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The Ezio Auditore Affair: Difference between revisions
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{{Era|ACB}} | {{Era|ACB}} | ||
{{Memory Infobox | {{Memory Infobox | ||
|image = The-ezio-auditore-affair-memory.png | |image = The-ezio-auditore-affair-memory.png | ||
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|appearance = ''[[Assassin's Creed: Brotherhood]]'' | |appearance = ''[[Assassin's Creed: Brotherhood]]'' | ||
|type = Restored Memory | |type = Restored Memory | ||
|fullsync = Do not use any type of ranged weaponry. | |||
|previous = [[Last Minute Invite]] | |||
|next = [[Decoding Da Vinci]] | |next = [[Decoding Da Vinci]] | ||
|ancestor = [[Ezio Auditore da Firenze]] | |ancestor = [[Ezio Auditore da Firenze]] | ||
|location = [[Rome]], [[Italy]] | |location = [[Rome]], [[Italy]] | ||
|date = 1506 | |date = 1506}} | ||
'''The Ezio Auditore Affair''' was a virtual representation of one of [[Ezio Auditore da Firenze]]'s [[Genetic memory|genetic memories]], relived by [[Desmond Miles]] in 2012 through the [[Animus]]. | |||
'''The Ezio Auditore Affair''' was a virtual representation of one of [[Ezio Auditore da Firenze | |||
==Description== | ==Description== | ||
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==Dialogue== | ==Dialogue== | ||
Ezio met with a group of courtesans on the bridge to the [[Vaticano District|Vatican]]. He instructed them on what to do once inside the Castel Sant'Angelo. | Ezio met with a group of courtesans on the bridge to the [[Vaticano District|Vatican]]. He instructed them on what to do once inside the Castel Sant'Angelo. | ||
*'''Ezio:''' ''Come with me. Once we get inside, I will mark the paintings for you to steal. Bring them to Leonardo's workshop. | *'''Ezio:''' ''Come with me. Once we get inside, I will mark the paintings for you to steal. Bring them to Leonardo's workshop. Capito?'' (Understand?) | ||
[[File:The Ezio Auditore Affair 1.png|thumb|250px|Ezio instructing the courtesans]] | [[File:The Ezio Auditore Affair 1.png|thumb|250px|Ezio instructing the courtesans]] | ||
The courtesans, led by Ezio, made their way to the art viewing but were stopped by a [[Guards|guard]] at the entrance to the castello. | The courtesans, led by Ezio, made their way to the art viewing but were stopped by a [[Guards|guard]] at the entrance to the castello. | ||
*'''Guard | *'''Guard 1:''' ''Invitation?'' | ||
*'''Ezio:''' ''Here.'' | *'''Ezio:''' ''Here.'' | ||
Ezio handed the guard the invitation and the group of courtesans flirted with him as they passed. | Ezio handed the guard the invitation and the group of courtesans flirted with him as they passed. | ||
*'''Guard | *'''Guard 1:''' ''Oh my. Come back soon... I hope.'' | ||
Ezio made his way around the viewing, in the outer yard of the castello, in search of the first painting. | Ezio made his way around the viewing, in the outer yard of the castello, in search of the first painting. | ||
*'''[[Cardinals|Cardinal]] #1:''' ''How daring! I have not seen an annunciation from this angle before.'' | *'''[[Cardinals|Cardinal]] #1:''' ''How daring! I have not seen an annunciation from this angle before.'' | ||
*'''Cardinal | *'''Cardinal 2:''' ''The composition suffers I feel. The light of God is not properly expressed. It does not move me.'' | ||
*'''Cardinal | *'''Cardinal 1:''' ''You are truly stuck in your ways, my friend.'' | ||
Ezio identified the first painting and marked it for theft. Soon after, a guard emerged from the Castello, inviting the cardinals inside. | Ezio identified the first painting and marked it for theft. Soon after, a guard emerged from the Castello, inviting the cardinals inside. | ||
[[File:The Ezio Auditore Affair 6.png|thumb|250px|Ezio marking the second painting]] | [[File:The Ezio Auditore Affair 6.png|thumb|250px|Ezio marking the second painting]] | ||
*'''Guard | *'''Guard 2:''' ''The upper floors are now open to the cardinals who wish to see additional expressions of devotion.'' | ||
Ezio sneaked into the Castello to locate the final da Vinci painting. Once the painting had been identified and marked for theft, Ezio began his escape. His actions did not go unnoticed. | Ezio sneaked into the Castello to locate the final da Vinci painting. Once the painting had been identified and marked for theft, Ezio began his escape. His actions did not go unnoticed. | ||
