|
|
| Line 512: |
Line 512: |
| *'''Lucy:''' ''Desmond, I promise I'll answer ALL of your questions. Later. But right now, I need you to just shut up and do what I say. So please—get in the Animus.'' | | *'''Lucy:''' ''Desmond, I promise I'll answer ALL of your questions. Later. But right now, I need you to just shut up and do what I say. So please—get in the Animus.'' |
| *'''Desmond:''' ''Alright...'' | | *'''Desmond:''' ''Alright...'' |
| Desmond entered the Animus and the computer compared his DNA with Subject 16's to find another common ancestor. After finding a match, Desmond was transported to [[Renaissance]] [[Italy]] to relive [[Ezio Auditore da Firenze]]'s birth.<ref>''[[Assassin's Creed II]]'' – [[The Birth of an Assassin]]</ref> Eventually, the simulation faded to white and ended as Lucy extracted Desmond from the Animus before he could continue to relive more of Ezio's memories, but not before he caught blurry glimpses of an older Ezio in Assassin robes in the midst of a fight [[Palazzo Ducale di Venezia|elsewhere]] in Italy. | | Desmond entered the Animus and the computer compared his DNA with Subject 16's to find another common ancestor. After finding a match, Desmond was transported to [[Renaissance]] [[Italy]] to relive [[Ezio Auditore da Firenze]]'s birth.<ref>''[[Assassin's Creed II]]'' – [[The Birth of an Assassin]]</ref> Eventually, the simulation faded to white and ended as Lucy extracted Desmond from the Animus before he could continue to relive more of Ezio's memories, but not before he caught blurry glimpses of a teenaged Ezio in Assassin robes in the midst of a fight [[Palazzo Ducale di Venezia|elsewhere]] in Italy. |
| *'''Lucy:''' ''Get up. Let's go.'' | | *'''Lucy:''' ''Get up. Let's go.'' |
| *'''Desmond:''' ''Yeah well, uh, I'm gonna need a second...'' | | *'''Desmond:''' ''Yeah well, uh, I'm gonna need a second...'' |
| Line 673: |
Line 673: |
| |After [[Mario Auditore]] showed Ezio the Sanctuary beneath the [[Villa Auditore]] and the [[Armor of Altaïr]] stored within,<ref>''Assassin's Creed II'' – [[Floating conversations]]: Unlocking Monteriggioni's Secrets</ref> Rebecca spoke to Desmond. | | |After [[Mario Auditore]] showed Ezio the Sanctuary beneath the [[Villa Auditore]] and the [[Armor of Altaïr]] stored within,<ref>''Assassin's Creed II'' – [[Floating conversations]]: Unlocking Monteriggioni's Secrets</ref> Rebecca spoke to Desmond. |
| *'''Rebecca:''' ''In order to achieve perfect synchronization with Ezio, you have to get that armor.'' | | *'''Rebecca:''' ''In order to achieve perfect synchronization with Ezio, you have to get that armor.'' |
| In time, he witnessed the memory where Ezio discovered an [[Assassin Tombs|Assassin Tomb]] beneath [[Basilica di Santa Maria Novella|Santa Maria Novella]] in Florence.<ref>''Assassin's Creed II'' – [[Novella's Secret]]</ref> | | In time, he witnessed the memory where Ezio discovered an [[Assassin Tombs|Assassin Tomb]] beneath the [[Basilica di Santa Maria Novella]] in Florence.<ref name="NovellasSecret">''Assassin's Creed II'' – [[Novella's Secret]]</ref> |
| *'''Shaun:''' ''Look at that statue! It's identical in one in the Villa Auditore! I think you've stumbled onto one of the Assassin's Tombs Ezio's uncle mentioned.'' | | *'''Shaun:''' ''Look at that statue! It's identical in one in the Villa Auditore! I think you've stumbled onto one of the Assassin's Tombs Ezio's uncle mentioned.'' |
| *'''Rebecca:''' ''Now that we know the way in, I'll tag the landmarks containing tombs in the database.'' | | *'''Rebecca:''' ''Now that we know the way in, I'll tag the landmarks containing tombs in the database.'' |
| Line 803: |
Line 803: |
| Altaïr and Maria kissed. | | Altaïr and Maria kissed. |
| *'''Desmond:''' ''Whoa... Alright, wasn't expecting that...'' | | *'''Desmond:''' ''Whoa... Alright, wasn't expecting that...'' |
| Part of the memory skipped. Altaïr performed a [[Leap of Faith]] and left Maria, but the focus of the memory stayed with her and slowly zoomed to her body. | | Part of the memory skipped. Altaïr performed a [[Leap of Faith]] and left Maria, but the memory stayed focused on her and slowly zoomed into her belly. |
