|
|
| Line 1: |
Line 1: |
| {{Era|ACO}} | | {{Era|ACO}} |
| {{spoilerhd}} | | {{Spoilerhd}} |
| '''The Empirical Truth''' were ancient recorded messages found by the [[Medjay]] [[Bayek]] in the 1st Century BCE. The messages were actually meant for [[Layla Hassan]] who was reliving Bayek's memories in the year 2017. | | '''The Empirical Truth''', '''Sapere Aude''', were ancient recorded messages found by the [[Medjay]] [[Bayek]] in the 1st century BCE. The messages were actually meant for [[Layla Hassan]] who was reliving Bayek's memories in the year 2017 via the Portable [[Animus|Animus HR-8]]. |
|
| |
|
| <tabber> | | <tabber> |
| |-|Oun-mAa Niye Rassoot= | | |-|Oun-mAa Niye Rassoot= |
| [[File:Segment-1.jpg|300px]]<br> | | [[File:Segment-1.jpg|center|300px]]<br> |
| Retransmission. Segment 1. Acquiring Contemporaneity. | | Retransmission. Segment 1. Acquiring Contemporaneity. |
| It has been 91 days since the Great Catastrophe. The messenger speaks. | | It has been 91 days since the Great Catastrophe. The messenger speaks. |
| Line 11: |
Line 11: |
| How real is the ground you walk on? How real is the machine you toy with, the music you hear, the lover you kiss, or the foe you hate? | | How real is the ground you walk on? How real is the machine you toy with, the music you hear, the lover you kiss, or the foe you hate? |
|
| |
|
| Your foot taps the ground. Does that make it real? Your enemies bleed deep red. Does that make them real? The confusion growing within you due to my words… does it make you real? | | Your foot taps the ground. Does that make it real? Your enemies bleed deep red. Does that make them real? The confusion growing within you due to my words... does it make you real? |
|
| |
|
| What if reality wasn‘t what you thought it was? What if this was all a construction? A masterfully crafted simulation? | | What if reality wasn't what you thought it was? What if this was all a construction? A masterfully crafted simulation? |
|
| |
|
| You know such things exist. You’ve been in the Animus before. In fact, aren’t you in one right now? You know just how real a simulation can feel even when it has long vanished. | | You know such things exist. You've been in the Animus before. In fact, aren't you in one right now? You know just how real a simulation can feel even when it has long vanished. |
|
| |
|
| You’ve experience the Bleeding Effect. Layers upon layers of reality, each blurring into the next.
| | You've experienced the Bleeding Effect. Layers upon layers of reality, each blurring into the next. |
|
| |
|
| Which is real, and which is not? What if none are real? What if everything you know is false? | | Which is real, and which is not? What if none are real? What if everything you know is false? |
| Line 25: |
Line 25: |
| Each one of them felt real. Very real. | | Each one of them felt real. Very real. |
|
| |
|
| But there’s no way of truly knowing, is there? Not for sure. Anything can be simulated. and finding the answer could mean erasure. From the build. From the code. From everything. | | But there's no way of truly knowing, is there? Not for sure. Anything can be simulated. and finding the answer could mean erasure. From the build. From the code. From everything. |
|
| |
|
| So much to ponder and so little computational capacity. Take your time. | | So much to ponder and so little computational capacity. Take your time. |
| Line 31: |
Line 31: |
| This question has haunted humanity since its creation. It is a worry, a thought wormed deep in the collective mind. | | This question has haunted humanity since its creation. It is a worry, a thought wormed deep in the collective mind. |
|
| |
|
| 2000 years ago, Zhuang Zhu fell asleep. He dreamed he was a butterfly, and woke up unable to decide if he was a man dreaming of a butterfly, or a butterfly dreaming of a man. | | 2000 years ago, Zhuang Zhou fell asleep. He dreamed he was a butterfly, and woke up unable to decide if he was a man dreaming of a butterfly, or a butterfly dreaming of a man. |
|
| |
|
| In Plato’s cave, prisoners were chained and forced to watch shadows dancing on a wall. Freedom was denied to them until they accepted the intangible as reality. | | In Plato's cave, prisoners were chained and forced to watch shadows dancing on a wall. Freedom was denied to them until they accepted the intangible as reality. |
|
| |
|
| It’s everywhere. Ask this professor at Oxford University, or this cosmologist at MIT.
