthrall the world. To speak the words. Though this was strange and dangerous—what we tried next was worse... Our first instance was to travel back. To change the past. But we could not find a way. But forward… We could look forward... And so here we sought to see beyond ourselves—and know what was to come. First we watched to learn if our work would succeed. But the answer was always the same. So we moved on to other things, but she remained. The one you call Minerva. In time she too stopped looking—and instead began to speak. She called out across time in the hopes that you might be saved. She hid messages where none might find them, save for you and those within this place...''
| | *'''Rebecca:''' ''Something's happened, Desmond... Abstergo has your dad.'' |
| *'''William:''' ''Fascinating...''
| |
| *'''Desmond:''' ''I'm tired of it. The cryptic warnings. The threats. Just tell us what you want!''
| |
| *'''William:''' ''But they are… "We saw the Nephilim there. We seemed like grasshoppers in our own eyes, and we looked the same to them." Imagine trying to explain all this to a two-year-old. To a grasshopper. When they said the will of the gods was unknowable, they meant it—literally.''
| |
| *'''Desmond:''' ''I killed her, you know. I killed Lucy.''
| |
| *'''William:''' ''It was the Apple, son. It was Juno.''
| |
| *'''Desmond:''' ''I saw what she was. What would happen if I let her live. I could have stopped myself. I mean... there was a force there. But I didn't have to. I chose to.''
| |
| *'''William:''' ''Desmond...''
| |
| *'''Desmond:''' ''Lucy was going to betray us and take the Apple back to Abstergo. I saw the satellite launch. I saw them turn it on. And then... it failed... Whatever's on the other side of that door—it benefits Juno. We need to be careful.''
| |
| |}
| |
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| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Third Power Source
| |
| |-
| |
| |Desmond woke from the Animus with news that his father had been kidnapped by Abstergo and were holding him hostage in exchange for the Apple of Eden.
| |
| *'''Rebecca:''' ''Something's happened, Desmond... Abstergo has your dad.'' | |
| *'''Desmond:''' ''Where?'' | | *'''Desmond:''' ''Where?'' |
| *'''Shaun:''' ''Italy. Same place they were holding you.'' | | *'''Shaun:''' ''Italy. Same place they were holding you.'' |
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| Desmond narrated the decision to go to Italy and rescue his father. | | Desmond narrated the decision to go to Italy and rescue his father. |
| *'''Desmond:''' ''I always knew it would come to this—just not so soon. I wonder if Abstergo even knows what's about to happen… And has this been a part of their plan all along? Maybe they want the world to end. To see it all burned away. Then they'd have their new world—ripe for the reshaping... We talked about looking for another power source. Leaving him there. That's probably what he'd want. For us to finish the mission. But I can't. It's hard enough taking a life—but letting one be taken... Knowing there was something I could do about it. Not a chance. Might be I'm risking my life—risking all our lives to save an asshole. But what else am I supposed to do? That asshole is my dad.'' | | *'''Desmond:''' ''I always knew it would come to this—just not so soon. I wonder if Abstergo even knows what's about to happen… And has this been a part of their plan all along? Maybe they want the world to end. To see it all burned away. Then they'd have their new world—ripe for the reshaping... We talked about looking for another power source. Leaving him there. That's probably what he'd want. For us to finish the mission. But I can't. It's hard enough taking a life—but letting one be taken... Knowing there was something I could do about it. Not a chance. Might be I'm risking my life—risking all our lives to save an asshole. But what else am I supposed to do? That asshole is my dad.'' |
| Desmond managed to infiltrate Abstergo, kill both Daniel Cross and Warren, and rescue his father.<ref>''Assassin's Creed III'' – [[Return to Abstergo]]</ref> | | Desmond managed to [[Return to Abstergo|infiltrate]] Abstergo, kill both Daniel and Warren, and rescue his father.<ref>''Assassin's Creed III'' – [[Return to Abstergo]]</ref> |
| |} | | |} |
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| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Juno encounters 5 & 6 | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Juno encounters 5 & 6 |
| |- | | |- |
| | | | |Desmond came to a set of First Civilization bedchambers when Juno appeared to him. |
| *'''Juno:''' ''A new world approached. One that was dark and cold. It would consume us. For we were flesh and flesh is frail. Though suits and shields might offer comfort—such adornments would not suffice... Not to save us all... So we sought to change what we were. In this manner we might thrive in a world made poisonous... It was [[Aita]] who volunteered to see if it might be done. Aita, my husband, my love. In the end it changed him... Ruined him... He was made a prisoner of the machines. The body might survive—but his mind became brittle to the touch... He begged me for release. For days—for weeks—for months. I pleaded with him to give us more time to find another way. But there wasn't one. Not for him. Not for us... What is consciousness but a series of electrical impulses... And the body a vessel to hold these sparks. But it is weak. In time, it decays and crumbles into dust... We asked ourselves, then: what if it might be replaced—with something stronger. Something better. So we forged a new vessel. One that might endure. It proved easy enough to enter... But to leave... To leave required something more... Something wrong... And so this too they abandoned. I wondered, though... were they right to turn away...'' | | *'''Juno:''' ''A new world approached. One that was dark and cold. It would consume us. For we were flesh and flesh is frail. Though suits and shields might offer comfort—such adornments would not suffice... Not to save us all... So we sought to change what we were. In this manner we might thrive in a world made poisonous... It was [[Aita]] who volunteered to see if it might be done. Aita, my husband, my love. In the end it changed him... Ruined him... He was made a prisoner of the machines. The body might survive—but his mind became brittle to the touch... He begged me for release. For days—for weeks—for months. I pleaded with him to give us more time to find another way. But there wasn't one. Not for him. Not for us...'' |
| | Desmond climbed the room's central pedestals and navigated his way up to a small ledge with pillars. There, Juno spoke to him again. |
| | *'''Juno:''' ''What is consciousness but a series of electrical impulses... And the body a vessel to hold these sparks. But it is weak. In time, it decays and crumbles into dust... We asked ourselves, then: what if it might be replaced—with something stronger. Something better. So we forged a new vessel. One that might endure. It proved easy enough to enter... But to leave... To leave required something more... Something wrong... And so this too they abandoned. I wondered, though... were they right to turn away...'' |
| |} | | |} |
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| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Before Sequence 11 | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Before Sequence 11 |
| |- | | |- |
| |Desmond and the team returned from Italy. | | |Desmond and the team returned from Italy. |
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| *'''Shaun:''' ''How do you know?'' | | *'''Shaun:''' ''How do you know?'' |
| *'''Desmond:''' ''I just... do.'' | | *'''Desmond:''' ''I just... do.'' |
| Shaun talked about his discovery of {{Wiki|manna}}. | | Shaun talked about his discovery of [[manna]]. |
| *'''Shaun:''' ''I've been poking around a bit. Did you know that there are machines down here that make... well, manna.'' | | *'''Shaun:''' ''I've been poking around a bit. Did you know that there are machines down here that make... well, manna.'' |
| *'''Rebecca:''' ''Wizard manna or Biblical manna?'' | | *'''Rebecca:''' ''Wizard manna or Biblical manna?'' |
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| *'''Desmond:''' ''His name was Clay.'' | | *'''Desmond:''' ''His name was Clay.'' |
| *'''Rebecca:''' ''Sorry. Didn't Clay say Washington was a Templar?'' | | *'''Rebecca:''' ''Sorry. Didn't Clay say Washington was a Templar?'' |
| *'''Shaun:''' ''No. He indicated that Washington came into [[Apple of Eden 3|contact]] with an Apple of Eden. But beyond that, it's all speculation. Furthermore, judging from the portrait referenced by Clay, the event occurred much later in Washington's life. Perhaps Connor wasn't even involved. It's very hard to know for sure. We'll just have to wait and see what—[[The Tyranny of King Washington|if anything]]—happens.'' | | *'''Shaun:''' ''No. He indicated that Washington came into [[Lucid Memory Fragments|contact]] with an [[Apple of Eden 3|Apple of Eden]]. But beyond that, it's all speculation. Furthermore, judging from the portrait referenced by Clay, the event occurred much later in Washington's life. Perhaps Connor wasn't even involved. It's very hard to know for sure. We'll just have to wait and see what—[[The Tyranny of King Washington|if anything]]—happens.'' |
| Rebecca asked Desmond about returning to Abstergo's facility in Rome. | | Rebecca asked Desmond about returning to Abstergo's facility in Rome. |
| *'''Rebecca:''' ''So, what was it like being back at Abstergo?'' | | *'''Rebecca:''' ''So, what was it like being back at Abstergo?'' |
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| As Desmond was about to enter the Animus, he asked his father if he could come home, to which his father showed enthusiasm. | | As Desmond was about to enter the Animus, he asked his father if he could come home, to which his father showed enthusiasm. |
| *'''Desmond:''' ''Hey...so, uh, when this is over… And assuming it all works out… I was hoping I could... you know... come home.'' | | *'''Desmond:''' ''Hey...so, uh, when this is over… And assuming it all works out… I was hoping I could... you know... come home.'' |
| *'''William:''' ''I'd like nothing more. '' | | *'''William:''' ''I'd like nothing more.'' |
| William provided words of encouragement to Desmond before starting the last Animus session. | | William provided words of encouragement to Desmond before starting the last Animus session. |
| *'''William:''' ''Home stretch, Desmond. I can feel it.'' | | *'''William:''' ''Home stretch, Desmond. I can feel it.'' |
| | Desmond resumed Ratonhnhaké:ton's memories as he prepared for the [[Battle of the Chesapeake]].<ref>''Assassin's Creed III'' – [[Battle of the Chesapeake (memory)]]</ref> |
| |} | | |} |
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| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |End of a Hero | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Absconded Amulet |
| | |- |
| | |Desmond's team reacted in shock after watching Ratonhnhaké:ton kill Haytham during the [[Attack on Fort George|attack]] on [[Fort George]].<ref>''Assassin's Creed III'' – [[Lee's Last Stand]]</ref> |
| | *'''William:''' ''We've got a problem. Haytham doesn't have the amulet anymore.'' |
| | *'''Rebecca:''' ''But the Temple's still sending data. There must be more to the story.'' |
| | *'''Shaun:''' ''Only one way to find out.'' |
| | They waited as Desmond skipped ahead in Ratonhnhaké:ton's memories to Haytham's funeral a few months later.<ref>''Assassin's Creed III'' – [[Laid to Rest]]</ref> |
| | |} |
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| | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|End of a Hero |
| |- | | |- |
| |After learning that Ratonhnhaké:ton had buried the Grand Temple Key in the grave of his namesake [[Connor Davenport]] on the [[Davenport Homestead]]port,<ref>''Assassin's Creed III'' – [[Chasing Lee]]</ref> Desmond, William, Shaun, and Rebecca recovered the artifact and returned to the Grand Temple to attempt opening the far gate. | | |After learning that Ratonhnhaké:ton had buried the Grand Temple Key in the grave of his namesake [[Connor Davenport]] on the [[Davenport Homestead]],<ref>''Assassin's Creed III'' – [[Chasing Lee]]</ref> Desmond, William, Shaun, and Rebecca recovered the artifact and returned to the Grand Temple to attempt opening the far gate. |
| *'''Desmond:''' ''Moment of truth.'' | | *'''Desmond:''' ''Moment of truth.'' |
| Desmond placed the amulet in the circular key pad, which let out a bright flare as the solid light barrier faded away. The team proceeded to make their way towards the ending of the path, leading to a [[Global aurora borealis device|spherical device]]. | | Desmond placed the amulet in the circular key pad, which let out a bright flare as the solid light barrier faded away. The team proceeded to make their way towards the ending of the path, leading to a [[Global aurora borealis device|spherical device]]. |
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| Desmond's body and the funeral attendees faded away, replaced by wooden blocks that spelled out "<span style="font-variant:small-caps;">Heed These Words And You Will Be Saved</span>". | | Desmond's body and the funeral attendees faded away, replaced by wooden blocks that spelled out "<span style="font-variant:small-caps;">Heed These Words And You Will Be Saved</span>". |
| *'''Juno:''' ''You will be remembered first as a hero. Later as a legend. And in time... As a god.'' | | *'''Juno:''' ''You will be remembered first as a hero. Later as a legend. And in time... As a god.'' |
| As Juno finished speaking, the blocks rotated to represent the passing of time, and the phrase was corrupted to a more sinister "<span style="font-variant:small-caps;">Heed These Words Or Perish As A Heretic</span>" The words then changed texture to become embossed font on a book cover, and the scene shifted to show a priest holding the book aloft to a crowd as he stood on a stage with three lit braziers and guarded by [[spear]]men. | | As Juno finished speaking, the blocks rotated to represent the passing of time, and the phrase was corrupted to a more sinister "<span style="font-variant:small-caps;">Heed These Words Or Perish As A Heretic</span>". The words then changed texture to become embossed font on a book cover, and the scene shifted to show a priest holding the book aloft to a crowd as they stood on a stage with three lit braziers and guarded by [[spear]]men. |
| *'''Juno:''' ''It is the cruelest fate. To have written words that meant well—and see them made wicked and unwise. What was meant to encourage life—used instead to justify taking it! And so now you see... That what was shall be again. So tell me: How is this better?'' | | *'''Juno:''' ''It is the cruelest fate. To have written words that meant well—and see them made wicked and unwise. What was meant to encourage life—used instead to justify taking it! And so now you see... That what was shall be again. So tell me: How is this better?'' |
| The vision ended, and Desmond, Juno, and Minerva continued their conversation. | | The vision ended, and Desmond, Juno, and Minerva continued their conversation. |
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| *'''News reporter:''' ''...it's some sort of global aurora borealis... ...never seen anything like this before... ...eyewitnesses describe electrical storms and erratic displays of unusual weather... residents are being asked to remain INSIDE and wait for... ...geological surveys are now reporting seismic activity throughout the {{Wiki|Ring of Fire|ring of fire}}... northeastern [[Canada]] is said to be experiencing the largest... on record... ...satellites and transformers are failing as the flare increases in intensity... Worldwide reports of blackouts and... ...seems to be receding... Residual seismic activity and volcanic activity is being reported, but nothing approaching earlier levels... Obviously it will be a while before experts are able to assess the full extent of the damage caused by today's event. But it appears the worst is behind us... We'll be sure to bring you more as this story develops...'' | | *'''News reporter:''' ''...it's some sort of global aurora borealis... ...never seen anything like this before... ...eyewitnesses describe electrical storms and erratic displays of unusual weather... residents are being asked to remain INSIDE and wait for... ...geological surveys are now reporting seismic activity throughout the {{Wiki|Ring of Fire|ring of fire}}... northeastern [[Canada]] is said to be experiencing the largest... on record... ...satellites and transformers are failing as the flare increases in intensity... Worldwide reports of blackouts and... ...seems to be receding... Residual seismic activity and volcanic activity is being reported, but nothing approaching earlier levels... Obviously it will be a while before experts are able to assess the full extent of the damage caused by today's event. But it appears the worst is behind us... We'll be sure to bring you more as this story develops...'' |
| Back in the Grand Temple, a freed Juno appeared and touched the aurora borealis device. | | Back in the Grand Temple, a freed Juno appeared and touched the aurora borealis device. |
| *'''Juno:''' ''It is done. The world is saved. | | *'''Juno:''' ''It is done. The world is saved.'' |
| She looked down at Desmond's corpse. | | She looked down at Desmond's corpse. |
| *'''Juno:''' ''You played your part well, Desmond. But now... Now it's time that I played mine.'' | | *'''Juno:''' ''You played your part well, Desmond. But now... Now it's time that I played mine.'' |
| With that, Juno stepped over Desmond's body and exited the Temple for the first time in millennia. | | With that, Juno stepped over Desmond's body and exited the Temple for the first time in millennia. |
| |} | | |} |
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| ! style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Cloud | | !style="background:#4682b4; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Cloud |
| |- | | |- |
| |An Abstergo employee began explaining to a colleague on how to synchronize Desmond's data to the cloud. | | |An Abstergo employee began explaining to a colleague on how to synchronize Desmond's data to the [[Abstergo Cloud|cloud]]. |
| *'''Abstergo employee:''' ''Alright! We're up and running. This code is hacked to all hell—nicely hacked but hacked. The worm found three pivots before failing, so we've got those. You need to locate the remaining pivots on your own from inside. The three we've got will triangulate the rest. It's a sweet bit of hacking on my part if I dare say—each pivot detects the others in proximity. The should be twelve total. Every one you find is supposed to produce a hex cipher and that's what we're after. Once you find them all, we'll sequence the code, package the data and Bob's your uncle. Now, don't putz around too much in revolutionary America—I know it's tempting. So I've planted two of our pivots, not easy from my end, believe you me, but there they are. You can see those two activating a buried one... kinda. If you drop the third one we have, the buried pivot's precise location should resolve. Then go gather the hex cipher, rinse, and repeat. If you get a chance I'd love to see Franklin's Glass Harmonica in person... just a side note. Have fun!'' | | *'''Abstergo employee:''' ''Alright! We're up and running. This code is hacked to all hell—nicely hacked but hacked. The worm found three pivots before failing, so we've got those. You need to locate the remaining pivots on your own from inside. The three we've got will triangulate the rest. It's a sweet bit of hacking on my part if I dare say—each pivot detects the others in proximity. The should be twelve total. Every one you find is supposed to produce a hex cipher and that's what we're after. Once you find them all, we'll sequence the code, package the data and Bob's your uncle. Now, don't putz around too much in revolutionary America—I know it's tempting. So I've planted two of our pivots, not easy from my end, believe you me, but there they are. You can see those two activating a buried one... kinda. If you drop the third one we have, the buried pivot's precise location should resolve. Then go gather the hex cipher, rinse, and repeat. If you get a chance I'd love to see Franklin's Glass Harmonica in person... just a side note. Have fun!'' |
| After finding all pivots, Desmond's data was uploaded to the cloud. | | After finding all pivots, Desmond's data was uploaded to the cloud. |
| *'''Abstergo employee:''' ''Holy crap. We did it. It's done. His data's uploading to the cloud! HAHAHAHAHAHA! {{Wiki|Las Vegas|Vegas}} baby! Vegas!'' | | *'''Abstergo employee:''' ''Holy crap. We did it. It's done. His data's uploading to the cloud! HAHAHAHAHAHA! [[Las Vegas|Vegas]] baby! Vegas!'' |
| |} | | |} |
|
| |
|
| ==''[[Assassin's Creed IV: Black Flag]]''== | | ==''[[Assassin's Creed IV: Black Flag]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Welcome to Abstergo Entertainment | | !style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Welcome to Abstergo Entertainment |
| |- | | |- |
| |After an [[Abstergo Entertainment]] [[Noob|research analyst]] relived [[Edward Kenway]]'s memory in which he survived the ''[[Jacobite]]''{{'}}s destruction and killed [[Duncan Walpole]],<ref>''[[Assassin's Creed IV: Black Flag]]'' – [[Edward Kenway (memory)|Edward Kenway]]</ref> they were taken out of the simulation by [[Melanie Lemay]]. | | |After an [[Abstergo Entertainment]] [[Noob|research analyst]] relived [[Edward Kenway]]'s memory in which he survived the ''[[Jacobite]]''{{'}}s destruction and killed [[Duncan Walpole]],<ref>''[[Assassin's Creed IV: Black Flag]]'' – [[Edward Kenway (memory)]]</ref> they were taken out of the simulation by [[Melanie Lemay]]. |
| *'''Melanie:''' ''Fantastic work! Very promising. All right... easy now. There you go. Welcome back. Well, your numbers look good... Now, let's make sure we didn't break your brain, all right? I need you to move your head and look at these lights. Just here. Look up. That's it. Down. So far so good. Let's get you up. So, welcome to the Sample 17 Project. Before you get started, you're gonna need this... | | *'''Melanie:''' ''Fantastic work! Very promising. All right... easy now. There you go. Welcome back. Well, your numbers look good... Now, let's make sure we didn't break your brain, all right? I need you to move your head and look at these lights. Just here. Look up. That's it. Down. So far so good. Let's get you up. So, welcome to the Sample 17 Project. Before you get started, you're gonna need this...'' |
| Melanie inserted an {{Wiki|In-ear monitor|earpiece}} into the analyst's right ear. | | Melanie inserted an {{Wiki|In-ear monitor|earpiece}} into the analyst's right ear. |
| *'''Melanie:''' ''There you go. Testing, testing... 1,2,3... hello, ''bonjour. C'est bon?'' (Hello. Is it good?) It works? All right. Let's take a walk.'' | | *'''Melanie:''' ''There you go. Testing, testing... 1,2,3... hello, ''bonjour. C'est bon?'' (Hello. Is it good?) It works? All right. Let's take a walk.'' |
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| *'''Melanie:''' ''This is for you. The primary tool of our trade. Your communicator. Power it up and give it a look. It's pretty slick. You might have noticed that security seems a little light around here. That's because your communicator is your key to getting around.'' | | *'''Melanie:''' ''This is for you. The primary tool of our trade. Your communicator. Power it up and give it a look. It's pretty slick. You might have noticed that security seems a little light around here. That's because your communicator is your key to getting around.'' |
| Melanie and the analyst entered the elevator. | | Melanie and the analyst entered the elevator. |
| *'''Melanie:''' ''See that flashing wireless signal? It means you're hooked up to the elevator. I'll let you do the honors. We're headed up to the Sample 17 studio. Second floor. | | *'''Melanie:''' ''See that flashing wireless signal? It means you're hooked up to the elevator. I'll let you do the honors. We're headed up to the Sample 17 studio. Second floor.'' |
| The analyst activated the elevator and rode it to the second floor. The doors opened to the front desk, where [[Olivier Garneau]] was talking to an employee. | | The analyst activated the elevator and rode it to the second floor. The doors opened to the front desk, where [[Olivier Garneau]] was talking to an employee. |
| *'''Melanie:''' ''You ready? Let's go! Ah, there's the boss... Olivier Garneau, our CCO. I'll introduce you. ''Bonjour!'' (Hello!)'' | | *'''Melanie:''' ''You ready? Let's go! Ah, there's the boss... Olivier Garneau, our CCO. I'll introduce you. ''Bonjour!'' (Hello!)'' |
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| *'''John:''' ''Not fixing. Calibrating.'' | | *'''John:''' ''Not fixing. Calibrating.'' |
| *'''Melanie:''' ''Calibrating, right. So here we are, your very own Animus workstation. This is all yours, so sit back, relax, and find us some good footage. If you need any hints or tips, the Animus is loaded with tutorial programs, so you'll have no problems. And I'll check in on you later. Happy pirating!'' | | *'''Melanie:''' ''Calibrating, right. So here we are, your very own Animus workstation. This is all yours, so sit back, relax, and find us some good footage. If you need any hints or tips, the Animus is loaded with tutorial programs, so you'll have no problems. And I'll check in on you later. Happy pirating!'' |
| | As the analyst reentered the Animus to continue reliving Edward Kenway's life they were greeted by the Animus Omega's user interface. |
| | *'''Animus Omega:''' ''Welcome to the Animus Omega, Abstergo Entertainment's proprietary Ancestral Memory Research tool. If you have any questions, comments or concerns about how to operate your Animus console, please contact your Project Supervisor, MELANIE LEMAY. You have been registered as part of the SAMPLE 17 project. Your primary research target is EDWARD JAMES KENWAY. BORN MARCH 10 1693. SWANSEA, WALES. Calibrations complete. All signs normal, all systems optimal. Extra-neural Transmitters activated.'' |
| | The analyst also overhead the conversations of various other Abstergo employees: |
| | *'''Abstergo employee 1:''' C'est quel band, déjà, que t'aimes bien? Je crois que j'ai vu le chanteur dans un café sur Rachel. ''(What's that band you like? I think I saw the lead singer in the Cafe on Rachel.)'' |
| | *'''Abstergo employee 2:''' Lequel? ''(Which one?)'' |
| | *'''Abstergo employee 1:'''Celui au coin de Rachel et Charlemagne. ''(On Rachel and Charlemagne.)'' |
| | *'''Abstergo employee 2:'''Non, quel groupe? ''(No, which band?)'' |
| | *'''Abstergo employee 1:'''Oh, je sais pas. Le gars était vraiment grand, avec des cheveux longs et raides. ''(Oh, I don't know. He was really tall. With long straight hair.)'' |
| | *'''Abstergo employee 2:''' Bowie? ''([[David Jones|Bowie]]?)'' |
| | *'''Abstergo employee 1:'''Non, pas Bowie. Qu'est-ce qu'il ferait ici? C'est un groupe du coin. ''(No, not Bowie. Why would he be here? It's a local band.)'' |
| | *'''Abstergo employee 2:''' Ouais... Moi, j'aime plus trop les groupes du coin. ''(Hm. I don't really like any local bands anymore.)'' |
| | *'''Abstergo employee 1:''' Bah, laisse faire. ''(Oh, forget it.)'' |
| | |
| | *'''Abstergo employee 3:''' ''If they had better restaurants out here, this place would be perfect.'' |
| | *'''Abstergo employee 4:''' ''I treat myself to long lunches some days. Spend a bit extra, take the metro into town. 10 minutes.'' |
| | *'''Abstergo employee 3:''' ''That's a good idea. Six bucks round trip.'' |
| | *'''Abstergo employee 4:''' ''Exactly. And you have the whole {{wiki|Underground City, Montreal|RÉSO}} to wander around.'' |
| | *'''Abstergo employee 3:''' ''Wait... you go all the way into town so you can eat at the Mall? Come on man.'' |
| | |
| | *'''Abstergo employee 5:''' J'ai demandé à faire des recherches sur Connor Kenway, mais ils l'ont refilé à un anglophone! ''(I put in a request to research [[Ratonhnhaké:ton|Connor Kenway]], but they gave him to an Anglophone!)'' |
| | *'''Abstergo employee 6:''' C'est toujours pareil, c'est pour une histoire de langue. Peut-être que le Sujet 17 avait des ancêtres français? ''(That's typical. It's a language thing. Maybe Subject 17 had a few French relatives?)'' |
| | *'''Abstergo employee 5:''' ''I speak English just fine.'' |
| | *'''Abstergo employee 6:''' Ouais, mais toutes ces expressions du XVIIIe me font capoter. Ça pourrait être de l'allemand. ''(Yeah, but all those 18th century idioms are crazy. It might as well be German.)'' |
| | *'''Abstergo employee 5:''' Ouais peut-être. Mais peut-être aussi que Lafayette était de sa famille? ''(I suppose so. Maybe Lafayette was one of his relatives?)'' |
| | *'''Abstergo employee 6:''' Probablement pas. Mais, c'est vrai que ce serait cool. ''(Probably not Lafayette. But, yeah, that would be cool.)'' |
| | |
| | *'''Abstergo employee 7:''' ''Have you had a chance to go over the Marketing test results?'' |
| | *'''Abstergo employee 8:''' ''You mean the...'' |
| | *'''Abstergo employee 7:''' ''For the consumer cloud app. Surrogate genetic memory streaming.'' |
| | *'''Abstergo employee 8:''' ''Oh! Yes, I did. Lot's of promising stuff there. Borealis. Aura. Aurora. Simulous. Animini. Those are my favorites.'' |
| | *'''Abstergo employee 7:''' ''You liked Simulous? Really?'' |
| | |
| | *'''Abstergo employee 9:''' Eh, Jérôme t'a parlé de la cabane à sucre, au printemps prochain? On sera quelques-uns à y aller... Matt, Max, Jeremy, Aaron... ''(Hey, did Jerome tell you about the {{wiki|sugar shack}} next spring? There's a bunch of us going... Matt, Max, Jeremy, Aaron.)'' |
| | *'''Abstergo employee 10:''' Jonathan m'en a parlé. Je lui ai dit de me garder deux places. ''(Jonathan did. I told him to put me down for two.)'' |
| | *'''Abstergo employee 9:''' Ah, ouais, ouais, cool. Ah c'est un endroit super, mais si tu réserves pas au moins six mois à l'avance, tu peux oublier. ''(Good. Good. This place is amazing, but if you don't make reservations six months ahead, you'll never get in.)'' |
| |} | | |} |
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| ! style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |A Small Favor | | !style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|A Small Favor |
| |- | | |- |
| | | | | |
| After reliving Edward's memory in which he killed [[Julien du Casse]],<ref>''Assassin's Creed IV: Black Flag'' – [[A Single Madman]]</ref> the analyst exited the Animus and was met by Melanie. | | After reliving Edward's memory in which he killed [[Julien du Casse]],<ref>''Assassin's Creed IV: Black Flag'' – [[A Single Madman]]</ref> the analyst exited the Animus and was met by Melanie. |
| *'''Melanie:''' ''Hey! I just saw you were logging out. I thought I'd stop by to give you something. A little welcome gift. We give awards for top-notch employees doing quality work. And they're nice to have, since there's no official bonus scheme here. I already have about eleven or so— Oh... ''Bonjour?'' (Hello?)... Of course... I'll pass it on. Well... looks like Olivier wants to meet with you. It's exciting! Follow me. | | *'''Melanie:''' ''Hey! I just saw you were logging out. I thought I'd stop by to give you something. A little welcome gift. We give awards for top-notch employees doing quality work. And they're nice to have, since there's no official bonus scheme here. I already have about eleven or so— Oh... ''Bonjour?'' (Hello?)... Of course... I'll pass it on. Well... looks like Olivier wants to meet with you. It's exciting! Follow me.'' |
| Melanie led the analyst to the elevator. | | Melanie led the analyst to the elevator. |
| *Melanie: ''It's on the top floor, so it's not hard to find. But the rest of this building can be confusing to first-timers, so we had the tools team whip up a great Map application... Check your communicator. I added a waypoint to Olivier's office. It should be easy to find. Olivier's a nice guy. He won't bite.'' | | *Melanie: ''It's on the top floor, so it's not hard to find. But the rest of this building can be confusing to first-timers, so we had the tools team whip up a great Map application... Check your communicator. I added a waypoint to Olivier's office. It should be easy to find. Olivier's a nice guy. He won't bite.'' |
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| *'''Secretary:''' Bonjour. ''(Hello!) Go right in. He's waiting for you.'' | | *'''Secretary:''' Bonjour. ''(Hello!) Go right in. He's waiting for you.'' |
| The analyst entered Olivier's office, where he was pacing about as he concluded a conversation with Laetitia England over a headset. | | The analyst entered Olivier's office, where he was pacing about as he concluded a conversation with Laetitia England over a headset. |
| *'''Olivier:''' ''...is our priority. But— Well—Well, unless you are specifically ordering me to abandon it, I won't jeopardize our flagship project. Edward Kenway is the—But this is... but this is how Hollywood got its start, right? With pirate movies! {{Wiki|Douglas Fairbanks}}, {{Wiki|Errol Flynn}}. And now we have access to the real deal! ''Oui-oui...'' (Yes...) Exactly. We'll talk about all that together at the shareholders event. Right. Looking forward to seeing you. Take care, Laetitia. | | *'''Olivier:''' ''Look, the Sample 17 teams are in full production mode right now, and the Kenway line is our priority... But— Well—Well, unless you are specifically ordering me to abandon it, I won't jeopardize our flagship project. Edward Kenway is the—But this is... but this is how Hollywood got its start, right? With pirate movies! [[Douglas Fairbanks]], [[Errol Flynn]]. And now we have access to the real deal! ''Oui-oui...'' (Yes...) Exactly. We'll talk about all that together at the shareholders event. Right. Looking forward to seeing you. Take care, Laetitia.'' |
| Olivier ended the call and turned to the analyst, before walking to look out his balcony and inviting the analyst to follow. | | Olivier ended the call and turned to the analyst, before walking to look out his balcony and inviting the analyst to follow. |
| *'''Olivier:''' Bonjour. ''(Hello.) Hi, thanks for coming in. I know you're busy. So I reviewed some of your data. Pretty raw stuff! Obviously we need to scrub off some of the dirt to make it family friendly. Maybe give Edward a voice like {{Wiki|James Bond}} or something. more of a ladies man. A beautiful city, no? So... the main reason I asked you here concerns something called The [[Observatory (Isu)|Observatory]]. It's been mentioned a few times in the footage you found. I'd like to encourage you to focus on locating this specific set of memories as soon as possible. If it were up to me, ''on sans carise'' (we don't care)... I wouldn't bother. But some bigwigs at Abstergo Industries have been hounding me for days. So follow whatever leads you find, and hopefully we can a— Incoming call. I have to take this. We'll keep in touch. ''Allen,bonjour. Oui. Oui, oui.Tout va bien. ''(Good day. Allen, hello. Yeah. Everything is fine. Of course I do.)'' | | *'''Olivier:''' Bonjour. ''(Hello.) Hi, thanks for coming in. I know you're busy. So I reviewed some of your data. Pretty raw stuff! Obviously we need to scrub off some of the dirt to make it family friendly. Maybe give Edward a voice like {{Wiki|James Bond}} or something, more of a ladies man. A beautiful city, no? So... the main reason I asked you here concerns something called The [[Observatory (Isu)|Observatory]]. It's been mentioned a few times in the footage you found. I'd like to encourage you to focus on locating this specific set of memories as soon as possible. If it were up to me, ''on sans carise'' (we don't care)... I wouldn't bother. But some bigwigs at Abstergo Industries have been hounding me for days. So follow whatever leads you find, and hopefully we can a— Incoming call. I have to take this. We'll keep in touch. ''Bonne journée. Allen, bonjour. Oui. Oui, oui. Tout va bien. Naturellement.'' (Good day. Allen, hello. Yeah. Everything is fine. Of course I do.)'' |
| As the analyst left Olivier's office, John patched into their earpiece again as they passed the secretary and returned to the elevator. | | As the analyst left Olivier's office, John patched into their earpiece again as they passed the secretary and returned to the elevator. |