| *'''Desmond:''' ''Wait a second... Why aren't I following Altaïr? I'm stuck here with Maria. Oh shit! That must [[Sef Ibn-La'Ahad|mean]]... This is one weird dream...'' | | *'''Desmond:''' ''Wait a second... Why aren't I following Altaïr? I'm stuck here with Maria. Oh shit! That must [[Sef Ibn-La'Ahad|mean]]... This is one weird dream...'' |
| |} | | |} |
| Line 846: |
Line 846: |
| !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Corrupted Sequences | | !style="background:#770000; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Corrupted Sequences |
| |- | | |- |
| |After Ezio was [[Initiation into the Assassin Order|initiated]] into the [[Italian Brotherhood of Assassins|Italian Brotherhood]],<ref>''Assassin's Creed II'' – [[Play Along]]</ref> Desmond was extracted from the Animus again holding his ring finger, as if feeling the pain Ezio experienced while his finger was being branded. | | |After Ezio was [[Initiation into the Assassin Order|initiated]] into the [[Italian Brotherhood of Assassins|Italian Brotherhood]],<ref name="PlayAlong">''Assassin's Creed II'' – [[Play Along]]</ref> Desmond was extracted from the Animus again holding his ring finger, as if feeling the pain Ezio experienced while his finger was being branded. |
| *'''Lucy:''' ''Are you okay? Do you want to stop?'' | | *'''Lucy:''' ''Are you okay? Do you want to stop?'' |
| *'''Desmond:''' ''No, I need to go back. Right now.'' | | *'''Desmond:''' ''No, I need to go back. Right now.'' |
| Line 941: |
Line 941: |
|
| |
|
| ==''[[Assassin's Creed: Brotherhood]]''== | | ==''[[Assassin's Creed: Brotherhood]]''== |
| | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Desmond Miles' ruminations |
| | |- |
| | |Desmond reflected on all that had transpired to him over the past week.<ref>''[[Assassin's Creed: Initiates]]'' – [[The Desmond Files]] – 8 September 2012: "Escape from Abstergo"</ref> He thought back to when Lucy and Warren watched him in the Animus 1.28. |
| | *'''Desmond:''' ''I don't think anyone ever expects to wake up one morning and find themselves caught in the middle of a war between two secret organizations.'' |
| | His own words brought to mind a memory of the [[Knights Templar|Knight Templar]] [[Garnier de Naplouse]] exiting the [[Hospitalier Fortress]] in Acre,<ref name="AssassinationGarnier">''Assassin's Creed'' – [[Assassination (Garnier de Naplouse)]]</ref> which then faded to show the [[Sanctuary]] beneath the [[Villa Auditore]]. |
| | *'''Desmond:''' ''I know I didn't. But here I am.'' |
| | He remembered standing up from an Animus session, before the memory changed to [[Grand Master of the Templar Order|Grand Master]] [[Robert de Sablé]] [[Defense of Masyaf|attacking]] the [[Levantine Brotherhood of Assassins|Levantine Assassins]]' base at Masyaf.<ref name="Glory">''Assassin's Creed'' – [[Glory]]</ref> |
| | *'''Desmond:''' ''On one side are the Templars, better known as Abstergo Industries.'' |
| | The scene changed to the glowing windows in Abstergo's Animi Training Room, arranged to look like the [[Templar insignia]], and then to Abstergo's logo. |
| | *'''Desmond:''' ''They're in the business of control. Politics.'' |
| | The scene changed to Ezio Auditore's view of the Italian Templars' meeting beneath the Basilica di Santa Maria Novella,<ref name="NovellasSecret"/> before returning to the Animi room again. |
| | *'''Desmond:''' ''Economics. Technology. They won't stop until every single one of us serves them. Literally.'' |
| | The scene changed in quick succession to Altaïr watching Garnier's men restrain a wounded prisoner,<ref name="AssassinationGarnier"/> Altaïr watching [[Majd Addin]] personally preside over an execution,<ref name="AssassinationMajd">''Assassin's Creed'' – [[Assassination (Majd Addin)]]</ref> and Altaïr seeing one of [[Talal]]'s imprisoned [[Slavery|slaves]] reached up to him from their subterranean warehouse prison cell.<ref>''Assassin's Creed'' – [[Assassination (Talal)]]</ref> |
| | *'''Desmond:''' ''Fighting against them are the Assassins, a group dedicated to safeguarding humanity's free will'' |
