|
|
| (74 intermediate revisions by 5 users not shown) |
| Line 1: |
Line 1: |
| {{Era|Realworld}}
| | ==Main== |
| {{Stub}}
| | ===Modern Day=== |
| [[File:ACOD Discovery Tour Promo Image.jpg|thumb|250px|Promotional Image]]
| | <gallery widths="180" position="center" captionalign="center"> |
| '''Discovery Tour: Ancient Greece''' is the ''[[Discovery Tour]]'' mode for ''[[Assassin's Creed: Odyssey]]''. Released on 10 September 2019, the mode was available as a free update for players who own the game, and also as a standalone purchase on [[Uplay]].
| | ACV Layla Animus Session aftermath.png |
| | | ACV Layla Smoking.png |
| ==Features== | | ACV Staff of Hermes.png |
| *5 Tour Guides ([[Aspasia]], [[Barnabas]], [[Markos]], [[Herodotos]] and [[Leonidas I of Sparta]]) covering 5 different themes (Philosophy, Architecture, Daily Life, War, and Mythology)
| | ACV Unnatural Sky.png |
| *26 regions with 30 tours, split into 300 stations.
| | ACV Shaun Arrival.png |
| *Interactive quizzes at the end of each tour.
| | ACV Tremors.png |
| *Explore with 36 unique avatars and 15 mounts, accessible by progressing through Discovery Tour objectives.<ref>[https://assassinscreed.ubisoft.com/game/en-us/news-updates/351494/this-month-in-assassins-creed-june-2019-update This Month in Assassin's Creed – June 2019 Update]. Ubisoft. Acceseed 18 June 2019</ref>
| | ACV Aurora.png |
| | | ACV Fallen Satellite.png |
| ==Content== | | ACV Rebecca.png |
| ===Tours=== | | ACV Shaun Rebecca.png |
| ====Daily Life====
| | ACV Layla learning of Desmond's sacrifice in 2012.png |
| *The Urban Household
| | </gallery> |
| | |
| <tabber> | |
| |-|Opening Remarks=
| |
| ("Who are you?")
| |
| | |
| ("What do you think of this place?")
| |
| | |
| ("I would like to begin the tour.")
| |
| |-|Greek House=
| |
| '''Narration:'''
| |
| | |
| '''Learn more:'''
| |
| | |
| |-|Pastas=
| |
| |-|Work at Home=
| |
| |-|Inner Courtyard=
| |
| |-|Bathroom=
| |
| |-|Kitchen=
| |
| |-|Symposium=
| |
| |-|Rooftops=
| |
| |-|Closing Remarks=
| |
| ("I'm ready for a quiz.")
| |
| | |
| ("Take me to the next suggested tour.")
| |
| | |
| ("Take me to a random tour.")
| |
| | |
| ([LEAVE] "That's all for now.")
| |
| </tabber>
| |
| *Wine
| |
| | |
| <tabber>
| |
| |-|Opening Remarks=
| |
| ("Who are you?")
| |
| | |
| ("What do you think of this place?")
| |
| | |
| ("Let's begin the tour.")
| |
| |-|Harvest=
| |
| |-|Drying the Grapes=
| |
| |-|Pressing=
| |
| |-|Fermentation and Conservation=
| |
| |-|Bottling and Shipping=
| |
| |-|Closing Remarks=
| |
| ("I'm ready for the quiz.")
| |
| | |
| ("Take on the next suggested tour.")
| |
| | |
| ("Take me on a random tour.")
| |
| | |
| ([LEAVE] "That's all for now.")
| |
| </tabber>
| |
| *The Life of a Greek Woman
| |
| | |
| <tabber>
| |
| |-|Opening Remarks=
| |
| ("Who are you?")
| |
| | |
| ("What do you think of this place?")
| |
| | |
| ("Let's begin the tour.")