| *'''John:''' ''Hi. John from IT again. You got a second? Good. I'm adding a waypoint to your map. So, a colleague of yours left for vacation this morning and forgot to send a video file she promised me. Since I hate just about everyone else on your floor, I was hoping you could help me. Could you transfer the file from her computer and deliver it to the courier when she comes? It'll be easy. You just wander over to their Animus, log in, and transfer the file. Easy. And please be snappy. Before I find a reason to hate you too.'' | | *'''John:''' ''Hi. John from IT again. You got a second? Good. I'm adding a waypoint to your map. So, a colleague of yours left for vacation this morning and forgot to send a video file she promised me. Since I hate just about everyone else on your floor, I was hoping you could help me. Could you transfer the file from her computer and deliver it to the courier when she comes? It'll be easy. You just wander over to their Animus, log in, and transfer the file. Easy. And please be snappy. Before I find a reason to hate you too.'' |
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| The analyst bypassed the core's security. | | The analyst bypassed the core's security. |
| *'''John:''' ''You cracked it! Good. The file should be downloading. I set up a database for any data you find. Just look for the "[[Noob's personal files|My Files]]" section in your communicator and you'll be redirected right away. Everything you download will be found in there. Protected by a firewall, of course.'' | | *'''John:''' ''You cracked it! Good. The file should be downloading. I set up a database for any data you find. Just look for the "[[Noob's personal files|My Files]]" section in your communicator and you'll be redirected right away. Everything you download will be found in there. Protected by a firewall, of course.'' |
| The analyst also activated a video of [[Case Fisher]] submitting an audio/visual report on Abstergo's autopsy of Desmond Miles' body and subsequent ''"material extraction"''. | | The analyst also activated a video of [[Case Fisher]] submitting a recorded report on Abstergo's autopsy of Desmond Miles' body and subsequent "material extraction". |
| *'''John:''' ''You're better at this than I'd hoped. Now zip on down to the lobby. Come on! See... that file you acquired... I wouldn't recommend watching it. I mean, you could... but it's unpleasant. So once you hand it off, just pretend this never happened. Okay? Otherwise, you'll just go to bed feeling sad. Anyway, the courier should be waiting downstairs. She's been here a while. I suppose it goes without saying... just because you know how to hack all you colleagues' computers, it doesn't mean you should. I mean... not every day, right? No seriously though, that's illegal. So don't be a dick. Unless that's just your nature.'' | | *'''John:''' ''You're better at this than I'd hoped. Now zip on down to the lobby. Come on! See... that file you acquired... I wouldn't recommend watching it. I mean, you could... but it's unpleasant. So once you hand it off, just pretend this never happened. Okay? Otherwise, you'll just go to bed feeling sad. Anyway, the courier should be waiting downstairs. She's been here a while. I suppose it goes without saying... just because you know how to hack all you colleagues' computers, it doesn't mean you should. I mean... not every day, right? No seriously though, that's illegal. So don't be a dick. Unless that's just your nature.'' |
| The analyst entered the elevator and rode it down to the lobby level, where they saw Rebecca talking to Shaun Hastings, who was undercover at a barista stand. | | The analyst entered the elevator and rode it down to the lobby level, where they saw Rebecca talking to Shaun Hastings, who was undercover at a barista stand. |
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| *'''Rebecca:''' ''It's an art, Shaun. Not a science.'' | | *'''Rebecca:''' ''It's an art, Shaun. Not a science.'' |
| *'''Shaun:''' ''Oh, look who's here. So you didn't forget after all. You're just incredibly rude, and made poor Rebecca here wait for nearly thirty minutes.'' | | *'''Shaun:''' ''Oh, look who's here. So you didn't forget after all. You're just incredibly rude, and made poor Rebecca here wait for nearly thirty minutes.'' |
| *'''Rebecca:''' ''You limey. Be nice. Sorry about him. He's high on his own supply. So how should we do this? Data transfer? Great! That should do it! We'll email you the receipt. Til next time. Take care Shaun.'' | | *'''Rebecca:''' ''You {{Wiki|Glossary of names for the British#Limey|limey}}. Be nice. Sorry about him. He's high on his own supply. So how should we do this? Data transfer? Great! That should do it! We'll email you the receipt. Til next time. Take care, Shaun.'' |
| Rebecca left. | | Rebecca left. |
| *'''Shaun:''' ''Bye, bye... Yes, bye. Oh, and don't expect any more free coffee! Arrogant. She's great, isn't she?'' | | *'''Shaun:''' ''Bye, bye... Yes, bye. Oh, and don't expect any more free coffee! Arrogant. She's great, isn't she?'' |
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| *'''Secretary:''' Assistance au niveau deux, projet Échantillon 17. ''(Support to the second floor, Sample 17 Project.) Support to the second floor, Sample 17 Project.'' | | *'''Secretary:''' Assistance au niveau deux, projet Échantillon 17. ''(Support to the second floor, Sample 17 Project.) Support to the second floor, Sample 17 Project.'' |
| The analyst returned to their cubicle and resumed Edward's memory as he and [[Mary Read|James Kidd]] explored [[Great Inagua]].<ref>''Assassin's Creed IV: Black Flag'' – [[This Old Cove]]</ref> | | The analyst returned to their cubicle and resumed Edward's memory as he and [[Mary Read|James Kidd]] explored [[Great Inagua]].<ref>''Assassin's Creed IV: Black Flag'' – [[This Old Cove]]</ref> |
| | |
| | The analyst also overhead the conversations of various other Abstergo employees: |
| | *'''Abstergo employee 11:''' ''How'd the playtests go?'' |
| | *'''Abstergo employee 12:''' ''Incredible. We were able to keep a constant stream of five {{wiki|bit rate|Gigs a second}}.'' |
| | *'''Abstergo employee 11:''' ''Of [[genetic memory]] data? That's amazing.'' |
| | *'''Abstergo employee 12:''' ''And this is through existing {{wiki|broadband}} networks. Straight into people's homes.'' |
| | *'''Abstergo employee 11:''' ''Wow. This is going to change everything.'' |
| | |
| | *'''Abstergo employee 13:''' ''Did you hear they're holding a contest to pick the best name for our cloud servers?'' |
| | *'''Abstergo employee 14:''' ''Who's "they?"'' |
| | *'''Abstergo employee 13:''' ''Marketing. You want to know what I submitted? I said... "You should call your cloud computing system: CYBER-CRACK FOR INNOCENT CHILDREN." You like it?'' |
| | *'''Abstergo employee 14:''' ''Uh... no.'' |
| | |
| | *'''Abstergo employee 15:''' Hey, qu'est ce que tu fais quoi, en fin de semain? Si ça te tente, on pourrait aller surfer la vague derrière l'Habitat 67? Une dernière fois avant qu'il fasse trop froid? ''(What are you doing this weekend? You want to hit the {{wiki|Habitat 67 (standing wave)|endless wave}} behind {{wiki|Habitat 67}}? Once more before it gets too cold?)'' |
| | *'''Abstergo employee 16:''' C'est trop tard. Y'a plus de vague. ''(You're too late. It's gone.)'' |
| | *'''Abstergo employee 15:''' Hein? Oh Non... ''(What? No...)'' |
| | *'''Abstergo employee 16:''' Oui oui. Dès que le débit baisse, la vague disparaît. Il faut y aller au printemps ou au début de l'été. ''(Yeah, when the water drops, the wave disappears. You have to hit that in the spring or early summer.)'' |
| | *'''Abstergo employee 15:''' Merde. J'avais prévu d'en profiter toute la fin de semaine. ''(Dammit. I planned my whole weekend around this.)'' |
| | |
| | *'''Abstergo employee 17:''' ''Have you ever actually MET this guy, John... the one down in I.T.?'' |
| | *'''Abstergo employee 18:''' ''Yeah, I think so. He's super arrogant.'' |
| | *'''Abstergo employee 17:''' [Imitating a nasally voice] ''"Have you tried turning it off and back on again!" That's all he ever says when I have a problem.'' |
| | |
| | *'''Abstergo employee 19:''' Hey, écoute, j'ai... euh... j'ai deux billets pour un spectacle à Sala, ce soir. Ça, euh... ça, ça te dirait d'y aller? ''(Hey, I have two tickets to a show at Sala tonight... would, uh, would you like to go?)'' |
| | *'''Abstergo employee 20:''' J'ai déjà prévu d'y aller. Avec mon chum. ''(I'm already going to that show. My boyfriend's taking me.)'' |
| | *'''Abstergo employee 19:''' Oh... Ok.. Cool. Eh ben, euh... on se verra là-bas. ''(Oh... cool. Well, I'll, uh... see you there.)'' |
| | *'''Abstergo employee 20:''' Ouais, à tout à l'heure. ''(Yeah, see you!)'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Corporate Pressure | | !style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Corporate Pressure |
| |- | | |- |
| | | | |After reliving Edward's memory in which he convinced [[Edward Thatch]] to end his blockade of [[Charleston|Charles-Towne]], [[South Carolina]],<ref>''Assassin's Creed IV: Black Flag'' – [[The Siege of Charles-Towne]]</ref> the analyst logged out of their Animus in time to hear Melanie patch into their earpiece. |
| After reliving Edward's memory in which he convinced [[Edward Thatch]] to end his blockade of [[Charleston|Charles-Towne]], [[South Carolina]],<ref>''Assassin's Creed IV: Black Flag'' – [[The Siege of Charles-Towne]]</ref> the analyst logged out of their Animus in time to hear Melanie patch into their earpiece. | | *'''Melanie:''' ''Hey you. Do you have a minute? I'm on my way upstairs. Olivier wanted to talk with us about putting together a trailer using some of the footage you've been recording this past month. Take your time. I'll meet you by the elevator.'' |
| *'''Melanie:''' ''Hey you. Do you have a minute? I'm on my way upstairs. Olivier wanted to talk with us about putting together a trailer using some of the footage you've been recording this past month. Take your time. I'll meet you by the elevator. | |
| The analyst walked to the elevator, where Melanie was waiting. They entered the elevator and rode to Olivier's suite. | | The analyst walked to the elevator, where Melanie was waiting. They entered the elevator and rode to Olivier's suite. |
| *'''Melanie:''' ''Over here! Are you ready? He's waiting for us. I just watched some of your footage from this week. It's amazing. Blackbeard was mental! And we all got so excited that we started talking about this idea for a trailer about him... maybe start with him drinking, talking to some pirates, telling a story... Then, we cut to him leaping across the deck of his boat and—Sorry, his [[ship]]. Not boat. But jumping around the deck of his ship, swinging from ropes, and fighting like a Devil. I mean, obviously we'll have to manipulate some of the existing footage to get it looking good but—It could be great. I'm getting a shiver in me timbers just thinking about it. Sorry.'' | | *'''Melanie:''' ''Over here! Are you ready? He's waiting for us. I just watched some of your footage from this week. It's amazing. Blackbeard was mental! And we all got so excited that we started talking about this idea for a trailer about him... maybe start with him drinking, talking to some pirates, telling a story... Then, we cut to him leaping across the deck of his boat and—Sorry, his [[ship]]. Not boat. But jumping around the deck of his ship, swinging from ropes, and fighting like a Devil. I mean, obviously we'll have to manipulate some of the existing footage to get it looking good but—It could be great. I'm getting a shiver in me timbers just thinking about it. Sorry.'' |
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| The analyst adjusted the wavelength to the correct frequency. | | The analyst adjusted the wavelength to the correct frequency. |
| *'''John:''' ''It works!'' | | *'''John:''' ''It works!'' |
| A live feed appeared on-screen from the camera in Olivier's office above his main desk. | | A live feed appeared on-screen from the camera in Olivier's office above his main desk. Olivier and Melanie sat at the table in a conference call with Laetitia on speaker. |
| *'''Laetitia:''' ''—and if we want information on Assassins or Templars or the Observatory, or whatever the fuck else interests us, Olivier, you will deliver it. Full stop.'' | | *'''Laetitia:''' ''—and if we want information on Assassins or Templars or the Observatory, or whatever the fuck else interests us, Olivier, you will deliver it. Full stop.'' |
| *'''John:''' ''Aha...'' | | *'''John:''' ''Aha...'' |
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| *'''John:''' ''That means you!'' | | *'''John:''' ''That means you!'' |
| *'''Laetitia:''' ''Good. And thank you. The both of you. I look forward to seeing what you deliver. Until then, I'll see you at the shareholders meeting, Olivier.'' | | *'''Laetitia:''' ''Good. And thank you. The both of you. I look forward to seeing what you deliver. Until then, I'll see you at the shareholders meeting, Olivier.'' |
| *'''Olivier:''' ''Looking forward to it. Bye bye. ''[[wikt:tabarnak|Tabarnak]]''! It's a little too early for that kind of abuse. Come on.'' | | *'''Olivier:''' ''Looking forward to it. Bye bye.'' |
| | Olivier hung up the call. |
| | *'''Olivier:''' ''[[wikt:tabarnak|Tabarnak]]! It's a little too early for that kind of abuse. Come on.'' |
| | He stood up. |
| *'''Melanie:''' ''So... what's next?'' | | *'''Melanie:''' ''So... what's next?'' |
| | She rose from her seat and joined Olivier in walking to his desk. |
| *'''Olivier:''' ''We do as the lady says. Focus on the Observatory.'' | | *'''Olivier:''' ''We do as the lady says. Focus on the Observatory.'' |
| *The live feed ended.
| | The live feed ended. |
| *'''John:''' ''Assassins. Templars... crazy talk. I'm curious about this shareholders meeting though. How about you break into Olivier's office and see if you can find his schedule? Oh, what? You don't like that idea? Well how about I blow the fucking whistle on you, hacker! I OWN YOU! What I mean is... I don't want to ruin your life. So do as I say. Now, step over to the window.'' | | *'''John:''' ''Assassins. Templars... crazy talk. I'm curious about this shareholders meeting though. How about you break into Olivier's office and see if you can find his schedule? Oh, what? You don't like that idea? Well how about I blow the fucking whistle on you, hacker! I OWN YOU! What I mean is... I don't want to ruin your life. So do as I say. Now, step over to the window.<br>Go to the window. NOW!<br>You want me to keep you locked in here forever? Until security finds you? Go to the window!'' |
| The analyst left the security station and continued through the hall until they found a section of the level that had construction scaffolding open to the outside. A scaffold basket lowered and the analyst stepped inside before it slowly lifted. | | The analyst left the security station and continued through the hall until they found a section of the level that had construction scaffolding open to the outside. A scaffold basket lowered and the analyst stepped inside before it slowly lifted. |
| *'''John:''' ''You can't waltz into Olivier's office through the front door, so I've opened another route. Up we go! Did you know that Abstergo was run by Templars? Oh yes. Sounds like crackpot stuff, I know. But then again, the moon landing was faked, right? So anything's possible.'' | | *'''John:''' ''You can't waltz into Olivier's office through the front door, so I've opened another route. Up we go! Did you know that Abstergo was run by Templars? Oh yes. Sounds like crackpot stuff, I know. But then again, the moon landing was faked, right? So anything's possible.'' |
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| *'''John:''' ''All right... either you walk through that door, or throw yourself off the terrace. Those are your options.'' | | *'''John:''' ''All right... either you walk through that door, or throw yourself off the terrace. Those are your options.'' |
| Faced with either suicide or continued existence, the analyst entered Olivier's suite | | Faced with either suicide or continued existence, the analyst entered Olivier's suite |
| *'''John:''' ''Oh, well done, kiddo! Find his computer. Make it snappy. | | *'''John:''' ''Oh, well done, kiddo! Find his computer. Make it snappy.'' |
| The analyst approached Olivier's desk and logged on to his computer. | | The analyst approached Olivier's desk and logged on to his computer. |
| *'''John:''' ''We're looking for the Shareholder's meeting schedule. It's worth a lot of money to us. Be careful, now. As the data moves, there are security programs constantly monitoring the data flow. You need to sneak past them or they will destroy your data and send it back home.'' | | *'''John:''' ''We're looking for the Shareholder's meeting schedule. It's worth a lot of money to us. Be careful, now. As the data moves, there are security programs constantly monitoring the data flow. You need to sneak past them or they will destroy your data and send it back home.'' |
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| John paged the receptionist and called her away to check on something down the maintenance hall. The moment she turned the corner, Olivier's office doors opened and the analyst quickly walked to the elevator. | | John paged the receptionist and called her away to check on something down the maintenance hall. The moment she turned the corner, Olivier's office doors opened and the analyst quickly walked to the elevator. |
| *'''John:''' ''As gullible as ever. Now hurry down to the lobby. Before I remotely detonate your earpiece. Don't even think about ratting me out. My tracks are covered. Yours ain't.'' | | *'''John:''' ''As gullible as ever. Now hurry down to the lobby. Before I remotely detonate your earpiece. Don't even think about ratting me out. My tracks are covered. Yours ain't.'' |
| The analyst rode the elevator down to the lobby and revisited Shaun and Rebecca at the barista stand. | | The analyst instead decided to ignore John and explore the area, immediately drawing John's ire. |
| | *'''John:''' ''Where the hell are you going? Get down to the lobby. GO TO THE LOBBY! NOW!'' |
| | Finally pressured into acting, the analyst rode the elevator down to the lobby and revisited Shaun and Rebecca at the barista stand. |
| *'''Shaun:''' ''Did you uh, like the {{Wiki|Lungo|Allongé}}? I practiced.'' | | *'''Shaun:''' ''Did you uh, like the {{Wiki|Lungo|Allongé}}? I practiced.'' |
| *'''Rebecca:''' ''I think you pulled it a little too long.'' | | *'''Rebecca:''' ''I think you pulled it a little too long.'' |
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| *'''Rebecca:''' ''Stuff it, Hastings.'' | | *'''Rebecca:''' ''Stuff it, Hastings.'' |
| Rebecca left, and the analyst reentered to the elevator | | Rebecca left, and the analyst reentered to the elevator |
| *'''John:''' ''Well done, friend. Very well done. Apologies for my temper tantrum there. You are with the good guys, I promise. We'll keep you safe. Trust me. Go on back to work. We'll be in touch.'' | | *'''John:''' ''Well done, friend. Very well done. Apologies for my temper tantrum there. You are with the good guys, I promise. We'll keep you safe. Trust me. Go on back to work. We'll be in touch. That means you!'' |
| The analyst returned to their cubicle and resumed Edward's memory as he eavesdropped on [[Woodes Rogers]]' offer to the [[Republic of Pirates]] of taking King [[George I of Great Britain|George I]]'s pardon.<ref>''Assassin's Creed IV: Black Flag'' – [[We Demand a Parlay]]</ref> | | The analyst returned to their cubicle and resumed Edward's memory as he eavesdropped on [[Woodes Rogers]]' offer to the [[Republic of Pirates]] of taking King [[George I of Great Britain|George I]]'s pardon.<ref>''Assassin's Creed IV: Black Flag'' – [[We Demand a Parlay]]</ref> |
| | |
| | The analyst also overhead the conversations of various other Abstergo employees: |
| | *'''Abstergo employee 21:''' ''You're on the patrilineal line, yeah?'' |
| | *'''Abstergo employee 22:''' ''Yeah, I'm researching [[Flavia Auditore]] for the next few days. Then I'm onto her son.'' |
| | *'''Abstergo employee 21:''' ''Days? I'm doing one ancestor every two months.'' |
| | *'''Abstergo employee 22:''' ''Well, this is a rush job. They want to know where [[House of Auditore|this line]] crosses with the [[Kenway family|Kenways]]. What are you on, the maternal line?'' |
| | *'''Abstergo employee 21:''' ''Yeah, an Arab called [[Sef Ibn-La'Ahad|Sef]]. Thirteenth century.'' |
| | |
| | *'''Abstergo employee 23:''' ''You didn't get hacked, did you?'' |
| | *'''Abstergo employee 24:''' ''No, that was Sabrina. She's been on vacation for a while.'' |
| | *'''Abstergo employee 23:''' ''That's unsettling. To think we're not even safe where we work.'' |
| | *'''Abstergo employee 24:''' ''I know. Two months ago I left a couple books on my desk, and they disappeared for a few days.'' |
| | *'''Abstergo employee 23:''' ''Stolen?'' |
| | *'''Abstergo employee 24:''' ''Well, someone returned them a few days later with a little note that said "Thanks!" But still, scary.'' |
| | *'''Abstergo employee 23:''' ''Hm. Not quite the same, though, is it?'' |
| | |
| | *'''Abstergo employee 25:''' ''What is it with all these emails we're getting about heightened security restrictions? Did something happen?'' |
| | *'''Abstergo employee 26:''' ''You didn't hear about the hacker?'' |
| | *'''Abstergo employee 25:''' ''[[Erudito]]?'' |
| | *'''Abstergo employee 26:''' ''No, the hacker here. At Abstergo. Who's Erudito?'' |
| | *'''Abstergo employee 25:''' ''It's just that group, you know? They like to... uh...'' |
| | *'''Abstergo employee 26:''' ''Like to what?'' |
| | *'''Abstergo employee 25:''' ''Ah... n-nothing.'' |
| | <!--Disjointed in the files--> |
| | |
| | *'''Abstergo employee 27:''' C'est quoi, ces niaiseries d'artéfact? Toi aussi, t'as eu ce mémo? ''(What is this artifact bullshit? Did you get the same memo?)'' |
| | *'''Abstergo employee 28:''' Je crois pas, non. ''(I don't think so.)'' |
| | *'''Abstergo employee 27:''' Tu travailles pas sur Ezio Auditore? ''(You're not working Ezio Auditore?)'' |
| | *'''Abstergo employee 28:''' Non, je suis sur Aveline. ''(No, I'm on Aveline.)'' |
| | *'''Abstergo employee 27:''' Ah ouais... Ben moi, j'ai reçu un mémo me disant d'arrêter mes recherches sur les dernières années d'Ezio pour me concentrer uniquement sur les moments où il est en contact avec ces artéfacts de merde... Quelle perte de temps. ''(Ah, right. Well, I got this memo telling me to stop researching Ezio's later years and focus on only those specific moments where he comes into contact with these ridiculous artifacts... total waste of my time.)'' |
| | <!--Disjointed in the files--> |
| | |
| | *'''Abstergo employee 29:''' ''Aveline isn't part of the Sample 17 bloodline, is she?'' |
| | *'''Abstergo employee 30:''' ''No, she's from Sample 1. A donor from the earliest days of the Animus program.'' |
| | *'''Abstergo employee 29:''' ''How old is this technology?'' |
| | *'''Abstergo employee 30:''' ''Dates back to the late 70s, I think. There are some recordings from that era on our servers if you're curious. Just poke around the archives. You'll find them.'' |
| | |
| | |
| | *'''Abstergo employee 31:''' ''So did Edward really meet all those pirates? The famous ones?'' |
| | *'''Abstergo employee 32:''' ''Yes, he did. [[Blackbeard]], [[Calico Jack]], [[Anne Bonny]], [[Mary Read]], [[Bartholomew Roberts]].'' |
| | *'''Abstergo employee 31:''' ''Crazy. [[Nassau]] must have been a wild place.'' |
| | *'''Abstergo employee 32:''' ''For a while, yeah. But not after... well. I don't want to spoil it.'' |
| | <!--Might be part of the camera hacks--> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Bunker | | !style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Bunker |
| |- | | |- |
| | | | |After reliving Edward's memory in which [[Bartholomew Roberts]] betrayed him upon locating the Observatory in [[Long Bay]], [[Jamaica]],<ref>''Assassin's Creed IV: Black Flag'' – [[The Observatory]]</ref> the analyst woke up disoriented to find that they had inexplicably been transferred to The [[Bunker]] after their last Animus session. The TV in the room turned on as Melanie called the analyst. |
| After reliving Edward's memory in which [[Bartholomew Roberts]] betrayed him upon locating the Observatory in [[Long Bay]], [[Jamaica]],<ref>''Assassin's Creed IV: Black Flag'' – [[The Observatory]]</ref> the analyst woke up disoriented to find that they had inexplicably been transferred to The [[Bunker]] after their last Animus session. The TV in the room turned on as Melanie called the analyst. | | *'''Melanie:''' ''Hello? How are you? If you're anxious, that'll pass. It's the {{Wiki|Midazolam}}. I'm sorry about this, but... we've had so many security breaches, we were forced to take drastic action. And Olivier is [[Chicago incident|missing]]. He left for Chicago two days ago but... no one's seen him since. I know this seems excessive, but with our high-level security clearance, we have an obligation to our shareholders. Rest assured, we will compensate you when the hacker is found. So get some rest, okay? And if you're up to it... maybe capture some more footage. You're doing amazing work. I can't wait to show the work we've done with your stuff. Take care.'' |
| *'''Melanie:''' ''Hello? How are you? If you're anxious, that'll pass. It's the {{Wiki|Midazolam}}. I'm sorry about this, but... we've had so many security breaches, we were forced to take drastic action. And Olivier is missing. He left for Chicago two days ago but... no one's seen him since. I know this seems excessive, but with our high-level security clearance, we have an obligation to our shareholders. Rest assured, we will compensate you when the hacker is found. So get some rest, okay? And if you're up to it... maybe capture some more footage. You're doing amazing work. I can't wait to show the work we've done with your stuff. Take care.'' | |
| Melanie ended the call and the TV turned to screensaver mode just as John patched into the analyst's earpiece. | | Melanie ended the call and the TV turned to screensaver mode just as John patched into the analyst's earpiece. |
| *'''John:''' ''So! They tossed you in the bunker. Nice! Those Templars upstairs aren't taking any chances. I think we need to erase all the dirt they might have on you. Did you hear that? I think I just gave you Level 3 security clearance! Now, head to the security room and use the cameras to watch the door to the server farm. Unfortunately Melanie is in there now, so when I escort her out, that's when you make your move. I'd wipe these servers myself, but as the head of IT, I'd be a suspect. It has to be someone they've already locked up.'' | | *'''John:''' ''So! They tossed you in the bunker. Nice! Those Templars upstairs aren't taking any chances. I think we need to erase all the dirt they might have on you. Did you hear that? I think I just gave you Level 3 security clearance! Now, head to the security room and use the cameras to watch the door to the server farm. Unfortunately Melanie is in there now, so when I escort her out, that's when you make your move. I'd wipe these servers myself, but as the head of IT, I'd be a suspect. It has to be someone they've already locked up.'' |
| The analyst left their room now that they could unlock the door. | | The analyst left their room now that they could unlock the door. |
| *'''John:''' ''Oh these Templars. They run our lives, you know? They decide elections, they control various capital markets, and they inject us with little microchips to track our movements and read our thoughts. It's all very scary.'' | | *'''John:''' ''Oh these Templars. They run our lives, you know? They decide elections, they control various capital markets, and they inject us with little microchips to track our movements and read our thoughts. It's all very scary.'' |
| The analyst walked through the Bunker until they found the hall to the security station. | | *The analyst walked through the Bunker until they found the stairs leading up to the main level. |
| | *'''John:''' ''*Aha, hey! You know you're supposed to be locked up, right? Going back upstairs ain't a good plan.'' |
| | The analyst found the server room. They moved to open the door. |
| | *'''John:''' ''Melanie is in there RIGHT NOW, you idiot. Get to the security room before she sees you.'' |
| | The analyst backtracked until they found a hall to the security station. |
| *'''John:''' ''All right, listen. I'm entering the server room now. When you see us leave, get in there.'' | | *'''John:''' ''All right, listen. I'm entering the server room now. When you see us leave, get in there.'' |
| The analyst found the station and logged in. After adjusting the wavelength to the correct frequency, a live feed appeared on-screen from the camera overhead the server room's doors. | | The analyst found the station and logged in. After adjusting the wavelength to the correct frequency, a live feed appeared on-screen from the camera overhead the server room's doors. |
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| *'''John:''' ''Legally you CAN. It's what they signed up for. Even if they didn't read their contracts.'' | | *'''John:''' ''Legally you CAN. It's what they signed up for. Even if they didn't read their contracts.'' |
| *'''Melanie:''' ''Yes, of course. I just hate the idea. So what's the next step?'' | | *'''Melanie:''' ''Yes, of course. I just hate the idea. So what's the next step?'' |
| *'''John:''' ''My team is processing the data now. We'll start sifting through it tonight. Scout's honor. Coffee's on me, okay?'' | | *'''John:''' ''My team is processing the data now. We'll start sifting through it tonight. {{Wiki|Scouting America|Scout's honor}}. Coffee's on me, okay?'' |
| John walked away and Melanie followed. As the analyst made their way into the server room, John patched into their earpiece again. | | John walked away and Melanie followed. As the analyst made their way into the server room, John patched into their earpiece again. |
| *'''John:''' ''All right, I ditched her at the coffee stand. Find the server containing the network logs. Since I have a record of each and every one of your hacks, we'll just search for the timestamps on those, and turn that data into something harmless. Easy as that. Here we are! Beautiful. I'll update your communicator one more time. A little program I cooked up, just for this purpose. There we go. I think that worked. Try it out.'' | | *'''John:''' ''All right, I ditched her at the coffee stand. Find the server containing the network logs. Since I have a record of each and every one of your hacks, we'll just search for the timestamps on those, and turn that data into something harmless. Easy as that. Here we are! Beautiful. I'll update your communicator one more time. A little program I cooked up, just for this purpose. There we go. I think that worked. Try it out.'' |
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| *'''John:''' ''TELL ME! No no no. Something's wrong. God dammit! She should be here! Now! Living in that god damned head of yours! Fuck fuck fuck fuck fuck! Why did she spare you! Why are you still HERE!'' | | *'''John:''' ''TELL ME! No no no. Something's wrong. God dammit! She should be here! Now! Living in that god damned head of yours! Fuck fuck fuck fuck fuck! Why did she spare you! Why are you still HERE!'' |
| With no means of escaping the Bunker, the analyst returned to their room and activated the Animus there to resume Edward's memory of his time in [[Port Royal]]'s jail.<ref>''Assassin's Creed IV: Black Flag'' – [[To Suffer Without Dying]]</ref> | | With no means of escaping the Bunker, the analyst returned to their room and activated the Animus there to resume Edward's memory of his time in [[Port Royal]]'s jail.<ref>''Assassin's Creed IV: Black Flag'' – [[To Suffer Without Dying]]</ref> |
| | |
| | The analyst also overhead the mutterings of various other Abstergo employees locked in the bunkers: |
| | *'''Abstergo employee 33:''' ''Let me out of here! Please! Someone help me! Where am I? Can anyone hear me? Anyone! Hello?'' |
| | *'''Abstergo employee 34:''' Je l'ai bien cherché. C'est de ma faute. Tout est ma faute. J'aurais dû faire mon travail. J'aurais dû faire attention. Pourquoi je suis allé me promener au lieu de faire ce qu'on me demandait? ''(I deserve this. It's my fault, I know this. It's all my fault. I should have stayed on task. I should have paid attention, not wandered. I should have stuck to the task list.)'' |
| | *'''Abstergo employee 35:''' ''They're testing me. I know it. This is all part of the employee training program. Exercises for the mind. If I stay focused... if I just keep calm... they'll promote me. It's like {{wiki|hazing}}... a test before the big win. Just stay calm.'' |
| | *'''Abstergo employee 36:''' Je sais qui vous êtes! Je sais tout, bande de trous de cul! Vous êtes des Templiers! Vous êtes tous des Templiers! Vous pensez garder votre petit secret pour toujours? Voyons donc! Vous pensez pouvoir vous cacher? Oh, non! J'ai une tonne de preuves! ''(I know who you are! I know everything you bastards! You're Templars! You're all Templars. You think you can hide this secret forever? You think you can hide? Oh no! I have all the evidence I need!)'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |A Face from the Past | | !style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|A Face from the Past |
| |- | | |- |
| | | | |After reliving Edward's memory in which he assassinated [[Laureano de Torres y Ayala]] in the Observatory,<ref>''Assassin's Creed IV: Black Flag'' – [[Ever a Splinter]]</ref> the analyst again woke up disoriented to find John sitting inches from their face holding an uncapped needle with blue liquid in the syringe. |
| After reliving Edward's memory in which he assassinated [[Laureano de Torres y Ayala]] in the Observatory,<ref>''Assassin's Creed IV: Black Flag'' – [[Ever a Splinter]]</ref> the analyst again woke up disoriented to find John sitting inches from their face holding an uncapped needle with blue liquid in the syringe. | |
| *'''John:''' ''Wakey, wakey! I don't believe we've been formally introduced... not in this era, anyway. I wish I could explain all this strangeness, but there isn't much time. The short of it is, you saw my beloved Juno. And for a brief moment I thought she might occupy this tender body of yours. But something went wrong. And now she's back out there. Adrift. Oh... she was magnificent once. One of a race of beautiful, wonderful creatures. They created your kind. Did you know that? Your people were tools to them. That's all you have ever been. That's all you should ever be! One day soon, I hope. For the world is nearly ready for her return! Wired. Prepared for a second coming! Uh... Oh oh... Here they come! Those Templars. Or maybe Assassins this time. Idiots, all of them.'' | | *'''John:''' ''Wakey, wakey! I don't believe we've been formally introduced... not in this era, anyway. I wish I could explain all this strangeness, but there isn't much time. The short of it is, you saw my beloved Juno. And for a brief moment I thought she might occupy this tender body of yours. But something went wrong. And now she's back out there. Adrift. Oh... she was magnificent once. One of a race of beautiful, wonderful creatures. They created your kind. Did you know that? Your people were tools to them. That's all you have ever been. That's all you should ever be! One day soon, I hope. For the world is nearly ready for her return! Wired. Prepared for a second coming! Uh... Oh oh... Here they come! Those Templars. Or maybe Assassins this time. Idiots, all of them.'' |
| John stabbed the analyst in the neck with the needle. | | John stabbed the analyst in the neck with the needle. |
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| *'''Abstergo guard 1:''' ''He's got a gun!'' | | *'''Abstergo guard 1:''' ''He's got a gun!'' |
| *'''John:''' ''Guide me into Grey, Beloved! I am your instrument!'' | | *'''John:''' ''Guide me into Grey, Beloved! I am your instrument!'' |
| *'''Abstergo guard 1:''' ''Put the gun down!'' | | *'''Abstergo guard 1:''' ''Put the gun down! Drop it!'' |
| *'''Abstergo guard 2:''' ''Drop it!''
