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{{Era|Assassins|Organizations}} | {{Era|Assassins|Organizations}} | ||
{{WP-REAL|Society of the Friends of Truth}} | {{WP-REAL|Society of the Friends of Truth}} | ||
The '''Social Club''' or Society of the Friends of Truth was a mixture of a political club and a literary salon of [[Paris]] active during the [[French Revolution]]. It was affiliated to the [[Parisian Brotherhood of Assassins]] and their intelligence gathering front the [[Café Théâtre]]. | |||
In 1791, the [[Assassin]] [[Arno Dorian]] became the steward of the Café Théâtre and bought several cafés through Paris where the Club could meet and organized reunions while the Assassins used the cafés as safehouses. | |||
==Behind the scene== | |||
*While never referred in another way than the Social Club, historically there was a Social Club known also as the ''Society of the Friends of Truth'', a pro-republican and liberal Club with [[Camille Desmoulins]] and [[Nicolas de Condorcet]] as key figures. | |||
==Appearences== | ==Appearences== | ||
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==References== | ==References== | ||
*''[[Assassin's Creed: Unity]]'' | *''[[Assassin's Creed: Unity]]'' | ||
{{ACU}} | |||
[[Category:Organizations]] | [[Category:Organizations]] | ||
[[Category:Assassin-affiliated groups]] | [[Category:Assassin-affiliated groups]] | ||
Revision as of 11:02, 30 May 2020
The Social Club or Society of the Friends of Truth was a mixture of a political club and a literary salon of Paris active during the French Revolution. It was affiliated to the Parisian Brotherhood of Assassins and their intelligence gathering front the Café Théâtre.
In 1791, the Assassin Arno Dorian became the steward of the Café Théâtre and bought several cafés through Paris where the Club could meet and organized reunions while the Assassins used the cafés as safehouses.
Behind the scene
- While never referred in another way than the Social Club, historically there was a Social Club known also as the Society of the Friends of Truth, a pro-republican and liberal Club with Camille Desmoulins and Nicolas de Condorcet as key figures.
Appearences
References