*'''Guard | *'''Guard 3:''' ''Two of the paintings are missing! Be on the lookout for a [[Thieves|thief]]!'' | ||
{{-}} | {{-}} | ||
==Outcome== | ==Outcome== | ||
Ezio located the final two paintings and escaped the castello. | Ezio located the final two paintings and escaped the castello. | ||
==Trivia== | ==Trivia== | ||
*The first target painting is located randomly, thus Ezio needs to use [[Eagle Vision]] to find it. | *The first target painting is located randomly, thus Ezio needs to use [[Eagle Vision]] to find it. | ||
*To mark the paintings, Ezio scratches a line onto the edge of the frame. | *To mark the paintings, Ezio scratches a line onto the edge of the frame. | ||
*The memory title is a reference to '' | *The memory title is a reference to ''{{Wiki|The Thomas Crown Affair (1968 film)|The Thomas Crown Affair}}'', a heist film based on a 1962 novel, in which a wealthy banker plans to steal an expensive Monet painting. | ||
*The memory is one of the few where the Castel Sant'Angelo and the [[Ponte Sant'Angelo]] are not restricted areas. | *The memory is one of the few where the Castel Sant'Angelo and the [[Ponte Sant'Angelo]] are not restricted areas. | ||
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==Reference== | ==Reference== | ||
*''[[Assassin's Creed: Brotherhood]]'' | *''[[Assassin's Creed: Brotherhood]]'' | ||
{{ACBHMemories}} | {{ACBHMemories}} | ||
[[Category:Assassin's Creed: Brotherhood memories]] | [[Category:Assassin's Creed: Brotherhood memories]] | ||
Revision as of 21:00, 3 June 2013
The Ezio Auditore Affair was a virtual representation of one of Ezio Auditore da Firenze's genetic memories, relived by Desmond Miles in 2012 through the Animus.
Description
Ezio Auditore used his newly acquired invitation and a few courtesans to enter the Castel Sant'Angelo, which was showcasing several works of art, including two da Vinci paintings. Ezio moved among the crowd and marked the paintings for the courtesans to steal.
Dialogue
Ezio met with a group of courtesans on the bridge to the Vatican. He instructed them on what to do once inside the Castel Sant'Angelo.
- Ezio: Come with me. Once we get inside, I will mark the paintings for you to steal. Bring them to Leonardo's workshop. Capito? (Understand?)
The courtesans, led by Ezio, made their way to the art viewing but were stopped by a guard at the entrance to the castello.
- Guard 1: Invitation?
- Ezio: Here.
Ezio handed the guard the invitation and the group of courtesans flirted with him as they passed.
- Guard 1: Oh my. Come back soon... I hope.
Ezio made his way around the viewing, in the outer yard of the castello, in search of the first painting.
- Cardinal #1: How daring! I have not seen an annunciation from this angle before.
- Cardinal 2: The composition suffers I feel. The light of God is not properly expressed. It does not move me.
- Cardinal 1: You are truly stuck in your ways, my friend.
Ezio identified the first painting and marked it for theft. Soon after, a guard emerged from the Castello, inviting the cardinals inside.
- Guard 2: The upper floors are now open to the cardinals who wish to see additional expressions of devotion.
Ezio sneaked into the Castello to locate the final da Vinci painting. Once the painting had been identified and marked for theft, Ezio began his escape. His actions did not go unnoticed.
- Guard 3: Two of the paintings are missing! Be on the lookout for a thief!
Outcome
Ezio located the final two paintings and escaped the castello.
Trivia
- The first target painting is located randomly, thus Ezio needs to use Eagle Vision to find it.
- To mark the paintings, Ezio scratches a line onto the edge of the frame.
- The memory title is a reference to The Thomas Crown Affair, a heist film based on a 1962 novel, in which a wealthy banker plans to steal an expensive Monet painting.
- The memory is one of the few where the Castel Sant'Angelo and the Ponte Sant'Angelo are not restricted areas.
Gallery
-
Ezio giving the invitation to the guard -
The guard being distracted by courtesans -
Ezio marking the first painting -
The upper floors being opened