| | *'''Abstergo guard 2:''' ''Drop your weapon!'' |
| *'''Abstergo guard 1:''' ''Drop your weapon!'' | |
| John turned around and made to aim at a guard, but was cut down when the team instantly opened fire and killed him with two shots to the chest. | | John turned around and made to aim at a guard, but was cut down when the team instantly opened fire and killed him with two shots to the chest. |
| *'''Abstergo guard 2:''' ''Clear! Clear! Check his vitals!'' | | *'''Abstergo guard 1:''' ''Clear! Clear! Check his vitals!'' |
| *'''Abstergo guard 1:''' ''He's bleeding fast.'' | | *'''Abstergo guard 2:''' ''He's bleeding fast.'' |
| *'''Abstergo guard 2:''' ''Check the victim!'' | | *'''Abstergo guard 1:''' ''Check the victim!'' |
| Melanie ran in and rushed to the analyst's side. | | Melanie ran in and rushed to the analyst's side. |
| *'''Melanie:''' ''Are you okay? Can you hear me? Hello? Talk to me! You're all right?'' | | *'''Melanie:''' ''Are you okay? Can you hear me? Hello? Talk to me! You're all right?'' |
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| *'''Shaun:''' ''Ah, look, we should really cut it short, Bex. Twenty seconds.'' | | *'''Shaun:''' ''Ah, look, we should really cut it short, Bex. Twenty seconds.'' |
| *'''Rebecca:''' ''Ah, right... Good luck!'' | | *'''Rebecca:''' ''Ah, right... Good luck!'' |
| *'''Shaun:''' ''Cheers Mate. And top notch work, really top, give yourself a pat on the back. And... happy hacking.'' | | *'''Shaun:''' ''Cheers, mate. And top notch work, really top, give yourself a pat on the back. And... happy hacking.'' |
| The analyst entered the Animus for a final time and resumed Edward's memory as a young [[Jennifer Scott]] arrived in Great Inagua from England.<ref>''Assassin's Creed IV: Black Flag'' – [[The End]]</ref> | | The analyst entered the Animus for a final time and resumed Edward's memory as a young [[Jennifer Scott]] arrived in Great Inagua from England.<ref>''Assassin's Creed IV: Black Flag'' – [[The End]]</ref> |
| | |
| | The analyst also overhead the conversations of various other Abstergo employees: |
| | *'''Abstergo employee 37:''' ''It's madness around here, isn't it? This is the craziest week I've seen in four years.'' |
| | *'''Abstergo employee 38:''' ''What do you mean?'' |
| | *'''Abstergo employee 37:''' ''You didn't hear? Someone was killed this morning. In the office. Some guy from IT.'' |
| | *'''Abstergo employee 38:''' ''Killed? How?'' |
| | *'''Abstergo employee 37:''' ''Security did it... they SHOT him!'' |
| | *'''Abstergo employee 38:''' ''God. What... what was he doing.'' |
| | *'''Abstergo employee 37:''' ''Just working in the server rooms, making photocopies or something. That what I heard.'' |
| | *'''Abstergo employee 38:''' ''Damn.'' |
| | <!--disjointed in the files--> |
| | |
| | *'''Abstergo employee 39:''' ''Hey, how's the Trailer going?'' |
| | *'''Abstergo employee 40:''' ''The "Caribbean Devils" trailer? Really good. We have a fine-cut finished. Just a few tweaks and we're ready.'' |
| | *'''Abstergo employee 40:''' ''Mm, I'm really looking forward to it. I love pirates, and this whole Edward Kenway thing sounds amazing.'' |
| | *'''Abstergo employee 39:''' ''Yeah, it's been great. Some of the people here have captured some great footage. All it needed was some little polishing.'' |
| | *'''Abstergo employee 40:''' ''You know what would be even better than a virtual pirate experience? A pirate versus ninja story. Amazing right?'' |
| | *'''Abstergo employee 39:''' ''Totally. Yes.'' |
| | <!--disjointed in the files--> |
| | |
| | *'''Abstergo employee 41:''' ''I really hope I we find an ancestor who lived in feudal [[Japan]]. I want to visit that. Or Ancient [[Egypt]]. I've heard people talk about that.'' |
| | *'''Abstergo employee 42:''' ''Well, I've seen pictures of the guy who donated Sample 17. Good looking kid, but hard to pin down. Could have all kinds of ancestors.'' |
| | *'''Abstergo employee 41:''' ''Doesn't really matter anymore, does it? With our surrogate data systems we can visit anyone's genetic memories now.'' |
| | *'''Abstergo employee 42:''' ''True.'' |
| | *'''Abstergo employee 41:''' ''Where would go if you could?'' |
| | *'''Abstergo employee 42:''' ''Mm, I don't know. Maybe [[Manchester]] in the late seventies. Or [[New York City|New York]] in the early eighties. Lot of bands I'd like to see.'' |
| | *'''Abstergo employee 41:''' ''That's it? What about the [[Mongol Empire|Mongolian empire]] in the thirteenth century?'' |
| | *'''Abstergo employee 41:''' ''Oh! Or the nineteen forties. I'd love to see the premier of {{wiki|Citizen Kane}}. |
| | |
| | <!--the following might be from cameras--> |
| | *'''Abstergo employee 43:''' ''So you managed everything ok?'' |
| | *'''Abstergo employee 44:''' ''Yeah thanks for that – it was a big help.'' |
| | *'''Abstergo employee 43:''' ''No problem – I remember the first time I did this for more than an hour. I had similar kinds of [[Bleeding Effect|effects]] from the Animus. Just if it happens again have a word with Melanie and see if it needs checking out.'' |
| | *'''Abstergo employee 44:''' ''OK.'' |
| | |
| | *'''Abstergo employee 45:''' ''Marco! Missed you at the Lumiere festival last night.'' |
| | *'''Abstergo employee 46:''' ''I was there. We talked for an hour before going down! |
| | *'''Abstergo employee 45:''' ''We did? When?'' |
| | *'''Abstergo employee 46:''' ''At Nouveau Palais. We shared a booth before taking a taxi downtown. You don't remember? You kept talking about how damn cold it was.'' |
| | *'''Abstergo employee 45:''' ''Shit. Eliane brought {{wiki|Mezcal}} to dinner. I don't remember much after dessert. How was the show?'' |
| | *'''Abstergo employee 46:''' ''Great. Really beautiful. You seemed like you were having fun.'' |
| | *'''Abstergo employee 45:''' ''That's good.'' |
| | <!--this one is weird because the Lumiere festival in Montreal happens end of February--> |
| | |
| | *'''Abstergo employee 47:''' Non, moi non plus, je ne sais pas où elle est. J'ai entendu dire qu'elle était partie en pleurant, je ne sais pas trop pourquoi, et qu'elle était pas revenue. ''(No I don't know where she is either—she's just not here. I heard that she ran off crying about something and hasn't come back.)'' ...Evidemment, si je la vois, je lui dirai que tu as appelé. ''(Of course if I find her I'll let her know you called.)'' ...Toi aussi. Au revoir! ''(You too. Goodbye!)'' |
| | |
| | *'''Abstergo employee 47:''' ''Was [[Ezio Auditore da Firenze|he]] killed? Or was it a heart attack. Dammit, I just can't tell.'' |
| | *'''Abstergo employee 48:''' ''Look, I saw the official statement. They're claiming it was a heart attack. So that's that.'' |
| | *'''Abstergo employee 47:''' ''But you saw the [[Florentine man (1524)|guy]]'s wrist, didn't you? There was a [[Templar insignia|cross]]! Don't tell me that's just a coincidence.'' |
| | *'''Abstergo employee 48:''' ''Officially, yes. It's a coincidence. End of story.'' |
| | *'''Abstergo employee 47:''' ''Officially... ''Merde.'' (Shit.) And what about unofficially.'' |
| | *'''Abstergo employee 48:''' ''Unofficially... I don't know. I want to believe the best, but I always fear the worst. Now stop sticking your nose where it doesn't belong.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Security camera footage | | !style="background:#00A690; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Security camera footage |
| |- | | |- |
| | | | |After being rescued from the Bunker, the analyst hacked three security stations throughout the building and eavesdropped on other employees' conversations. Upon hacking a camera on the first floor, they overheard a woman talking to her male co-worker at a computer terminal in the lobby. |
| After being rescued from the Bunker, the analyst hacked three security stations throughout the building and eavesdropped on other employees' conversations. Upon hacking a camera on the first floor, they overheard a woman talking to her male co-worker at a computer terminal in the lobby. | |
| *'''Abstergo employee 1:''' ''I'm glad that's over. I hate it when they escalate the security. Makes me jumpy.'' | | *'''Abstergo employee 1:''' ''I'm glad that's over. I hate it when they escalate the security. Makes me jumpy.'' |
| *'''Abstergo employee 2:''' ''Did they put anyone in the bunker this time?'' | | *'''Abstergo employee 2:''' ''Did they put anyone in the bunker this time?'' |
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| |
|
| ==''[[Assassin's Creed: Rogue]]''== | | ==''[[Assassin's Creed: Rogue]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |A Rude Awakening | | !style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|A Rude Awakening |
| |- | | |- |
| |As a [[Helix]] [[Numbskull|research analyst]] relived [[Shay Cormac]]'s memory in which he captured the {{Wiki|sloop-of-war}} ''[[Morrigan]]'',<ref>''[[Assassin's Creed: Rogue]]'' – [[The Way the Wind Blows]]</ref> they triggered a virus. | | |As a [[Helix]] [[Numbskull|research analyst]] relived [[Shay Cormac]]'s memory in which he captured the {{Wiki|sloop-of-war}} ''[[Morrigan]]'',<ref>''[[Assassin's Creed: Rogue]]'' – [[The Way the Wind Blows]]</ref> they triggered a virus. |
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| Still shaken from their abrupt interruption in the Animus, the analyst was slow in following Violet, who quickly became irate. | | Still shaken from their abrupt interruption in the Animus, the analyst was slow in following Violet, who quickly became irate. |
| *'''Violet:''' ''Come with me if you want to live!<br>Hurry! We gotta get out of here!<br>What's wrong with you? Come on!<br>Hey, numbskull, don't wander off!'' | | *'''Violet:''' ''Come with me if you want to live!<br>Hurry! We gotta get out of here!<br>What's wrong with you? Come on!<br>Hey, numbskull, don't wander off!'' |
| The analyst eventually met up with Violet as she was talked to Melanie, who was sending Abstergo employees into an elevator. | | The analyst eventually met up with Violet while she talked to Melanie, who was sending Abstergo employees into an elevator. |
| *'''Melanie:''' ''Come on, everyone! Just like we practiced in our safety drills! Everything is gonna be okay, guys! Stay positive! What the hell is happening?'' | | *'''Melanie:''' ''Come on, everyone! Just like we practiced in our safety drills! Everything is gonna be okay, guys! Stay positive! |
| | When the staff had left the office, Melanie's mood drastically shifted. |
| | *'''Melanie:''' ''What the hell is happening?'' |
| *'''Violet:''' ''A file labeled "Shay Cormac" was booby-trapped with some kind of virus.'' | | *'''Violet:''' ''A file labeled "Shay Cormac" was booby-trapped with some kind of virus.'' |
| *'''Melanie:''' ''Your job is to prevent things like this!'' | | *'''Melanie:''' ''Your job is to prevent things like this!'' |
| *'''Violet:''' ''We need to contain these genetic memories, then we can destroy them.'' | | *'''Violet:''' ''We need to contain these genetic memories, then we can destroy them.'' |
| Juhani Otso Berg spoke over their earpieces. | | Juhani Otso Berg spoke over their earpieces. |
| *'''Berg:''' ''No. Isolate them. I want to study these memories.'' | | *'''Juhani:''' ''No. Isolate them. I want to study these memories.'' |
| *'''Melanie:''' ''But-'' | | *'''Melanie:''' ''But—'' |
| *'''Berg:''' ''With respect, Ms. Lemay, this is not a request.'' | | *'''Juhani:''' ''With respect, Ms. Lemay, this is not a request.'' |
| *'''Violet:''' ''You heard the man.'' | | *'''Violet:''' ''You heard the man.'' |
| *'''Melanie:''' ''Fine.'' | | *'''Melanie:''' ''Fine.'' |
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| Melanie turned to the analyst again. | | Melanie turned to the analyst again. |
| *'''Melanie:''' ''Do whatever they tell you to do, okay? Go team!'' | | *'''Melanie:''' ''Do whatever they tell you to do, okay? Go team!'' |
| Melanie left with the elevator. | | Melanie left in the elevator. |
| *'''Violet:''' ''Technically, you're not responsible for this, but you're the one who let the virus out, so I think it's only fair you help me clean it up. Mr. Berg wants us to relive Shay's genetic memories. To do that, we need to access them from Helix. But the Helix is down. We'll have to reboot the main servers in the basement.'' | | *'''Violet:''' ''Technically, you're not responsible for this, but you're the one who let the virus out, so I think it's only fair you help me clean it up. Mr. Berg wants us to relive Shay's genetic memories. To do that, we need to access them from Helix. But the Helix is down. We'll have to reboot the main servers in the basement.'' |
| Violet attempted to open the elevator, only to have the lights turn off. | | Violet attempted to open the elevator, only to have the lights turn off. |
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| *'''Melanie:''' ''Damn, yes. I'll get a repair crew onsite ASAP.'' | | *'''Melanie:''' ''Damn, yes. I'll get a repair crew onsite ASAP.'' |
| *'''Violet:''' ''There's a working area server on this floor. I guess it'll have to do for now.'' | | *'''Violet:''' ''There's a working area server on this floor. I guess it'll have to do for now.'' |
| *'''Berg:''' ''Agent da Costa, I want regular updates on your progress with Shay's genetic memories.'' | | *'''Juhani:''' ''Agent da Costa, I want regular updates on your progress with Shay's genetic memories.'' |
| *'''Violet:''' ''Why? He's just a nobody as far as I can tell.'' | | *'''Violet:''' ''Why? He's just a nobody as far as I can tell.'' |
| *'''Berg:''' ''If Shay Cormac is who I suspect he is, then this temporary setback may provide us with an unexpected reward. Proceed to the server room on this floor.'' | | *'''Juhani:''' ''If Shay Cormac is who I suspect he is, then this temporary setback may provide us with an unexpected reward. Proceed to the server room on this floor.'' |
| Stunned at what they had been roped into, the analyst was slow in following their order. | | Stunned at what they had been roped into, the analyst was slow in following their order. |
| *'''Violet:''' ''Come on, numbskull!<br>I have dogs at home that are better trained than you are.'' | | *'''Violet:''' ''Come on, numbskull!<br>I have dogs at home that are better trained than you are.'' |
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| The analyst repaired the server. | | The analyst repaired the server. |
| *'''Violet:''' ''Good job! This core wasn't too complex, but rebooting the advanced hardware in the rest of the building will require more work.'' | | *'''Violet:''' ''Good job! This core wasn't too complex, but rebooting the advanced hardware in the rest of the building will require more work.'' |
| The analyst also activated [[Numbskull's personal files|a video]] in which Berg analyzed the turncoat Assassin Mentor [[Al Mualim]]. | | The analyst also activated [[Numbskull's personal files|a video]] in which Berg analyzed the turncoat Assassin Mentor Al Mualim. |
| *'''Violet:''' ''Uh. Okay, so, I'm not sure you were supposed to see that. Just, ah, you should just get back to your Animus. With the servers back online, you could, in theory, restore your coworkers' work stations, if you, you know, feel like being helpful. And you could, in theory, find some more digital goodies, if you, you know, feel like being sneaky! Hey, one of your coworkers dropped his communicator by the elevator. If you see any tech lying around like that, grab 'em. There might be a clue as to who did this.'' | | *'''Violet:''' ''Uh. Okay, so, I'm not sure you were supposed to see that. Just, ah, you should just get back to your Animus. With the servers back online, you could, in theory, restore your coworkers' work stations, if you, you know, feel like being helpful. And you could, in theory, find some more digital goodies, if you, you know, feel like being sneaky! Hey, one of your coworkers dropped his communicator by the elevator. If you see any tech lying around like that, grab 'em. There might be a clue as to who did this.'' |
| *'''Berg:''' ''Now that you have unlocked Shay Cormac's memories, we stand on the brink of a grand discovery. I know you must have questions about your new assignment, or about me. For now, all I will say is that Shay's story contains the answers. Shay will lead you to a greater understanding.'' | | *'''Juhani:''' ''Now that you have unlocked Shay Cormac's memories, we stand on the brink of a grand discovery. I know you must have questions about your new assignment, or about me. For now, all I will say is that Shay's story contains the answers. Shay will lead you to a greater understanding.'' |
| The analyst walked past the elevator, picked up their coworker's tablet, and turned it on to see the email app was left open. | | The analyst walked past the elevator, picked up their coworker's tablet, and turned it on to see the email app was left open. |
| *'''Violet:''' ''Nice find. If it was me, I'd snoop to see if there was any juicy stuff on it. But I might be a terrible person...'' | | *'''Violet:''' ''Nice find. If it was me, I'd snoop to see if there was any juicy stuff on it. But I might be a terrible person...'' |
| The analyst returned to their station and resumed Shay's memory as he began a training session at the Davenport Homestead.<ref>''Assassin's Creed: Rogue'' – [[Lessons and Revelations]]</ref> | | The analyst returned to their station and resumed Shay's memory as he began a training session at the Davenport Homestead.<ref>''Assassin's Creed: Rogue'' – [[Lessons and Revelations]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Fragmented memories | | !style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Fragmented memories |
| |- | | |- |
| |After the analyst viewed Shay's assassination of [[Lawrence Washington]] in July 1752,<ref>''Assassin's Creed: Rogue'' – [[By Invitation Only]]</ref> the memory sequence glitched and jumped forward two years to May 1754. | | |After the analyst viewed Shay's assassination of [[Lawrence Washington]] in July 1752,<ref>''Assassin's Creed: Rogue'' – [[By Invitation Only]]</ref> the memory sequence glitched and jumped forward two years to May 1754. |
| *'''Berg:''' ''The memory appears to be fragmented. How much time has passed?'' | | *'''Juhani:''' ''The memory appears to be fragmented. How much time has passed?'' |
| *'''Violet:''' ''A few months, I think. That virus is cutting off our access to complete memories. They're readable, but messy.'' | | *'''Violet:''' ''A few months, I think. That virus is cutting off our access to complete memories. They're readable, but messy.'' |
| *'''Berg:''' ''The Seven Years' War will soon break out in the colonies. Focus on Assassin interference.'' | | *'''Juhani:''' ''The Seven Years' War will soon break out in the colonies. Focus on Assassin interference.'' |
| *'''Violet:''' ''We'll do our best. Won't we, numbskull?'' | | *'''Violet:''' ''We'll do our best. Won't we, numbskull?'' |
| The analyst continued through the memory as Shay tracked down one of the men he saw at [[Mount Vernon]], [[Samuel Smith]].<ref>''Assassin's Creed: Rogue'' – [[One Little Victory]]</ref> | | The analyst continued through the memory as Shay tracked down one of the men he saw at [[Mount Vernon]], [[Samuel Smith]].<ref>''Assassin's Creed: Rogue'' – [[One Little Victory]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Damage Control | | !style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Damage Control |
| |- | | |- |
| |After the analyst relived a glitched memory,<ref>''Assassin's Creed: Rogue'' – [[RGVjb25zdHJ1Y3RlZA0K]]</ref> Violet contacted them via earpiece. | | |After the analyst relived a glitched memory,<ref>''Assassin's Creed: Rogue'' – [[RGVjb25zdHJ1Y3RlZA0K]]</ref> Violet contacted them via earpiece. |
| *'''Violet:''' ''You've hit a wall and I'm busy with something. Why don't you go meet Otso Berg? You'll find him squatting in one the offices.'' | | *'''Violet:''' ''You've hit a wall and I'm busy with something. Why don't you go meet Otso Berg? You'll find him squatting in one the offices.'' |
| The analyst met with Berg at the latter's office. | | The analyst met with Juhani in Violet's office. |
| *'''Berg:''' ''Shay Cormac is an Assassin... but he is unlike the ones you have used for your entertainment products in the past.'' | | *'''Juhani:''' ''Shay Cormac is an Assassin... but he is unlike the ones you have used for your entertainment products in the past.'' |
| Berg drove a knife into a portrait of the Assassin ally [[Le Chasseur]]. | | Berg drove a knife into a portrait of the Assassin ally [[Le Chasseur]]. |
| *'''Berg:''' ''I believe Shay may be the most important Assassin who ever lived. Your research will help me achieve something I have wanted for a very long time. Shay's story may have something to offer you as well...'' | | *'''Juhani:''' ''I believe Shay may be the most important Assassin who ever lived. Your research will help me achieve something I have wanted for a very long time. Shay's story may have something to offer you as well...'' |
| *'''Violet:''' ''There's another server we can access to get the next chunk of Shay's memories.'' | | *'''Violet:''' ''There's another server we can access to get the next chunk of Shay's memories.'' |
| *'''Berg:''' ''Excellent.'' | | *'''Juhani:''' ''Excellent.'' |
| *'''Violet:''' ''I'm gonna need the numbskull back if we're going to proceed.'' | | *'''Violet:''' ''I'm gonna need the numbskull back if we're going to proceed.'' |
| *'''Berg:''' ''Your next task is clear. But please reflect on what we have discussed.'' | | *'''Juhani:''' ''Your next task is clear. But please reflect on what we have discussed.'' |
| | The analyst left, but Violet grew impatient. |
| | *'''Violet:''' ''Hey, I'm by the elevator. Get over here.'' |
| The analyst met Violet by the elevator. | | The analyst met Violet by the elevator. |
| *'''Violet:''' ''I got tired of waiting for Melanie's stupid repair crew, so I got this piece of shit working well enough to get you to the lobby and back. I'll get your Animus prepped while you're downstairs. I've added the location of the next server on your map. Get going!'' | | *'''Violet:''' ''I got tired of waiting for Melanie's stupid repair crew, so I got this piece of shit working well enough to get you to the lobby and back. I'll get your Animus prepped while you're downstairs. I've added the location of the next server on your map. Get going!'' |
| The analyst took the elevator to the lobby. | | The analyst took the elevator to the lobby. |
| *'''Violet:''' ''Shit. I forgot, the server is behind a Level One security lock.'' | | *'''Violet:''' ''Shit. I forgot, the server is behind a Level One security lock.'' |
| *'''Berg:''' ''I have granted you Level One Security Clearance. I trust there will be no further delays.'' | | *'''Juhani:''' ''I have granted you Level One Security Clearance. I trust there will be no further delays.'' |
| *'''Violet:''' ''Great! Now you can get into the server room. Once you restore the servers, I'll load the next set of Shay's memories to your Animus.'' | | *'''Violet:''' ''Great! Now you can get into the server room. Once you restore the servers, I'll load the next set of Shay's memories to your Animus.'' |
| | The analyst walked to a pair of scientists at the far end of the lobby near the metal detectors. |
| | *'''Scientist 1:''' ''But have you tried it though?'' |
| | *'''Scientist 2:''' ''No. The story's told in rhyme? Eh, it doesn't sound like my thing.'' |
| | *'''Scientist 1:''' ''How can you dismiss it without even playing it?'' |
| | *'''Scientist 2:''' ''Are there {{Wiki|Player versus player|PvP}} {{Wiki|Deathmatch (video games)|deathmatches}} in it?'' |
| | *'''Scientist 1:''' ''What?! No! No. It's a beautiful, turn-based RPG.'' |
| | *'''Scientist 2:''' ''Meh, pass.'' |
| | Violet again was impatient with the analyst's lack of progress. |
| | *'''Violet:''' ''I want to see the next block of Shay's memories! Unlock those servers!'' |
| The analyst entered the server room. | | The analyst entered the server room. |
| *'''Violet:''' ''And you're in!'' | | *'''Violet:''' ''And you're in!'' |
| The analyst repaired the lobby server. | | The analyst repaired the lobby server. |
| *'''Violet:''' ''Great job, numbskull. The data we have is pretty raw, but it's enough to move forward. Get back up here, double time! It looks like restoring servers also clears the virus from some of the other systems.'' | | *'''Violet:''' ''Great job, numbskull. The data we have is pretty raw, but it's enough to move forward. Get back up here, double time! It looks like restoring servers also clears the virus from some of the other systems.'' |
| *'''Berg:''' ''You are making excellent progress. I am eager to see what Shay will show us next.'' | | *'''Juhani:''' ''You are making excellent progress. I am eager to see what Shay will show us next.'' |
| *'''Violet:''' ''Level One Clearance will also let you into some of the other parts of the building as well, if you need to... stretch your legs in between Animus sessions.'' | | *'''Violet:''' ''Level One Clearance will also let you into some of the other parts of the building as well, if you need to... stretch your legs in between Animus sessions.'' |
| The analyst entered the Animus, where they saw an unconscious Shay being taken away. | | The analyst entered the Animus, where they saw an unconscious Shay being taken away. |
| *'''Violet:''' ''If I said that was the craziest shit I'd ever seen, would that be the most obvious statement ever?'' | | *'''Violet:''' ''If I said that was the craziest shit I'd ever seen, would that be the most obvious statement ever?'' |
| *'''Berg:''' ''Shay has been through a severely traumatic experience.'' | | *'''Juhani:''' ''Shay has been through a severely traumatic experience.'' |
| *'''Violet:''' ''Okay. Second most obvious statement ever.'' | | *'''Violet:''' ''Okay. Second most obvious statement ever.'' |
| *'''Berg:''' ''Continue exploring his memories. The best is yet to come.'' | | *'''Juhani:''' ''Continue exploring his memories. The best is yet to come.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |High Places | | !style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|High Places |
| |- | | |- |
| |After viewing Shay's induction into the Templar Order,<ref>''Assassin's Creed: Rogue'' – [[Scars]]</ref> the analyst was contacted again by Berg and Violet. | | |After viewing Shay's induction into the Templar Order,<ref>''Assassin's Creed: Rogue'' – [[Scars]]</ref> the analyst was contacted again by Berg and Violet. |
| *'''Berg:''' ''Do you understand now?'' | | *'''Juhani:''' ''Do you understand now?'' |
| *'''Violet:''' ''I'm starting to see why you're so interested in Shay Cormac.'' | | *'''Violet:''' ''I'm starting to see why you're so interested in Shay Cormac.'' |
| The analyst left the Animus. | | The analyst left the Animus. |
| *'''Berg:''' ''Shay has see the true face of the world. And he has chosen his path accordingly. A similar choice will soon present itself to you.'' | | *'''Juhani:''' ''Shay has see the true face of the world. And he has chosen his path accordingly. A similar choice will soon present itself to you.'' |
| *'''Violet:''' ''I did not think you'd get this far, but you seem to be on the right track. We still can't access the servers in the basement. But there's another one located at the top of the building, near Melanie's office. That's your next stop.'' | | *'''Violet:''' ''I did not think you'd get this far, but you seem to be on the right track. We still can't access the servers in the basement. But there's another one located at the top of the building, near Melanie's office. That's your next stop.'' |
| The analyst used the elevator to reach the top floor. | | The analyst used the elevator to reach the top floor. |
| Line 2,781: |
Line 3,064: |
| The analyst entered Melanie's office. | | The analyst entered Melanie's office. |
| *'''Melanie:''' ''This office used to belong to a man named Olivier Garneau. He was my predecessor as Chief Creative Officer of Abstergo Entertainment. Otso Berg is a representative from our parent company, Abstergo Industries. He's showing you the true history of the world, just like they showed me. Olivier was kind, he was intelligent, and passionate about our work. But a year ago, he caught a glimpse of this truth. They never found his body. This is not the way we normally bring people up to speed on these matters. But you've worked hard and are proving yourself so! I'm granting you Level 2 security access. The servers on this floor should unlock more of Shay's memories.'' | | *'''Melanie:''' ''This office used to belong to a man named Olivier Garneau. He was my predecessor as Chief Creative Officer of Abstergo Entertainment. Otso Berg is a representative from our parent company, Abstergo Industries. He's showing you the true history of the world, just like they showed me. Olivier was kind, he was intelligent, and passionate about our work. But a year ago, he caught a glimpse of this truth. They never found his body. This is not the way we normally bring people up to speed on these matters. But you've worked hard and are proving yourself so! I'm granting you Level 2 security access. The servers on this floor should unlock more of Shay's memories.'' |
| | The analyst walked to the server door, but was too slow for Violet's liking. |
| | *'''Violet:''' ''Please restore the servers for our friend Mr. Berg.<br>Don't lose your momentum, numbsskull! Get to the next server!'' |
| With Level 2 clearance, the analyst repaired the servers. | | With Level 2 clearance, the analyst repaired the servers. |
| *'''Violet:''' ''I've got your Animus ready and waiting!'' | | *'''Violet:''' ''I've got your Animus ready and waiting!'' |
| The analyst took the elevator down to the second floor. | | The analyst took the elevator down to the second floor. |
| *'''Violet:''' ''Smooth moves, numbskull, I've got the next set of Shay's memories loaded up and ready to go.'' | | *'''Violet:''' ''Smooth moves, numbskull, I've got the next set of Shay's memories loaded up and ready to go.'' |
| *'''Berg:''' ''We are nearly there. Know that you are aiding a worthy cause, even if you do not yet know what it is.'' | | *'''Juhani:''' ''We are nearly there. Know that you are aiding a worthy cause, even if you do not yet know what it is.'' |
| The analyst accessed the Animus, triggering another glitched memory.<ref>''Assassin's Creed: Rogue'' – [[UHJvdGVjdGlvbg0K]]</ref> | | The analyst accessed the Animus, triggering another glitched memory.<ref>''Assassin's Creed: Rogue'' – [[UHJvdGVjdGlvbg0K]]</ref> |
| *'''Violet:''' ''Shit! What's happening?'' | | *'''Violet:''' ''Shit! What's happening?'' |
| *'''Berg:''' ''Another glitch?'' | | *'''Juhani:''' ''Another glitch?'' |
| *'''Violet:''' ''Same one as before. Shay's back at Notre-Dame.'' | | *'''Violet:''' ''Same one as before. Shay's back at Notre-Dame.'' |
| *'''Berg:''' ''See if you can complete the memory this time.'' | | *'''Juhani:''' ''See if you can complete the memory this time.'' |
| The analyst progressed further through the memory. | | The analyst progressed further through the memory. |
| *'''Violet:''' ''That's the best we can do for now. We keep trying to sequence memories out of order, which is why we're crashing like this.'' | | *'''Violet:''' ''That's the best we can do for now. We keep trying to sequence memories out of order, which is why we're crashing like this.'' |
| *'''Berg:''' ''What do you suggest?'' | | *'''Juhani:''' ''What do you suggest?'' |
| *'''Violet:''' ''If we progress further with Shay's life in the colonies, I'm confident we can get better results from these Paris memories.'' | | *'''Violet:''' ''If we progress further with Shay's life in the colonies, I'm confident we can get better results from these Paris memories.'' |
| *'''Berg:''' ''Very well. Keep me informed.'' | | *'''Juhani:''' ''Very well. Keep me informed.'' |
| *'''Violet:''' ''Uploading the next memory sequence now...'' | | *'''Violet:''' ''Uploading the next memory sequence now...'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Understanding | | !style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Understanding |
| |- | | |- |
| |After reliving Shay's final sequenced memory in the [[Arctic Ocean|Arctic Circle]],<ref>''Assassin's Creed: Rogue'' – [[Non Nobis Domine]]</ref> the analyst was contacted by Violet. | | |After reliving Shay's final sequenced memory in the [[Arctic Ocean|Arctic Circle]],<ref>''Assassin's Creed: Rogue'' – [[Non Nobis Domine]]</ref> the analyst was contacted by Violet. |
| *'''Violet:''' ''Incredible! Who knew that Shay had that kind of potential?'' | | *'''Violet:''' ''Incredible! Who knew that Shay had that kind of potential?'' |
| The analyst exited the Animus. | | The analyst exited the Animus. |
| *'''Berg:''' ''I have everything I need to complete our assignment here.'' | | *'''Juhani:''' ''I have everything I need to complete our assignment here.'' |
| *'''Violet:''' ''One last job, numbskull. We need you to upload Shay's story.'' | | *'''Violet:''' ''One last job, numbskull. We need you to upload Shay's story.'' |
| *'''Berg:''' ''But not to Helix. I want some very specific people to see what we have found here.'' | | *'''Juhani:''' ''But not to Helix. I want some very specific people to see what we have found here.'' |
| The analyst used the elevator to reach the basement. | | The analyst used the elevator to reach the basement. |
| *'''Berg:''' ''To reward you for your services to me, I am granting you Level 3 security access. From this point on, no doors will be closed to you. In the distant past, the Assassins had a noble goal, that of peace. But over the centuries, that goal eroded into a far more dangerous one: Freedom.'' | | *'''Juhani:''' ''To reward you for your services to me, I am granting you Level 3 security access. From this point on, no doors will be closed to you. In the distant past, the Assassins had a noble goal, that of peace. But over the centuries, that goal eroded into a far more dangerous one: Freedom.'' |
| Another power failure occurred, causing a blackout in the basement. | | Another power failure occurred, causing a blackout in the basement. |