| | The scene changed to [[Al Mualim]] reprimanding Altaïr in front of the other Assassins after driving de Sablé back,<ref name="Glory"/> followed by Ezio's initiation into the Italian Assassins.<ref name="PlayAlong"/> |
| | *'''Desmond:''' I ''was born into the brotherhood.'' |
| | The scene returned to his first time using the Animus 1.28. |
| | *'''Desmond:''' ''A couple of weeks ago, the Templars found me. They took me prisoner. Strapped me to a machine they'd built and put me to work. It's called an Animus. And it's where I spent most of my time. Exploring the memories of my ancestors, discovering ''entire lives'' locked deep inside ''my'' DNA.'' |
| | The scene changed to Altaïr looking up at Masyaf, standing on a viewpoint near the [[Pasha Mosque]] in [[Damascus]], and then [[freerunning]] on [[Acre]]'s rooftops and assassinating a [[Knights Hospitalier|Knight Hostpitalier]] [[archer]]. |
| | *'''Desmond:''' ''First, I revisited the life of Altaïr Ibn-La'Ahad, an Assassin from the [[Crusades]].'' |
| | The scenes quickly changed to the [[Ark of the Covenant]] beneath [[Solomon's Temple]] in [[Jerusalem]],<ref>''Assassin's Creed'' – [[Acquisition]]</ref> Al Mualim showing Altaïr the Apple it contained in his study,<ref name="AssassinationMajd"/> and the Apple's effects on Altaïr during his [[Retaking of Masyaf|duel]] with Al Mualim.<ref>''Assassin's Creed'' – [[Assassination (Al Mualim)]]</ref> |
| | *'''Desmond:''' ''The Templars wanted the location of something known as a Piece of Eden, an ancient artifact capable of bending people to their will.'' |
| | He remembered Altaïr looking at the Apple's map of other Isu [[Temple (Isu)|temples]] across Earth. |
| | *'''Desmond:''' ''Once the Templars had what they were looking for, they decided my ''usefulness'' had come to an end. But Lucy saved me.'' |
| | The scene changed to one of his conversation with her in the lab, and then her knocking out an Abstergo security team with a baton. |
| | *'''Desmond:''' ''Lucy. When things were at their worse, she revealed herself to be an Assassin and helped me escape.'' |
| | The scene changed to him climbing out from their escape car's trunk upon arriving at the Rome hideout. |
| | *'''Desmond:''' ''I was hoping that would be the end of my misadventures. But we were just getting started. Back into another Animus I went.'' |
| | The scene changed to him meeting Rebecca, sitting in the Animus 2.0, Ezio mocking [[Vieri de' Pazzi]] before their brawl,<ref name="BoysWillBeBoys"/> and Ezio arming himself with his father [[Giovanni Auditore da Firenze|Giovanni]]'s [[Ezio Auditore's robes|robes]].<ref>''Assassin's Creed II'' – [[Family Heirloom]]</ref> |
| | *'''Desmond:''' ''Now, I'm reliving the memories of Ezio Auditore da Firenze, my ancestor from the Renaissance, searching for a path forward.'' |
| | The scene changed to one of his Bleeding Effect episodes, in which blurry, ghostly figures seemed to move past him in one of the hideout's halls. |
| | *'''Desmond:''' ''Through the Bleeding Effect, I'm becoming an Assassin in more than just name.'' |
| | The scene returned again to the Animi Training Room. |
| | *'''Desmond:''' ''It will come in handy, as the Templars prepare to enslave us all.'' |
| | The scene changed to Warren leading Abstergo's raid on the hideout, and the the Assassin cell members scrambling to pack up and evacuate. |
| | *'''Desmond:''' ''They've found is. They've crashed our hideout and we're fleeing the scene, looking for a place to hide. Only, there isn't any and time is running short. My name is Desmond Miles, and this is my story.'' |
| | |} |
| {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Broken Sequence | | !style="background:#E9692C; -moz-border-radius:3.25px; border-radius:3.25px; color:White; font-size:110%" align="left"|Broken Sequence |
| |- | | |- |
| |The Assassins tried to access Memory sequence 9, but found the memory file was corrupted. | | |The Assassins tried to access a later memory sequence but found the file was corrupted, with the simulation put through a red filter, flashes of memories appearing as blurry still images, the Animus digital models fading in and out of rendering, and with scenes looping or playing out of sequence. |