| |
| |-|Life=
| |
| |-|Family=
| |
| |-|Employment=
| |
| |-|Weaving=
| |
| |-|Cooking=
| |
| |-|Hetaerae=
| |
| |-|Closing Remarks=
| |
| ("I'm ready for the quiz.")
| |
| | |
| ("Take on the next suggested tour.")
| |
| | |
| ("Take me on a random tour.")
| |
| | |
| ([LEAVE] "That's all for now.")
| |
| </tabber>
| |
| *Bronze in Argos
| |
| | |
| <tabber>
| |
| |-|Opening Remarks=
| |
| ("Who are you?")
| |
| | |
| ("What do you think of this place?")
| |
| | |
| ("Let's begin the tour.")
| |
| |-|Introduction to Argos=
| |
| |-|Smelting and Melting=
| |
| |-|Lost-Wax Process=
| |
| |-|Welding and Finish=
| |
| |-|Bronze Sculpture Eras=
| |
| |-|Polykleitos' Legacy=
| |
| |-|Closing Remarks=
| |
| ("I'm ready for the quiz.")
| |
| | |
| ("Take on the next suggested tour.")
| |
| | |
| ("Take me on a random tour.")
| |
| | |
| ([LEAVE] "That's all for now.")
| |
| </tabber>
| |
| *Perfume
| |
| | |
| <tabber>
| |
| |-|Opening Remarks=
| |
| ("Who are you?")
| |
| | |
| ("What do you think of this place?")
| |
| | |
| ("Let's begin the tour.")
| |
| |-|Perfume=
| |
| |-|Gathering Materials=
| |
| |-|Extraction=
| |
| |-|Boiling and Maceration=
| |
| |-|Perfume Markets=
| |
| |-|Petals and Scents=
| |
| |-|Closing Remarks=
| |
| ("I'm ready for the quiz.")
| |
| | |
| ("Take on the next suggested tour.")
| |
| | |
| ("Take me on a random tour.")
| |
| | |
| ([LEAVE] "That's all for now.")
| |
| </tabber>
| |
| *The Laurion Silver Mines
| |
| | |
| <tabber>
| |
| |-|Opening Remarks=
| |
| ("Who are you?")
| |
| | |
| ("What do you think of this place?")
| |
| | |
| ("Let's begin the tour.")
| |
| |-|Laurion Mines Overview=
| |
| |-|An Antique Mine=
| |
| |-|Extracting the Ore=
| |
| |-|Washeries=
| |
| |-|Smelting and Cupellation=
| |
| |-|Labor=
| |
| |-|Closing Remarks=
| |
| ("I'm ready for the quiz.")
| |
| | |
| ("Take on the next suggested tour.")
| |
| | |
| ("Take me on a random tour.")
| |
| | |
| ([LEAVE] "That's all for now.")
| |
| </tabber>
| |
| *Wheat and Agriculture
| |
| | |
| <tabber>
| |
| |-|Opening Remarks=
| |
| ("Who are you?")
| |
| | |
| ("What do you think of this place?")
| |
| | |
| ("Let's begin the tour.")
| |
| |-|Growing=
| |
| |-|Plowing=
| |
| |-|Harvesting=
| |
| |-|Livestock Farming=
| |
| |-|Tools=
| |
| |-|Grinding=
| |
| |-|Making Flour=
| |
| |-|Storing and Transportation=
| |
| |-|Closing Remarks=
| |
| ("I'm ready for the quiz.")
| |
| | |
| ("Take on the next suggested tour.")
| |
| | |
| ("Take me on a random tour.")
| |
| | |
| ([LEAVE] "That's all for now.")
| |
| </tabber>
| |
| *Pottery in Athens
| |
| | |
| <tabber>
| |
| |-|Opening Remarks=
| |
| '''Aspasia:''' Hello, wanderer. May I introduce you to the Kerameikos, the kiln that warms all of Athens' pottery?
| |
| | |
| ("Who are you?")