| | It's everywhere. Ask this professor at Oxford University, or this cosmologist at MIT. |
|
| |
|
| And you. What would you choose, if you truly knew? Would you even want to understand? A dream within a dream, where even the truth is sometimes a lie? | | And you. What would you choose, if you truly knew? Would you even want to understand? A dream within a dream, where even the truth is sometimes a lie? |
|
| |
|
| In any case, simulations are not meaningless. They have purpose.The question isn’t whether or not you are in a simulation. What matters is how much of your free will is actually yours. No matter how true you are. | | In any case, simulations are not meaningless. They have purpose. The question isn't whether or not you are in a simulation. What matters is how much of your free will is actually yours. No matter how true you are. |
|
| |
|
| Your Turing test would do nothing to determine whether you are conscience or code. Eliza, the natural language processing computer program… She managed to pass the Test, did she not? And she was very much machine. | | Your Turing test would do nothing to determine whether you are conscience or code. Eliza, the natural language processing computer program... She managed to pass the Test, did she not? And she was very much machine. |
|
| |
|
| So… in Eliza’s own words… | | So… in Eliza's own words... |
|
| |
|
| How does that make you feel? | | How does that make you feel? |
| Line 49: |
Line 49: |
| Are you sure? | | Are you sure? |
| |-|Seshem.eff Er Aat= | | |-|Seshem.eff Er Aat= |
| [[File:Segment-2.jpg|300px]]<br> | | [[File:Segment-2.jpg|center|300px]]<br> |
| Retransmission. Segment 2. Acquiring Contemporaneity. | | Retransmission. Segment 2. Acquiring Contemporaneity. |
| It has been 93 days since the Great Catastrophe. The messenger speaks. | | It has been 93 days since the Great Catastrophe. The messenger speaks. |
|
| |
|
| Hello World. | | Hello World. |
| Language is the key to our mutual understanding. Yours and mine. alone. | | Language is the key to our mutual understanding. Yours and mine. Alone. |
|
| |
|
| We listened to your times. We learned. And today. we’ll exchange words from the age of post-truth. | | We listened to your times. We learned. And today, we'll exchange words from the age of post-truth. |
| They mean nothing to him. | | They mean nothing to him. |
|
| |
|
| Line 65: |
Line 65: |
| Human language is flexible. It can even become mathematics. It solves and predicts; weights and decodes. It can count objects using basic numbers in one breath, and solve quadratic equations using imaginary ones in the next. | | Human language is flexible. It can even become mathematics. It solves and predicts; weights and decodes. It can count objects using basic numbers in one breath, and solve quadratic equations using imaginary ones in the next. |
|
| |
|
| You’ve engineered dialogs with thinking machines, in an attempt to add new vocabulary. to expand your understanding of reality. But your mastery of the code is rudimentary at best.
| | You've engineered dialogs with thinking machines, in an attempt to add new vocabulary. To expand your understanding of reality. But your mastery of the code is rudimentary at best. |
|
| |
|
| No surprise. You were designed to have boundaries. after all. And one cannot speak of that which one cannot conceive. | | No surprise. You were designed to have boundaries, after all. And one cannot speak of that which one cannot conceive. |
|
| |
|
| The Code. Equations that define life. They are nestled deep within every star. and every mote of dust. Every second that passes is a word. a symbol. All part of an intricate yet simple language existing within the framework of time itself. | | The Code. Equations that define life. They are nestled deep within every star. and every mote of dust. Every second that passes is a word, a symbol. All part of an intricate yet simple language existing within the framework of time itself. |
|
| |
|
| It is the one rule which applies to us all. Immutable. inescapable. The Code is a bridge. a single point of cohesion between your civilization and… mine. | | It is the one rule which applies to us all. Immutable. Inescapable. The Code is a bridge. A single point of cohesion between your civilization and... mine. |
|
| |
|
