Ezio Auditore's villa collections

During the Renaissance, the Italian Assassin Ezio Auditore acquired a variety of item collections between 1476 to 1499 while on his hunt for the Templar conspirators behind the death of his father Giovanni and brothers, Federico and Petruccio. He used said objects to decorate the Villa Auditore's various rooms in Monteriggioni, Italy.

Armor

Image	Set	Location	Placement
	Leather Armor	Armory	Left stand on left wall
	Helmschmied Armor		Right stand on left wall
	Metal Armor		Right stand on right wall
	Missaglias Armor		Left stand on right wall
	Armor of Altaïr		Stand on back wall

Codex pages

Image	Name	Description	Location	Placement
	Codex wall	Decrypted Codex pages are displayed on this wall.	Mario's study	Wall facing Mario's desk

Feathers

Image	Name	Description	Location	Placement
	Feather chest	Maria keeps the feathers you have collected.	Maria's room	Drawer on wall facing main hall's entrance

Models

Image	Name	Description	Location	Placement
	Carriage	This is a model of the carriage I drove.	Armory	First stand from entrance
	Flying Machine	This is a model of Leonardo da Vinci's flying machine.		Second stand from entrace

Paintings

Image	Name	Description	Location	Placement
	Adoration of the Magi	By Leonardo da Vinci. The Virgin Mary holds Jesus, while the Magi kneel in adoration. The ruins behind them are of the Basilica of Maxentius, which is said to have collapsed on the night of Christ's birth.	Gallery	Right-hand painting on entrance wall
	Annunciation	By Leonardo da Vinci. The Archangel Gabriel appears to Mary, revealing to her that she will conceive Jesus Christ. The setting is the enclosed courtyard garden of a Florentine villa.	Main hall, first floor	Second paiting from passage overlooking Mario's study
	Baptism of Christ	By Andrea del Verrocchio. Saint John the Baptist baptizes Jesus by pouring water over his head.		First painting from gallery's right entrance
	Battista and Federico	By Piero della Francesca. Portrait of the condottiero, Federico da Montefeltro, and his wife Battista Sforza.	Gallery	Middle column
	The Birth of Venus	By Sandro Botticelli. Venus, newly created, yet fully grown, is pushed by the wind toward the seashore.	Main hall, first floor	Second painting from Maria's room
	Eve	By Albrecht Dürer. Eve plucks the apple from the tree of knowledge inside the Garden of Eden.	Gallery	Left column
	Federico da Montefeltro	By Pedro Berruguete. Federico da Montefeltro and his son, Guidobaldo. Federico was a famous condottiero during the Renaissance.		Right column
	Francesco delle Opere	By Pietro Perugino. Portrait of Francesco delle Opere.	Main hall, first floor	Right-hand painting on wall opposite the main staircase
	Ideal City	By Francesco di Giorgio Martini and Piero della Francesca. Portrays a city that has been conceived in accordance with the dictates of rational and moral objectives.		Second from gallery's right entrance
	Jupiter and Io	By Antonio Allegri da Correggio. Io, daughter of the king of Argos, is seduced by the evanescent figure of Jupiter.	Gallery	Middle column
	La Fornarina	Also know as The Portrait of a Young Woman, by Raphael. The model is Margherita Luti, Raphael's lover.		Middle column
	Lady with an Ermine	By Leonardo da Vinci. The model for this portrait is Cecilia Gallerani, the mistress of Ludovico Sforza.	Main hall, first floor	Left hand painting on wall opposite the main staircase
	Leda and the Swan	By Leonardo da Vinci. Zeus impregnated Leda while disguised as a swan. Below are her children, two of whom came from Zeus and two from Tyndareus, king of Sparta.	Gallery	Right column
	Madonna and Child	By Filippo Lippi. Saint Anne sits with her daughter, Mary.	Main hall, first floor	First painting from gallery's left entrance
	Pallas and the Centaur	By Sandro Botticelli. A centaur has trespassed on forbidden territory, but is quickly brought under control by Minerva, who grabs his hair.	Main hall, first floor	First painting from Maria's room
	Portrait of a Lady	By Leonardo da Vinci. Beatrice d'Este, the wife of the duke of Milan, Ludovico Sforza.	Gallery	Left column
	Portrait of a Musician	By Leonardo da Vinci. Represents Franchino Gaffurio, who was the maestro di cappella of the Milanese Cathedral.		Left centre on back wall
	Primavera	By Sandro Botticelli. The garden of Venus. From left to right: Mercury, the Three Graces, Venus, Flora, Chloris and Zephyr.		Left-hand painting on entrance wall
	Sacred and Profane Love	By Titian. A bride dressed in white stands beside Cupid and is assisted by Venus.	Main hall, first floor	Second painting from gallery left's entrance
	Saint Chrysogonus	By Michele Giambono. Considered the Venetian artist's masterpiece. St. Chrysogonus is depicted on horseback. He was later beheaded in Aquileia by the Emperor Diocletian.	Gallery	Middle column
	Saint Jean Baptiste	By Leonardo da Vinci. St. John the Baptist sits in isolation. He holds a reed cross in his left hand while his right hand points up toward heaven.		Right column
	San Sebastian	By Antonello da Messina. Saint Sebastian was killed in Rome during Diocletian's persecution of Christians and became a Christian saint.		Far left on back wall
	Simonetta Vespucci	By Piero di Cosimo. Simonetta Vespucci, referred to by many as the greatest beauty in Florence, sits for this portrait barechested. She was the mistress of Giuliano de' Medici.		Left column
	Sleeping Venus	By Giorgione. A woman, possibly Venus, rests in the foreground as the hills in the background seem to mirror her profile.	Main hall, first floor	First painting from passage overlooking Mario's study
	St-Francis in Ecstasy	By Giovanni Bellini. Portrays St. Francis in ecstasy while receiving the stigmata.	Gallery	Right column
	St-Jerome	By Leonardo da Vinci. Saint Jerome in the Syrian desert, where he lived as a hermit.		Right-hand painting on left wall
	St-Jerome in His Study	By Antonello da Messina. St. Jerome working in his studio.		Left-hand painting on left wall
	Three Graces	By Raphael. The Three Graces reward Scipio for selecting Minerva, the incarnation of virtue, with the Golden Apples of the Hesperides.		Right centre on back wall
	Venus and the Mirror	By Mabuse. Venus, the Roman goddess of love, gazes at her reflection in the mirror.		Far right on back wall
	Venus Rising	By Titian. After she is born from a shell, Venus rises from the sea as a full grown woman.		Left column