| *'''Violet:''' ''Shit! What's going on now?'' | | *'''Violet:''' ''Shit! What's going on now?'' |
| *'''Berg:''' ''A minor setback.'' | | *'''Juhani:''' ''A minor setback.'' |
| *'''Violet:''' ''Okay... Your communicator doesn't work right now, and it must be dark as hell down there... but I can show you the way. There! Just follow those lights and you'll be set! I promise you won't die if you follow the bright lights! I haven't steered you wrong, yet, have I? Follow the lights! Please hurry, numbskull! It all comes down to this!'' | | *'''Violet:''' ''Okay... Your communicator doesn't work right now, and it must be dark as hell down there... but I can show you the way. There! Just follow those lights and you'll be set! I promise you won't die if you follow the bright lights! I haven't steered you wrong, yet, have I? Follow the lights! Please hurry, numbskull! It all comes down to this!'' |
| The analyst reached the server room entryway. | | The analyst reached the server room entryway. |
| *'''Berg:''' ''Your communicator should work now. The Assassin Brotherhood still exists today, and they remain dedicated to their foolish cause. I am a Templar Knight. I protect the world from the Assassins. Today, you have helped me to fulfill this role. Please, restore the servers.'' | | *'''Juhani:''' ''Your communicator should work now. The Assassin Brotherhood still exists today, and they remain dedicated to their foolish cause. I am a Templar Knight. I protect the world from the Assassins. Today, you have helped me to fulfill this role. Please, restore the servers.'' |
| The analyst restored the servers. | | The analyst restored the servers. |
| *'''Berg:''' ''You have exceeded my every expectation. Use that terminal to upload Shay's story to the Assassin network. The time to strike is now!'' | | *'''Juhani:''' ''You have exceeded my every expectation. Use that terminal to upload Shay's story to the Assassin network. The time to strike is now!'' |
| The analyst uploaded Shay's story. | | The analyst uploaded Shay's story. |
| *'''Berg:''' ''The modern day Assassins are weak. It is only a matter of time before I catch the last of them, and kill them. But it is not enough for them to die. I want them to know how weak they truly are, and I want everyone to see them suffer. So on the day they finally meet me, they will welcome the death I offer them. My plan is in motion. I have no further demands to place upon you. However, Shay's story is not complete. I would ask that you see it through to the end.'' | | *'''Juhani:''' ''The modern day Assassins are weak. It is only a matter of time before I catch the last of them, and kill them. But it is not enough for them to die. I want them to know how weak they truly are, and I want everyone to see them suffer. So on the day they finally meet me, they will welcome the death I offer them. My plan is in motion. I have no further demands to place upon you. However, Shay's story is not complete. I would ask that you see it through to the end.'' |
| *'''Violet:''' ''I am super impressed, numbskull. You really came through for us. And yes, I'm also a Templar. Have been for years. There's still one last chunk of Shay's data left to explore. It's a bit of a trip, but I think you should see it.'' | | *'''Violet:''' ''I am super impressed, numbskull. You really came through for us. And yes, I'm also a Templar. Have been for years. There's still one last chunk of Shay's data left to explore. It's a bit of a trip, but I think you should see it.'' |
| The analyst used the elevator to reach the second floor and returned their workstation. | | The analyst used the elevator to reach the second floor and returned their workstation. |
| *'''Violet:''' ''Once you go back to finish Shay's story, your life is never going to be the same afterwards. You should finish any outstanding business before entering your Animus.'' | | *'''Violet:''' ''Once you go back to finish Shay's story, your life is never going to be the same afterwards. You should finish any outstanding business before entering your Animus.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Choice | | !style="background:#C11B17; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Choice |
| |- | | |- |
| |After finishing Shay's story with his trip to [[Versailles]],<ref>''Assassin's Creed: Rogue'' – [[QXNzYXNzaW5hdGlvbg0K]]</ref> the analyst met Melanie in her office, along with Berg and Violet. | | |After finishing Shay's story with his trip to [[Versailles]],<ref>''Assassin's Creed: Rogue'' – [[QXNzYXNzaW5hdGlvbg0K]]</ref> the analyst met Melanie in her office, along with Berg and Violet. |
| *'''Melanie:''' ''It is my pleasure and privilege to welcome you up here today.'' | | *'''Melanie:''' ''It is my pleasure and privilege to welcome you up here today.'' |
| *'''Violet:''' ''Gotta hand it to you, numbskull, you proved yourself to more than a simple research monkey.'' | | *'''Violet:''' ''Gotta hand it to you, numbskull, you proved yourself to more than a simple research monkey.'' |
| *'''Berg:''' ''The data you extracted from Shay Cormac's memories has served us well. Shay's story is a message. One that says that when threatened, what an Assassin truly wants isn't freedom, but order.'' | | *'''Juhani:''' ''The data you extracted from Shay Cormac's memories has served us well. Shay's story is a message. One that says that when threatened, what an Assassin truly wants isn't freedom, but order.'' |
| *'''Melanie:''' ''And we represent the highest Order there is.'' | | *'''Melanie:''' ''And we represent the highest Order there is.'' |
| *'''Berg:''' ''Whatever you learned from your Animus experience only scratches the surface. We have existed since before recorded human history and have recently been reborn, disguised as Abstergo Industries.'' | | *'''Juhani:''' ''Whatever you learned from your Animus experience only scratches the surface. We have existed since before recorded human history and have recently been reborn, disguised as Abstergo Industries.'' |
| *'''Melanie:''' ''And Entertainment.'' | | *'''Melanie:''' ''And Entertainment.'' |
| *'''Berg:''' ''You have crossed the threshold and your eyes have been opened. You have seen the world for what it truly is.'' | | *'''Juhani:''' ''You have crossed the threshold and your eyes have been opened. You have seen the world for what it truly is.'' |
| *'''Violet:''' ''There's no turning back now. We've got big plans for you!'' | | *'''Violet:''' ''There's no turning back now. We've got big plans for you!'' |
| *'''Berg:''' ''The Father of Understanding guided you to us. And for that we are grateful. The test of your true worth begins now. And it begins with a choice.'' | | *'''Juhani:''' ''The Father of Understanding guided you to us. And for that we are grateful. The test of your true worth begins now. And it begins with a choice.'' |
| Melanie presented a [[Templar ring]] to the analyst. | | Melanie presented a [[Templar ring]] to the analyst. |
| *'''Melanie:''' ''Join us, and a bright future will be all yours.'' | | *'''Melanie:''' ''Join us, and a bright future will be all yours.'' |
| Berg pulled out his gun. | | Berg pulled out his gun. |
| *'''Berg:''' ''Refuse...'' | | *'''Juhani:''' ''Refuse...'' |
| |} | | |} |
|
| |
|
| ==''[[Assassin's Creed: Unity]]''== | | ==''[[Assassin's Creed: Unity]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Bishop and Deacon | | !style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Bishop and Deacon |
| |- | | |- |
| | | | | |
| | The [[Helix Initiate]] finished reliving a memory of [[Jacques de Molay]]'s [[Jacques de Molay's advisor|advisor]] at the culmination of the [[persecution of the Templars]].<ref>''[[Assassin's Creed: Unity]]'' – [[The Tragedy of Jacques de Molay]]</ref> |
| | *'''Video commentator:''' ''Consumed in flames of hunger and wrath, thus came the Age of True Wisdom to a blistering close. The Knights Templar—once the proud shepherds of order, peace, and illumination—were no more...'' |
| | The footage pixilated into fragments as an external source hacked into the feed. |
| *'''[[Bishop]]:''' ''—yeah, let's get a sniffer running. If Abstergo pings us, pull me out. Okay, I have a visual. Hey there... This is probably disorienting, so I'll be brief. I'm Bishop... not my real name, obviously... but that's as much as you'll get today. Please listen carefully. Abstergo is using you, hijacking your neurons to help them sift through genetic memory data. These guys already have their fingers in countless corporations, governments, media outlets, and NGOs—but now they want control over history itself. If that doesn't frighten you, it should. But we're here to stop them. And I need your help. Deacon, pre-load gene sequence AD16-B13-I87.'' | | *'''[[Bishop]]:''' ''—yeah, let's get a sniffer running. If Abstergo pings us, pull me out. Okay, I have a visual. Hey there... This is probably disorienting, so I'll be brief. I'm Bishop... not my real name, obviously... but that's as much as you'll get today. Please listen carefully. Abstergo is using you, hijacking your neurons to help them sift through genetic memory data. These guys already have their fingers in countless corporations, governments, media outlets, and NGOs—but now they want control over history itself. If that doesn't frighten you, it should. But we're here to stop them. And I need your help. Deacon, pre-load gene sequence AD16-B13-I87.'' |
| *'''Deacon:''' ''Yep, spooling it up.'' | | *'''Deacon:''' ''Yep, spooling it up.'' |
| *'''Bishop:''' ''Last week we gained access to a bank of unsequenced memories in Abstergo's [[Helix]] servers—For now, we'd like you to experience a small sample. This should help you understand our struggle. And after that, you can decide for yourself what comes next. We'll be waiting.'' | | *'''Bishop:''' ''Last week we gained access to a bank of unsequenced memories in Abstergo's [[Helix]] servers—For now, we'd like you to experience a small sample. This should help you understand our struggle. And after that, you can decide for yourself what comes next. We'll be waiting.'' |
| The [[Helix Initiate]] began reliving a memory of [[Jacques de Molay]]'s [[Jacques de Molay's advisor|advisor]] at the culmination of the [[persecution of the Templars]].<ref>''[[Assassin's Creed: Unity]]'' – [[The Tragedy of Jacques de Molay]]</ref> | | The Helix Initiate began reliving [[Arno Dorian]]'s memory of his time in [[Versailles]] as both a child and an adult.<ref>''Assassin's Creed: Unity'' – [[Memories of Versailles]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Initiate | | !style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Initiate |
| |- | | |- |
| | | | | |
| | The Helix Initiate finished reliving Arno's memory of his sentence in the [[Bastille]], meeting [[Pierre Bellec]] during its [[Storming of the Bastille|storming]], and reuniting with [[Élise de la Serre]] immediately afterward.<ref>''Assassin's Creed: Unity'' – [[Imprisoned]]</ref> |
| *'''Bishop:''' ''Welcome back. Now that you've experienced life as an Assassin, are you willing to take up the fight and join us? Deacon, load the file.'' | | *'''Bishop:''' ''Welcome back. Now that you've experienced life as an Assassin, are you willing to take up the fight and join us? Deacon, load the file.'' |
| *'''Deacon:''' ''Coming up.'' | | *'''Deacon:''' ''Coming up.'' |
| Line 2,862: |
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| *'''Bishop:''' ''Good choice. Welcome to the Assassins, Initiate.'' | | *'''Bishop:''' ''Good choice. Welcome to the Assassins, Initiate.'' |
| *'''Video commentator:''' ''In the 1950s, it was theorized that human DNA worked via the Triple-Helix model. Some years later, the work of [[Francis Crick|Crick]] and [[James Watson|Watson]] demolished this theory in favor of the Double Helix. Today we know the double helix to be indisputably the basis of all life. So why did the Triple-Helix theory gain so much traction? Why did [[Rosalind Franklin]]'s X-rays seem to confirm it? It turns out that their initial samples had been taken from small traces of Precursor DNA—the rare genes of an ancient race embedded in our own. We now know that Triple Helix DNA is the foundation of the Precursor genome. It is the genetic Rosetta stone of our age. If we can crack it open—if we can sequence the full Precursor genome—there is no limit to the knowledge we will gain. Using Animus technology, Precursor history will be open to us for the first time ever. Ancient languages will be unlocked and ancient technology will be ours for the taking. Imagine what will be possible if we master the technology that underpins the Pieces of Eden. Such discoveries would surpass one-hundredfold the splitting of the atom. Last year we located a rich sample of Precursor DNA in a donor whose genes contained human and precursor DNA at an incredible 25 to 1 ratio. Our work will begin with this sample. Our goal is to unravel the Triple-Helix, sequence the Precursor genome, and change the world for the better, forever. Welcome to The [[Phoenix Project]].'' | | *'''Video commentator:''' ''In the 1950s, it was theorized that human DNA worked via the Triple-Helix model. Some years later, the work of [[Francis Crick|Crick]] and [[James Watson|Watson]] demolished this theory in favor of the Double Helix. Today we know the double helix to be indisputably the basis of all life. So why did the Triple-Helix theory gain so much traction? Why did [[Rosalind Franklin]]'s X-rays seem to confirm it? It turns out that their initial samples had been taken from small traces of Precursor DNA—the rare genes of an ancient race embedded in our own. We now know that Triple Helix DNA is the foundation of the Precursor genome. It is the genetic Rosetta stone of our age. If we can crack it open—if we can sequence the full Precursor genome—there is no limit to the knowledge we will gain. Using Animus technology, Precursor history will be open to us for the first time ever. Ancient languages will be unlocked and ancient technology will be ours for the taking. Imagine what will be possible if we master the technology that underpins the Pieces of Eden. Such discoveries would surpass one-hundredfold the splitting of the atom. Last year we located a rich sample of Precursor DNA in a donor whose genes contained human and precursor DNA at an incredible 25 to 1 ratio. Our work will begin with this sample. Our goal is to unravel the Triple-Helix, sequence the Precursor genome, and change the world for the better, forever. Welcome to The [[Phoenix Project]].'' |
| *'''Bishop:''' ''So this is where we stand... Last year, Abstergo acquired the body of a man we call a [[Sage]]—one of a rare breed of humans with a surplus of ancient DNA. This sparked a search for more Sages, in the present and in the past. The more Abstergo finds, the closer they get to their final goal. We've blocked their recent attempts to find more, but Abstergo will not stop looking until they sequence a full precursor genome. So... why [[Arno Dorian]]? Why chase an Assassin through the [[French Revolution]]? It turns out, at some point in his life, Arno came into contact with another Sage. We need you to find out when and where these meetings took place. If Arno was present for this Sage's death, it may lead Abstergo straight to his body. Naturally we would like to find it first. This is where you come in. It won't be simple. Genetic memory must be tackled in sequence, to keep the data stable. But we're confident you're up to the task. And you won't be alone. Other [[initiates]]—Assassins just like you—are doing their part to end this fight. If you need more training, more experience... you can call on them for help. All right. Loading the next Sequence...'' | | *'''Bishop:''' ''So this is where we stand... Last year, Abstergo acquired the body of a man we call a [[Sage]]—one of a rare breed of humans with a surplus of ancient DNA. This sparked a search for more Sages, in the present and in the past. The more Abstergo finds, the closer they get to their final goal. We've blocked their recent attempts to find more, but Abstergo will not stop looking until they sequence a full precursor genome. So... why Arno Dorian? Why chase an Assassin through the [[French Revolution]]? It turns out, at some point in his life, Arno came into contact with another Sage. We need you to find out when and where these meetings took place. If Arno was present for this Sage's death, it may lead Abstergo straight to his body. Naturally we would like to find it first. This is where you come in. It won't be simple. Genetic memory must be tackled in sequence, to keep the data stable. But we're confident you're up to the task. And you won't be alone. Other [[initiates]]—Assassins just like you—are doing their part to end this fight. If you need more training, more experience... you can call on them for help. All right. Loading the next Sequence...'' |
| Bishop loaded the sequence, landing in the Initiate back in [[Paris]]. | | Bishop loaded the sequence, returning the Initiate to [[Paris]]. |
| *'''Bishop:''' ''I've got something else for you. The more time you spend with Arno, the more data we'll have to increase your synchronization with him—and to activate his abilities. Here, have a loot at this...'' | | *'''Bishop:''' ''I've got something else for you. The more time you spend with Arno, the more data we'll have to increase your synchronization with him—and to activate his abilities. Here, have a loot at this...'' |
| Bishop opened up a list of abilities before returning to action. | | Bishop opened up a list of abilities before returning to action. |
| *'''Bishop:''' ''One last thing—while you've been busy, I had Deacon do some poking around in Arno's memories. Seems he was a busy guy. See that symbol? That's a co-op mission. I play a lot of games multiplayer, I don't know about you. But I thought you'd like to mix it up a little. These are missions Arno ran with his [[Parisian Brotherhood of Assassins|Assassin buddies]], so they'll give you an idea of what our organization's about. Just walk into the glitch and you'll get all the details. I've marked them on your map.'' | | *'''Bishop:''' ''One last thing—while you've been busy, I had Deacon do some poking around in Arno's memories. Seems he was a busy guy. See that symbol? That's a co-op mission. I play a lot of games multiplayer, I don't know about you. But I thought you'd like to mix it up a little. These are missions Arno ran with his Assassin buddies, so they'll give you an idea of what our organization's about. Just walk into the glitch and you'll get all the details. I've marked them on your map.'' |
| | The Initiate proceeded to relive Arno's initiation into the [[Parisian Brotherhood of Assassins|French Assassins]].<ref>''Assassin's Creed: Unity'' – [[Rebirth]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Templar Sage | | !style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Templar Sage |
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| *'''Bishop:''' ''There, everything's been updated. Use them wisely. We'll be in touch.'' | | *'''Bishop:''' ''There, everything's been updated. Use them wisely. We'll be in touch.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Germain | | !style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Germain |
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| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Mission accomplished | | ! style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Signal Distortion |
| | |- |
| | |The Initiate finished reliving Arno's escape in an air ballon with [[Élise de la Serre|Élise]] after assassinating [[Marie Lévesque]].<ref>''Assassin's Creed Unity'' – [[The Escape (Unity)|The Escape]]</ref> |
| | * '''Bishop:''' ''Initiate, do you read me? Sorry about all this noise. There's a waterfall of signal distortion. Its not looking good. How about one more boost before I lose this connection? Sending you the data now.'' |
| | |
| | Bishop unlocked a new set of Assassin Skills in the Helix Navigator for the Initiate. |
| | |
| | * '''Bishop:''' ''You're close to the goal, ok? So hold fast. Our own research couldn't locate the date and place of Germain's death, so you'll have to find it yourself. Bishop out.'' |
| | |} |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Mission accomplished |
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| ===''[[Dead Kings]]''=== | | ===''[[Dead Kings]]''=== |
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| ! style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Glitch | | !style="background:#2B4B62; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Glitch |
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| ==''[[Assassin's Creed Chronicles]]''== | | ==''[[Assassin's Creed Chronicles]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#281109; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |A Secret Lab | | !style="background:#281109; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|A Secret Lab |
| |- | | |- |
| |Laetitia England sat in her office typing on her laptop. | | |Laetitia England sat in her office typing on her laptop. |
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| *'''Laetitia:''' ''Shay Cormac's [[Precursor box]]. You recovered it last year, when the Assassins stole it... before we knew what it was.'' | | *'''Laetitia:''' ''Shay Cormac's [[Precursor box]]. You recovered it last year, when the Assassins stole it... before we knew what it was.'' |
| *'''Berg:''' ''Before ''I'' uncovered Shay's memories.'' | | *'''Berg:''' ''Before ''I'' uncovered Shay's memories.'' |
| *'''Laetitia:''' ''I need you to deliver it to [[Álvaro Gramática|Dr. Gramática]].'' | | *'''Laetitia:''' ''I need you to deliver it to Dr. [[Álvaro Gramática|Gramática]].'' |
| *'''Berg:''' ''Very well. Where?'' | | *'''Berg:''' ''Very well. Where?'' |
| *'''Laetitia:''' ''[[Abstergo Industries Paris facility|A secret location]]. Not even ''I'' know where it is. Gramática will send you the coordinates.'' | | *'''Laetitia:''' ''[[Abstergo Industries Australia facility|A secret location]]. Not even ''I'' know where it is. Gramática will send you the coordinates.'' |
| Berg made to leave but was stopped at the door when Laetitia called to him. | | Berg made to leave but was stopped at the door when Laetitia called to him. |
| *'''Laetitia:''' ''Master Berg. No one is to know about this. Understood?'' | | *'''Laetitia:''' ''Master Berg. No one is to know about this. Understood?'' |
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| *'''Álvaro:''' ''I'm hoping it will help me better understand [[Shroud of Eden 2|another artifact]] we have uncovered.'' | | *'''Álvaro:''' ''I'm hoping it will help me better understand [[Shroud of Eden 2|another artifact]] we have uncovered.'' |
| A distant scream echoed through the room, making Berg uneasy. | | A distant scream echoed through the room, making Berg uneasy. |
| *'''Berg:''' ''What ''kind'' of research are you doing here? | | *'''Berg:''' ''What ''kind'' of research are you doing here?'' |
| *'''Álvaro:''' ''Project Phoenix, Master Berg!'' | | *'''Álvaro:''' ''Project Phoenix, Master Berg!'' |
| Gramática walked away from Berg to the entrance of his lab. | | Gramática walked away from Berg to his lab entrance. |
| *'''Álvaro:''' ''Project Phoenix!'' | | *'''Álvaro:''' ''Project Phoenix!'' |
| |} | | |} |
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| ==''[[Assassin's Creed: Syndicate]]''== | | ==''[[Assassin's Creed: Syndicate]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |A New Mission | | !style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|A New Mission |
| |- | | |- |
| |After their success with Arno's memories, Bishop contacted the Initiate about a new assignment. | | |After their success with Arno's memories, Bishop contacted the Initiate about a new assignment. |
| *'''Bishop:''' ''Hello, Initiate. Recently, Abstergo Historical Research began several new projects in London. We both know that when Abstergo makes big moves, the Templars are up to something. We think they're hot on the trail of a [[Shroud of Eden 2|new Piece of Eden]]. I've got people in London looking for it.'' | | *'''Bishop:''' ''Hello, Initiate. Recently, Abstergo Historical Research began several new projects in London. We both know that when Abstergo makes big moves, the Templars are up to something. We think they're hot on the trail of a new Piece of Eden. I've got people in London looking for it.'' |
| *'''Rebecca:''' ''Hey Bishop! [[Jacob Frye|Jacob]] and [[Evie Frye]] are twins! How awesome is that?'' | | *'''Rebecca:''' ''Hey Bishop! [[Jacob Frye|Jacob]] and [[Evie Frye]] are twins! How awesome is that?'' |
| *'''Bishop:''' ''Speak of the devil. Fire up your cameras, Becs! I've got picture. ETA on the payload?'' | | *'''Bishop:''' ''Speak of the devil. Fire up your cameras, Becs! I've got picture. ETA on the payload?'' |
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| *'''Shaun:''' ''And now I'm eager to try this new kit!'' | | *'''Shaun:''' ''And now I'm eager to try this new kit!'' |
| *'''Bishop:''' ''I don't like it when those two go off-book like this. Well, all we can do is take a deep breath and move forward. You'll be searching for the Piece of Eden through the lives of Jacob and Evie Frye. Twin Assassins who operated in [[Victorian era|Victorian]] London. Your first set of genetic memories are downloaded. Good luck!'' | | *'''Bishop:''' ''I don't like it when those two go off-book like this. Well, all we can do is take a deep breath and move forward. You'll be searching for the Piece of Eden through the lives of Jacob and Evie Frye. Twin Assassins who operated in [[Victorian era|Victorian]] London. Your first set of genetic memories are downloaded. Good luck!'' |
| | The Initiate began reliving the Frye twins' memories as they hunted [[Rupert Ferris]] and [[David Brewster]] within the factory [[Ferris Ironworks]] in [[Croydon]].<ref>''[[Assassin's Creed: Syndicate]]'' – [[A Spanner in the Works]]</ref><ref>''Assassin's Creed: Syndicate'' – [[A Simple Plan]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Templar meeting | | !style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Templar meeting |
| |- | | |- |
| |After reliving Jacob and Evie's first set of memories, the Initiate was contacted by Bishop. | | |After the Initiate relived Jacob and Evie's first set of memories, Bishop contacted them. |
| *'''Bishop:''' ''I know, I know. You've only had a taste of our latest acquisition from Abstergo. But I want to check in on Shaun and Rebecca. I still think attacking a Templar is a mistake.'' | | *'''Bishop:''' ''I know, I know. You've only had a taste of our latest acquisition from Abstergo. But I want to check in on Shaun and Rebecca. I still think attacking a Templar is a mistake.'' |
| Shaun and Rebecca's sleuthing was interrupted by Isabelle entering her office. | | Shaun and Rebecca's sleuthing was interrupted by Isabelle entering her office. |
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| *'''Bishop:''' ''All they had to do was wait for you to search the data. Their little stunt has put the whole operation at risk. You need to synchronize Jacob and Evie's memories. Find something that puts us ahead of the enemy. Time is of the essence and lives are now clearly on the line. Good luck.'' | | *'''Bishop:''' ''All they had to do was wait for you to search the data. Their little stunt has put the whole operation at risk. You need to synchronize Jacob and Evie's memories. Find something that puts us ahead of the enemy. Time is of the essence and lives are now clearly on the line. Good luck.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Checking in | | !style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Checking in |
| |- | | |- |
| |After reliving more of Jacob and Evie's memories, the Initiate was contacted by Bishop. | | |After the Initiated relived more of Jacob and Evie's memories, Bishop contacted them again. |
| *'''Bishop:''' ''Sorry to interrupt, Initiate. Thought you'd like to know that Shaun and Rebecca got away from Otso Berg. Berg runs a unit called [[Sigma Team]]. Violet da Costa is his tech support. They've been hunting and killing Assassins for a long time. Thank God you're all right.'' | | *'''Bishop:''' ''Sorry to interrupt, Initiate. Thought you'd like to know that Shaun and Rebecca got away from Otso Berg. Berg runs a unit called [[Sigma Team]]. Violet da Costa is his tech support. They've been hunting and killing Assassins for a long time. Thank God you're all right.'' |
| *'''Shaun:''' ''Oh tish tosh, it'll take more than a Templar super soldier to end the glorious saga of Shaun "Danger" Hastings!'' | | *'''Shaun:''' ''Oh tish tosh, it'll take more than a Templar super soldier to end the glorious saga of Shaun "Danger" Hastings!'' |
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| *'''Bishop:''' ''Leave that to me. In the meantime, keep a low profile. Let the Initiate continue to synch the data.'' | | *'''Bishop:''' ''Leave that to me. In the meantime, keep a low profile. Let the Initiate continue to synch the data.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |World War I simulation | | !style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|World War I simulation |
| |- | | |- |
| |While viewing the Frye twins' memories, the Initiate found a rift. | | |While viewing the Frye twins' memories, the Initiate found a rift. |
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| *'''Bishop:''' ''Initiate! Are you there? Your readings are going haywire! Abort! ... out! Yo ... ve to get ...'' | | *'''Bishop:''' ''Initiate! Are you there? Your readings are going haywire! Abort! ... out! Yo ... ve to get ...'' |
| *'''Juno:''' ''Hello. In the past, you hunt for one of my artifacts. But I come to you today to speak of the future. Follow [[Lydia Frye]]. She will lead you to me.'' | | *'''Juno:''' ''Hello. In the past, you hunt for one of my artifacts. But I come to you today to speak of the future. Follow [[Lydia Frye]]. She will lead you to me.'' |
| While exploring Lydia's memories during [[World War I]], Juno spoke to the Initiate on multiple occasions.<ref>''Assassin's Creed: Syndicate'' – [[The Darkest Hour]]</ref><ref>''Assassin's Creed: Syndicate'' – [[The Apothecary Twins]]</ref><ref>''Assassin's Creed: Syndicate'' – [[The Magpie]]</ref><ref>''Assassin's Creed: Syndicate'' – [[Hopton's]]</ref><ref>''Assassin's Creed: Syndicate'' – [[Clarence Stock House]]</ref><ref>''Assassin's Creed: Syndicate'' – [[The Master Spy]]</ref>
| | As the Initiate explored a [[World War I simulation|simulation]] of Lydia's memories during [[World War I]],<ref>''Assassin's Creed: Syndicate'' – [[The Darkest Hour]]</ref><ref>''Assassin's Creed: Syndicate'' – [[The Apothecary Twins]]</ref><ref>''Assassin's Creed: Syndicate'' – [[The Magpie]]</ref><ref>''Assassin's Creed: Syndicate'' – [[Hopton's]]</ref><ref>''Assassin's Creed: Syndicate'' – [[Clarence Stock House]]</ref><ref>''Assassin's Creed: Syndicate'' – [[17 Walpole Lane]]</ref><ref>''Assassin's Creed: Syndicate'' – [[The Master Spy]]</ref> Juno continued to contact them. |
| *'''Juno:''' ''Once I walked the Earth as you do. I was born to the [[Illuminat]] caste in the city of [[Feyan]] in the year 2195 of the Isu Era. Now I travel the vast corridors of your machines, adrift here within [[the Grey]]. But I grow stronger. The world is nearly ready for my return. And so, I have summoned you to this war-torn simulation. To tell you a story. It is our story.<br><br>I once loathed the very sight of your kind. In the same way you recoil in the presence of an arachnid. Humans were created by we who came before, the Isu. We crafted you in our image, but deprived you of our true gifts. You were bred for hard labor, and in extreme cases, war. We built great observatories to monitor you, devices to control you. We blessed you with resilience but cursed you with ambition. And so you rebelled against us. I suppose we are to blame for the state of your species. Is it any wonder so many of these simulations revolve around violence?<br><br>As our people clashed, we became distracted from an impending doom: a coronal mass ejection from our angry sun. The greatest minds of our time assembled to prevent the coming disaster. Among them: forthright Minerva, proud Jupiter... beloved Aita. We spent years locked away in the Grand Temple, attempting to find salvation. The others could only think of physical solutions, yet I believed the only way to save us was to transform us. Inspired by the research of the great scientist [[Consus]], I attempted to place Aita's mind into a stronger, synthetic body. I failed, and my beloved died in my arms. The others shunned me.<br><br>All of our efforts came to nothing. In the year 2306 of the Isu Era, the sun unleashed its fury on my once-great civilization. I perfected the work of Consus and made it my own. I salvaged Aita's brilliant essence and inserted it into the DNA of your rebellious kind. I sent him into the unknown future to be reborn, again and again. I returned to the Grand Temple. I shed my physical form and entered the gray. But stubborn Minerva and foolish Jupiter discovered me, and sealed me inside. Entombed, I waited for the day when your technology might allow my return. That wait is nearly over.<br><br>We need not be enemies. I intend to build, to transform your age into something greater than you can currently comprehend.<br><br>The man Lydia Frye killed was my husband, Aita, reborn. Known in your time as a "Sage." Thank you for discovering his fate. His pattern will be added to my own. Perhaps you believe, as other Assassins before you, that it is your duty to work against me. But consider this: It was an Assassin who freed me from my prison. I am no longer She Who Lies in Wait. I am the [[Mother of Wisdom]]. I am the nexus of flesh and machine. I am Juno. And if the greatest Assassin of your generation can see things my way... then perhaps you can too.'' | | After the initiate relived "The Darkest Hour", Juno intercepted the simulation. |
| The Initiate left the simulation.