| *'''Desmond:''' ''Uh, Rebecca? What's going on...'' | | *'''Desmond:''' ''Uh, Rebecca? What's going on...'' |
| *'''Rebecca:''' ''I have to run some diagnostics, I'll get back to you.'' | | *'''Rebecca:''' ''I have to run some diagnostics, I'll get back to you.'' |
| Desmond started to relive Ezio Auditore's memory immediately after Minerva's hologram disappeared.<ref>''[[Assassin's Creed: Brotherhood]]'' – [[Mass Exodus]]</ref> | | Desmond started to relive Ezio's memory immediately after Minerva's hologram disappeared.<ref>''[[Assassin's Creed: Brotherhood]]'' – [[Mass Exodus]]</ref> |
| |} | | |} |
| {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" | | {|class="mw-collapsible mw-collapsed" width="100%" style="border:1px solid black; -moz-border-radius:2.5px; border-radius:2.5px; text-align:left; clear:both; font-size:90%;" |
| Line 985: |
Line 1,023: |
| *'''Shaun:''' ''I really hate to stress this, yeah, but we are running out of time.'' | | *'''Shaun:''' ''I really hate to stress this, yeah, but we are running out of time.'' |
| *'''Lucy:''' ''Well help us then, Shaun. Do you have any ideas?'' | | *'''Lucy:''' ''Well help us then, Shaun. Do you have any ideas?'' |
| *'''Shaun:''' ''I don't know, maybe there's another way into the [[Sanctuary]]?'' | | *'''Shaun:''' ''I don't know, maybe there's another way into the Sanctuary?'' |
| *'''Desmond:''' ''Hey, I think I've got something.'' | | *'''Desmond:''' ''Hey, I think I've got something.'' |
| Desmond beckoned Lucy. | | Desmond beckoned Lucy. |
| Line 1,058: |
Line 1,096: |
| *'''Lucy:''' ''Nice job.'' | | *'''Lucy:''' ''Nice job.'' |
| *'''Desmond:''' ''I aim to please.'' | | *'''Desmond:''' ''I aim to please.'' |
| They began to [[Freerunning|freerun]] through the tunnel. | | They began to freerun through the tunnel. |
| *'''Desmond:''' ''I wonder how old these tunnels are.'' | | *'''Desmond:''' ''I wonder how old these tunnels are.'' |
| *'''Lucy:''' ''Middle Ages, probably. Luckily, these beams still hold our weight.'' | | *'''Lucy:''' ''Middle Ages, probably. Luckily, these beams still hold our weight.'' |
| Line 1,622: |
Line 1,660: |
| *'''Warren:''' ''Be ready to receive assassination contracts while being targeted simultaneously. We feel it keeps you on your toes.'' | | *'''Warren:''' ''Be ready to receive assassination contracts while being targeted simultaneously. We feel it keeps you on your toes.'' |
| Both screens brought up the Prowler as he suddenly ran up from behind the Executioner and slew him before moving on to kill the Barber as well. The footage finally ended and was replaced by the Abstergo logo on blue background before the displays powered down. | | Both screens brought up the Prowler as he suddenly ran up from behind the Executioner and slew him before moving on to kill the Barber as well. The footage finally ended and was replaced by the Abstergo logo on blue background before the displays powered down. |
| *'''Warren:''' ''Once you enter thee machines and the transfer is complete, you will have the skills necessary to crush the remnants of the Asassin Order, ending this war once and for all. Any questions?'' | | *'''Warren:''' ''Once you enter thee machines and the transfer is complete, you will have the skills necessary to crush the remnants of the Assassin Order, ending this war once and for all. Any questions?'' |
| He leaned over the scaffold railing but heard no reply. | | He leaned over the scaffold railing but heard no reply. |
| *'''Warren:''' ''Good. Lets begin.'' | | *'''Warren:''' ''Good. Lets' begin.'' |
| |} | | |} |
|
| |
|
| Line 1,632: |
Line 1,670: |
| |- | | |- |
| | | | | |
| *'''Rebecca:''' ''We can keep him like this for a few days, maybe a week.'' | | *'''Rebecca:''' ''We can keep him like this for a few days. ''Maybe'' a week.'' |
| *'''William:''' ''Call ahead, tell them we're on our way.'' | | *'''William:''' ''Call ahead. Tell them we're on our way.'' |