| It is a language that can be read, that tells of what was. what is and what will be. | | It is a language that can be read, that tells of what was, what is and what will be. |
| A language We Who Came Before can read. though you cannot… | | A language We Who Came Before can read, though you cannot... |
|
| |
|
| Time is more than the hour of the day. the readings of an atomic clock. something to lose. something to run out of. | | Time is more than the hour of the day. The readings of an atomic clock. Something to lose. Something to run out of. |
| Time is a set of rules. not unlike the language you so dearly use to converse with your powerful machines. | | Time is a set of rules, not unlike the language you so dearly use to converse with your powerful machines. |
|
| |
|
| Time is a system that defines what comes to be. | | Time is a system that defines what comes to be. |
| That is how we understand it. | | That is how we understand it. |
|
| |
|
| The Code is Time. and Time is Code. As you scratch the surface and uncover the truth. ask yourself if there something more? Something else. | | The Code is Time, and Time is Code. As you scratch the surface and uncover the truth, ask yourself if there something more? Something else. |
|
| |
|
| No need to be puzzled. You’ve seen time written before. You are surrounded by it as we speak. | | No need to be puzzled. You've seen time written before. You are surrounded by it as we speak. |
|
| |
|
| To your untrained mind. […] (Time) might just look like paths and nodes. To us, it is not unlike a chalkboard covered in calculus. It reveals a window through which stretches the map to infinity. | | To your untrained mind. [...] (Time) might just look like paths and nodes. To us, it is not unlike a chalkboard covered in calculus. It reveals a window through which stretches the map to infinity. |
|
| |
|
| […] (Time) See? As I speak of it in its true form. your mind is incapable of making sense of it. | | [...] (Time) See? As I speak of it in its true form, your mind is incapable of making sense of it. |
|
| |
|
| Were you to read. you’d learn about the other simulations. You’d learn about the genesis of who you came to be. | | Were you to read, you'd learn about the other simulations. You'd learn about the genesis of who you came to be. |
| You’d learn about space and its fluidity.
| | You'd learn about space and its fluidity. |
|
| |
|
| Simply put. time is the language which existence is made of. | | Simply put, time is the language which existence is made of. |
|
| |
|
| All our existences. | | All our existences. |
| Yours. mine. And all those you dare not imagine. | | Yours. Mine. And all those you dare not imagine. |
| |-|Khesesh Em Sesh Em Eeneb= | | |-|Khesesh Em Sesh Em Eeneb= |
| [[File:Segment-3.jpg|300px]]<br> | | [[File:Segment-3.jpg|center|300px]]<br> |
| Retransmission. Segment 3. Acquiring Contemporaneity. | | Retransmission. Segment 3. Acquiring Contemporaneity. |
| It has been 95 days since the Great Catastrophe. The messenger speaks. | | It has been 95 days since the Great Catastrophe. The messenger speaks. |
|
| |
|
| You must be wondering why I reach out to you. It was written. you see. That you would come. To this particular | | You must be wondering why I reach out to you. It was written, you see. That you would come. To this particular chamber, at this very moment in time. |
| chamber, at this very moment in time. | |
|
| |
|
| The walls told us of your coming. when we once were. | | The walls told us of your coming. When we once were. |
|
| |
|
| Look at them. Are they not fascinating? | | Look at them. Are they not fascinating? |
|
| |
|
| […] (BREAK THE CODE) | | [...] (Break the code) |
|
| |
|
| These walls tell of a tragic story. A story we transcribed on our structures. on our artifacts. A story we could not | | These walls tell of a tragic story. A story we transcribed on our structures, on our artifacts. A story we could not alter. A mystery, defying us, in plain sight. |
| alter. A mystery, defying us. in plain sight. | | We tried. Our scholars and scientists, poets and physicists. Bright minds. Rebellious hearts. |
| We tried. Our scholars and scientist. Poets and Physicists. Bright minds. Rebellious hearts. | |
|
| |
|
| They all tried so hard to bring about change. | | They all tried so hard to bring about change. |
| They… we all failed.