| |
| | |
| '''Aspasia:''' My name is Aspasia. Though I am not original from Athens, I have climbed to the top of its social ladder using my wit and intellect. I've even earned the love of Perikles, one of the most powerful men in the city. The mind truly is a beautiful thing.
| |
| | |
| ("What do you think of this place?")
| |
| | |
| '''Aspasia:''' The art produced here is some of the most beautiful in the Greek world. I envy the potters' skill, though I’m not quite as envious of their clay-stained hands. It’s bad for the nails.
| |
| | |
| ("I would like to begin the tour.")
| |
| | |
| '''Aspasia:'''...
| |
| | |
| |-|Pottery Retrospective=
| |
| '''Narrator:''' The Kerameikos was a large, sprawling area northwest of Athens's akropolis.
| |
| | |
| While part of it was used as a graveyard, it was also dedicated to the creation of pottery.
| |
| | |
| The Kerameikos was so significant to the art form that its name lives on in the word "ceramics".
| |
| | |
| Perhaps drawn by the river, potters moved into the area and formed their own bustling community.
| |
| | |
| It's believed that by the end of the 5th century BCE, hundreds of thousands of pottery vessels had been made in Athens, including everything from heavy, undecorated cooking pots, to delicates and beautiful containers reserved for the most precious oils.
| |
| | |
| Sadly, only around one percent of these works survive today, some only in small fragments.
| |
| | |
| '''Learn more:''' Unfortunately, no ancient manuals for making pottery have survived to the present day, and there is only limited visual and textual evidence to explain how ceramic works were created.
| |
| | |
| However, the vases themselves provide a few clues. Some pots were decorated with behind-the-scenes glimpses of potters and painters at work. These visual narratives, along with the texts of ancient authors, suggest that pottery-making was a family affair, with fathers teaching their sons the craft at a young age. One base even shows a woman working as a painter, which again suggests that pottery-making was a family business.
| |
| | |
| |-|Clay Extraction and Vase Shaping=
| |
| |-|Potter=
| |
| |-|Firing Pottery=
| |
| |-|Painting=
| |
| |-|Closing Remarks=
| |
| '''Aspasia:''' You've returned. As you can see pottery is...
| |
| | |
| ("I'm ready for a quiz.")
| |
| | |
| '''Aspasia:''' Then let’s get right to it. Starting with an easy one.
| |
| What was responsible for the orange-red color of most Athenian vases?
| |
| | |
| ("Paint.")
| |
| | |
| ("Leaves.")
| |
| | |
| ("Blood.")
| |
| | |
| ("Iron.")
| |
| | |
| '''Aspasia:''' Correct! Athenian potters...
| |
| | |
| ("Can you repeat the question?")
| |
| | |
| ("Take me to the next suggested tour.")
| |
| | |
| ("Take me to a random tour.")
| |
| | |
| ([LEAVE] "That's all for now.")
| |
| | |
| '''Aspasia:''' Then we must part ways, at least for now. Farewell, wanderer.
| |
| </tabber>
| |
| *Dyeing and Fashion
| |
| | |
| <tabber>
| |
| |-|Opening Remarks=
| |
| ("Who are you?")
| |
| | |
| ("What do you think of this place?")
| |
| | |
| ("Let's begin the tour.")
| |
| |-|Dyeing and Fashion=
| |
| |-|Fishing the Murex=
| |
| |-|Opening the Murex=
| |
| |-|Maceration and Salting=
| |
| |-|Dyeing=
| |
| |-|Colors and Decorations=
| |
| |-|Dress and Textiles=
| |
| |-|Textiles as Social Markers=
| |
| |-|Closing Remarks=
| |
| ("I'm ready for the quiz.")
| |
| | |
| ("Take on the next suggested tour.")
| |
| | |
| ("Take me on a random tour.")
| |
| | |
| ([LEAVE] "That's all for now.")