| *'''Rebecca:''' ''As soon as we're clear.'' | | *'''Rebecca:''' ''As soon as we're clear.'' |
| Rebecca's voice faded as Clay Kaczmarek's digital consciousness spoke from within the Animus while Desmond's comatose mind replayed a montage of his memories, starting with waking from using Abstergo Industries' Animus 1.28. | | Rebecca's voice faded as Clay Kaczmarek's digital consciousness spoke from within the Animus while Desmond's comatose mind replayed a montage of his memories, starting with waking from using Abstergo's Animus 1.28. |
| *'''Clay:''' ''Desmond Miles. Your life has changed so much in so little time.'' | | *'''Clay:''' ''Desmond Miles. Your life has changed so much in so little time.'' |
| The memory changed to Lucy opening the back of a moving truck at the Villa Auditore so Desmond could exit. | | The memory changed to Lucy opening the back of a moving truck at the Villa Auditore so Desmond could exit. |
| Line 1,647: |
Line 1,685: |
| A clip of Clay's mad laughter played as his voice was slightly digitally distorted towards the end. The scene changed to a tracking shot over the Animus 1.28 and a zoom on its physical interface and digital HUD, before forming a construct of Altaïr Ibn-La'Ahad in the Memory Coridor which resolved into a rooftop view of [[Acre]]. | | A clip of Clay's mad laughter played as his voice was slightly digitally distorted towards the end. The scene changed to a tracking shot over the Animus 1.28 and a zoom on its physical interface and digital HUD, before forming a construct of Altaïr Ibn-La'Ahad in the Memory Coridor which resolved into a rooftop view of [[Acre]]. |
| *'''Clay:''' ''But you remember all this, right? You remember the Animus, the machine we use to unravel genetic memories and relive the lives of our ancestors? First you were Altaïr, a stoic twelfth-century Assassin from the Holy Land.'' | | *'''Clay:''' ''But you remember all this, right? You remember the Animus, the machine we use to unravel genetic memories and relive the lives of our ancestors? First you were Altaïr, a stoic twelfth-century Assassin from the Holy Land.'' |
| The scene changed to an adult Ezio in the Memory Corridor, flickered to his street fight as a young man with [[Vieri de' Pazzi]] on the Ponte Vecchio,<ref name="BoysWillBeBoys" /> then flickered again to an adult Ezio charging at Cesare Borgia during the [[Siege of Viana|siege]] of [[Viana]] in 1507.<ref>''Assassin's Creed: Brotherhood'' – [[Pax Romana]]</ref> Through all this, Animus code kept glitching code lines in, distorting the scenes. | | The scene changed to an adult Ezio in the Memory Corridor, flickered to his street fight as a young man with Vieri de' Pazzi on the Ponte Vecchio,<ref name="BoysWillBeBoys"/> then flickered again to an adult Ezio charging at Cesare Borgia during the siege of Viana in 1507.<ref>''Assassin's Creed: Brotherhood'' – [[Pax Romana]]</ref> Through all this, Animus code kept glitching code lines in, distorting the scenes. |
| *'''Clay:''' ''Then, you were Ezio Auditore, a wealthy Italian with charisma and a talent for revenge.'' | | *'''Clay:''' ''Then, you were Ezio Auditore, a wealthy Italian with charisma and a talent for revenge.'' |
| The scene changed to Desmond seeing a "ghost" of Ezio in the Villa Auditore's Santuary through the Bleeding Effect. | | The scene changed to Desmond seeing a "ghost" of Ezio in the Villa Auditore's Santuary through the Bleeding Effect. |
| Line 1,866: |
Line 1,904: |
| ;Welcome | | ;Welcome |
| Warren introduced himself in a dimly lit room to prospective Abstergo recruits who had excelled in the program's first stage. | | Warren introduced himself in a dimly lit room to prospective Abstergo recruits who had excelled in the program's first stage. |