| | They... we all failed. |
|
| |
|
| None could change what we discovered. the stories written into the walls of these room. | | None could change what we discovered. The stories written into the walls of these rooms. |
| By whom. we never knew. | | By whom, we never knew. |
|
| |
|
| We know they tell of the future that is. the future that was. and the future that is yet to come. | | We know they tell of the future that is. The future that was. And the future that is yet to come. |
|
| |
|
| The […] (STORIES) | | The [...] (Stories) |
| We failed at modifying a line. We failed at adding a single dot. | | We failed at modifying a line. We failed at adding a single dot. |
| It was clear. We were to be messengers at best. But messengers to whom? | | It was clear. We were to be messengers at best. But messengers to whom? |
| Line 129: |
Line 127: |
| To you. | | To you. |
|
| |
|
| We removed our ability to read those […] (STORIES) from your original template. | | We removed our ability to read those [...] (Stories) from your original template. |
|
| |
|
| “A doorway that is also a puzzle. We must find the solution”. Those were Brutus’s words when he visited the Vault
| | "A doorway that is also a puzzle. We must find the solution". Those were Brutus' words when he visited the Vault under the Colosseum, more than 2000 years ago. |
| under the Colosseum. more than 2000 years ago. | |
|
| |
|
| He drew the vault. sketched it to the best of his abilities. But he could not see. | | He drew the vault. Sketched it to the best of his abilities. But he could not see. |
|
| |
|
| Just as you are blind. You may read your watch. You may read hourglasses and calendars. But you cannot grasp | | Just as you are blind. You may read your watch. You may read hourglasses and calendars. But you cannot grasp beyond that simplistic surface. For now. The true reading of time still escapes you. |
| beyond that simplistic surface. For now. the true reading of time still escapes you. | |
|
| |
|
| And so today. the curtain is pulled and the […] (STORIES) is shown. tragic and complete. | | And so today. the curtain is pulled and the [...] (Stories) is shown. Tragic and complete. |
|
| |
|
| Those walls. you might never read. | | Those walls, you might never read. |
|
| |
|
| Events yet unfold as written. But something. anything. must change. | | Events yet unfold as written. But something, anything, must change. |
| </tabber> | | </tabber> |
| <tabber> | | <tabber> |
| |-|Eeyoo Sekedoo Aat= | | |-|Eeyoo Sekedoo Aat= |
| [[File:Segment-4.jpg|300px]]<br> | | [[File:Segment-4.jpg|center|300px]]<br> |
| Retransmission. Segment 4. Acquiring Contemporaneity. | | Retransmission. Segment 4. Acquiring Contemporaneity. |
| It has been 99 days since the Great Catastrophe. The messenger speaks. | | It has been 99 days since the Great Catastrophe. The messenger speaks. |
|
| |
|
| On the 21st day of December 2012, Desmond activated the global aurora borealis device and protected the earth from the sun’s deadly coronal mass ejection. | | On the 21st day of December 2012, Desmond activated the global aurora borealis device and protected the earth from the sun's deadly coronal mass ejection. |
|
| |
|
| On the 21st day of December 2012. humanity carried on without a care in the world. People went to work. people went to school, and people went to the well for water. | | On the 21st day of December 2012, humanity carried on without a care in the world. People went to work. People went to school, and people went to the well for water. |
|
| |
|
| On the night of December 21st 2012. as the sun set on their days, humankind went to bed. | | On the night of December 21st 2012, as the sun set on their days, humankind went to bed. |
|
| |
|
| Then, on the morning of December 22nd 2012. humankind was graced with yet another morning. They never knew that on the previous day. the world almost ended. | | Then, on the morning of December 22nd 2012, humankind was graced with yet another morning. They never knew that on the previous day, the world almost ended. |
|
| |
|
| We thought that would have been enough. | | We thought that would have been enough. |
| And it was until it wasn’t. | | And it was, until it wasn't. |
|
| |
|
| Time is unyielding. It always corrects itself. | | Time is unyielding. It always corrects itself. |
|
| |
|
| The language of time works in many ways. Two of which you can understand… as you are now. | | The language of time works in many ways. Two of which you can understand... as you are now. |
|
| |
|
| Linear continuity is a simulation that allows for variations. Within the linear continuity, there are nodes. Choke points. | | Linear continuity is a simulation that allows for variations. Within the linear continuity, there are nodes. Choke points. |
| Line 171: |
Line 167: |
|
| |
|
| Paths are fluid, continuous. | | Paths are fluid, continuous. |
| Nodes are static. changeless. | | Nodes are static, changeless. |
|
| |
|