| |
| </tabber> | |
| | |
| ====Politics and Philosophy====
| |
| *Sparta Social Classes
| |
| **Spartan Society
| |
| **Helots
| |
| **Fear and Revolts
| |
| **Helot Soldiers
| |
| **Perioikoi
| |
| *Spartan Politics
| |
| **Two Kings
| |
| **Responsibilities
| |
| **Kings and Religion
| |
| **Ephors and Law
| |
| **The Gerousia
| |
| **The Spartan Assembly
| |
| *Democracy in Athens
| |
| **The Pnyx
| |
| **The Democratic Process
| |
| **Magistrates
| |
| **Participation
| |
| **Democracy as Heritage
| |
| *School of Greece - Philosophy
| |
| **Philosophy and Greece
| |
| **Kynosarges
| |
| **Teaching Values
| |
| **Importance of Philosophy
| |
| **Sokrates and the Sophists
| |
| **Classical Philosophers
| |
| | |
| ====Art, Religion, and Myths====
| |
| *The Olympic Games
| |
| **Day One
| |
| **Day Two
| |
| **Singing Praises
| |
| **Pentathlon
| |
| **Day Three
| |
| **Day Four
| |
| **Hellanodikai
| |
| **Cheaters' Stella
| |
| **Prytaneion
| |
| *School of Greece - Music
| |
| **Music
| |
| **Musical Contest
| |
| **The Odeon of Perikles
| |
| **Musical Genres
| |
| *Knossos
| |
| **Minoan Civilization
| |
| **Knossos
| |
| **Inside Minos' Palace
| |
| **Minoan Art
| |
| **The Birth of the Minotaur
| |
| **Daidalos
| |
| **Reparation
| |
| **The Minotaur's Death
| |
| *School of Greece - Theater
| |
| **The Greek Theater
| |
| **Sanctuary of Dionysos
| |
| **Festivals
| |
| **Dionysia and Drama Competitions
| |
| **Actors
| |
| **The Orchestra
| |
| **The Theatron
| |
| *Gods and Love
| |
| **Akrokorinth
| |
| **Gods, Love, and Seduction
| |
| **Aphrodite
| |
| | |
| ====Battles and Wars====
| |
| *Spartan Education
| |
| **Sparta
| |
| **The Importance of Education
| |
| **Statue of Leonidas
| |
| **The First Stage of Education
| |
| **Barracks
| |
| **Syssition
| |
| *Battle of Marathon
| |
| **Battle Overview
| |
| **Causes of the Conflict
| |
| **The Greek Reaction
| |
| **Arrival of the Persians
| |
| **The Athenian Strategy
| |
| **Combat
| |
| **Heroic Exploits
| |
| **The Aftermath
| |
| **Consequences
| |
| *Thermopylai
| |
| **The Battle of Thermopylai
| |
| **The Persians Arrive
| |
| **First Encounters
| |
| **Treachery
| |
| **The Greek Army's Retreat
| |
| **Final Moments
| |
| **The Legacy of Thermopylai
| |
| **The Glory of Sparta
| |
| *Battle of Amphipolis
| |
| **Amphipolis
| |
| **The Triumph of Brasidas
| |
| **The Shame of Thucydides
| |
| **Eion Port
| |
| **Kleon's Strategy
| |
| **Brasidas' Defense
| |
| **Kleon's Retreat
| |
| **Unexpected Attack
| |
| **The Fifty-Year Peace
| |
| *The Battles of Pylos and Sphakteria
| |
| **Context
| |
| **Athenians Trapped
| |
| **The Athenian Fleet Arrives
| |
| **Spartans Trapped
| |
| **Negotiations
| |
| **Attack on Sphakteria
| |
| **Consequences
| |
| | |
| ====Famous Cities====
| |
| *The Akropolis of Athens
| |
| <tabber>
| |
| |-|Opening Remarks=
| |
| *'''Aspasia:''' ''Greetings, wanderer, and welcome to the [[Akropolis Sanctuary|Akropolis]], the shining jewel of [[Athens]].''