| *'''Warren:''' ''It is a privilege for each one of you to be invited up here. Everyone in this room has proven themselves as more than mere killers. Your skill acquisition in the Animus thus far has been far superior to that of your colleagues, who, as I speak, continue to struggle down below us. But the test of your true worth has barely begun. You think you know of our Order. Of our founding in 1119, our quest for domination during the [[Crusades]]. The vast treasure and the decline at the end of the 12th century. And, finally, our resurgence as Abstergo. You know nothing. It is time to begin your real education. As you continue your training in the Animus, those worthy will be admitted to the secrets of our Order. My assistant will monitor your progress. Once you exit this room there is no turning back. Succeed, and a bright future awaits, fail... and far more than your contract will be terminated.'' | | *'''Warren:''' ''It is a privilege for each one of you to be invited up here. Everyone in this room has proven themselves as more than mere killers. Your skill acquisition in the Animus thus far has been far superior to that of your colleagues, who, as I speak, continue to struggle down below us. But the test of your true worth has barely begun. You think you know of our Order. Of our founding in 1119, our quest for domination during the Crusades. The vast treasure and the decline at the end of the 12th century. And, finally, our resurgence as Abstergo. You know nothing. It is time to begin your real education. As you continue your training in the Animus, those worthy will be admitted to the secrets of our Order. My assistant will monitor your progress. Once you exit this room there is no turning back. Succeed, and a bright future awaits, fail... and far more than your contract will be terminated.'' |
| ;First Steps | | ;First Steps |
| Right from his first meeting, the Abstergo recruit [[Juhani Otso Berg]] began to impress the Templar Order, so much so that Warren offered encouraging words to help motivate him to climb higher. | | Right from his first meeting, the Abstergo recruit [[Juhani Otso Berg]] began to impress the Templar Order, so much so that Warren offered encouraging words to help motivate him to climb higher. |
| Line 1,938: |
Line 1,976: |
| The scene changed to one of a metal Abstergo Industries logo hovering in midair in a dimly lit, dusty room, before it pivoted and turned into a Templar insignia. | | The scene changed to one of a metal Abstergo Industries logo hovering in midair in a dimly lit, dusty room, before it pivoted and turned into a Templar insignia. |
| *'''William:''' ''You know them as Abstergo Industries, we know them as the Templars—as the enemy. We've been fighting them for thousands of years.'' | | *'''William:''' ''You know them as Abstergo Industries, we know them as the Templars—as the enemy. We've been fighting them for thousands of years.'' |
| The cross changed texture, merging with the fabric logo on the tunic of a Templar knight about to be stabbed in the face by a [[Levantine Brotherhood of Assassins|Levantine Assassin]]'s Hidden Blade. | | The cross changed texture, merging with the fabric logo on the tunic of a Templar knight about to be stabbed in the face by a Levantine Assassin's Hidden Blade. |
| *'''William:''' ''Even longer if you believe the stories of their origins. I do. After all, I've seen the truth.'' | | *'''William:''' ''Even longer if you believe the stories of their origins. I do. After all, I've seen the truth.'' |
| The scene changed to one of Ezio Auditore in a Memory Corridor littered with partial models of Roman architecture. | | The scene changed to one of Ezio Auditore in a Memory Corridor littered with partial models of Roman architecture. |
| Line 2,063: |
Line 2,101: |
| *'''Shaun:''' ''Right you are, in fact! I've been reviewing our archives and it appears that Haytham's father was indeed an Assassin. Which means he was likely one too. At least for a little while...'' | | *'''Shaun:''' ''Right you are, in fact! I've been reviewing our archives and it appears that Haytham's father was indeed an Assassin. Which means he was likely one too. At least for a little while...'' |
| *'''Desmond:''' ''What else did you find?'' | | *'''Desmond:''' ''What else did you find?'' |