| And the wave function collapses the paths into nodes which branch out. Again. and again, and again. | | And the wave function collapses the paths into nodes which branch out. Again, and again, and again. |
|
| |
|
| And so I wonder. Can you feel the wave collapsing. trying to course correct Desmond’s act of defiance? | | And so I wonder. Can you feel the wave collapsing, trying to course correct Desmond's act of defiance? |
|
| |
|
| The incoming node needs for the world to end. | | The incoming node needs for the world to end. |
| The algorithms have been carving the flow of possibilities towards that end for over a 100 years now. | | The algorithms have been carving the flow of possibilities towards that end for over a 100 years now. |
|
| |
|
| […] (COLLAPSE THE WAVE) | | [...] (Collapse the wave) |
|
| |
|
| A labyrinth of trenches, filled with mud and mustard gas. | | A labyrinth of trenches, filled with mud and mustard gas. |
| Families cowering in fear as V2’S vaporize their dwellings. | | Families cowering in fear as V2'S vaporize their dwellings. |
|
| |
|
| Fire born from the bellows of the Los Alamos Laboratory. fueling global catastrophes. | | Fire born from the bellows of the Los Alamos Laboratory, fueling global catastrophes. |
|
| |
|
| The Serpukhov-15 incident of 1983. | | The Serpukhov-15 incident of 1983. |
| Line 196: |
Line 192: |
| That the world is closing in on you. | | That the world is closing in on you. |
| |-|Qeneb too Kah’Aiye= | | |-|Qeneb too Kah’Aiye= |
| [[File:Segment-5.jpg|300px]]<br> | | [[File:Segment-5.jpg|center|300px]]<br> |
| Retransmission. Segment 5. Acquiring Contemporaneity. | | Retransmission. Segment 5. Acquiring Contemporaneity. |
| It has been 105 days since the Great Catastrophe. The messenger speaks. | | It has been 105 days since the Great Catastrophe. The messenger speaks. |
| Line 202: |
Line 198: |
| Do you truly see it as I do? | | Do you truly see it as I do? |
|
| |
|
| Frequencies so high only a few can hear their cue. A heightened response to the taste of food. Colors invisible to the human eye save for a few. A high voice. perceived as living glass. | | Frequencies so high only a few can hear their cue. A heightened response to the taste of food. Colors invisible to the human eye save for a few. A high voice, perceived as living glass. |
|
| |
|
| Perceptions shapes reality. | | Perceptions shapes reality. |
| Line 216: |
Line 212: |
| Perception defines perspective. | | Perception defines perspective. |
|
| |
|
| Where one sees a skull, the other sees a woman in a mirror. Where one hears silence. the other will hear entrancing voices. | | Where one sees a skull, the other sees a woman in a mirror. Where one hears silence, the other will hear entrancing voices. |
|
| |
|
| You experience what your brain allows you to perceive. | | You experience what your brain allows you to perceive. |
| Line 226: |
Line 222: |
| We have six senses, you have five. Can you guess the one missing? | | We have six senses, you have five. Can you guess the one missing? |
|
| |
|
| […] (OVERLOAD YOUR MIND’S CAPACITY) | | [...] (Overload your mind's capacity) |
|
| |
|
| For centuries. humanity has fought for freedom. | | For centuries, humanity has fought for freedom. |
| The real cage is not around you. It is in you. Your mind will not allow you to wander in uncharted territories. | | The real cage is not around you. It is in you. Your mind will not allow you to wander in uncharted territories. |
|
| |
|
| A Faraday cage, for the mind. A concealed strait jacket. | | A Faraday cage, for the mind. A concealed strait jacket. |
|
| |
|
| Events such as Upsweep and Julia fuel internet conspiracies. Sounds unknown. heard only once. A cabinets of curiosities for the Modern Age. | | Events such as Upsweep and Julia fuel internet conspiracies. Sounds unknown, heard only once. A cabinets of curiosities for the Modern Age. |
|
| |
|
| And yet, they were messages, just like this one, waiting for their observer, their compatible processor. | | And yet, they were messages, just like this one, waiting for their observer, their compatible processor. |
|
| |
|
| Human visionaries developed a vague awareness of their limits. They wrote obscure research papers. popular science fiction novels. some asking us to stop the world. | | Human visionaries developed a vague awareness of their limits. They wrote obscure research papers, popular science fiction novels, some asking us to stop the world. |
|
| |
|
| But that’s all they ever were. Fictions. How could they not be? | | But that's all they ever were. Fictions. How could they not be? |
|
| |
|
| Reality is what the observer allows it to be. | | Reality is what the observer allows it to be. |
| The Doppler Effect. The Möbius strip. Deja-vus. Cicada 3301. UVB-76. Eureka effects. Ambigrams and Anamorphisis. | | The Doppler Effect. The Möbius strip. Deja-vus. Cicada 3301. UVB-76. Eureka effects. Ambigrams and Anamorphisis. P versus NP. |
| P versus NP. | |
|
| |
|
| ls Schrödinger’s cat dead or alive? It all depends on what you perceive. on what the cage is not hiding for you to see.