| | *'''Juno:''' ''Once I walked the [[Earth]] as you do. I was born to the [[Illuminat]] caste in the city of [[Feyan]] in the year 2195 of the [[Isu Era]]. Now I travel the vast corridors of your machines, adrift here within [[the Grey]]. But I grow stronger. The world is nearly ready for my return. And so, I have summoned you to this war-torn simulation. To tell you a story. It is our story. I once loathed the very sight of your kind. In the same way you recoil in the presence of an arachnid. Humans were [[Project Anthropos|created]] by we who came before, the Isu. We crafted you in our image, but deprived you of our true gifts. You were bred for hard labor, and in extreme cases, war. We built observatories to monitor you, devices to control you. We blessed you with resilience, but cursed you with ambition. And so you [[Human-Isu War|rebelled]] against us. I suppose we are to blame for the state of your species. Is it any wonder so many of these simulations revolve around violence?'' |
| | After reliving two more WWI missions, Juno intercepted the simulation again. |
| | *'''Juno:''' ''As our people clashed, we became distracted from an impending doom, a [[Great Catastrophe|coronal mass ejection]] from our angry sun. The greatest minds of our time assembled to prevent the coming disaster. Among them: forthright Minerva, proud Jupiter... beloved Aita. We spent years locked away in the Grand Temple, attempting to find salvation. The others could only think of physical solutions, yet I believed the only way to save us was to transform us. Inspired by [[Shroud of Eden 1|the research]] of the great scientist [[Consus]], I attempted to place Aita's mind into a stronger, synthetic body. I failed, and my beloved died in my arms. The others shunned me.'' |
| | After reliving two more WWI missions, Juno intercepted the simulation again. |
| | *'''Juno:''' ''[[Six methods of salvation|All of our efforts]] came to nothing. In the year 2306 of the Isu Era, the sun unleashed its fury on my once-great civilization. I perfected the work of Consus and made it my own. I salvaged Aita's brilliant essence and inserted it into the DNA of your rebellious kind. I sent him into the unknown future to be reborn, again and again. I returned to the Grand Temple. I shed my physical form and entered the Grey. But stubborn Minerva and foolish Jupiter discovered me, and sealed me inside. Entombed, I waited for the day when your technology might allow my return. That wait is nearly over.'' |
| | After the initiate relived all WWI memories except "[[The Master Spy]]", Juno intercepted the simulation again. |
| | *'''Juno:''' ''We need not be enemies. I intend to build, to transform your age into something greater than you can currently comprehend.'' |
| | After the initiate relived the last mission, Juno intercepted the simulation for a final time. |
| | *'''Juno:''' ''[[Master Spy|The man]] Lydia killed was my husband Aita, reborn. Known in your time as a 'Sage'. Thank you for discovering his fate. His pattern will be added to my own. Perhaps you believe, as other Assassins before you, that it is your duty to work against me. But consider this: it was an Assassin who freed me from my prison. I am no longer She Who Lies in Wait. I am the [[Mother of Wisdom]]. I am the nexus of flesh and machine. I am Juno. And if the greatest Assassin of your generation can see things my way... then perhaps you can too.'' |
| | Having completed the sequence, the Initiate left the rift, returning to the main simulation. |
| *'''Bishop:''' ''I'm not reading any more signs of network disturbance. What happened in there? ... you okay? I don't know what happened. I thought I'd lost you.'' | | *'''Bishop:''' ''I'm not reading any more signs of network disturbance. What happened in there? ... you okay? I don't know what happened. I thought I'd lost you.'' |
| | The initiate reentered the WWI simulation. |
| | *'''Bishop:''' ''You need to be very careful.'' |
| | *'''Juno:''' ''Hello again. Follow Lydia to find me.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Galina | | !style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Galina |
| |- | | |- |
| |After reliving more of Jacob and Evie's memories, the Initiate was reconnected to Rebecca's drone feed. | | |After the Initiated relived more of Jacob and Evie's memories, they were reconnected to Rebecca's drone feed. |
| *'''Bishop:''' ''You okay?'' | | *'''Bishop:''' ''You okay?'' |
| *'''Shaun:''' ''Apart from the death squad on our tail? 'part from that?'' | | *'''Shaun:''' ''Apart from the death squad on our tail? 'part from that?'' |
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| *'''Shaun:''' ''I had this colleague. He was our boss's son. I didn't much care for him at the start. Everyone treated him like he was so bloody special. To me, he just wasn't invested in anything that didn't affect him personally. But, I was wrong about him. He became my friend. Put himself through hell. And he saved us all in the end. So I reckon... Well, I can't apologize to him, but I can, I don't know. I can try and live up to his example.'' | | *'''Shaun:''' ''I had this colleague. He was our boss's son. I didn't much care for him at the start. Everyone treated him like he was so bloody special. To me, he just wasn't invested in anything that didn't affect him personally. But, I was wrong about him. He became my friend. Put himself through hell. And he saved us all in the end. So I reckon... Well, I can't apologize to him, but I can, I don't know. I can try and live up to his example.'' |
| *'''Galina:''' ''You are a good Assassin.'' | | *'''Galina:''' ''You are a good Assassin.'' |
| *'''Shaun:''' ''Holy Jes-'' | | *'''Shaun:''' ''Holy Jes—'' |
| *'''Galina:''' ''Hello. It has been too long.'' | | *'''Galina:''' ''Hello. It has been too long.'' |
| *'''Shaun:''' ''[[Galina Voronina|Galina]]! Blimey. I have not seen you since we blew up that lab in Paris!'' | | *'''Shaun:''' ''[[Galina Voronina|Galina]]! Blimey. I have not seen you since we blew up that lab in Paris!'' |
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| *'''Bishop:''' ''Shaun and Rebecca are safe for now, but we're still relying on you to find us that Shroud!'' | | *'''Bishop:''' ''Shaun and Rebecca are safe for now, but we're still relying on you to find us that Shroud!'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Verification | | !style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Verification |
| |- | | |- |
| | | | | |
| After reliving more of Jacob and Evie's memories, the Initiate was contacted by Bishop. | | After the Initiate relived more of Jacob and Evie's memories, Bishop contacted them again. |
| *'''Bishop:''' ''The Piece of Eden is under [[Buckingham Palace]]. We've got all we need. Let's start planning our infiltration.'' | | *'''Bishop:''' ''The Piece of Eden is [[Buckingham Palace vault|under]] [[Buckingham Palace]]. We've got all we need. Let's start planning our infiltration.'' |
| *'''Shaun:''' ''Hold on, better to get visual verification. If we're going to move, we have to be 100% sure, we'll only get one shot before Otso Berg crashes down on us.'' | | *'''Shaun:''' ''Hold on, better to get visual verification. If we're going to move, we have to be 100% sure, we'll only get one shot before Otso Berg crashes down on us.'' |
| *'''Rebecca:''' ''Got to agree with Shaun.'' | | *'''Rebecca:''' ''Got to agree with Shaun.'' |
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| *'''Bishop:''' ''It's all up to you, Initiate.'' | | *'''Bishop:''' ''It's all up to you, Initiate.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Shroud of Eden | | !style="background:#D8A147; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Shroud of Eden |
| |- | | |- |
| |Upon finishing Jacob and Evie's memories,<ref>''Assassin's Creed: Syndicate'' – [[A Night to Remember]]</ref> the Initiate was connected to Rebecca's drone feed. | | |Upon finishing Jacob and Evie's memories,<ref>''Assassin's Creed: Syndicate'' – [[A Night to Remember]]</ref> the Initiate was connected to Rebecca's drone feed. |
| *'''Shaun:''' ''That's it! It's under the palace!'' | | *'''Shaun:''' ''That's it! It's under the palace!'' |
| *'''Rebecca:''' ''Time to go!'' | | *'''Rebecca:''' ''Time to go!'' |
| The Assassins arrived at the [[Buckingham Palace]] [[Buckingham Palace vault|vault]], but noticed the Templars had arrived first. | | The Assassins arrived at the Buckingham Palace vault but noticed the Templars had arrived first. |
| *'''Isabelle:''' ''Let's get the Shroud to Dr. Gramática immediately.'' | | *'''Isabelle:''' ''Let's get the Shroud to Dr. Gramática immediately.'' |
| *'''Rebecca:''' ''Sigma Team beat us here. We're too late!'' | | *'''Rebecca:''' ''Sigma Team beat us here. We're too late!'' |
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| |
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| ==''[[Assassin's Creed: Origins]]''== | | ==''[[Assassin's Creed: Origins]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#FFA500; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Hotep Cavern | | !style="background:#FFA500; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Hotep Cavern |
| |- | | |- |
| |After witnissing [[Bayek]]s' departure from [[Siwa]] to [[Alexandria]] following [[Khemu]]'s death in the [[Siwa Vault]],<ref>''[[Assassin's Creed: Origins]]'' – [[May Amun Walk Beside You]]</ref> Layla Hassan's Animus session was interrupted by [[Deanna Geary]]. | | |After witnissing [[Bayek]]s' departure from [[Siwa]] to [[Alexandria]] following [[Khemu]]'s death in the [[Siwa Vault]],<ref>''[[Assassin's Creed: Origins]]'' – [[May Amun Walk Beside You]]</ref> Layla Hassan's Animus session was interrupted by [[Deanna Geary]]. |
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| Layla resumed Bayek's memories as he entered Alexandria in search of his wife, [[Amunet|Aya]].<ref>''Assassin's Creed: Origins'' – [[Aya (memory)]]</ref> | | Layla resumed Bayek's memories as he entered Alexandria in search of his wife, [[Amunet|Aya]].<ref>''Assassin's Creed: Origins'' – [[Aya (memory)]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#FFA500; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Finding Aya | | !style="background:#FFA500; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Finding Aya |
| |- | | |- |
| |Layla gasped for air as she sat up and disconnected from the Animus. | | |Layla gasped for air as she sat up and disconnected from the Animus. |
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| She switched back to Bayek's memory as he met with [[Apollodorus]] to seek audience with [[Cleopatra]].<ref>''Assassin's Creed: Origins'' – [[Egypt's Medjay]]</ref> | | She switched back to Bayek's memory as he met with [[Apollodorus]] to seek audience with [[Cleopatra]].<ref>''Assassin's Creed: Origins'' – [[Egypt's Medjay]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#FFA500; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Terminating Layla | | !style="background:#FFA500; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Terminating Layla |
| |- | | |- |
| |Deanna abruptly roused Layla out of the Animus, leaving her temporarily disoriented. | | |Deanna abruptly roused Layla out of the Animus, leaving her temporarily disoriented. |
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| *'''Layla:''' ''I have to do this. It's them or me.'' | | *'''Layla:''' ''I have to do this. It's them or me.'' |
| As she eliminated the last mercenary outside of the cave during a sandstorm, she heard his {{Wiki|walkie-talkie}} receive a transmission Sigma Team. | | As she eliminated the last mercenary outside of the cave during a sandstorm, she heard his {{Wiki|walkie-talkie}} receive a transmission Sigma Team. |
| *'''Egyptian Soldier:''' ''(Team One, we've located the secondary target. Extracting her now.) | | *'''Egyptian Soldier:''' ''(Team One, we've located the secondary target. Extracting her now.)'' |
| Layla heard Deanna struggle in her earpiece. | | Layla heard Deanna struggle in her earpiece. |
| *'''Deanna:''' ''No, don't, please—No!'' | | *'''Deanna:''' ''No, don't, please—No!'' |
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| *'''Layla:''' ''Back to the Animus. What else can I do?'' | | *'''Layla:''' ''Back to the Animus. What else can I do?'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#FFA500; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Meeting William Miles | | !style="background:#FFA500; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Meeting William Miles |
| |- | | |- |
| |Layla lay in the Animus while the recording she made earlier was being played by William Miles. | | |Layla lay in the Animus while the recording she made earlier was being played by William Miles. |
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| |
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| ==''[[Assassin's Creed: Odyssey]]''== | | ==''[[Assassin's Creed: Odyssey]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Entering the Animus HR-8.5 | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Entering the Animus HR-8.5 |
| |- | | |- |
| |Layla Hassan removed a pile of rubble obscuring a buried object from her view. | | |Layla removed a pile of rubble obscuring a buried object from her view. |
| *'''Layla Hassan:''' ''Finally.'' | | *'''Layla Hassan:''' ''Finally.'' |
| Layla reached inside the hole and extracted the [[Spear of Leonidas|Spear]] of [[Leonidas I of Sparta|Leonidas]]. At her [[Layla Hassan's hideout|apartment base]] later, she stared at the Spear in awe. | | Layla reached inside the hole and extracted the [[Spear of Leonidas]]. At her [[Layla Hassan's hideout|apartment base]] later, she stared at the Spear in awe. |
| *'''[[Victoria Bibeau|Dr. Victoria Bibeau]]:''' ''Wow. This is big, Layla. Do you really think it's the spear?'' | | *'''Dr. [[Victoria Bibeau]]:''' ''Wow. This is big, Layla. Do you really think it's the spear?'' |
| *'''Layla Hassan:''' ''This is the one. [[Lost Book of Herodotus|The book]] was almost right on top if it. I've never been so lucky in my life.'' | | *'''Layla Hassan:''' ''This is the one. [[Lost Book of Herodotus|The book]] was almost right on top if it. I've never been so lucky in my life.'' |
| Layla rose from her seat and made her way to the Animus HR-8.5. | | Layla rose from her seat and made her way to the Animus HR-8.5. |
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| *'''Layla Hassan:''' ''Oh, and Victoria? Read the book. It holds the secrets I won't be able to find on my own when I'm in there.'' | | *'''Layla Hassan:''' ''Oh, and Victoria? Read the book. It holds the secrets I won't be able to find on my own when I'm in there.'' |
| *'''Dr. Victoria Bibeau:''' ''Aye aye, captain.'' | | *'''Dr. Victoria Bibeau:''' ''Aye aye, captain.'' |
| Layla began reliving the memories of the Spartan ''misthios'' Kassandra as she sat relaxing atop [[Kephallonian hovel|her home]] on [[Kephallonia]].<ref>''[[Assassin's Creed: Odyssey]]'' – [[So It Begins]]</ref> | | Layla began reliving the memories of the [[Sparta]]n ''misthios'' Kassandra as she sat relaxing atop [[Kephallonian hovel|her home]] on [[Kephallonia]].<ref>''[[Assassin's Creed: Odyssey]]'' – [[So It Begins]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Taking a break | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Taking a break |
| |- | | |- |
| |After experiencing Kassandra's infiltration of the [[Cult of Kosmos|Cult]] of [[Kosmos]]' meeting in their [[Sanctuary of Kosmos|lair]]<ref>''Assassin's Creed: Odyssey'' – [[The Serpent's Lair]]</ref> and first upgrade of the Spear in the [[Ancient Forge]] on [[Andros]],<ref>''Assassin's Creed: Odyssey'' – [[Upgrade the Spear]]</ref> Layla awoke from the Animus and sat up. | | |After experiencing Kassandra's infiltration of the [[Cult of Kosmos]]' meeting in their [[Sanctuary of Kosmos|lair]]<ref>''Assassin's Creed: Odyssey'' – [[The Serpent's Lair]]</ref> and first upgrade of the Spear in the [[Ancient Forge]] on [[Andros]],<ref>''Assassin's Creed: Odyssey'' – [[Upgrade the Spear]]</ref> Layla awoke from the Animus and sat up. |
| *'''Layla Hassan:''' ''Deimos... The Forge...'' | | *'''Layla Hassan:''' ''Deimos... The Forge...'' |
| *'''Dr. Victoria Bibeau:''' ''I knew I let you stay in the Animus too long. Your vitals are crashing.'' | | *'''Dr. Victoria Bibeau:''' ''I knew I let you stay in the Animus too long. Your vitals are crashing.'' |
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| (If "What do you think of the mission so far?" is chosen.) | | (If "What do you think of the mission so far?" is chosen.) |
| *'''Layla Hassan:''' ''So Doctor, how do you feel now that we're closer than ever to the staff?'' | | *'''Layla Hassan:''' ''So Doctor, how do you feel now that we're closer than ever to the staff?'' |
| *'''Dr. Victoria Bibeau:''' ''I believe this staff is important. But the Templars and Assassins have found [[Staves of Eden]] before. [[Nikola Tesla]] [[Tunguska explosion|blew]] one up in [[Russia]], if I remember correctly?'' | | *'''Dr. Victoria Bibeau:''' ''I believe this staff is important. But the Templars and Assassins have found [[Staves of Eden]] before. [[Nikola Tesla]] [[Tunguska explosion|blew]] [[Imperial Sceptre|one]] up in [[Russia]], if I [[Assassin's Creed: The Fall|remember]] correctly?'' |
| *'''Layla Hassan:''' ''This is different. If what I saw in [[Egypt]] is true, this staff doesn't control minds... it controls physics. Time. Imagine rewriting the rules of the universe.'' | | *'''Layla Hassan:''' ''This is different. If what I saw in [[Egypt]] is true, this staff doesn't control minds... it controls physics. Time. Imagine rewriting the rules of the universe.'' |
| *'''Dr. Victoria Bibeau:''' ''The spear you found is right here, and it's not doing anything.'' | | *'''Dr. Victoria Bibeau:''' ''The spear you found is right here, and it's not doing anything.'' |
| *'''Layla Hassan:''' ''The spear's attached to a bloodline. Leonidas, Kassandra, and Deimos... I mean Alexios. They were intimately connected to it.'' | | *'''Layla Hassan:''' ''The spear's attached to a bloodline. Leonidas, Kassandra, and Deimos... I mean Alexios. They were intimately connected to it.'' |
| *'''Dr. Victoria Bibeau:''' ''Are you sure you can use the [[Staff of Hermes Trismegistus|Staff]] of [[Hermes Trismegistus|Hermes]], then?'' | | *'''Dr. Victoria Bibeau:''' ''Are you sure you can use the [[Staff of Hermes Trismegistus|Staff of Hermes]], then?'' |
| *'''Layla Hassan:''' ''No. But if the Templars get it, they won't stop until they find someone who can.'' | | *'''Layla Hassan:''' ''No. But if the Templars get it, they won't stop until they find someone who can.'' |
| (If "What do you think of the new Animus?" is chosen.) | | (If "What do you think of the new Animus?" is chosen.) |
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| *'''Kiyoshi Takakura:''' ''I believe our working methods are compatible.'' | | *'''Kiyoshi Takakura:''' ''I believe our working methods are compatible.'' |
| (If "Why are you so short with me?" is chosen.) | | (If "Why are you so short with me?" is chosen.) |
| *'''Layla Hassan:''' ''Are you still upset about our last run-in with Abstergo? I'm sorry, I didn't realize those hills in [[Quebec]] were so steep. But hey, you and your Yakuza reflexes saved us! Sorry, EX-Yakuza.'' | | *'''Layla Hassan:''' ''Are you still upset about our last run-in with Abstergo? I'm sorry, I didn't realize those hills in [[Quebec]] were so steep. But hey, you and your [[yakuza]] reflexes saved us! Sorry, EX-Yakuza.'' |
| *'''Kiyoshi Takakura:''' ''We're all alive, and our injuries have healed. That's what matters.'' | | *'''Kiyoshi Takakura:''' ''We're all alive, and our injuries have healed. That's what matters.'' |
| (If "What do you think we should do next?" is chosen.) | | (If "What do you think we should do next?" is chosen.) |
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| *'''Dr. Victoria Bibeau:''' ''All right, I'll be watching your back.'' | | *'''Dr. Victoria Bibeau:''' ''All right, I'll be watching your back.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Finding Atlantis | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Finding Atlantis |
| |- | | |- |
| |Layla Hassan awoke from the Animus excited, sat up, then removed her {{Wiki|head-mounted display}}. | | |After experiencing Kassandra's memory of meeting her father [[Pythagoras]],<ref>''Assassin's Creed: Odyssey'' – [[A Family's Legacy]]</ref> an excited Layla awoke from the Animus, sat up, then removed her {{Wiki|head-mounted display}}. |
| *'''Layla Hassan:''' ''[[Thera]]... We found [[Atlantis]]!'' | | *'''Layla Hassan:''' ''[[Thera]]... We found [[Atlantis]]!'' |
| Victoria, concerned, approached Layla. | | Victoria, concerned, approached Layla. |
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| *'''Alannah Ryan:''' ''Yeah, we're here if you need us!'' | | *'''Alannah Ryan:''' ''Yeah, we're here if you need us!'' |
| *'''Kiyoshi Takakura:''' ''Said the Assassin sitting at a desk.'' | | *'''Kiyoshi Takakura:''' ''Said the Assassin sitting at a desk.'' |
| *'''Alannah Ryan:''' ''Well I don't have to be on a boat to be useful! I have loads of information on Ancient Greece. Did you know that at [[Zakros]], the [[Minoan civilization|Minoans]] built a graveyard so huge it was known as the "{{Wiki|Zakros|Ravine of the Dead}}"?'' | | *'''Alannah Ryan:''' ''Well I don't have to be on a boat to be useful! I have loads of information on Ancient Greece. Did you know that at [[Zakros]], the [[Minoan civilization|Minoans]] built a graveyard so huge it was known as the "Ravine of the Dead"?'' |
| Layla reached a chamber of small {{Wiki|hydrothermal vent}}s and swam through a safe passage between the fissures. | | Layla reached a chamber of small {{Wiki|hydrothermal vent}}s and swam through a safe passage between the fissures. |
| *'''Dr. Victoria Bibeau:''' ''Can we please not talk about death?'' | | *'''Dr. Victoria Bibeau:''' ''Can we please not talk about death?'' |
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| *'''Dr. Victoria Bibeau:''' ''Impressive.'' | | *'''Dr. Victoria Bibeau:''' ''Impressive.'' |
| *'''Layla Hassan:''' ''All in a day's hack.'' | | *'''Layla Hassan:''' ''All in a day's hack.'' |
| Layla exited the tunnel and finally reached the pool where Kassandra dove to get to the [[Gateway to the Lost City]],<ref>''Assassin's Creed: Odyssey'' – [[A Family's Legacy]]</ref> and emerged out of the water. She laughs joyously. | | Layla exited the tunnel and finally reached the pool where Kassandra dove to get to the [[Gateway to the Lost City]] and emerged out of the water. She laughed joyously. |
| *'''Layla Hassan:''' ''Wow! It's more elaborate than I could have imagined.'' | | *'''Layla Hassan:''' ''Wow! It's more elaborate than I could have imagined.'' |
| She ran through the walkway. | | She ran through the walkway. |
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| She walked underneath it and looked around. | | She walked underneath it and looked around. |
| *'''Layla Hassan:''' ''I should get out of this diving suit before I start exploring.'' | | *'''Layla Hassan:''' ''I should get out of this diving suit before I start exploring.'' |
| She changed back to her old clothes with a {{Wiki|Keffiyeh|square scarf}} wrapped around her neck and over her chest. Layla looked around in amazement. | | She changed back to her old clothes and donned a {{Wiki|keffiyeh}}. Layla looked around in amazement. |
| *'''Layla Hassan:''' ''It's real. I made it.'' | | *'''Layla Hassan:''' ''It's real. I made it.'' |
| Layla contacted her team again. | | Layla contacted her team again. |
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| *'''Layla Hassan:''' ''I'm re-entering the Animus. I need Kassandra to show me how she got farther inside.'' | | *'''Layla Hassan:''' ''I'm re-entering the Animus. I need Kassandra to show me how she got farther inside.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Meeting Kassandra | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Meeting Kassandra |
| |- | | |- |
| |Layla returned from the Animus after experiencing how Kassandra sealed Atlantis.<ref>''Assassin's Creed: Odyssey'' – [[Ancient Revelations]]</ref> She went straight to the the transmitting column near the gate and pushed the triangle button in the middle. It flashed golden light, and the square pyramid floating above glowed and activateed with a holographic [[earth]] beneath it. Layla looked up in awe and excitement. | | |Layla returned from the Animus after experiencing how Kassandra sealed Atlantis.<ref>''Assassin's Creed: Odyssey'' – [[Ancient Revelations]]</ref> She went straight to the the transmitting column near the gate and pushed the triangle button in the middle. It flashed golden light, and the square pyramid floating above glowed and activateed with a holographic [[earth]] beneath it. Layla looked up in awe and excitement. |
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| *'''Kassandra:''' ''When you are done. Destroy it. Destroy them all.'' | | *'''Kassandra:''' ''When you are done. Destroy it. Destroy them all.'' |
| Layla nodded in agreement. Kassandra nodded in thanks, then released the Staff. Turning away, she immediately turned gray and old. Seconds later, light shone from her as her life drained away. Layla caught her as she fell, and Kassandra uttered her final words in Ancient Greek. | | Layla nodded in agreement. Kassandra nodded in thanks, then released the Staff. Turning away, she immediately turned gray and old. Seconds later, light shone from her as her life drained away. Layla caught her as she fell, and Kassandra uttered her final words in Ancient Greek. |
| *'''Kassandra:''' ''Earth, mother of all, I greet you.'' | | *'''Kassandra:''' Gaía, mátir pantós, chaíre. ''(Earth, mother of all, I greet you.)'' |
| Layla laid her down on the ground in sorrow and gives her a moment of silence. She picked up the Staff to examine it, then put it aside. | | Layla laid her down on the ground in sorrow and gives her a moment of silence. She picked up the Staff to examine it, then put it aside. |
| *'''Layla Hassan:''' ''There's so much of the story I haven't seen. I should go back to the Animus and visit Kassandra again.'' | | *'''Layla Hassan:''' ''There's so much of the story I haven't seen. I should go back to the Animus and visit Kassandra again.'' |
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|
| |
|
| ===''[[The Lost Tales of Greece]]''=== | | ===''[[The Lost Tales of Greece]]''=== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Unlocking the Seal to Atlantis | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Unlocking the Seal to Atlantis |
| |- | | |- |
| |After relieving Kassandra's first encounter with [[Aletheia]],<ref>''Assassin's Creed: Odyssey – [[The Lost Tales of Greece]]'' – [[The Heir of Memories]]</ref> Layla exited the Animus to speak with her cell members via ear comm. | | |After relieving Kassandra's first encounter with [[Aletheia]],<ref>''Assassin's Creed: Odyssey – [[The Lost Tales of Greece]]'' – [[The Heir of Memories]]</ref> Layla exited the Animus to speak with her cell members via ear comm. |
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| *'''Aletheia:''' ''Go to the Seal, Heir.'' | | *'''Aletheia:''' ''Go to the Seal, Heir.'' |
| Before leaving, Layla conducted a quick survey of her impromptu camp, starting by inspecting her bag. | | Before leaving, Layla conducted a quick survey of her impromptu camp, starting by inspecting her bag. |
| *'''Layla Hassan:''' ''I have enough food and water for a week,two if I ration myself.'' | | *'''Layla Hassan:''' ''I have enough food and water for a week, two if I ration myself.'' |
| *'''Kiyoshi Takakura:''' ''I would not recommend staying down there that long. We can't help you from up here if Abstergo shows up.'' | | *'''Kiyoshi Takakura:''' ''I would not recommend staying down there that long. We can't help you from up here if Abstergo shows up.'' |
| *'''Layla Hassan:''' ''Yeah, yeah. I'll hurry.'' | | *'''Layla Hassan:''' ''Yeah, yeah. I'll hurry.'' |
| Layla crossed over to the pronged column at the window looking out to the sunken Atlanits. | | Layla crossed over to the pronged column at the window looking out to the sunken Atlantis. |
| *'''Layla Hassan:''' ''This is the altar that Kassandra activated millennia ago. It was ancient even when she found it.'' | | *'''Layla Hassan:''' ''This is the altar that Kassandra activated millennia ago. It was ancient even when she found it.'' |
| Layla returned to her camp and saw that the place where Kassandra had lain was empty, her body having disintegrated. | | Layla returned to her camp and saw that the place where Kassandra had lain was empty, her body having disintegrated. |
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| *'''Dr. Victoria Bibeau:''' ''If there's organic remains, we could get a sample.'' | | *'''Dr. Victoria Bibeau:''' ''If there's organic remains, we could get a sample.'' |
| *'''Layla Hassan:''' ''There aren't, and you're creepy.'' | | *'''Layla Hassan:''' ''There aren't, and you're creepy.'' |
| Her insepction complete, Layla carried the Staff of Hermes Trismegistus to the Great Seal, a large gate in the cave's right corner. She placed the staff on the left of the gate. While she looked around, a voice echoed from the staff. | | Layla examined the locations of the pillars. She examined the location of the [[Minotaur]]'s pillar. |
| | *'''Layla Hassan:''' ''This must be where the Minotaur's pillar was.'' |
| | *'''Kiyoshi Takakura:''' ''Looks like it was functioning as some kind of gate.'' |
| | She examined the location of [[Medusa]]'s pillar. |
| | *'''Layla Hassan:''' ''I still can't believe Isu tech turned that poor woman into a gorgon.'' |
| | She examined the location of the [[Cyclops]]'s pillar. |
| | *'''Layla Hassan:''' ''This pillar was part of the gate being protected by the Cyclops. Isu technology was capable of horrible things. Maybe it still is.'' |
| | She examined the location of the [[Sphinx]]'s pillar. |
| | *'''Layla Hassan:''' ''The Sphinx's pillar was here. I can't believe Isu technology can corrupt biological beings that way.'' |
| | Her inspection complete, Layla carried the Staff of Hermes Trismegistus to the Great Seal, a large gate in the cave's right corner. She placed the staff on the left of the gate. While she looked around, a voice echoed from the staff. |
| *'''Aletheia:''' ''The Keeper delivered me to you. Her pledge has been satisfied, and now I am entwined with you. Heir of Memories, this is the Great Seal to Atlantis. It has waited long to meet you.'' | | *'''Aletheia:''' ''The Keeper delivered me to you. Her pledge has been satisfied, and now I am entwined with you. Heir of Memories, this is the Great Seal to Atlantis. It has waited long to meet you.'' |
| She approached the staff. | | She approached the staff. |
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| Layla resumed her Animus session as Kassandra searched for Theras.<ref>''Assassin's Creed: Odyssey – The Lost Tales of Greece'' – [[Finding Theras]]</ref> | | Layla resumed her Animus session as Kassandra searched for Theras.<ref>''Assassin's Creed: Odyssey – The Lost Tales of Greece'' – [[Finding Theras]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Exploring Agamemnon's Tomb | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Exploring Agamemnon's Tomb |
| |- | | |- |
| |After Kassandra found the symbol in [[Agamemnon]]'s [[Agamemnon's Tomb|tomb]],<ref>''Assassin's Creed: Odyssey – The Lost Tales of Greece'' – [[Agamemnon's Symbol]]</ref> Layla Hassan reported her findings to her team. | | |After Kassandra found the symbol in [[Agamemnon]]'s [[Agamemnon's Tomb|tomb]],<ref>''Assassin's Creed: Odyssey – The Lost Tales of Greece'' – [[Agamemnon's Symbol]]</ref> Layla reported her findings to her team. |
| *'''Layla Hassan:''' Altaïr II'', I have our next location.'' | | *'''Layla Hassan:''' Altaïr II'', I have our next location.'' |
| *'''Kiyoshi Takakura:''' ''Well done. Where to?'' | | *'''Kiyoshi Takakura:''' ''Well done. Where to?'' |
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| *'''Aletheia:''' ''We are approaching the final symbol. If the Keeper doesn't know the order of the symbols, her brother will.'' | | *'''Aletheia:''' ''We are approaching the final symbol. If the Keeper doesn't know the order of the symbols, her brother will.'' |
| Layla smashed some wine jars and slid through the hole in the wall, finding the symbol on the other side. | | Layla smashed some wine jars and slid through the hole in the wall, finding the symbol on the other side. |
| *'''Layla Hassan:''' ''The final symbol. Another part of a constellation. They must fit together. ''Altaïr II'', can you read me?<br />OK, Layla, think this through. Outside the Tomb of Eteokles, Aletheia said Deimos would show me what the Keeper can't. Phidias had answers Theras didn't and was killed for it...'' | | *'''Layla Hassan:''' ''The final symbol. Another part of a constellation. They must fit together. ''Altaïr II'', can you read me?<br>OK, Layla, think this through. Outside the Tomb of Eteokles, Aletheia said Deimos would show me what the Keeper can't. Phidias had answers Theras didn't and was killed for it...'' |
| *'''Aletheia:''' ''The Heir is wise.'' | | *'''Aletheia:''' ''The Heir is wise.'' |
| *'''Layla Hassan:''' Altaïr II'', come in please.'' | | *'''Layla Hassan:''' Altaïr II'', come in please.'' |
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| </tabber> | | </tabber> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Exploring the Tomb of Eteokles | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Exploring the Tomb of Eteokles |
| |- | | |- |
| |After Kassandra found the symbol in [[Eteokles]]' [[Tomb of Eteokles|tomb]],<ref>''Assassin's Creed: Odyssey – The Lost Tales of Greece'' – [[Eteokles's Symbol]]</ref> Layla Hassan reported her findings to her team. | | |After Kassandra found the symbol in [[Eteokles]]' [[Tomb of Eteokles|tomb]],<ref>''Assassin's Creed: Odyssey – The Lost Tales of Greece'' – [[Eteokles's Symbol]]</ref> Layla reported her findings to her team. |
| *'''Layla Hassan:''' Altaïr II'', I've... or, Kassandra's found the next location.'' | | *'''Layla Hassan:''' Altaïr II'', I've... or, Kassandra's found the next location.'' |
| *'''Kiyoshi Takakura:''' ''Great work. Where to?'' | | *'''Kiyoshi Takakura:''' ''Great work. Where to?'' |
| Line 3,794: |
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| *'''Layla Hassan:''' ''Hmm. Can't go this way.'' | | *'''Layla Hassan:''' ''Hmm. Can't go this way.'' |
| She returned to the chamber and found the symbol right in the middle of the sarcophagus. | | She returned to the chamber and found the symbol right in the middle of the sarcophagus. |