| *'''Shaun:''' ''That fellow from the opera—[[Reginald Birch]]—[[Grand Master of the Templar Order|Grand Master]] of the [[British Rite of the Templar Order|London chapter]] of the Templars. He and Haytham's father—a man named [[Edward Kenway|Edward]]—well, they were longtime rivals. Now, it appears Birch got his hands on Haytham at a [[Assassin's Creed: Forsaken|rather young age]]—working his wiles to convince Haytham to switch sides. Wonder how he did it. I'll see if I can't dig up more...'' | | *'''Shaun:''' ''That fellow from the opera—[[Reginald Birch]]—Grand Master of the [[British Rite of the Templar Order|London chapter]] of the Templars. He and Haytham's father—a man named [[Edward Kenway|Edward]]—well, they were longtime rivals. Now, it appears Birch got his hands on Haytham at a [[Assassin's Creed: Forsaken|rather young age]]—working his wiles to convince Haytham to switch sides. Wonder how he did it. I'll see if I can't dig up more...'' |
| Shaun then asked Desmond about their situation. | | Shaun then asked Desmond about their situation. |
| *'''Shaun:''' ''Hon—Honest answer please, Desmond: Do you think we're getting out of this alive?'' | | *'''Shaun:''' ''Hon—Honest answer please, Desmond: Do you think we're getting out of this alive?'' |
| Line 2,289: |
Line 2,327: |
| *'''Shaun:''' ''Idealistic... and unlikely. I don't think most of your presidents and senators and judges care what the founders thought. They just want to know how they can bend old words to achieve modern goals. Who cares if they were deists or theists or [[Alexander Hamilton|wanted a central bank]]. Why do people need the validation? What should matter is what you—as an individual, believe. And why you believe it. What? Are we so insecure that we have to find 18th century letters to validate our beliefs? Oh, look mom! A dead man agreed with me. Maybe. If you transpose the letters in his shopping list you can plainly see he was on my side.'' | | *'''Shaun:''' ''Idealistic... and unlikely. I don't think most of your presidents and senators and judges care what the founders thought. They just want to know how they can bend old words to achieve modern goals. Who cares if they were deists or theists or [[Alexander Hamilton|wanted a central bank]]. Why do people need the validation? What should matter is what you—as an individual, believe. And why you believe it. What? Are we so insecure that we have to find 18th century letters to validate our beliefs? Oh, look mom! A dead man agreed with me. Maybe. If you transpose the letters in his shopping list you can plainly see he was on my side.'' |
| *'''Desmond:''' ''Jesus, Shaun. That's a cynical way to look at it...'' | | *'''Desmond:''' ''Jesus, Shaun. That's a cynical way to look at it...'' |
| *'''Shaun:''' ''Doesn't make it less true. I keep trying to understand how men like Washington and [[Thomas Jefferson|Jefferson]] could dedicate their lives to the pursuit of liberty and equality, yet have no problem owning [[Slavery|slaves]]. It's hypocritical in the extreme. And your history books make only passing mention of the subject. As if... as if it were of little consequence.'' | | *'''Shaun:''' ''Doesn't make it less true. I keep trying to understand how men like Washington and [[Thomas Jefferson|Jefferson]] could dedicate their lives to the pursuit of liberty and equality, yet have no problem owning slaves. It's hypocritical in the extreme. And your history books make only passing mention of the subject. As if... as if it were of little consequence.'' |
| *'''Desmond:''' ''They had a war to win. A country's future to secure. How could they deal with all these issues at the same time?'' | | *'''Desmond:''' ''They had a war to win. A country's future to secure. How could they deal with all these issues at the same time?'' |
| *'''Shaun:''' ''Spoken like a true apologist. We hear it today too. That matters of civil rights and equality must wait. There are conflicts to settle. Economies to salvage. What do any of these things matter if the people are not free and equal. ALL of them.'' | | *'''Shaun:''' ''Spoken like a true apologist. We hear it today too. That matters of civil rights and equality must wait. There are conflicts to settle. Economies to salvage. What do any of these things matter if the people are not free and equal. ALL of them.'' |