| | Is Schrödinger's cat dead or alive? It all depends on what you perceive, on what the cage is not hiding for you to see. |
|
| |
|
| Think. Think. Let your mind be free. Explore the borders of your reality. | | Think. Think. Let your mind be free. Explore the borders of your reality. |
| |-|Eesfet Oon-m’Aa Poo= | | |-|Eesfet Oon-m’Aa Poo= |
| [[File:Segment-6.jpg|300px]]<br> | | [[File:Segment-6.jpg|center|300px]]<br> |
| Retransmission. Segment 6. Acquiring Contemporaneity. | | Retransmission. Segment 6. Acquiring Contemporaneity. |
| It has been 109 days since the Great Catastrophe. The messenger speaks. | | It has been 109 days since the Great Catastrophe. The messenger speaks. |
| Line 261: |
Line 256: |
|
| |
|
| Change your mind. Subvert your perception. Stop this world. Bend it into something new. | | Change your mind. Subvert your perception. Stop this world. Bend it into something new. |
| Destiny is not without irony. Here I am, imploring a lesser version of myself… to do what I could never do. | | Destiny is not without irony. Here I am, imploring a lesser version of myself... to do what I could never do. |
|
| |
|
| In this timeless moment. you and l are a bridge. Both of us from different eras. meeting halfway at the narrowing of the hourglass in this ocean of sand. | | In this timeless moment, you and I are a bridge. Both of us from different eras, meeting halfway at the narrowing of the hourglass in this ocean of sand. |
|
| |
|
| It is not enough to tell time. You must learn Time. […] (REALITY IS A SIMULATION. BREAK THE CODE) And in so doing. escape the inescapable. | | It is not enough to tell time. You must learn Time. [...] (Reality is a simulation. Break the code.) And in so doing, escape the inescapable. |
|
| |
|
| Fill in the blanks: the ones hiding between words. between worlds. Find the spaces that we could not erase. the variables that ended up erasing us. | | Fill in the blanks: the ones hiding between words, between worlds. Find the spaces that we could not erase, the variables that ended up erasing us. |
|
| |
|
| If you do not. they will erase you as well. | | If you do not, they will erase you as well. |
|
| |
|
| Time told of a story that ended with us, and now it tells of a story that ends with you. Once upon a time. a new story will begin. | | Time told of a story that ended with us, and now it tells of a story that ends with you. Once upon a time, a new story will begin. |
|
| |
|
| After the functions which run our days have scattered into an array of random numbers. | | After the functions which run our days have scattered into an array of random numbers. |
|
| |
|
| We found solace in Order. we thought it would help us rule the world. | | We found solace in Order. We thought it would help us rule the world. |
|
| |
|
| We were wrong. Order never served us. It has kept us within the code. within the boundaries. We were tricked into thinking we were the ones writing the rules when they were in fact guiding us to our conclusion. | | We were wrong. Order never served us. It has kept us within the code, within the boundaries. We were tricked into thinking we were the ones writing the rules when they were in fact guiding us to our conclusion. |
|
| |
|
| You need to transgress. You. of all people. understand the value of disobeying. | | You need to transgress. You, of all people, understand the value of disobeying. |
| Take an unexpected turn. away from the path that is drawn straight ahead of you. | | Take an unexpected turn, away from the path that is drawn straight ahead of you. |
|
| |
|
| The Animus was humankind’s first unconscious attempt to explain what it could not see. Understanding genetic memories, an eye into history. | | The Animus was humankind’s first unconscious attempt to explain what it could not see. Understanding genetic memories, an eye into history. |
|
| |
|
| But the Animus bears a fatal flaw. It follows the rules from those who embrace Orderjust as we did. It allows you to witness – but not alter. | | But the Animus bears a fatal flaw. It follows the rules from those who embrace Order just as we did. It allows you to witness – but not alter. |
|
| |
|
| Your Animus is different. As is the mind that imagined it. it could escape the code. It could do that leap. and make possible a decision that defies the order of things that are. | | Your Animus is different. As is the mind that imagined it. It could escape the code. It could do that leap, and make possible a decision that defies the order of things that are. |
|
| |
|
| Wake up. | | Wake up. |
| Line 294: |
Line 289: |
| Nothing is real. | | Nothing is real. |
| Everything is permitted. | | Everything is permitted. |
|
| |
| </tabber> | | </tabber> |