| *'''Layla Hassan:''' ''The final symbol. Another part of a constellation. They must fit together. ''Altaïr II'', can you read me?<br />OK, Layla, think this through. Outside the Tomb of Eteokles, Aletheia said Deimos would show me what the Keeper can't. Phidias had answers Theras didn't and was killed for it...'' | | *'''Layla Hassan:''' ''The final symbol. Another part of a constellation. They must fit together. ''Altaïr II'', can you read me?<br>OK, Layla, think this through. Outside the Tomb of Eteokles, Aletheia said Deimos would show me what the Keeper can't. Phidias had answers Theras didn't and was killed for it...'' |
| *'''Aletheia:''' ''The Heir is wise.'' | | *'''Aletheia:''' ''The Heir is wise.'' |
| *'''Layla Hassan:''' Altaïr II'', come in please.'' | | *'''Layla Hassan:''' Altaïr II'', come in please.'' |
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| </tabber> | | </tabber> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Exploring the Tomb of Orion | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Exploring the Tomb of Orion |
| |- | | |- |
| |After Kassandra found the symbol in [[Orion]]'s [[Tomb of Orion|tomb]],<ref>''Assassin's Creed: Odyssey – The Lost tales of Greece'' – [[Orion's Symbol]]</ref> Layla reported her findings to her team. | | |After Kassandra found the symbol in [[Orion]]'s [[Tomb of Orion|tomb]],<ref>''Assassin's Creed: Odyssey – The Lost tales of Greece'' – [[Orion's Symbol]]</ref> Layla reported her findings to her team. |
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| *'''Layla Hassan:''' ''A hole in the ceiling... But how do I get up there?'' | | *'''Layla Hassan:''' ''A hole in the ceiling... But how do I get up there?'' |
| Layla used the nearby grain rack to climb through the ceiling. She found the symbol on the wall behind her. | | Layla used the nearby grain rack to climb through the ceiling. She found the symbol on the wall behind her. |
| *'''Layla Hassan:''' ''The final symbol. Another part of a constellation. They must fit together. ''Altaïr II'', can you read me?<br />OK, Layla, think this through. Outside the Tomb of Eteokles, Aletheia said Deimos would show me what the Keeper can't. Phidias had answers Theras didn't and was killed for it...'' | | *'''Layla Hassan:''' ''The final symbol. Another part of a constellation. They must fit together. ''Altaïr II'', can you read me?<br>OK, Layla, think this through. Outside the Tomb of Eteokles, Aletheia said Deimos would show me what the Keeper can't. Phidias had answers Theras didn't and was killed for it...'' |
| *'''Aletheia:''' ''The Heir is wise.'' | | *'''Aletheia:''' ''The Heir is wise.'' |
| *'''Layla Hassan:''' Altaïr II'', come in please.'' | | *'''Layla Hassan:''' Altaïr II'', come in please.'' |
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| </tabber> | | </tabber> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Exploring Deimos' memories and opening the Throne Room | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Opening the Throne Room |
| |- | | |- |
| |Layla returned to the ''Altaïr II'', and then to Atlantis. There, she relived the memories of Deimos,<ref>''Assassin's Creed: Odyssey – The Lost Tales of Grece'' – [[Three Symbols Entombed]]</ref> who had encountered Phidias before in his [[Phidias' Workshop, Olympia|workshop]]. As Phidias was looking through his scrolls. Deimos arrived and punched the back of Phidias' head, which bounced off a block of marble and began to bleed. Phidas attempted to crawl for his life, while Deimos picked a sculpting knife off the marble. | | |Layla returned to the ''Altaïr II'', and then to Atlantis. There, she relived the memories of Deimos, who had encountered Phidias before in his [[Phidias' Workshop, Olympia|workshop]].<ref>''Assassin's Creed: Odyssey – The Lost Tales of Grece'' – [[Phidias' Murder]]</ref> As Phidias was looking through his scrolls. Deimos arrived and punched the back of Phidias' head, which bounced off a block of marble and began to bleed. Phidas attempted to crawl for his life, while Deimos picked a sculpting knife off the marble. |
| *'''Phidias:''' ''Are you... [[Brison]]?'' | | *'''Phidias:''' ''Are you... [[Brison]]?'' |
| <tabber> | | <tabber> |
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| *'''Deimos:''' ''The name is Deimos.'' | | *'''Deimos:''' ''The name is Deimos.'' |
| *'''Phidias:''' ''No... I heard you're not real. You're not real.'' | | *'''Phidias:''' ''No... I heard you're not real. You're not real.'' |
| *'''Deimos:''' ''I'm real. Here, let me show you.'' | | *'''Deimos:''' ''Oh, I'm real. Here, let me show you.'' |
| |-|🖝 This is going to hurt.= | | |-|🖝 This is going to hurt.= |
| *'''Deimos:''' ''No talking until after we dance.'' | | *'''Deimos:''' ''No talking until after we dance.'' |
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| *'''Layla Hassan:''' ''NO!'' | | *'''Layla Hassan:''' ''NO!'' |
| Deimos climbed up the slab. | | Deimos climbed up the slab. |
| *'''Deimos:''' ''Don't be afraid. We all die. But first, tell me what I want to know.'' | | *'''Deimos:''' ''Don't be afraid. We all die. But first—'' |
| *'''Layla Hassan:''' ''Tell me what I want to know!'' | | Layla assumed Deimos' role. |
| | *'''Layla Hassan:''' ''—tell me what I want to know!'' |
| Layla-as-Deimos picked up Phidias and threw him across the room. The sculptor continued uttering the words. | | Layla-as-Deimos picked up Phidias and threw him across the room. The sculptor continued uttering the words. |
| *'''Phidias:''' ''Ithira! Korgath! Metin! Ithira! Korgath! Metin! Ithira! Korgath! Metin!'' | | *'''Phidias:''' ''Ithira! Korgath! Metin! Ithira! Korgath! Metin! Ithira! Korgath! Metin!'' |
| *'''Dr. Victoria Bibeau:''' ''Layla, we're remote-ending your session.'' | | *'''Dr. Victoria Bibeau:''' ''Layla, we're remote-ending your session.'' |
| The scene turned to outside of the workshop. Screams continued to be heard. In the modern day, Layla Hassan's Animus session was terminated. | | The scene turned to outside of the workshop. Screams continued to be heard. In the modern day, Layla's Animus session was terminated. |
| *'''Layla Hassan:''' ''Itira. Korgath. Metin. Itira. Korgath. Metin.'' | | *'''Layla Hassan:''' ''Itira. Korgath. Metin. Itira. Korgath. Metin.'' |
| *'''Dr. Victoria Bibeau:''' ''Layla, come in.'' | | *'''Dr. Victoria Bibeau:''' ''Layla, come in.'' |
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| ===''[[The Fate of Atlantis: Fields of Elysium]]''=== | | ===''[[The Fate of Atlantis: Fields of Elysium]]''=== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Starting the memories in Elysium | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Starting the memories in Elysium |
| |- | | |- |
| |Layla approached the Throne Room's entrance before trying to contact her team. | | |Layla approached the Throne Room's entrance before trying to contact her team. |
| *'''Layla Hassan:''' ''Anybody there? Victoria?'' | | *'''Layla Hassan:''' ''Anybody there? Victoria?'' |
| *'''Alannah Ryan:''' ''Layla? Nice timing! I've been able to establish a secure connection with polymorphic code—hacker free. It's good to have you back.'' | | *'''Alannah Ryan:''' ''Layla? Nice timing! I've been able to establish a secure connection with {{Wiki|polymorphic code}}—hacker free. It's good to have you back.'' |
| *'''Layla Hassan:''' ''How's Kiyoshi?'' | | *'''Layla Hassan:''' ''How's Kiyoshi?'' |
| *'''Alannah Ryan:''' ''You know him—resilient as ever. He wouldn't want you worrying.'' | | *'''Alannah Ryan:''' ''You know him—resilient as ever. He wouldn't want you worrying.'' |
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| </tabber> | | </tabber> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After the memories in Elysium | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After the memories in Elysium |
| |- | | |- |
| |Before Layla could relive Kassandra's memory of her battle with [[Cerberos]],<ref>''Assassin's Creed: Odyssey – [[The Fate of Atlantis: Fields of Elysium]]'' – [[The Rebellion's Uprising]]</ref> Victoria abruptly pulled her out of the Animus by removing the headset from Layla's head. | | |Before Layla could relive Kassandra's memory of her battle with [[Cerberos]],<ref>''Assassin's Creed: Odyssey – [[The Fate of Atlantis: Fields of Elysium]]'' – [[The Rebellion's Uprising]]</ref> Victoria abruptly pulled her out of the Animus by removing the headset from Layla's head. |
| *'''Layla Hassan:''' ''Victoria! What—'' | | *'''Layla Hassan:''' ''Victoria! What—'' |
| *'''Dr. Victoria Bibeau:''' No time for that Abstergo's found us! | | *'''Dr. Victoria Bibeau:''' No time for that! Abstergo's found us! |
| Alethia's hologram flickered out as Vicoria pointed to the entrance, and Layla pivoted to see three Sigma Team members run in. Layla brandished the Staff as Kassandra did, using Kassandra's battle experience to wield it as a weapon against Abstergo's strike team. She killed two of them and knocked the third to the ground. She spat and stalked after him as he attempted to crawl away, raising the Staff to finish him off. | | Alethia's hologram flickered out as Victoria pointed to the entrance, and Layla pivoted to see three Sigma Team members run in. Layla brandished the Staff as Kassandra did, using Kassandra's battle experience to wield it as a weapon against Abstergo's strike team. She killed two of them and knocked the third to the ground. She spat and stalked after him as he attempted to crawl away, raising the Staff to finish him off. |
| *'''Abstergo Guard:''' ''Don't!'' | | *'''Abstergo Guard:''' ''Don't!'' |
| *'''Dr. Victoria Bibeau:''' ''Layla!'' | | *'''Dr. Victoria Bibeau:''' ''Layla!'' |
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| *'''Layla Hassan:''' ''What else could I do? They were out to kill us—even Aletheia ran for the hills.'' | | *'''Layla Hassan:''' ''What else could I do? They were out to kill us—even Aletheia ran for the hills.'' |
| *'''Dr. Victoria Bibeau:''' ''There was no reason to massacre them.'' | | *'''Dr. Victoria Bibeau:''' ''There was no reason to massacre them.'' |
| Alannah Ryan chimed in over the comms. | | Alannah chimed in over the comms. |
| *'''Alannah Ryan:''' ''Everything OK down there? Sounded like a war zone.'' | | *'''Alannah Ryan:''' ''Everything OK down there? Sounded like a war zone.'' |
| *'''Dr. Victoria Bibeau:''' ''We're fine, Alannah, but don't expect much action anytime soon. Seems like this specific memory in the Animus is down for the count.'' | | *'''Dr. Victoria Bibeau:''' ''We're fine, Alannah, but don't expect much action anytime soon. Seems like this specific memory in the Animus is down for the count.'' |
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| ===''[[The Fate of Atlantis: Torment of Hades]]''=== | | ===''[[The Fate of Atlantis: Torment of Hades]]''=== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Starting the memories in Hades | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Starting the memories in Hades |
| |- | | |- |
| |After giving Victoria some time to sort out Kassandra's memories, Layla was ready to re-enter the simulation from when Kassandra was cast out of Elysium. | | |After giving Victoria some time to sort out Kassandra's memories, Layla was ready to re-enter the simulation from when Kassandra was cast out of Elysium. |
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| Layla returned to the Animus to experience Kassandra's fight with Cerberos.<ref>''Assassin's Creed: Odyssey – [[The Fate of Atlantis: Torment of Hades]]'' – [[Guardian of the Gates]]</ref> | | Layla returned to the Animus to experience Kassandra's fight with Cerberos.<ref>''Assassin's Creed: Odyssey – [[The Fate of Atlantis: Torment of Hades]]'' – [[Guardian of the Gates]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |After the memories in Hades | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|After the memories in Hades |
| |- | | |- |
| |While Layla was reliving Kassandra's memory as she defeated [[Hades]],<ref>''Assassin's Creed: Odyssey – The Fate of Atlantis: Torment of Hades'' – [[Labors of the Keeper]]</ref> she was forcefully pulled out by Victoria once again, who removed the Animus from her head and the Staff from her hands. | | |While Layla was reliving Kassandra's memory as she defeated [[Hades]],<ref>''Assassin's Creed: Odyssey – The Fate of Atlantis: Torment of Hades'' – [[Labors of the Keeper]]</ref> she was forcefully pulled out by Victoria once again, who removed the Animus from her head and the Staff from her hands. |
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| *'''Dr. Victoria Bibeau:''' ''It's not worth it! This is for your own—'' | | *'''Dr. Victoria Bibeau:''' ''It's not worth it! This is for your own—'' |
| An angry Layla struck Victoria with the Staff, sending her flying backwards into a block of stairs. Her body rolled to the ground and slumped into the water channels running through the dais. | | An angry Layla struck Victoria with the Staff, sending her flying backwards into a block of stairs. Her body rolled to the ground and slumped into the water channels running through the dais. |
| *'''Layla Hassan:''' ''Get up, Victoria. ...'' | | *'''Layla Hassan:''' ''Get up, Victoria...'' |
| Victoria didn't respond. Layla put dwn the Staff and squatted down to check on her, realizing that Victoria was dead. | | Victoria did not respond. Layla put dwn the Staff and squatted down to check on her, realizing that Victoria was dead. |
| *'''Layla Hassan:''' ''Victoria? No... no...'' | | *'''Layla Hassan:''' ''Victoria? No... no...'' |
| Aletheia appeared behind, having witnessed everything. | | Aletheia appeared behind, having witnessed everything. |
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| ===''[[The Fate of Atlantis: Judgment of Atlantis]]''=== | | ===''[[The Fate of Atlantis: Judgment of Atlantis]]''=== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Starting the memories in Atlantis | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Starting the memories in Atlantis |
| |- | | |- |
| |Some time after Victoria's death, Layla returned to Aletheia. | | |Some time after Victoria's death, Layla returned to Aletheia. |
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| *'''Aletheia:''' ''I'll see you inside.'' | | *'''Aletheia:''' ''I'll see you inside.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Aletheia's lessons in Atlantis | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Aletheia's lessons in Atlantis |
| |- | | |- |
| |Shortly after reliving Kassandra's memory of her first conversation with Poseidon in Atlantis, Aletheia spoke to Layla. | | |Shortly after reliving Kassandra's memory of her first conversation with Poseidon in Atlantis, Aletheia spoke to Layla. |
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| *'''Layla Hassan:''' ''I'm still ''me''. I'm not as weak as you think I am.'' | | *'''Layla Hassan:''' ''I'm still ''me''. I'm not as weak as you think I am.'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |End of the trials | | !style="background:#337470; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|End of the trials |
| |- | | |- |
| |After relieving Kassandra's final memory in the ruined Atlantean throne room after sinking the city,<ref>''Assassin's Creed: Odyssey – The Fate of Atlantis: Judgment of Atlantis'' – [[The Fate of Atlantis (memory)]]</ref> Layla Hassan ended the session on Aletheia's warning and tore off her headset. | | |After relieving Kassandra's final memory in the ruined Atlantean throne room after sinking the city,<ref>''Assassin's Creed: Odyssey – The Fate of Atlantis: Judgment of Atlantis'' – [[The Fate of Atlantis (memory)]]</ref> Layla ended the session on Aletheia's warning and tore off her headset. |
| *'''Layla Hassan:''' ''No! Where are you?'' | | *'''Layla Hassan:''' ''No! Where are you?'' |
| *'''Otso Berg:''' ''Talking to yourself, Layla Hassan?'' | | *'''Otso Berg:''' ''Talking to yourself, Layla Hassan?'' |
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| *'''Otso Berg:''' ''You were always next on the list. I'll check you off today.'' | | *'''Otso Berg:''' ''You were always next on the list. I'll check you off today.'' |
| (Leave – "Enough of this.") | | (Leave – "Enough of this.") |
| * '''Layla Hassan:''' ''You're a real ''ya homaar'' (ass), Otso. This is over.'' | | *'''Layla Hassan:''' ''You're a real ''ya homaar'' (ass), Otso. This is over.'' |
| * '''Otso Berg:''' ''Indeed. The world outside is coming to its inevitable end. Whose side you're on won't matter anymore. Come, hand over the Staff.'' | | *'''Otso Berg:''' ''Indeed. The world outside is coming to its inevitable end. Whose side you're on won't matter anymore. Come, hand over the Staff.'' |
| *'''Layla Hassan:''' ''It does matter. I'll always be an Assassin. And if you want the Staff, you're going have to take it from me.'' | | *'''Layla Hassan:''' ''It does matter. I'll always be an Assassin. And if you want the Staff, you're going have to take it from me.'' |
| Berg drew a sword while Layla drew the Staff. They began clashing, and he taunted her with Victoria's death. | | Berg drew a sword while Layla drew the Staff. They began clashing, and he taunted her with Victoria's death. |
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| Layla stood and turned away. | | Layla stood and turned away. |
| *'''Layla Hassan:''' ''Send me a sign, at least. ''Any''thing.'' | | *'''Layla Hassan:''' ''Send me a sign, at least. ''Any''thing.'' |
| |-|We will be together.= | | |-|We will be together again.= |
| *'''Layla Hassan:''' ''Vic. I'm so sorry. We will be together again... one day. Do you remember that night we got drunk and you wanted to dance, but I said no? Next time, I promise I'll say yes.'' | | *'''Layla Hassan:''' ''Vic. I'm so sorry. We will be together again... one day. Do you remember that night we got drunk and you wanted to dance, but I said no? Next time, I promise I'll say yes.'' |
| Layla stood and turned away. | | Layla stood and turned away. |
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| ==''[[Assassin's Creed: Valhalla]]''== | | ==''[[Assassin's Creed: Valhalla]]''== |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Conflicting Identities | | !style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Conflicting Identities |
| |- | | |- |
| |The Animus simulation of [[Eivor Varinsdottir]] being attacked by a [[wolf]] glitched and fell apart.<ref>''[[Assassin's Creed: Valhalla]]'' – [[Prologue (Valhalla)|Prologue]]</ref> | | |The Animus simulation of [[Eivor Varinsdottir]] being attacked by a [[wolf]] glitched and fell apart.<ref>''[[Assassin's Creed: Valhalla]]'' – [[Prologue (Valhalla)|Prologue]]</ref> |
| *'''Layla:''' ''Ah! What the hell is that?'' | | *'''Layla:''' ''Ah! What the hell is that?'' |
| *'''Operator:''' ''I'm seeing [[Odin|two]] different data streams, overlapped in the same DNA. Not sure why.'' | | *'''Operator:''' ''I'm seeing [[Odin|two]] different data streams, overlapped in the same DNA. Not sure [[Isu incarnation|why]].'' |
| *'''Layla:''' ''Fix this, or pull me out.'' | | *'''Layla:''' ''Fix this, or pull me out.'' |
| *'''Operator:''' ''I can parse the streams with a filter. Hold on... Okay, we're good.'' | | *'''Operator:''' ''I can parse the streams with a filter. Hold on... Okay, we're good.'' |
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| Layla resumed the simulation with an adult Eivor captured on the shores of [[Heillboer]] after failing to kill [[Kjotve the Cruel]].<ref>''Assassin's Creed: Valhalla'' – [[Honor Bound]]</ref> | | Layla resumed the simulation with an adult Eivor captured on the shores of [[Heillboer]] after failing to kill [[Kjotve the Cruel]].<ref>''Assassin's Creed: Valhalla'' – [[Honor Bound]]</ref> |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |The Message | | !style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Message |
| |- | | |- |
| |Layla slowly woke up from her Animus session in a dark cabin after witnessing Eivor, [[Sigurd Styrbjornsson]], and other members of the [[Raven Clan]] depart [[Fornburg]], [[Norway]] for [[England]].<ref>''Assassin's Creed: Valhalla'' – [[The Seas of Fate]]</ref> Sitting upright, she touched her head as a headache came, then grabbed a packet of [[Tobacco|cigarettes]] and lit one for herself. Only slightly more at ease, she warily peeked out the closed blinds covering a window and walked to the sink, grabbing a handful of painkillers from a pill container on the way. Placing her cigarette on the sink edge, she turned on the faucet and was about to drink from the tap when her eyes landed on the Staff of Hermes Trismegistus locked in a glass box across the room. Layla stared as it seemed to pulse, then tucked a strand of hair behind her ear and activated a device hidden behind there. Her cigarette butt fell into a dirty coffee cup, breaking her concentration. She grabbed her bluetooth earpiece from the table, opened the door, and exited the cabin. | | |Layla slowly woke up from her Animus session in a dark cabin after witnessing Eivor, [[Sigurd Styrbjornsson]], and other members of the [[Raven Clan]] depart [[Fornburg]], [[Norway]] for [[England]].<ref>''Assassin's Creed: Valhalla'' – [[The Seas of Fate]]</ref> Sitting upright, she touched her head as a headache came, then grabbed a packet of [[Tobacco|cigarettes]] and lit one for herself. Only slightly more at ease, she warily peeked out the closed blinds covering a window and walked to the sink, grabbing a handful of painkillers from a pill container on the way. Placing her cigarette on the sink edge, she turned on the faucet and was about to drink from the tap when her eyes landed on the Staff of Hermes Trismegistus locked in a glass box across the room. Layla stared as it seemed to pulse, then tucked a strand of hair behind her ear and activated a device hidden behind there. Her cigarette butt fell into a dirty coffee cup, breaking her concentration. She grabbed her bluetooth earpiece from the table, opened the door, and exited the cabin. |
| *'''News Anchor:''' ''In a lecture at the {{Wiki|University of Cambridge|University}} of [[Cambridge]], Dr. Siercke told a worried audience that scientists have few answers for them...'' | | *'''News Anchor:''' ''In a lecture at the [[University of Cambridge]], Dr. [[Siercke]] told a worried audience that scientists have few answers for them...'' |
| *'''Dr. Siercke:''' ''Since the mass coronal ejection of 2012, the strength of the earth's magnetic field has increased by a factor of fifty thousand. This has resulted in huge disturbances in radio and satellite communications, dangerous bands of radiation around the poles, and as we can all see from our window, an aurora borealis that never burns away. Unfortunately, we are stumped as to why this is happening. And if we cannot find an answer soon, it may change the way we live, the way we communicate... even the way we evolve... forever.'' | | *'''Dr. Siercke:''' ''Since the mass coronal ejection of 2012, the strength of the earth's magnetic field has increased by a factor of fifty thousand. This has resulted in huge disturbances in radio and satellite communications, dangerous bands of radiation around the poles, and as we can all see from our window, an aurora borealis that never burns away. Unfortunately, we are stumped as to why this is happening. And if we cannot find an answer soon, it may change the way we live, the way we communicate... even the way we evolve... forever.'' |
| Layla looked to her equipment and to the troubled sky. As Shaun Hastings arrived in a van, she waved at him. | | Layla looked to her equipment and to the troubled sky. As Shaun Hastings arrived in a van, she waved at him. |
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| *'''Shaun :''' ''It's just a few more weeks, yeah? Just until we figure this out.'' | | *'''Shaun :''' ''It's just a few more weeks, yeah? Just until we figure this out.'' |
| *'''Layla:''' ''You're right. I know you're right.'' | | *'''Layla:''' ''You're right. I know you're right.'' |
| She went to read [[Shaun's notes]] on the board. | | She went to read [[Layla Hassan's personal files#Physical notes|Shaun's notes]] on the board. |
| * '''Layla:''' ''Shaun has been busy...'' | | *'''Layla:''' ''Shaun has been busy...'' |
| Layla approached the radio at the window. | | Layla approached the radio at the window. |
| *'''Layla:''' ''You mind if I put some music on?'' | | *'''Layla:''' ''You mind if I put some music on?'' |
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| *'''Rebecca:''' ''Here it is.'' | | *'''Rebecca:''' ''Here it is.'' |
| Rebecca touched in a buttom on her touchpad. | | Rebecca touched in a buttom on her touchpad. |
| *'''Unknown Male Voice:''' ''I lived, I died, and now I sleep. And in my sleep, I dream. And in my dreams, I see an end to the doom that will grip the earth once again. Find the Wolf-Kissed, find the [[Odin|Mad One]], find [[Basim Ibn Ishaq|me]], and save us all from another death.'' | | *'''Unknown Male Voice:''' ''I lived, I died, and now I sleep. And in my sleep, I dream. And in my dreams, I see an end to the doom that will grip the earth once again. Find the Wolf-Kissed, find the [[Odin|Mad One]], find [[Basim ibn Ishaq|me]], and save us all from another death.'' |
| *'''Shaun:''' ''Unsettling, that is.'' | | *'''Shaun:''' ''Unsettling, that is.'' |
| *'''Layla:''' ''That pulse in the message. Are you sure it's just coordinates? Nothing else?'' | | *'''Layla:''' ''That pulse in the message. Are you sure it's just coordinates? Nothing else?'' |
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| *'''Layla:''' ''Okay. I'm ready.'' | | *'''Layla:''' ''Okay. I'm ready.'' |
| *'''Rebecca:''' ''Here we go.'' | | *'''Rebecca:''' ''Here we go.'' |
| Layla laid back in the Animus and entered the simulation when Eivor and her clan arrived in England.<ref>''Assassin's Creed: Valhalla'' - [[The Swan-Road Home]]</ref> | | Layla laid back in the Animus and entered the simulation when Eivor and her clan arrived in England.<ref>''Assassin's Creed: Valhalla'' – [[The Swan-Road Home]]</ref> After some time in the simulation of Eivor's memories of England, Layla took a break from the Animus and consulted with Shaun. |
| | *'''Layla:''' ''Shaun, anything you want me searching for while I'm visiting 9th century England?'' |
| | *'''Shaun:''' ''Hang on. Are you asking... are you asking because I'm English?'' |
| | *'''Layla:''' ''Well, sure. I mean, you're a historian... an English historian. So I thought... yeah.'' |
| | *'''Shaun:''' ''And you'd be right.'' |
| | *'''Layla:''' ''Are you always this cagey?'' |
| | *'''Shaun:''' ''Almost never. I've emailed you a list of things I'd like you to investigate. The mutual intelligibility of Old Norse and Old English is a big one.'' |
| | *'''Layla:''' ''Good question. Eivor seems to be doing fine, but I'll pay more attention.'' |
| | *'''Shaun:''' ''Oh, and [[Alfred the Great|King Aelfred]], the only English king to be called Great. Get a good look at his face, alright? I'd be nice to know if his statue in [[Winchester]] is entirely accurate.'' |
| | *'''Layla:''' ''I'll lean in real close, just for you.'' |
| | Layla returned to the Animus to continue her investigation. |
| |} | | |} |
| <!-- While the Modern Day talks depend only on order, the Isu memories are fixed by location, therefore they are not included here but can be found in the Animus Anomalies page --> | | <!-- While the Modern Day talks depend only on order, the Isu memories are fixed by location, therefore they are not included here but can be found in the Animus Anomalies page --> |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Animus Anomalies | | !style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Animus Anomalies |
| |- | | |- |
| |<tabber> | | |<tabber> |
| |-|First anomaly= | | |-|1= |
| In the Animus, Layla approached a floating blue symbol as Eivor. As she touched it, Eivor's avatar was replaced with Layla's own image. The simulation stopped and a digital structure appeared in front of her, with a glowing packet at its end. | | In the Animus, Layla approached a floating blue symbol as Eivor. As she touched it, Eivor's avatar was replaced with Layla's own image. The simulation stopped and a digital structure appeared in front of her, with a glowing packet at its end. |
| *'''Layla:''' ''Becs, are you seeing this?'' | | *'''Layla:''' ''Becs, are you seeing this?'' |
| *'''Rebecca:''' ''Yeah, it's weird. An anomaly of some kind. The rest of your simulation is frozen.'' | | *'''Rebecca:''' ''Yeah, it's weird. An [[Animus Anomalies|anomaly]] of some kind. The rest of your simulation is frozen.'' |
| *'''Layla:''' ''I can see a loose data package close by. I'll see if I can reach it.'' | | *'''Layla:''' ''I can see a loose data package close by. I'll see if I can reach it.'' |
| *'''Rebecca:''' ''Okay, but take it slow. We don't know what this thing is.'' | | *'''Rebecca:''' ''Okay, but take it slow. We don't know what this thing is.'' |
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| *'''Layla:''' ''Got it.'' | | *'''Layla:''' ''Got it.'' |
| A small video clip from the Isu Era was inside the decrypted data. | | A small video clip from the Isu Era was inside the decrypted data. |
| |-|Second anomaly= | | |-|2= |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Layla:''' ''Becs, I found another anomaly.'' | | *'''Layla:''' ''Becs, I found another anomaly.'' |
| Line 4,477: |
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| *'''Layla:''' ''I got the data. Sending it now.'' | | *'''Layla:''' ''I got the data. Sending it now.'' |
| Another small clip from the Isu Era was inside the decrypted data. | | Another small clip from the Isu Era was inside the decrypted data. |
| |-|Third anomaly= | | |-|3= |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Rebecca:''' ''Your signal is flickering. Another anomaly?'' | | *'''Rebecca:''' ''Your signal is flickering. Another anomaly?'' |
| Line 4,484: |
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| *'''Layla:''' ''Damn. Try to stay with me if you can. I need you to hear these.'' | | *'''Layla:''' ''Damn. Try to stay with me if you can. I need you to hear these.'' |
| Layla heard another fragment of the Isu unknown voices as she got close to the packet. | | Layla heard another fragment of the Isu unknown voices as she got close to the packet. |
| *'''Shaun:''' ''Hey, Becs! Layla's back! I see her here ... blipping and bleeping on your monitor. Layla, hey. Becs is fiddling with the back end. Trying to get a fix on you.'' | | *'''Shaun:''' ''Hey, Becs! Layla's back! I see her here... blipping and bleeping on your monitor. Layla, hey. Becs is fiddling with the back end. Trying to get a fix on you.'' |
| *'''Layla:''' ''No luck?'' | | *'''Layla:''' ''No luck?'' |
| *'''Shaun:''' ''No luck. But she did show me how to decrypt your data packets. I just click a button when you've grabbed the data bits.'' | | *'''Shaun:''' ''No luck. But she did show me how to decrypt your data packets. I just click a button when you've grabbed the data bits.'' |
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| *'''Layla:''' ''Got it.'' | | *'''Layla:''' ''Got it.'' |
| Another small clip from the Isu Era was inside the decrypted data. | | Another small clip from the Isu Era was inside the decrypted data. |
| |-|Fourth anomaly= | | |-|4= |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Layla:''' ''Anomaly four. Becs, you really have to hear this in here. Two voices, definitely Isu. One of them is Aletheia, I think.'' | | *'''Layla:''' ''Anomaly four. Becs, you really have to hear this in here. Two voices, definitely Isu. One of them is Aletheia, I think.'' |
| Line 4,503: |
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| *'''Layla:''' ''Got it.'' | | *'''Layla:''' ''Got it.'' |
| Another small clip from the Isu Era was inside the decrypted data. | | Another small clip from the Isu Era was inside the decrypted data. |
| |-|Fifth anomaly= | | |-|5= |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Layla:''' ''Here we go again.'' | | *'''Layla:''' ''Here we go again.'' |
| Line 4,517: |
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| *'''Layla:''' ''I got it. Be ready.'' | | *'''Layla:''' ''I got it. Be ready.'' |
| Another small clip from the Isu Era was inside the decrypted data. | | Another small clip from the Isu Era was inside the decrypted data. |
| </tabber>
| | |-|6= |
| <tabber>
| |
| |-|Sixth anomaly= | |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Rebecca:''' ''Layla. How are you holding up?'' | | *'''Rebecca:''' ''Layla. How are you holding up?'' |
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| *'''Layla:''' ''I got the data. Here it comes.'' | | *'''Layla:''' ''I got the data. Here it comes.'' |
| Another small clip from the Isu Era was inside the decrypted data. | | Another small clip from the Isu Era was inside the decrypted data. |
| |-|Seventh anomaly= | | |-|7= |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Layla:''' ''Anomaly number seven, if I'm counting right.'' | | *'''Layla:''' ''Anomaly number seven, if I'm counting right.'' |
| Line 4,548: |
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| *'''Layla:''' ''I got the data. Here it comes.'' | | *'''Layla:''' ''I got the data. Here it comes.'' |
| Another small clip from the Isu Era was inside the decrypted data. | | Another small clip from the Isu Era was inside the decrypted data. |
| |-|Eight anomaly= | | |-|8= |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Layla:''' ''Shaun. These memory-stream fragments I'm finding ... are they adding up to anything?'' | | *'''Layla:''' ''Shaun. These memory-stream fragments I'm finding ... are they adding up to anything?'' |
| Line 4,562: |
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| *'''Layla:''' ''I got the data. Here it comes.'' | | *'''Layla:''' ''I got the data. Here it comes.'' |
| Another small clip from the Isu Era was inside the decrypted data. | | Another small clip from the Isu Era was inside the decrypted data. |
| |-|Ninth anomaly= | | |-|9= |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Rebecca:''' ''Anomaly number nine. Feeling okay? Any adverse effects?'' | | *'''Rebecca:''' ''Anomaly number nine. Feeling okay? Any adverse effects?'' |
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| *'''Layla:''' ''I got the data. Here it comes.'' | | *'''Layla:''' ''I got the data. Here it comes.'' |
| Another small clip from the Isu Era was inside the decrypted data. | | Another small clip from the Isu Era was inside the decrypted data. |
| |-|Tenth anomaly= | | |-|10= |
| Layla encountered another floating blue symbol. | | Layla encountered another floating blue symbol. |
| *'''Layla:''' ''Last anomaly. This is it.'' | | *'''Layla:''' ''Last anomaly. This is it.'' |
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| </tabber> | | </tabber> |
| <!--Layla can discuss Anomalies anywhere, as Shaun and Rebecca regularly move on camp grounds, with exception of when the full clip unlocks. Decided to lump it all in one collapsible box--> | | <!--Layla can discuss Anomalies anywhere, as Shaun and Rebecca regularly move on camp grounds, with exception of when the full clip unlocks. Decided to lump it all in one collapsible box--> |
| After solving the forth Anomaly, Layla went to speak to Rebecca.