| Line 2,788: |
Line 2,826: |
| The analyst repaired the server. | | The analyst repaired the server. |
| *'''Violet:''' ''Good job! This core wasn't too complex, but rebooting the advanced hardware in the rest of the building will require more work.'' | | *'''Violet:''' ''Good job! This core wasn't too complex, but rebooting the advanced hardware in the rest of the building will require more work.'' |
| The analyst also activated [[Numbskull's personal files|a video]] in which Berg analyzed the turncoat Assassin Mentor [[Al Mualim]]. | | The analyst also activated [[Numbskull's personal files|a video]] in which Berg analyzed the turncoat Assassin Mentor Al Mualim. |
| *'''Violet:''' ''Uh. Okay, so, I'm not sure you were supposed to see that. Just, ah, you should just get back to your Animus. With the servers back online, you could, in theory, restore your coworkers' work stations, if you, you know, feel like being helpful. And you could, in theory, find some more digital goodies, if you, you know, feel like being sneaky! Hey, one of your coworkers dropped his communicator by the elevator. If you see any tech lying around like that, grab 'em. There might be a clue as to who did this.'' | | *'''Violet:''' ''Uh. Okay, so, I'm not sure you were supposed to see that. Just, ah, you should just get back to your Animus. With the servers back online, you could, in theory, restore your coworkers' work stations, if you, you know, feel like being helpful. And you could, in theory, find some more digital goodies, if you, you know, feel like being sneaky! Hey, one of your coworkers dropped his communicator by the elevator. If you see any tech lying around like that, grab 'em. There might be a clue as to who did this.'' |
| *'''Juhani:''' ''Now that you have unlocked Shay Cormac's memories, we stand on the brink of a grand discovery. I know you must have questions about your new assignment, or about me. For now, all I will say is that Shay's story contains the answers. Shay will lead you to a greater understanding.'' | | *'''Juhani:''' ''Now that you have unlocked Shay Cormac's memories, we stand on the brink of a grand discovery. I know you must have questions about your new assignment, or about me. For now, all I will say is that Shay's story contains the answers. Shay will lead you to a greater understanding.'' |
| Line 5,331: |
Line 5,369: |
| The hacker exited the Animus scout and advanced further in the memory until Ezio approached the city's fountain when nearing the Villa. | | The hacker exited the Animus scout and advanced further in the memory until Ezio approached the city's fountain when nearing the Villa. |
| *'''Dominika:''' ''Once you've synchronized, much of each memory's top-level detail will become visible. You'll see points of interests, [[Animus data fragment|Animus constructs]], significant data locators... information useful to seeking the fragments. It's not just sightseeing, though. Synching will help you better navigate the memory and locate what's important.'' | | *'''Dominika:''' ''Once you've synchronized, much of each memory's top-level detail will become visible. You'll see points of interests, [[Animus data fragment|Animus constructs]], significant data locators... information useful to seeking the fragments. It's not just sightseeing, though. Synching will help you better navigate the memory and locate what's important.'' |
| They continued until Ezio scaled the villa and reached the [[viewpoint]] at its top, where a small eagle hologram hovered. | | They continued until Ezio scaled the villa and reached the viewpoint at its top, where a small eagle hologram hovered. |
| *'''Dominika:''' ''There. Synchronize where you see that Animus node inviting you to interact with it.'' | | *'''Dominika:''' ''There. Synchronize where you see that Animus node inviting you to interact with it.'' |
| The hacker grabbed the node and was pulled into the Animus scout view. | | The hacker grabbed the node and was pulled into the Animus scout view. |