Portraits

Image	Target/Name	Description	Location	Placement
	Uberto Alberti	This is a picture of the Templar, Uberto Alberti, Florentine Gonfaloniere of Justice and a traitor to my family. Date of death: 1476.	Ezio's room	Easel in front wall's left corner
	Vieri de' Pazzi	This is a picture of the Templar, Vieri de' Pazzi, son of Francesco de' Pazzi. Date of death: 1477.		Right centre on left wall
	Francesco de' Pazzi	This is a picture of the Templar, Francesco de' Pazzi, head of the Pazzi Bank and perpetrator of the Pazzi Conspiracy. Date of death: 1478.		Left centre on left wall
	The Pazzi Conspirators	This is a picture of the Templar Pazzi Conspirators, who acted on Francesco de' Pazzi's order. They were responsible for the murder of Giuliano de' Medici and the attempted murder of Lorenzo de' Medici. Dates of death: 1478 – 1480.		Far left on left wall
	Emilio Barbarigo	This is a picture of the Templar, Emilio Barbarigo, head of the Venetian Merchants Guild. Date of death: 1484.		Centre of left wall
	Carlo Grimaldi	This is a picture of the Templar, Carlo Grimaldi, member of the Venetian Council of Ten, and poisoner of Doge Mocenigo. Date of death: 1485.		Centre of front wall
	Marco Barbarigo	This is a picture of the Templar, Marco Barbarigo, a corrupt Venetian Doge. Date of death: 1486.		Centre of right wall
	Silvio Barbarigo	This is a picture of the Templar, Silvio Barbarigo, cousin of Marco Barbarigo and a wealthy Venetian trader. Date of death: 1486.		Right centre on right wall
	Rodrigo Borgia	This is a picture of the Templar Grand Master, Rodrigo Borgia, who ordered and oversaw the murder of my father and brothers in his quest for dominion. He sought the contents of the Vatican Vault becoming Pope in the process.		Left centre of back wall
	The Orsi Brothers	This is a picture of the Orsi Brothers, corrupt nobles hired by the Templars to try and steal the Apple of Eden. They took Caterina Sforza's children hostage in the process. Date of death: 1488.		Far left on right wall
	Girolamo Savonarola	This is a picture of Girolamo Savonarola, Dominican priest, ouster of the Medici family, Leader of Florence, and instigator of the Bonfire of the Vanities. Date of death: 1498.		Easel in front wall's right corner