| |
| | |
| ("Who are you?")
| |
| | |
| *'''Aspasia:''' ''My name is Aspasia. Though I am not original from Athens, I have climbed to the top of its social ladder using my wit and intellect. I've even earned the love of [[Perikles]], one of the most powerful men in the city. The mind truly is a beautiful thing.''
| |
| | |
| ("What do you think of this place?")
| |
| | |
| *'''Aspasia:''' ''Personally, I think the Akropolis is one of, if not the, greatest place in all of Greece. Though considering it was the project of my partner, Perikles, I may be a touch biased.''
| |
| | |
| ("I would like to begin the tour.")
| |
| | |
| *'''Aspasia:''' ''The Akropolis of Athens is a bastion of art and culture worthy of the gods themselves. Within this citadel, you will find many important sacred buildings, as well as some of the most magnificent art in all of Greece.<br>You are in for a very enlightening visit.l When you're done, come find me, and we can discuss the things you have seen. Farewell for now.''
| |
| | |
| |-|Akropolis Origins=
| |
| *'''Narrator:''' ''The Akropolis has gone through many changes in its long history. It began as a simple rock, was settled as early as the {{Wiki|Neolithic}} period, and then became a [[fort]]ress in the [[Mycenae]]an period.<br><br>Stone buildings started appearing in the 7th century BCE, but the famous structures whose ruins remain visible today date mainly from a period of construction in the 5th century BCE.<br><br>The location of the Akropolis is closely tied with Athens' foundation myth. Supposedly, it was the site where [[Athena]] and [[Poseidon]] competed for the city's patronage. This connection gave the Akropolis a sacred aura, and it was considered the religious heart of the city.''
| |
| | |
| '''Learn More:'''<br>
| |
| After the archaic buildings of the old Akropolis—most notably the {{Wiki|Old Temple of Athena|temple of Athena Polias}}—were burned down in 480 BCE by [[Xerxes I of Persia|Xerxes]]' [[Persia]]n army, the great general and staresman Perikles resolved to transform the naturally imposing rock into a huge monument to Athens' political, military, and cultural greatness. Thus began the most ambitious building program the Greek world had even seen at the time.
| |
| | |
| Seven million [[drachmae]] were spent on the whole project, which has been deemed by {{Wiki|UNESCO}} as "the supreme expression of the adaptaion of architecture to a natural site". The [[Parthenon]] alone cost 469 talents—nearly 3 million drachmae, and the equivalent of approximately 12 tons of silver.
| |
| | |
| To justify the massive cost, Perikles cited the need to immortalize Athens' greatness, but also called the attention to the jobs the project would create for hundreds of stone cutters, carpenters, metal workers, painters, and unskilled laborers, all of whom were greatful for the opportunity to make more money.