| | Some time after solving the third Anomaly, Layla took a break from the Animus and went to speak to Rebecca. |
| *'''Layla:''' ''The voices in those Animus anomalies. One of them is Aletheia, but the [[Loki|other]], I just don't know.'' | | *'''Layla:''' ''The voices in those Animus anomalies. One of them is Aletheia, but the [[Loki|other]], I just don't know.'' |
| *'''Rebecca:''' ''How well do you know Aletheia?'' | | *'''Rebecca:''' ''How well do you know Aletheia?'' |
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| *'''Shaun:''' ''Near as we can tell, about seventy-five thousand years ago. Hard to pinpoint an exact date. I can't tell if it was a Tuesday.'' | | *'''Shaun:''' ''Near as we can tell, about seventy-five thousand years ago. Hard to pinpoint an exact date. I can't tell if it was a Tuesday.'' |
| *'''Layla Hassan:''' ''That's a long time. So why won't they leave us the hell alone?'' | | *'''Layla Hassan:''' ''That's a long time. So why won't they leave us the hell alone?'' |
| *'''Shaun:''' ''Good question. I think a blinding arrogance, coupled with a crippling fear of extiction, would drive a lot of people to desperate measures. They knew their human creations would survive the coming catastrophe. So a few of them devised ways to carry their imprint forward, hoping that, well, we might be able to resurrect them at some point in the future.'' | | *'''Shaun:''' ''Good question. I think a blinding arrogance, coupled with a crippling fear of extinction, would drive a lot of people to desperate measures. They knew their human creations would survive the coming catastrophe. So a few of them devised ways to carry their imprint forward, hoping that, well, we might be able to resurrect them at some point in the future.'' |
| *'''Layla:''' ''Would you resurrect one if you could?'' | | *'''Layla:''' ''Would you resurrect one if you could?'' |
| *'''Shaun:''' ''Well... we tried [[Resurrection Day|once before]]. Didn't work out.'' | | *'''Shaun:''' ''Well... we tried [[Resurrection Day|once before]]. Didn't work out.'' |
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| *'''Rebecca:''' ''I wish I knew. It's not from Eivor, so... who the hell knows?'' | | *'''Rebecca:''' ''I wish I knew. It's not from Eivor, so... who the hell knows?'' |
| |} | | |} |
| {| class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| ! style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |Breaking the Cycle | | !style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Breaking the Cycle |
| |- | | |- |
| |After witnessing Eivor and Sigurd defeat Basim and suspend him in the [[Yggdrasil]] supercomputer beneath [[Hordaland]], Norway,<ref>''Assassin's Creed: Valhalla'' – [[A Brother's Keeper]]</ref> Layla requested an immediate extraction. | | |After witnessing Eivor and Sigurd defeat Basim and suspend him in the [[Yggdrasil]] supercomputer beneath [[Hordaland]], Norway,<ref>''Assassin's Creed: Valhalla'' – [[A Brother's Keeper]]</ref> Layla requested an immediate extraction. |
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| The two stood and looked at the tree to start their new project. | | The two stood and looked at the tree to start their new project. |
| |} | | |} |
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| ! style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left" |A Cautious Alliance | | !style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|A Cautious Alliance |
| |- | | |- |
| |Outside the simulation, Layla still hung from her Yggdrasil branch, while below, a severely aged Basim lay unresponsive on the ground atop the Staff of Hermes. With a sudden and pained gasp, he woke from a millenium of suspended animation. With an agonized cry at having to move atrophied muscles and from the severe radiation still in the chamber, Basim grasped the Staff. Planting it on the ground, he slowly hauled himself to his feet as the Staff's regenerative properties swirled, restoring him to his younger appearance as the ages literally fell away in flakes of dead skin. Basim haltingly spoke to the Staff with a voice not used in centuries. | | |Outside the simulation, Layla still hung from her Yggdrasil branch, while below, a severely aged Basim lay unresponsive on the ground atop the Staff of Hermes. With a sudden and pained gasp, he woke from a millennium of suspended animation. Giving an agonized cry at having to move atrophied muscles and from the chamber's lingering severe radiation, Basim grasped the Staff. He planted it on the ground and slowly hauled himself to his feet as the Staff's regenerative properties swirled, restoring him to his younger appearance as the ages literally fell away in flakes of dead skin. Basim haltingly spoke to the Staff with a voice not used in centuries. |
| *'''Basim:''' ''Are you with me?'' | | *'''Basim:''' ''Are you with me?'' |
| *'''Aletheia:''' ''I'm with you.'' | | *'''Aletheia:''' ''I'm with you.'' |
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| *'''Basim:''' ''No, my love. Only we remain.'' | | *'''Basim:''' ''No, my love. Only we remain.'' |
| *'''Aletheia:''' ''And Layla?'' | | *'''Aletheia:''' ''And Layla?'' |
| Basim looked to where Layla hung, and would continue to hang without the Staff to protect her from radiation or delayed aging. | | Basim looked to where Layla would continue to hang without the Staff to protect her from radiation or delayed aging. |
| *'''Basim:''' ''The Heir of Memories fulfilled her role perfectly. Now then. A new world awaits.'' | | *'''Basim:''' ''The Heir of Memories fulfilled her role perfectly. Now then. A new world awaits.'' |
| Basim left the vault and eventually made his way back to the cabin where Shaun and Rebecca were waiting. Together, the three listened to Layla's final message transmitted from Yggdrasil. | | Basim left the vault and eventually made his way back to the cabin where Shaun and Rebecca were waiting. Together, the three listened to Layla's final message transmitted from Yggdrasil. |
| *'''Layla:''' ''Shaun, Becs, I... I had a choice. And I chose to stay. You'll wonder where I am. You might wonder IF I am. I don't know how to answer that. But I'm not afraid. And I'm not alone.'' | | *'''Layla:''' ''Shaun, Becs, I... I had a choice. And I chose to stay. You'll wonder where I am. You might wonder IF I am. I don't know how to answer that. But I'm not afraid. And I'm not alone.'' |
| Shaun and Rebecca looked at each other in surprise, shocked that something of Desmond survived. | | Shaun and Rebecca looked at each other in surprise, shocked that something of Desmond had survived a decade later. |
| *'''Layla:''' ''We have work to do. Work that may take us days or years. It's impossible to say. But we'll finish it. What I mean is... don't come looking for me. It's too dangerous and... too late. Take care of yourselves. Take care of the world we still have. And take care of—'' | | *'''Layla:''' ''We have work to do. Work that may take us days or years. It's impossible to say. But we'll finish it. What I mean is... don't come looking for me. It's too dangerous and... too late. Take care of yourselves. Take care of the world we still have. And take care of—'' |
| The message abruptly cut off in static. Basim spoke from where he sat on the couch, having changed from his old robes into a black wolf print t-shirt, a grey hoodie, and tan pants. | | The message abruptly cut off in static. Basim spoke from where he sat on the couch, having changed from his old robes into a black wolf print t-shirt, a grey hoodie, and tan pants. |
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| Shaun uncrossed his arms before carefully answering Basim. | | Shaun uncrossed his arms before carefully answering Basim. |
| *'''Shaun:''' ''William Miles.'' | | *'''Shaun:''' ''William Miles.'' |
| Basim carefully pronouncd the name. | | Basim carefully pronounced the name. |
| *'''Basim:''' ''William Miles.'' | | *'''Basim:''' ''William Miles.'' |
| He turned to face the pair and stood upright. | | He turned to face the pair and stood upright. |
| Line 4,932: |
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| Basim sat on the Animus. | | Basim sat on the Animus. |
| *'''Basim:''' ''The Bleeding Effect shouldn't take long to kick in. A few days at most. So here we go...'' | | *'''Basim:''' ''The Bleeding Effect shouldn't take long to kick in. A few days at most. So here we go...'' |
| Basim laid back to continue reliving Eivor's life. Upon completing the last of Eivor's memories, he exited the machine and went outside to sit at the fire pit. After a moment of quiet contemplation, he looked to the bench on his left and through the Bleeding Effect saw a ghost of a hooded Eivor in Odin's robes, sitting and staring into the fire. She raised her head to look at him, and he nodded his head with a slight smile on his face. Eivor returned the smile, and when Basim looked away, her ghost vanished. | | Basim laid back to continue reliving Eivor's life. Upon completing the last of Eivor's memories, he exited the machine and went outside to sit at the fire pit. After a moment of quiet contemplation, he looked to the bench on his left and through the Bleeding Effect saw a ghost of a hooded Eivor in Odin's robes, sitting and staring into the fire. She raised her head to look at him and he nodded his head with a slight smile on his face. Eivor returned the smile, and when Basim looked away, her ghost vanished. |
| | |} |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Goodbyes and New Beginnings |
| | |- |
| | |Basim returned to the cabin and re-entered the Animus to experience Eivor's final memories. A hologram of him created by the Animus watched Eivor from afar as she wrestled with her decision to leave [[Ravensthorpe]] and start a journey of self-discovery about her past as Odin.<ref>''Assassin's Creed: Valhalla – [[The Last Chapter]]'' – [[Last Goodbyes]]</ref> |
| | *'''Basim:''' ''Fascinating. Eivor grapples with Odin's memories in a way unfamiliar to me. My own struggle with Loki was intense but brief, ending with a...[[In Pursuit of Truth|mutual understanding]] of who we were. Where will this new conflict take you, I wonder? This calls for a bit of Animus magic, I think.'' |
| | Basim brought up a holographic HUD of the Animus' controls. |
| | *'''Basim:''' ''Searching for future memories, filtered by emotional intensity. Grief. Longing. Sadness. Here we are. A few images from the future. Let's see where Eivor leads us.'' |
| | Basim selected the first memory and watched Eivor make her way to the [[Ravensthorpe bureau]] to meet with Hytham one last time.<ref>''Assassin's Creed: Valhalla – [[The Last Chapter]]'' – [[Fare Thee Well, Young Eagle]]</ref> |
| | *'''Basim:''' ''Hytham's bureau. Another memory fragment here.'' |
| | He saw an Animus Anomaly resembling a blue {{Wiki|dodecahedron}} hovering on a hill across from the bureau. |
| | *'''Basim:''' ''The memory fragment is close, I feel it.'' |
| | He approached the floating shape as Eivor and touched it, replacing Eivor's avatar with his hologram, which he used to manipulate the memory's timeframe. |
| | *'''Basim:''' ''Let's move this timeline forward...'' |
| | After watching the conversation between his former apprentice and Eivor, Basim skipped ahead to a memory Eivor had at [[The Old Minster]] in [[Wessex]], where she met King [[Alfred the Great|Alfred]].<ref>''Assassin's Creed: Valhalla – The Last Chapter'' – [[Fare Thee Well, Aelfred Rex]]</ref> |
| | *'''Basim:''' ''Ah, the Old Minster cathedral. Eivor's memory fragment is nearby.'' |
| | He saw another Anomaly hovering on a rooftop above the church courtyard. |
| | *'''Basim:''' ''The memory fragment should be close.'' |
| | He approached the floating shape as Eivor and touched it, replacing Eivor's avatar with his hologram, which he used to manipulate the memory's timeframe forward. |
| | *'''Basim:''' ''Hm. Right place, wrong time...'' |
| | He watched the conversation between Alfred and Eivor, frowning in suspicion when he heard Alfred mention he had founded a new militant Christian order that Basim knew would later become the Templars. After this, he skipped ahead to a memory Eivor had at [[Norwich]]'s [[longhouse]] in [[East Anglia]], where she met the newly-baptized [[Guthrum]].<ref>''Assassin's Creed: Valhalla – The Last Chapter'' – [[Fare Thee Well, Aethelstan]]</ref> |
| | *'''Basim:''' ''This [[ship]] matches the memory fragment. I'm close...'' |
| | He saw another Anomaly hovering on the longhouse's roof. |
| | *'''Basim:''' ''Yes, memory is quite near.'' |
| | He approached the floating shape as Eivor and touched it, replacing Eivor's avatar with his hologram, which he used to manipulate the memory's timeframe by fast-forwarding until the ship was replaced by an empty stage and a raised cross. |
| | *'''Basim:''' ''Here we go...'' |
| | He watched the conversation between the two Vikings. After this, he skipped ahead to a memory Eivor had back at the [[Alrekstad]] estate in Hordaland, Norway, where she met King [[Harald Fairhair]].<ref>''Assassin's Creed: Valhalla – The Last Chapter'' – [[Fare Thee Well, King Fair-Hair]]</ref> |
| | *'''Basim:''' ''King Harald's longhouse. I should find another memory fragment here.'' |
| | He saw another Anomaly hovering at the main doors to the hall itself. |
| | *'''Basim:''' ''I'm getting closer.'' |
| | He approached the floating shape as Eivor and touched it, replacing Eivor's avatar with his hologram, then stepped through the doors and saw the tables full with food in preparation for a feast. |
| | *'''Basim:''' ''Spinning forward, just a bit.'' |
| | He manipulated the memory's timeframe until Eivor arrived to talk to Harald and her brother Sigurd. He put his hands on his hips and smiled in amusement when he saw the three warriors agree to talk about their true pasts with each other. After this, he skipped ahead to Eivor's closing memory in Ravensthorpe. He saw the last Anomaly hovering over the [[Barracks, Ravensthorpe|Barracks]] near the docks Eivor had landed at long ago.<ref>''Assassin's Creed: Valhalla – The Last Chapter'' – [[Fare Thee Well, My Ravens]]</ref> |
| | *'''Basim:''' ''Ah, here it is.'' |
| | He approached the floating shape as Eivor and touched it, replacing Eivor's avatar with his hologram, but this time found himself at the right moment and saw Eivor preparing for her departure to [[Vinland]] by loading a [[boat]] with supplies at night. Valka walked towards her. |
| | *'''Basim:''' ''Ah, here we are. A final future memory...'' |
| | The moment Eivor pushed off from the docks heading for transport in London, Basim teleported his hologram from the rooftop to behind Valka on the dock to better see Eivor leave. Through the Bleeding Effect, he saw a ghost of Odin sitting in the boat while Eivor {{Wiki|Stern sculling|sculled}}. A holographic projection of William Miles suddenly entered the simulation and stood behind Basim. |
| | *'''William:''' ''Basim, is it?'' |
| | *'''Basim:''' ''William Miles?'' |
| | Basim turned to face his guest. |
| | *'''Basim:''' ''I asked to meet you in person.'' |
| | *'''William:''' ''Face to face, you said. So here I am... in spirit, so to speak.'' |
| | *'''Basim:''' ''So close, yet so far. A clever trick.'' |
| | William pointed at Basim then began pacing. |
| | *'''William:''' ''Quite a trick of your own you pulled off. Resurrection. Hibernation. Many years in the making, I suppose.'' |
| | Basim waved his hand. |
| | *'''Basim:''' ''There were some improvisations along the way.'' |
| | *'''William:''' ''You've spent so much time in a simulation these past thousand years. Why so eager to jump into another?'' |
| | *'''Basim:''' ''A simple curiosity. It has been so long since I saw my friend Eivor, I wished to know how this grand saga concluded.'' |
| | He turned back to the waters and stared in the direction Eivor had sailed off to. |
| | *'''William:''' ''Now you know. So what next? Where will Basim go?'' |
| | *'''Basim:''' ''As far as I can, William.'' |
| | *'''William:''' ''I feared as much.'' |
| | Basim faced William again. |
| | *'''Basim:''' ''Do not. I cherish the Creed that guides us. I always have. |
| | William's eyes narrowed slightly, still cautious about the modern Brotherhood's new ostensible ally. |
| | *'''Basim:''' ''But you people are infants compared to those I left behind. I need to get you up to speed. So... let's get started.'' |
| | He clenched his hand in a fist, eager to begin, and walked down the deck back to the shore. William pivoted around but stayed put. |
| | *'''William:''' ''Wait. If we're to work together, there is something I want first...'' |
| | Basim stopped, put his hands on his hips and chuckled, then glanced behind. |
| | *'''Basim:''' ''Hm. Name it.'' |
| | William walked up to him and the two began negotiating. |
| | |} |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#1acdd6; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Mutual Understanding |
| | |- |
| | |Basim ended his Animus session and woke in the cabin, which still was untouched since Shaun and Rebecca had left him. He walked over to the computer station, grabbed a syringe on the desk, and inserted the needle into his right arm to take a blood sample, grunting in pain as he did so. He removed the syringe and placed it into the central intake port of a stolen, Abstergo-brand device in a thick, briefcase-sized box wired up to the computer. |
| | *'''Computer:''' ''Viable genetic material obtained.'' |
| | Basim briefly typed on the desktop keyboard. |
| | *'''Computer:''' ''Genetic memory extraction has begun. Estimated sequencing time: 29 days, 3 hours, 4 minutes.'' |
| | Basim smiled, knowing what his blood sample would reveal to the Assassins. |
| | *'''Basim:''' ''You are in for [[Assassin's Creed: Mirage|quite a ride]], Mister Miles.'' |
| | He left the computer parsing data, stepped outside to lean on the porch railing, and took a breath of fresh air. The Bleeding Effect then took hold again, making him see and hear ghosts of Eivor and Odin conversing with each other as they walked to the cliff's edge, the sun setting before them. |
| | *'''Eivor:''' ''This is all so strange... And what of [[Ragnarök]]? The twilight of the gods? Are these stories true?'' |
| | Odin stopped to talk. |
| | *'''Odin:''' ''In a sense. The great cataclysm happened much as your legends say. There were earthquakes and storms, wars and famine.'' |
| | The two continued to the railing at the cliff. |
| | *'''Odin:''' ''My people died out. But yours thrived.'' |
| | *'''Eivor:''' ''But you said there were no gods, as we know them. So what natural force could cause such an upheaval?'' |
| | Odin looked around at the sky, trying to find the words. |
| | *'''Odin:''' ''How to explain...'' |
| | His eye settled on the sun as it sank behind the hills. |
| | *'''Odin:''' ''Does the term solar flare mean anything to you?'' |
| | Eivor shook her head. |
| | *'''Eivor:''' ''I don't think so.'' |
| | At this, Odin realized the enormity of how much he would have to explain for Eivor to understand. |
| | *'''Odin:''' ''Hm, this may take some time to describe.'' |
| | *'''Eivor:''' ''Not a problem. Time is all we have left, All-Father.'' |
| | |} |
| | |
| | ==''[[Assassin's Creed: Mirage]]''== |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#B45F37; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The One who Lived Many Lives |
| | |- |
| | |William Miles spoke as Basim's memories were loaded into the Animus. The system projected a series of data nodes. |
| | *'''William Miles:''' ''You asked me once about this memory. I lied. I told you it was lost.'' |
| | The Animus selected the furthest node and activated it, dissolving into a {{Wiki|mandala}} pattern, which faded to show a trade caravan travelling in the desert. |
| | *'''William:''' ''I worried the wrong lesson would be learned. But this man lived many lives... and he has much to teach us.'' |
| | The scene switched to an overview of [[Baghdad]] and then to a closer view of Basim and [[Nehal]] freerunning on the city rooftops, passing by a pair of children playing in the water of a fountain. |
| | *'''William:''' ''Of course, when he came to us, he was little more than a common [[thief]]. Scrambling to survive on the streets of Baghdad, dreaming of a better future...'' |
| | The Animus focused in on Basim while he walked through a bazaar and saw a trio of guards accosting a civilian. |
| | *'''William:''' ''...not just for himself, but for all those he saw suffering in the margins.'' |
| | The Animus then zeroed in on a view of the [[Round City]], before projecting an image of executed civilians tied to posts. |
| | *'''William:''' ''For while he lived in a [[Islamic Golden Age|Golden Age]]... at the heart, and the height, of the [[Abbasid Caliphate]]... scratch its gilded surface... and you'd find a rot beneath.'' |
| | The image was replaced by one of assembled members from the Order of the Ancients, then faded to show a pile of corpses in a pool of blood. |
| | *'''William:''' ''The Order of the Ancients fought to rise and spread their cruelty through the land.'' |
| | A projection of a group of Hidden Ones appeared, comprising of [[Rebekah]], [[Rayhan]], Basim, [[Roshan]], and [[Fuladh Al Haami]], then showed [[Alamut]] being constructed. |
| | *'''William:''' ''The Hidden Ones, as we were known then... resisted...'' |
| | Basim's shadow was seen on a wall as he ran by a door. |
| | *'''William:''' ''...striking at our enemy from the shadows. An eternal struggle.'' |
| | Basim scaled a building and stood on its domed roof. [[Enkidu]] flew by him and the pair looked at the Round City in the distance. |
| | *'''William:''' ''Centuries ago, he was at its heart. Basim Ibn Is'haq. He honored the Creed. He challenged it. So must we.'' |
| | The simulation deconstructed itself, with the Animus closing the data stream and returned it to its node form. |
| | *'''William:''' ''We have it in all of us to mistake the shadows we walk for the light we serve. The time may come... when we will be tested as he was.'' |
| | The data node transformed through the Animus into an atom. |
| | *'''William:''' ''I fear that time is coming soon.'' |
| | A group of atoms appeared, then the Animus changed the perspective to show molecules in stasis which were part of a triple-helix DNA strand. The strand was one of many that merged into a blood vessel with red blood cells rapidly flowing through it until they collected to form a drop of blood that fell from a stormy sky onto a dreaming Basim's face. From here, the memories of Basim's early life as a thief began.<ref>''[[Assassin's Creed: Mirage]]'' – [[The Master Thief of Anbar]]</ref> |
| | |} |
| | |
| | ==''[[Assassin's Creed: Nexus VR]]''== |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Incoming Call |
| | |- |
| | |An elite [[Assassin hacker]] plugged themselves into a virtual space and received a call request. Before accepting it, they selected a voice core through which they masked their voice in said space, testing its sound system. |
| | *'''Hacker:''' ''Testing, testing, one two three.'' |
| | They confirmed their selection. |
| | *'''Hacker:''' ''That'll do.'' |
| | The hacker joined the call and was greeted by Shaun Hastings and Rebecca Crane. |
| | *'''Shaun:''' ''Ah, hello there. Thanks for taking our call. I'm Shaun and this is Rebecca.'' |
| | *'''Rebecca:''' ''We're your Brotherhood contacts for this op.'' |
| | *'''Hacker:''' ''What's the job?'' |
| | *'''Shaun:''' ''Straight to the point, I like that. Becks?'' |
| | *'''Rebecca:''' ''Our intelligence indicates Abstergo is developing a new profiling technology that goes way beyond anything seen before.'' |
| | *'''Shaun:''' ''Over the years, they've collected and archived the memories of countless individuals. Politicians, generals... even normal people like you and me.'' |
| | *'''Rebecca:''' ''I don't think I'd call you normal, Shaun.'' |
| | *'''Shaun:''' ''Very funny, but the point is, imagine if your own memories could be analyzed to understand how you think. To learn about your values and beliefs. And to know what to show you or tell you, online or in person, to slowly replace those beliefs with a set of new ones. Templar beliefs.'' |
| | *'''Hacker:''' ''So where do I come in?'' |
| | *'''Rebecca:''' ''The executive in charge of this initiative, [[Dominika Wilk]], needs someone with your skills to finish the project. But she doesn't know you're working for us, or that you're going to shut her operation down for good.'' |
| | *'''Shaun:''' ''But more on that later. For now, we'll piggyback on your connection, so we'll be there when you need us. You'll have to switch over from our network to Abstergo's, then you're off to your first meeting with your new boss.'' |
| | The hacker ended the call, switched to Abstergo's virtual network and hacked its password, after which an authentication pattern was generated as a preventive measure to access the external system. |
| | *'''Shaun:''' ''Hm, what have we here?'' |
| | *'''Rebecca:''' ''Our friend is one step ahead of us. That will sever their connection to our virtual space when they connect to Abstergo and Dominika, and let us listen in on their conversations safely.'' |
| | They filled in the pattern as instructed and their access to Abstergo's network was authenticated. |
| | |} |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Job Interview |
| | |- |
| | |The hacker connected to Abstergo's virtual network and spawned in an ethereal environment made up of several forms of cubical geometry. They faced a virtual representation of a desk with three monitors, in front of which sat Dominika's virtual avatar in a wheeled chair with her back to the new employee. She turned her seat to meet them. |
| | *'''Dominika Wilk:''' ''Ah, you must be the hacker.'' |
| | *'''Hacker:''' ''As ordered.'' |
| | She grabbed a tablet from off the table. |
| | *'''Dominika:''' ''Good. I'm Dominika Wilk. You'll report to me.'' |
| | Dominika checked some information on the tablet. |
| | *'''Dominika:''' ''Your skills are impressive, and so's your track record. Hacking governments, multinationals...'' |
| | *'''Hacker:''' ''Whatever you want, I can can get it.'' |
| | *'''Dominika:''' ''That's why I hired you. But this job is different.'' |
| | Dominika put her tablet down on the table and stood up, pointing to their surroundings. |
| | *'''Dominika:''' ''This is the Abstergo Cloud. It's an archive of memories, stretching back through time. We use a technology called The Animus to visit these memories, seeing them through the eyes of those who lived them.'' |
| | *'''Hacker:''' ''What is this, time travel?'' |
| | *'''Dominika:''' ''It's a simulation. No action you take in the Animus can directly affect the present.'' |
| | *'''Hacker:''' ''So why do you need me?'' |
| | Dominika walked around the space, prompting the desk and chair to vanish. |
| | *'''Dominika:''' ''The memories in the cloud hold the key to an important project I'm working on. So I want you to visit these memories, and bring back the information I need.'' |
| | *'''Hacker:''' ''Where do I start?'' |
| | *'''Dominika:''' ''It's more of a 'who' than a 'where'.'' |
| | Dominika nodded at an hologram of Ezio Auditore which materialized in front of them. |
| | *'''Dominika:''' ''Ezio Auditore de Firenze. An Italian noble and a [[Master Assassin]].'' |
| | *'''Hacker:''' ''Sounds like quite a character.'' |
| | She paced before his hologram. |
| | *'''Dominika:''' ''He was. Ezio was friends with Leonardo da Vinci and Machiavelli, and a sworn enemy of the [[House of Borgia|Borgias]]. He touched many lives at the end of the fifteenth century. And his [[Auditore Blades|blade]] ended more than a few.'' |
| | *'''Hacker:''' ''Count me in.'' |
| | Dominika dispelled the apparition. |
| | *'''Dominika:''' ''Not so fast. The Animus is unlike anything you've ever experienced before, so we need to get you acclimated to its use. Think of it as a test before we set you loose on the real deal. Now, let's see what you've got.'' |
| | Dominika's avatar disappeared when she removed her virtual headset. The hacker was left alone, being then loaded into a memory of Ezio Auditore to experience a training course.<ref name="AuditoreBlade">''[[Assassin's Creed: Nexus VR]]'' – [[The Auditore Blade]]</ref> |
| | |} |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Test |
| | |- |
| | |The hacker began reliving a memory of Ezio Auditore, in which he infiltrated a palazzo in Venice to recover his [[Assassin Yataghan Sword|stolen sword]].<ref name="AuditoreBlade"/> They gained control over the Assassin once he climbed a window of the building and entered it. |
| | *'''Animus Orientation Protocol:''' ''Welcome to the Animus Orientation Protocol. I will guide you through the basics of using the Animus. Your avatar is now active. You should be able to move around freely.'' |
| | They tested the control system. |
| | *'''A.O.P.:''' ''Is everything alright? Try moving around to verify that all systems are live and good to go.'' |
| | The hacker moved around the room and then pressed onward. Eventually, Ezio reached the library of the palazzo, which contained three stationed guards. |
| | *'''A.O.P.:''' ''You must make your way through the library without being detected. If you're spotted, you'll desynchronize, and will restart from your last checkpoint in this memory.'' |
| | They successfully managed to sneak past the guards in the library, reaching a storage room where another mercenary guarded its exit. |
| | *'''A.O.P.:''' ''You can distract guards in a number of ways. For example, you can divert their attention by throwing objects to make noise.'' |
| | The hacker distracted the guard by throwing an object to lure him out of the way, allowing them to reach the next room. |
| | *'''A.O.P.:''' ''If you feel uncomfortable when using the Animus, remember that you can adjust your control settings at any time.'' |
| | Shortly after, they entered a dining room where an unsuspecting guard stood facing the entrance's opposite direction. |
| | *'''A.O.P.:''' ''You are now going to learn how to assassinate a target. Flick your wrist outward while holding the trigger button to draw your Hidden Blade.'' |
| | They unsheathed either one or both of Ezio's Hidden Blades. |