Seals

Image	Name	Statue description	Location	Placement
	Seal of Amunet	Atop this pedestal stands a statue of Amunet, the female Egyptian assassin. She killed Cleopatra with a snake.	Sanctuary	Left statue on right side
	Seal of Darius	Atop this pedestal stands a statue of Darius, the male Persian assassin. He used his hidden blade to kill Xerxes.		Middle statue on left side
	Seal of Iltani	Atop this pedestal stands a statue of Iltani, the female Babylonian assassin. She poisoned Alexander the Great.		Middle statue on right side
	Seal of Leonius	Atop this pedestal stands a statue of Leonius, the male Roman assassin. He stabbed Caligula with a dagger.		Right statue on right side
	Seal of Qulan Gal	Atop this pedestal stands a statue of Qulan Gal, the male Mongolian assassin. He used a bow and arrow to shoot Genghis Khan's horse.		Left statue on left side
	Seal of Wei Yu	Atop this pedestal stands a statue of Wei Yu, the male Chinese assassin. He used a spear to kill the first Chinese Emperor, Qin Shi Huang.		Right statue on left side

Statuettes

Image	Name	Description	Location	Placement
	Diana and Apollo	Together, but never touching, one sleeps while the other rises, yet both watch over us.	Villa grounds	Northeast plinth
	Jupiter and Minerva	Here sits the king of all Olympus and beside him stands wisdom, to guide his rule.		Northwest plinth
	Mars and Venus	The god of rage and strength basks in his lover's radiant beauty. She tames his anger with her gentle touch.		East plinth
	Neptune and Pluto	Two brothers rest here. One resides fathoms deep, the other at the end of time.		West plinth

Weapons

Image	Rack	Contents	Location	Placement
	First sword rack	Common Sword Captain's Sword Milanese Sword Schiavona	Weapon room	Left-hand rack on left wall
	Second sword rack	Sword of Altaïr Old Syrian Sword Venetian Falchion Florentine Falchion Scimitar		Right-hand rack on left wall
	First small weapon rack	Dagger Stiletto Knife Metal Cestus		Stand facing back wall
	Second small weapon rack	Sultan's Knife Butcher Knife Channeled Cinquedea Notched Cinquedea		Stand facing entrance wall
	Hammer rack	Mercenario War Hammer Condottiero War Hammer Maul Flanged Mace Cavalieri Mace		Left-hand rack on right wall
	Special weapons rack	Maria Thorpe's Longsword Fredrick's Hammer Mace of the Bull Dark Oracle's Bone Dagger Twins' Rapier Bouchart's Blade		Right-hand rack on right wall

Behind the scenes

The painting Portrait of a Lady appears to have been painted by Giovanni Ambrogio de Predis instead of Leonardo da Vinci as listed in its description, though there are mentions of Leonardo having painted a portrait of Beatrice d'Este in a similar style.

The painting The Ideal City (Urbino variant) is attributed to Francesco di Giorgio Martini and Piero della Francesca, but it has also been attributed to either Luciano Laurana or Melozzo da Forlì as well. Francesco di Giorgio Martini was known to have painted another variation, the Architectural Veduta.

Two of the targets' portraits have inaccurate descriptions in regards to their dates of death, with Vieri de Pazzi's portrait listing his death in 1477 instead of 1478 and Emilio Barbarigo's portrait stating that he died in 1484 instead of 1485.

Appearences

• Assassin's Creed II