| |
| | |
| |-|Temple of Athena Nike=
| |
| | |
| |-|Perikles' Akropolis=
| |
| | |
| |-|Athena Promachos=
| |
| | |
| |-|House of the Arrhephoroi=
| |
| | |
| |-|Erechtheion=
| |
| | |
| |-|Parthenon Exterior=
| |
| | |
| |-|Parthenon Interior=
| |
| | |
| |-|Parthenon Treasury=
| |
| | |
| |-|Closing Remarks=
| |
| | |
| </tabber>
| |
| *Mycenae
| |
| **Mycenaean Civilization
| |
| **The Lion Gate
| |
| **Grave Circle
| |
| **Habitations
| |
| **Megaron Palace
| |
| **King Agamemnon
| |
| *Gods of Olympia
| |
| **Workshop of Phidias
| |
| **Olive Tree of Zeus
| |
| **Pelops, the Legendary Founder
| |
| **Heraion
| |
| **Hera
| |
| **Hekatomb
| |
| **Temple of Zeus
| |
| **Zeus
| |
| **Chryselephantine Statue of Zeus
| |
| *The Agora of Athens
| |
| **The Agora of Athens
| |
| **Painted Stoa
| |
| **Trade
| |
| **Apollo Patroos
| |
| **The Hephaisteion
| |
| **Bouleuterion
| |
| **Prytaneion
| |
| **Heliaia
| |
| **Market
| |
| **Judicial Court
| |
| **Mint
| |
| *The Oracle of Delphi
| |
| **The Secret Way
| |
| **Dedication of the Knidians
| |
| **Athenian Portico
| |
| **Offerings and Sacrifices
| |
| **Temple of Apollo
| |
| **Pythian Oracle
| |
| **Foundation of the Oracle
| |
| *Piraeus
| |
| **Piraeus Overview
| |
| **Population
| |
| **Economic District
| |
| **The Emporion
| |
| **The Deigma
| |
| **Running the Piraeus
| |
| **Pentekostologoi
| |
| **Grain Import
| |
| **Credits and Loans
| |
| *Sanctuary of Asklepios at Epidauros
| |
| **Sanctuary Entrance
| |
| **Medical Stele
| |
| **Sacrifices and Prayers
| |
| **Temple of Asklepios
| |
| **Priest Houses
| |
| **The Abaton
| |
| **Incubation
| |
| | |
| ===Discovery Sites===
| |
| ====Andros====
| |
| *Cyclos
| |
| | |
| ====Argolis====
| |
| | |
| ===Historical Locations===
| |
| ====Argolis====
| |
| *Akropolis of Argos
| |
| | |
| ===Characters===
| |
| *[[Alexios]] – [[Achilles Set|Achilles]]
| |
| *Alexios – Hunter
| |
| *Alexios – [[Immortal Set|Immortal]]
| |
| *Alexios – [[Mercenary]]
| |
| *Alexios – [[Spartan War Hero Set|Spartan War Hero]]
| |
| *[[Alkibiades]]
| |
| *[[Anthousa]]
| |
| *[[Archidamos of Sparta]]
| |
| *Athenian Man
| |
| *Athenian Soldier
| |
| *Athenian Woman
| |
| *[[Blacksmith]]
| |
| *[[Brasidas]]
| |
| *[[Cult of Kosmos]] Member
| |
| *Deimos ([[Kassandra]])
| |
| *Greek Tough Guy
| |
| *Kassandra – [[Artemis Set|Artemis]]
| |
| *Kassandra – [[Athenian War Hero Set|Athenian War Hero]]
| |
| *Kassandra – [[Greek Heroes Set|Greek Hero]]
| |
| *Kassandra – [[Pirate Set|Pirate]]
| |
| *[[Kyra]]
| |
| *[[Layla Hassan]]
| |
| *[[Leiandros|Minotaur Fraud]]
| |
| *[[Myrrine]]
| |
| *[[Perikles]]
| |
| *[[Phoibe]]
| |
| *[[Praxilla]]
| |
| *[[Pythagoras]]
| |
| *[[Sokrates]]
| |
| *[[Sophokles]]
| |
| *Spartan Soldier
| |
| *[[Victoria Bibeau]]
| |
| *[[Xenia]]
| |
| *Young Boy
| |
| *Young Girl
| |
| | |
| ===Mounts===
| |
| *Abraxas
| |
| *Aegean Atoll
| |
| *Brown Horse
| |
| *Egyptian Horse
| |
| *Fangs
| |
| *Hourglass
| |
| *Mycenaean
| |
| *Pale Horse
| |
| *Pegasos
| |
| *Phobos Black
| |
| *Phobos Brown
| |
| *Phobos White
| |
| *Racing Horse
| |
| *Traveler's Horse
| |
| *Unicorn
| |
| | |
| ===Timeline===
| |
| TBA
| |
| | |
| ==References==
| |
| {{Reflist}}
| |
| [[Category:Assassin's Creed: Odyssey DLC]]
| |
