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{{Era|Landmarks|TWCB}}
{{Era|Landmarks|TWCB}}
[[File:Khesesh Em Sesh Em Eeneb 3.jpeg|thumb|250px|Khesesh Em Sesh Em Eeneb]]
[[File:Khesesh Em Sesh Em Eeneb 3.jpeg|thumb|250px|Khesesh Em Sesh Em Eeneb]]
'''Khesesh Em Sesh Em Eeneb''' is an [[Isu]] ruin located beneath the [[Pyramid of Khufu]], in [[Saqqara Nome]].
'''Khesesh Em Sesh Em Eeneb''' is a ruined [[Isu]] [[Temple (Isu)|Vault]] located beneath the [[Pyramid of Khufu]], in [[Saqqara Nome]].


==History==
==History==
Around 48 BCE, the ruins were visited by the [[Medjay]] [[Bayek]] of [[Siwa]], who was tracking a member of the [[Order of the Ancients]]: [[Khaliset]]. Khaliset was conducting rituals in the vault, convinced that with the ancient [[Isu script|symbols]] and [[silica]]-powered-[[Vault pedestal#Egyptian Vaults|pedestal]], she would be enabled to resurrect her beloved daughter, [[Eshe]].<ref name="The Hyena">''[[Assassin's Creed: Origins]]'' – [[The Hyena (genetic memory)|The Hyena]]</ref>
Around 48 BCE, the ruins were visited by the [[Medjay]] [[Bayek]] of [[Siwa]], who was tracking a member of the [[Order of the Ancients]]: [[Khaliset]]. Khaliset was conducting rituals in the vault, convinced that with the ancient [[Isu script|symbols]] and [[silica]]-powered [[Vault pedestal#Egyptian Vaults|pedestal]], she would be enabled to resurrect her beloved daughter, [[Eshe]].<ref name="The Hyena">''[[Assassin's Creed: Origins]]'' – [[The Hyena (genetic memory)|The Hyena]]</ref>


While investigating the ruin to understand what Khaliset was up to<ref name="The Hyena" />, Bayek activated the vault's pedestal. This started a recording made by the [[Khufu messenger]], ninety-five days after the [[Great Catastrophe]], and intended for [[Layla Hassan]], who is 2017, was reliving Bayek's genetic memories.<ref name="ACO">''Assassin's Creed: Origins''</ref>
While investigating the ruin to understand what Khaliset was up to<ref name="The Hyena" />, Bayek activated the vault's pedestal. This started a recording made by the [[Khufu messenger]], ninety-five days after the [[Great Catastrophe]], and intended for [[Layla Hassan]], who is 2017, was reliving Bayek's genetic memories.<ref name="ACO">''Assassin's Creed: Origins''</ref>


In 46 BCE, a priest named [[Menkhtu]] wore the mask of his [[Medunamun|former master]], the Ibis of the Ancients, and entered the ruins eager to gain the [[Piece of Eden|ancient power]] within to conquer Egypt. Since he didn't know how to activate the pedestal, he had to transfer this anger to the [[Hidden Ones]] who had followed him to try to stop him. But Menkhtu was defeated and his true identity revealed by the Hidden Ones.<ref>''[[Assassin's Creed: Rebellion]]'' – ''[[The Mask of the Ibis]]''</ref>
In 46 BCE, a priest named [[Menkhtu]] took possession his [[Medunamun|former master]]'s mask and claimed to be the Ibis Reborn. Reorganizing the straggling remnants of the Egyptian [[Order of the Ancients]] into the  [[Sect of The Ibis Reborn]], he intended to enter the ruins and obtain the [[Piece of Eden|ancient power]] within to conquer Egypt. However, lacking the knowledge on the pedestal's activation process, his plans collapsed. Transferring his anger to the [[Hidden Ones]] who had hunted the Sect hoping to stop him, Menkhtu attacked them in a frenzied rage, but was fatally wounded and posthumously unmasked as an impostor.<ref>''[[Assassin's Creed: Rebellion]]'' – ''[[The Mask of the Ibis]]'' – [[The Bounty of Thoth]]</ref>


==Trivia==
==Trivia==
*Khesesh Em Sesh Em Eeneb is a romanised version of the Egyptian (xasaX) (m) (sax) (m) (inb), meaning '''Stars and Uraeus and the Palace Wall'''.<ref name = "AtA">
*Khesesh Em Sesh Em Eeneb is a romanised version of the Egyptian "(xasaX) (m) (sax) (m) (inb)", roughly "Stars and {{Wiki|Uraeus}} and the Palace Wall".<ref>[http://www.accesstheanimus.com/GIN_Coded_Language_Isu.html ''Access The Animus'' - A Gaze into the Nexus: The Coded Language of the Isu]</ref>
{{cite web
| url = http://www.accesstheanimus.com/GIN_Coded_Language_Isu.html
| title = A Gaze into the Nexus: The Coded Language of the Isu
| last = Markuz, Sorrosyss, Hephaestus
| date = 2 February 2018
| work = [http://accesstheanimus.com/ Access the Animus]
| accessdate = 3 June 2018
}}
</ref>


==Gallery==
==Gallery==
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==Appearances==
==Appearances==
*''[[Assassin's Creed: Origins]]'' {{1st}}
*''[[Assassin's Creed: Origins]]'' {{1st}}
*''[[Assassin's Creed: Rebellion]]'' ''[[The Mask of the Ibis]]''
*''[[Assassin's Creed: Rebellion]] – [[The Mask of the Ibis]]'' – [[The Bounty of Thoth]]


==References==
==References==

Revision as of 20:15, 21 July 2019

Khesesh Em Sesh Em Eeneb

Khesesh Em Sesh Em Eeneb is a ruined Isu Vault located beneath the Pyramid of Khufu, in Saqqara Nome.

History

Around 48 BCE, the ruins were visited by the Medjay Bayek of Siwa, who was tracking a member of the Order of the Ancients: Khaliset. Khaliset was conducting rituals in the vault, convinced that with the ancient symbols and silica-powered pedestal, she would be enabled to resurrect her beloved daughter, Eshe.[1]

While investigating the ruin to understand what Khaliset was up to[1], Bayek activated the vault's pedestal. This started a recording made by the Khufu messenger, ninety-five days after the Great Catastrophe, and intended for Layla Hassan, who is 2017, was reliving Bayek's genetic memories.[2]

In 46 BCE, a priest named Menkhtu took possession his former master's mask and claimed to be the Ibis Reborn. Reorganizing the straggling remnants of the Egyptian Order of the Ancients into the Sect of The Ibis Reborn, he intended to enter the ruins and obtain the ancient power within to conquer Egypt. However, lacking the knowledge on the pedestal's activation process, his plans collapsed. Transferring his anger to the Hidden Ones who had hunted the Sect hoping to stop him, Menkhtu attacked them in a frenzied rage, but was fatally wounded and posthumously unmasked as an impostor.[3]

Trivia

  • Khesesh Em Sesh Em Eeneb is a romanised version of the Egyptian "(xasaX) (m) (sax) (m) (inb)", roughly "Stars and Uraeus and the Palace Wall".[4]

Gallery

Appearances

References