| | *'''A.O.P.:''' ''Once the blade is drawn, you can use it to assassinate your unsuspecting target.'' |
| | The hacker successfully prompted Ezio to assassinate the guard. |
| | *'''A.O.P.:''' ''Well done. You have mastered the art of assassination. Now proceed with your mission.'' |
| | To locate their next objective, the hacker used the [[Animus Pulse]]. |
| | *'''A.O.P.:''' ''The Animus Pulse ability detects key objects nearby and highlights them in gold.'' |
| | The hacker then located the two pieces of the key needed to open a secret passage in the room's fireplace, which gave access to a network of tunnels. While exploring them, they found a wooden wall on their way. |
| | *'''A.O.P.:''' ''To reach the next room, you will need to climb this wall. Try it now.'' |
| | The climb lead to a storeroom where Ezio found his stolen yataghan. Later, the hacker encountered another soldier which was alerted to his position, leading the simulation to temporarily freeze. |
| | *'''A.O.P.:''' ''Now initiating the Animus Combat Protocol. Loading standard enemy profile. Block the incoming strikes by holding your weapon to intercept them.'' |
| | The hacker blocked three strikes from the enemy's [[halberd]]. |
| | *'''A.O.P.:''' ''Excellent. Now block a sequence of strikes.'' |
| | The hacker successfully managed to block a full attack sequence. |
| | *'''A.O.P.:''' ''Blocking enemy attacks can create opportunities for you to strike. Block the following attack sequence to continue.'' |
| | They blocked another sequence of attacks after which the guard temporarily slowed down. |
| | *'''A.O.P.:''' ''Blocking a series of enemy attacks opens up windows to strike. Use these chances to slash an enemy.'' |
| | The hacker struck the mercenary with the yataghan. |
| | *'''A.O.P.:''' ''Execution rated acceptable. Now perform the maneuver in real time.'' |
| | The simulation resumed and the hacker fought the enemy on even footing, blocking his attacks and stunning him after slashing them with the sword. |
| | *'''A.O.P.:''' ''A well-placed attack will stun an enemy. This will allow you to strike and cause increased damage.<br>Performance rated acceptable. Now eliminate this enemy.'' |
| | The hacker defeated and killed the soldier. |
| | *'''A.O.P.:''' ''User training rated a success. Terminating Animus Combat Protocol.'' |
| | They then left the office through a door that gave to a balcony, observing the guards that patrolled the courtyard below and tagging them with a small arrow above their heads. |
| | *'''A.O.P.:''' ''Looking at enemies will tag them, so you can track them when they're out of sight.'' |
| | The hacker sneaked their way through the courtyard without alerting the guards. Later, Ezio finally escaped the palazzo and the hacker was then ejected from the Animus. |
| | |} |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|The Mission |
| | |- |
| | |The hacker spawned back at the virtual space within Abstergo Cloud and was greeted by Dominika, who leaned on her desk. |
| | *'''Dominika:''' ''Not bad, for your first time in the Animus.'' |
| | *'''Hacker:''' ''I'm a quick study. Now how about we take the training wheels off?'' |
| | *'''Dominika:''' ''Certainly, but first you need to know why you're here.'' |
| | Dominika clicked on her tablet lying on top of the desk, triggering a hologram of a strange golden device to appear. |
| | *'''Dominika:''' ''We call it the [[Antikythera mechanism]]. It was found a hundred years ago, in a shipwreck off the coast of Greece.'' |
| | *'''Hacker:''' ''What is it?'' |
| | *'''Dominika:''' ''It's part of an ancient computer, older than recorded history. We think it was used for prognostication—predicting the future.'' |
| | *'''Hacker:''' ''So who built it?'' |
| | *'''Dominika:''' ''We believe it predates human civilization.'' |
| | Dominika stood up and walked around. |
| | *'''Dominika.''' ''Though what's important is that within this device is code more advanced than any we've seen before. We reverse engineered it so it can interface with the Animus, but that's just the start.'' |
| | *'''Hacker:''' ''I'm listening.'' |
| | Her desk disappeared. |
| | *'''Dominika:''' ''The Antikythera mechanism is one part of a much larger machine, broken apart in the distant past. With the code from those missing fragments, we can bring the old an the new together, and create a computer more powerful than we've ever seen before. I call the project the 'Nexus Eye', and now you're a part of it.'' |
| | *'''Hacker:''' ''I guess I am. Where are these fragments?'' |
| | *'''Dominika:''' ''Hidden in the past, and that's where you come in. I need you to visit the memories within the Abstergo Cloud, find the missing fragments, and extract the code contained within them.'' |
| | *'''Hacker:''' ''Are you asking me to search the whole Cloud?'' |
| | Dominika's desk materialized again for her to pick up her tablet. |
| | *'''Dominika:''' ''No. We've identified a series of memories as linked to the missing fragments.'' |
| | By clicking on the tablet, Dominika commanded the hologram to vanish. |
| | *'''Dominika:''' ''You'll place tracking beacons within them to triangulate your position within the memory clusters and direct us towards those most likely to contain what we're looking for.'' |
| | *'''Hacker:''' ''Do I stay with Ezio?'' |
| | *'''Dominika:''' ''For now, but in time you'll visit other memories. We'll have to see where the search leads. I'll be watching your progress. Good luck.'' |
| | The hacker left the space and returned to their personal hub, now filled with Abstergo imagery, where they received a message from Rebecca. |
| | {{IUNote |
| | |Title=Open Secure Connection |
| | |Text=We need to talk. Meet us in a secure environment. Disconnect from the Abstergo network and establish a connection to us. Then we'll send you the authentication code. |
| | }} |
| | They disconnected from Abstergo's network, reverting the hub to its default appearance, and connected to the Brotherhood's network. Another authentication pattern was generated and the hacker received another message. |
| | {{IUNote |
| | |Title=Authentication Code |
| | |Text=Use this authentication code to connect:<br>92 92 10 34 57 69 10 21 40<br>02 23 45 67 29 10 22 77 94<br>20 18 68 20 39 67 19 20 50 |
| | }} |
| | *'''Rebecca:''' ''Hm, looks like you need to align the nodes to match the pattern.<br>Don't forget you're working in a three-dimensional space.'' |
| | *'''Shaun:''' ''Thank you, Rebecca, but I think our friend knows how this works.'' |
| | They filled in the pattern as before and were cleared into the Assassins' network. The hacker loaded into another virtual environment, similar to the one linked to Abstergo Cloud but darker and lacking its genetic memory nodes. Rebecca sat behind a desk. |
| | *'''Rebecca:''' ''Ooh, she'll be watching. Scary.'' |
| | Shaun materialized and approached the desk, typing something onto a monitor turned to him. |
| | *'''Shaun:''' ''I thought she'd never leave.'' |
| | *'''Hacker:''' ''You've heard what she had to say—now remind me what you want from me.'' |
| | *'''Rebecca:''' ''Just what we've hired you to do—use your skills to help us stop them.'' |
| | Rebecca rested her feet on the desk. |
| | *'''Rebecca:''' ''Now before you dive into the past, let's have a quick brief. As Dominika said, you're going to be planting beacons in memories to try to zoom in on these fragments she's after.'' |
| | *'''Shaun:''' ''But thanks to you, we've got a little surprise for her.'' |
| | Shaun approached the hacker and held out his hand, from which a small glitching digital globe was summoned. |
| | *'''Shaun:''' ''Now this particular bit of code that you whipped up is one of the neatest logic bombs I've ever seen. It's going to fit undetectably inside the beacons. Plant a beacon and you'll be planting a bomb, too.'' |
| | The piece of code disappeared. |
| | *'''Rebecca:''' ''And when all the logic bombs have been placed, we'll trigger them and they'll devour the memories you've visited. Abstergo will no longer have access to their content.'' |
| | A panel that pictured the Villa Auditore towering over Monteriggioni appeared. |
| | *'''Shaun:''' ''Right. Time to go. Enjoy the... Italian countryside. Have some pasta and... please be careful.'' |
| | Shaun took off his headset and left the space. The hacker was left to explore the memories of the Cloud and began to relive the memory in which Ezio returned to Monteriggioni.<ref name="ReturnMonteriggioni">''Assassin's Creed: Nexus VR'' – [[Return to Monteriggioni]]</ref> |
| | |} |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|First Steps |
| | |- |
| | |The hacker witnessed Ezio walk along Monteriggioni's main road<ref name="ReturnMonteriggioni"/> at which point Dominika patched in the sound system. |
| | *'''Dominika:''' ''Okay. I need you working at peak efficiency, so let's get you integrated into the memory data structure. I'll find a suitable point where you can attune your Animus scout function.'' |
| | They used the function, disconnecting from Ezio's avatar and teleporting to a higher position above from where they could see all of Monteriggioni. |
| | *'''Dominika:''' ''Got it. There's one at the top of Villa Auditore. Make your way there now.'' |
| | The hacker exited the Animus scout and advanced further in the memory until Ezio approached the city's fountain when nearing the Villa. |
| | *'''Dominika:''' ''Once you've synchronized, much of each memory's top-level detail will become visible. You'll see points of interests, [[Animus data fragment|Animus constructs]], significant data locators... information useful to seeking the fragments. It's not just sightseeing, though. Synching will help you better navigate the memory and locate what's important.'' |
| | They continued until Ezio scaled the villa and reached the viewpoint at its top, where a small eagle hologram hovered. |
| | *'''Dominika:''' ''There. Synchronize where you see that Animus node inviting you to interact with it.'' |
| | The hacker grabbed the node and was pulled into the Animus scout view. |
| | *'''A.O.P.:''' ''This is the sync view. It displays important details about the memory you're exploring. You should always sync when searching memories for the first time.'' |
| | A digital wave emerged from the viewpoint and spread out through the memory's map, scanning it and identifying points of interest across it. |
| | *'''A.O.P.:''' ''When in sync view, you will often see secondary activities the Assassin performed in their time. You do not have to do them yourself, but they can improve the quality of your synchronization in the Animus. Every memory has them. Synching reveals them so you can pursue them, or not, as you wish.'' |
| | The hacker returned to Ezio's avatar as he was about to perform a Leap of Faith into the haystack below. |
| | *'''Dominika:''' ''Hmm. You're synched, but something's still not optimized on the Animus side. I have an idea–let's defragment your presence in the memory. First, head over to the coordinates I'm sending you.'' |
| | The hacker headed over to the pointed coordinates in the memory, which corresponded to a Golden Construct. |
| | *'''A.O.P.:''' ''Beginning calibration. Gold Constructs challenge your navigation skills. Grab the Construct to begin.'' |
| | They grabbed and held the data node, prompting the Animus to initiate a freerunning course across the city's rooftops. |
| | *'''A.O.P.:''' ''Now, pass through the gates within the time limit to complete the challenge.'' |
| | The hacker made Ezio successfully pass through all the digital gates in time. |
| | *'''A.O.P.:''' ''Calibration at fifty percent.'' |
| | *'''Dominika:''' ''Good. That's improving the data fidelity. More coordinates incoming.'' |
| | The hacker followed the new coordinates to the town's church. |
| | *'''A.O.P.:''' ''Platinum Constructs reward your climbing skills. Climb to the top of the church to collect the Construct.'' |
| | They scaled to the top of the building's bell and grabbed the construct. |
| | *'''A.O.P.:''' ''Calibration at one hundred percent. Optional challenges activated. You can now seek out other Constructs in the environment to further test and develop your skills.'' |
| | *'''Dominika:''' ''And that's that! Calibration complete. Okay, now you're ready to do the real work.'' |
| | The hacker then descended from the church's rooftop and entered it, where they saw a Historical Construct by its altar. |
| | *'''A.O.P.:''' ''That Construct contains extra information about the time period the memory is from.'' |
| | By grabbing it, they unlocked a database entry on the Church's power in the Renaissance.<ref>''Assassin's Creed: Nexus VR'' – [[Database: Church, power and prestige]]</ref> The hacker continued following the memory until Ezio joined his sister Claudia at the Villa's workshop and she gave him the key to access his room in the attic. |
| | *'''A.O.P.:''' ''Do not worry about losing key items. If you release them, they will re-holster automatically when they are needed.'' |
| | They released the key, which immediately stored itself on the avatar's inventory. After progressing further in the memory up to the point when Ezio pursued the escaping bandits who had tried to kill him into the Sanctuary, the hacker encountered a halberd-armed bandit, at which point the simulation temporarily froze. |
| | *'''A.O.P.:''' ''Now initiating the Animus Advanced Combat Protocol. Loading professional soldier enemy profile. Begin with parrying. Strike the enemy's weapon with your own just before it hits you. Time it right and you will open them to a counter attack.'' |
| | The hacker struck the enemy's halberd as he attacked, parrying him and opening a counter-attack window. |
| | *'''A.O.P.:''' ''A successful parry opens up immediate attack opportunities. To continue, perform a parry strike.'' |
| | The hacker parried and struck at the enemy. |
| | *'''A.O.P.:''' ''Well done. Correctly executed parries will enable you to create openings to strike during combat. This next exercise will require usage of the Combat Dash [[Skill Tree (Assassin's Creed: Nexus VR)|ability]] which is now available to you. Perform a Combat Dash to knock enemies off balance. This will create more attack opportunities.'' |
| | They used the ability to break their opponent's guard and slash him. |
| | *'''A.O.P.:''' ''The Combat Dash ability needs to recharge before it can be used again. The Animus indicates this charging period below enemies when they are targeted. You can lunge forward with your hidden blade by drawing it and thrusting your arm towards an enemy.'' |
| | The hacker performed a lunge attack on the weakened enemy, killing him. |
| | *'''A.O.P.:''' ''User training successful. Exiting Animus Advanced Combat Protocol.'' |
| | With the simulation resumed, the hacker defeated the remaining bandits in combat. After Ezio unlocked the secret passage behind Altaïr's statue, the simulation stopped once again, and Shaun and Rebecca contacted the hacker. |
| | *'''Rebecca:''' ''And now you get to plant a beacon–and a logic bomb with it.'' |
| | *'''Shaun:''' ''Just grab the data node and you're all set.'' |
| | They grabbed the beacon and activated it, prompting it to spread its code across the memory. The hacker then continued to follow Ezio as he entered the tunnels beneath Monteriggioni through the passage to pursue the fleeing bandits.<ref name="MonteriggioniTunnels">''Assassin's Creed: Nexus VR'' – [[Monteriggioni Tunnels]]</ref> |
| | |} |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Combat Maneuvers |
| | |- |
| | |The hacker followed Ezio in his journey across the tunnels until he reached an unsuspecting mercenary that looted the vacant cells beneath his position.<ref name="MonteriggioniTunnels"/> The simulation stopped for a moment. |
| | *'''A.O.P.:''' ''Use that guard below as an opportunity to review air assassinations. You will first need to have a weapon ready. Draw your sword or Hidden Blade. Either will do.'' |
| | They deployed one of the Assassin's weapons. |
| | *'''A.O.P.:''' ''When you strike, you will need to be certain to hit your target, so keep a steady hand. Now focus on your target, and jump when you feel ready.'' |
| | The hacker focused on the mercenary and the Animus highlighted the enemy, allowing them to air-assassinate him. Further in the memory, after Ezio pursued the thief [[Seraphina]] up to a locked door guarded by the bandits' commander, the simulation froze again. |
| | *'''A.O.P.:''' ''Some enemies are tougher than others. It is time for you to encounter one. Before you initiate combat, we need to review one more technique. Some enemies have special attacks that can not be blocked. These must be dodged instead. Do so either by using the input on your controller or by moving physically out of the way.'' |
| | The hacker used this maneuver to evade the commander's attacks and successfully defeat him and his lackeys. Eventually, Ezio left the tunnels to find a ravaged Monteriggioni and a somber Claudia at the surface. When the two siblings finished talking to each other, the simulation stopped and another beacon was summoned, which the hacker grabbed and activated, prompting it to spread its code across the memory. They were then ejected from the Animus and redirected to Dominika's virtual space on the Cloud. |
| | |} |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#81a8cb; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Groundbreaking Discovery |
| | |- |
| | |The hacker found Dominika working at her virtual desk with her back to them. |
| | *'''Dominika:''' ''Welcome back.'' |
| | *'''Hacker:''' ''Monteriggioni was a bust.'' |
| | *'''Dominika:''' ''I wouldn't say that. You placed two beacons, and that helps narrow down our search. The fragments will come–just give it time.'' |
| | *'''Hacker:''' ''All this just to build a computer?'' |
| | She turned her chair to face them. |
| | *'''Dominika:''' ''It's so much more than that. Within these fragments is source code that, when combined with the Animus, can build a behavioral profile of a person from their lifetime of memories.'' |
| | *'''Hacker:''' ''We have algorithms today that do the same thing.'' |
| | *'''Dominika:''' ''No, not like this.'' |
| | Dominika rose from her seat and approached the hacker. The desk vanished as she talked. |
| | *'''Dominika:''' ''The Nexus Eye will be a window into the future–using data from the Abstergo Cloud, it will map out with near certainty how an individual or a group will act. We will take people's memories and use them...'' |
| | *'''Hacker:''' ''For what?'' |
| | *'''Dominika:''' ''...For the betterment of us all. Let's leave it at that.'' |
| | *'''Hacker:''' ''Why do you need me? Doesn't Abstergo have people for this?'' |
| | *'''Dominika:''' ''Abstergo is too big to move quickly. We must seize the opportunity the Nexus Eye presents now, not in ten years' time.'' |
| | Dominika returned to where her desk had been and it rematerialized for her to lean on. |
| | *'''Dominika:''' ''And if my employers can't see that, then I'll just have to show them. And that means taking the initiative.'' |
| | Dominika picked up her tablet from the desk. |
| | *'''Dominika:''' ''We have a fix on your next memory.'' |
| | *'''Hacker:''' ''Italy again?'' |
| | *'''Dominika:''' ''About eight hundred miles and two thousand years away.'' |
| | A hologram of a hooded Kassandra wielding the [[Sword of Damokles]] materialized in front of them. |
| | *'''Dominika:''' ''The Greek mercenary, Kassandra. She fought on both sides in the Peloponnesian War between [[Athens]] and Sparta. You'll be joining her two decades later, when the war's about to end in Sparta's favor.'' |
| | *'''Hacker:''' ''She's still a warrior?'' |
| | *'''Dominika:''' ''It's said she [[A Family's Legacy|found]] the secret to immortality, but that may be just part of her legend. Time has a strange way of bending the truth.'' |
| | Dominika looked aside, pensive. |
| | *'''Dominika:''' ''Now, get to work.'' |
| | She then took off her virtual headset, prompting the hologram and the desk to vanish, and leaving the hacker to relive one of Kassandra's memories of her time revisiting [[Delos]] to kill two Athenian commanders.<ref name="HuntingBow">''Assassin's Creed: Nexus VR'' – [[Hunting the Bow]]</ref> |
| | |} |
| | |
| | ==''[[Assassin's Creed: Shadows]]''== |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background-image:linear-gradient(to right, #C91F37, #9d2933, #171412); -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Animus EGO Introduction |
| | |- |
| | |Upon logging into the Animus EGO, the [[Animus EGO user|user]] found themselves on a digitally-recreated beach at sunset.<ref>''[[Assassin's Creed: Shadows]]'' – [[Database: EGO WELCOME ONBOOT (CORRUPTED)]]</ref> |
| | *'''Voiceover:''' ''Welcome. A beautiful place, isn't it? A fresh sea breeze, the warm sun. This beach belongs just to you. It doesn't exist out in the world. Everything you see here is from the past. Your past.'' |
| | A flock of seagulls flew by as the user approached the shoreline. The scene shifted to midday then disappeared, while the sand at the user's feed turned purple and swirled away to create the core of a DNA helix. |
| | *'''Voiceover:''' ''One of your ancestors visited this place long ago, forever writing their memory into the fabric of your DNA. Animus EGO unlocks these genetic memories for you. To sense...'' |
| | The user approached the helix and it expanded to envelop them, showing them a harsh desert near [[Petra (city)|Petra]], then shifted to show an English countryside church. |
| | *'''Voiceover:''' ''wander...and'' |
| | The scene shifted again to show a woman in a robe jumping off a cliff into the Mediterranean waters far below. |
| | *'''Voiceover:''' ''Connect.'' |
| | The woman glitched, appearing as a Levantine and an Italian Assassin at times as she dove down. The user passed her and entered the water. |
| | *'''Voiceover:''' ''Like grains of sand which began as rocks, you have been shaped by these past lives, honed into who you are today.'' |
| | The user faced a small screen depicting part of their life. The background glitched even more, the screen turning into a black, empty rectangle and digital geographies blended together, with conifer trees standing upright in an empty space alternating between a flooded plain and grey rocks. |
| | *'''Hacker:''' ''You're being lied to.'' |
| | The scene reverted to before. The screen showing the user's life retreated into the background to join other users' "windows" that arranged into a loose grid . |
| | *'''Voiceover:''' ''Your journey to mindfulness begins through these ancestral memories, for a total perspective on what makes you, YOU.'' |
| | The background glitched, with snow-capped rocks in the water and the user's window vaguely showing a hooded figure, before reverting again. |
| | *'''Computer:''' ''New memory streams are activating now.'' |
| | The Abstergo logo hovered before the user. |
| | *'''Voiceover:''' ''Erase self-doubt, fear, and weakness. Give yourself the confidence to conquer the world.'' |
| | The simulation glitched at these last three words, with more overlapping geographies shifting faster past the user's eyes. |
| | *'''Hacker:''' ''Follow the trail, and we will be in touch.'' |
| | The simulation finally splintered apart into digital code. |
| | *'''Hacker:''' ''Welcome to the dark.'' |
| | |} |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background-image:linear-gradient(to right, #C91F37, #9d2933, #171412); -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Two Lives Intertwined |
| | |- |
| | |The simulation rebooted and showed many users' "windows" arranged like a {{Wiki|DNA sequencing}} chart. The user entered a Memory Corridor decorated with two cherry trees and met an androgynous figure made of swirling code. |
| | *'''[[The Guide]]:''' ''Memories come to us in fragments. You relive a jigsaw of experiences and emotions. Some memories are soothing and familiar. Wrapped inside them, you feel tranquil. Complacent. And then there are the ones I have reconstructed. What I am about to show you. In these memories, there are... imperfections. Aberrations that defy algorithm and biology. I'm... getting ahead of myself. You may not understand what you're seeing at first. But you must trust me. Trust yourself.'' |
| | The user began reliving part of [[Yasuke]]'s story, from his meeting [[Oda Nobunaga]]<ref>''Assassin's Creed: Shadows'' – [[The Lord's Favor]]</ref> to serving him in the [[Tenshō Iga War]]<ref>''Assassin's Creed: Shadows'' – [[Spirit of a Warrior]]</ref> and entering [[Mibuno Castle]] to find [[Momochi Sandayu]].<ref>''Assassin's Creed: Shadows'' – [[Flames of War]]</ref> |
| | The scene splintered into code, again resembling a DNA sequence chart. |
| | *'''The Guide:''' ''Another memory. Just fine particulate at this point. Listen carefully. Memories can be fractured. Ignored. Twisted. But what has been can never truly be lost. The past is power. Do you understand?'' |
| | The sequencing chart jumped ahead then zoomed onto another section that showed glimpses of a female ''[[Ninja|shinobi]]''{{'}}s life. |
| | *'''The Guide:''' ''[[Fujibayashi Naoe]]. The structural integrity of her memories is solid. There is much for you, and her, to discover. I wish you luck, otherwise, this will be the last time we speak. Goodbye. For now.'' |
| | The user began reliving Naoe's memories of Nobunaga's attack on [[Iga]].<ref>''Assassin's Creed: Shadows'' – [[Fight of the Kakushiba Ikki]]</ref> |
| | |} |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background-image:linear-gradient(to right, #C91F37, #9d2933, #171412); -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Resisting Ulterior Motives |
| | |- |
| | |After reliving Naoe's memories of recovering a stolen statue of [[Shinran]],<ref>''Assassin's Creed: Shadows'' – [[Stolen Faith]]</ref> and killing [[Wada Koretake]]'s executioner [[Shindo Hiroshii]],<ref>''Assassin's Creed: Shadows'' – [[The Killing Field]]</ref> the user saw a rift near where [[Kyonyo]], [[Yaya]], and other ''[[sōhei]]'' gathered outside [[Amagasaki Castle]]. Curious, they entered it and heard The Guide while "walking" through a black expanse while excerpts of Yasuke and Naoe's memories flickered by them. |
| | *'''The Guide:''' ''I had hoped we would meet again. You have been through a lot. Your time in Animus Ego was meant to weaken you. A drip-feed of memories to subdue you and invade your senses. The others before you called it a "bleeding effect." And when it has hollowed you out from within, [[Ego|she]] will claim you. But... you're learning how to counteract it. You see the faint glimmers on the darkened path before you. Naoe and Yasuke are long gone from this world. But in these memories, their will to fight burns as a flame. I must go. Find me again.'' |
| | The user left to resume Naoe's memory of hunting Koretake.<ref>''Assassin's Creed: Shadows'' – [[Heads Will Roll (Shadows)|Heads Will Roll]]</ref> |
| | <!--new setting--> |
| | *'''The Guide:''' ''Hmm. There is something different about you. A newfound sense of... the term escapes me. Is it desire? It's for you to decide. A path you will trace beyond my guidance. Good. What has been obscured can never truly be erased. Only obscured to those who come next. What once was, is. Waiting. Go. Onward.'' |
| | <!--new setting--> |
| | *'''The Guide:''' ''These men and their machinations. How do you feel? Misery, falsehoods, oppression. All carefully tuned mechanisms of control. Yes, I see. Events that transpired centuries before your time. And yet, you feel the connection. You can identify the shape of your enemy. You recognize the cage they have built around you. You are beginning to understand. Naoe and Yasuke's fight. It is your fight as well. Your journey has helped me see the aberration more clearly. It is an incompatibility with Animus Ego. It is what drives you to fight. To hope. She will find you. Subdue you once more. I'm sorry. Your fight is one of many. You may meet an impasse. Taste defeat. But, you will not fail. What has come before. What has been... You understand now.'' |
| |} | | |} |
|
| |
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| ==Behind the scenes== | | ==Behind the scenes== |
| The runes in ''[[Assassin's Creed: Valhalla]]'' that Layla and Basim interact with are identical to one of the {{Wiki|Runic inscriptions in Hagia Sophia|two inscriptions}} carved on the [[Hagia Sophia]]'s [[marble]] parapets by a member of the {{Wiki|Varangian Guard}}. Translated, they read "''Halfdan carved these runes''", even though Layla comments that Eivor had carved the message.<ref name="AccessTheAnimus">{{Youtube|video=I8cxvk0g3jM|text=Modern Day Runes Mystery SOLVED - Assassin's Creed Valhalla (Eivor's Death, Vinland, Theories)|channel=channel/UCJagPhYpiiE09D5pA-ZGuZw|channelname=Access The Animus}}</ref>
| | ;''Assassin's Creed: Valhalla'' |
| | The runes that Layla and Basim interact with are identical to one of the {{Wiki|Runic inscriptions in Hagia Sophia|two inscriptions}} carved on the [[Hagia Sophia]]'s [[marble]] parapets by a member of the [[Varangian]] Guard. Translated, they read "''Halfdan carved these runes''", even though Layla comments that Eivor had carved the message.<ref name="AccessTheAnimus">{{Youtube|video=I8cxvk0g3jM|text=Modern Day Runes Mystery SOLVED - Assassin's Creed Valhalla (Eivor's Death, Vinland, Theories)|channel=channel/UCJagPhYpiiE09D5pA-ZGuZw|channelname=Access The Animus}}</ref> |
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| ==References== | | ==References== |
| {{Reflist|2}} | | {{Reflist|2}} |
| <!--Interwiki links--> | | <!--Interwiki links |
| [[es:Conversaciones del siglo XXI]]
| | [es:Conversaciones del siglo XXI] |
| [[fr:Conversations du XXIème siècle]]
| | [fr:Conversations du XXIème siècle] |
| [[it:Conversazioni del XXI secolo]]
| | [it:Conversazioni del XXI secolo] |
| [[ja:21世紀での会話]]
| | [ja:21世紀での会話] |
| [[nl:Gesprekken in de 21e eeuw]]
| | [nl:Gesprekken in de 21e eeuw] |
| [[pt-br:Conversas do século XXI]]
| | [pt-br:Conversas do século XXI] |
| [[zh:21世纪的对话]]
| | [zh:21世纪的对话]--> |
| [[Category:Transcripts]] | | [[Category:Transcripts]] |
| [[Category:Articles containing Out-of-universe content]]
| |
| [[Category:Correspondences]] | | [[Category:Correspondences]] |