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Assassin's Creed: Origins soundtrack: Difference between revisions
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imported>Darman36 FINALLY UP! Still a stub. More info, cover TBA. Via Billboard: http://blbrd.cm/HWqHTK |
imported>Xangr8 No edit summary |
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==Track listing== | ==Track listing== | ||
#''Assassin's Creed Origins'' Main Theme - 3:17 | #''Assassin's Creed Origins'' Main Theme - 3:17 | ||
#Return of the | #Return of the Medjay - TBA | ||
# | #Bayek of Siwa - TBA | ||
#The Shimmering Sands - TBA | #The Shimmering Sands - TBA | ||
#The Battle of | #The Battle of Krokodilopolis - TBA | ||
#The Tongueless Land - TBA | #The Tongueless Land - TBA | ||
#Legions of Blood - 2:39 | #Legions of Blood - 2:39 | ||
| Line 26: | Line 26: | ||
#Fire in the Duat - TBA | #Fire in the Duat - TBA | ||
#Born of the Sun - TBA | #Born of the Sun - TBA | ||
#Winds Of | #Winds Of Cyrene - TBA | ||
#I Walk on Your Water - 3:10 | #I Walk on Your Water - 3:10 | ||
#The | #The Order of the Ancients - TBA | ||
#Nomads of the White Desert - 2:56 | #Nomads of the White Desert - 2:56 | ||
#Be My Eyes - TBA | #Be My Eyes - TBA | ||
#The Cracked Wall - TBA | #The Cracked Wall - TBA | ||
#The | #The Alexandrian - TBA | ||
#Desert Delirium - TBA | #Desert Delirium - TBA | ||
#Apep's Vengeance - TBA | #Apep's Vengeance - TBA | ||
#Across the Dunes - TBA | #Across the Dunes - TBA | ||
#The Last | #The Last Medjay - TBA | ||
#Chthonic Invasion - TBA | #Chthonic Invasion - TBA | ||
#A Divided Land - TBA | #A Divided Land - TBA | ||
#Ptolemy's Lament - TBA | #Ptolemy's Lament - TBA | ||
# | #The Hyena's Fire - TBA | ||
#Moonlight on the Nile - TBA | #Moonlight on the Nile - TBA | ||
# | #Ezio's Family (''Origins'' Version) - TBA | ||
==Creation of the score== | ==Creation of the score== | ||
Because historians do not know what contemporary ancient Egyptian music could have sounded like and can only make assumptions, Schachner merged old an new styles. In her view, this not only reflected a culture deeply tied to its mythology, but also was in keeping with the series' themes of secretive organizations and the near-supernatural. As such, Schachner used traditional [[Egypt]]ian instruments when creating the score, including the {{Wiki|oud}}, lyres, and various bells and winds that "always bring [the listener] back to the sand." She then ran the recordings through a {{Wiki|Yamaha CS-80|CS-80 synthesizer}} in order to give them the air of mystery that pervades the series.<ref name= "Billboard">[https://www.billboard.com/articles/news/8005935/sarah-schachner-ancient-egypt-assassins-creed-origins Billboard - ''Stalk like an Egyptian: Sarah Schachner Sojourns to Ancient Egypt For <nowiki>'</nowiki>Assassin's Creed Origins<nowiki>'</nowiki> Score '']</ref> | Because historians do not know what contemporary ancient Egyptian music could have sounded like and can only make assumptions, Schachner merged old an new styles. In her view, this not only reflected a culture deeply tied to its mythology, but also was in keeping with the series' themes of secretive organizations and the near-supernatural. | ||
As such, Schachner used traditional [[Egypt]]ian instruments when creating the score, including the {{Wiki|oud}}, lyres, and various bells and winds that "always bring [the listener] back to the sand." She then ran the recordings through a {{Wiki|Yamaha CS-80|CS-80 synthesizer}} in order to give them the air of mystery that pervades the series.<ref name= "Billboard">[https://www.billboard.com/articles/news/8005935/sarah-schachner-ancient-egypt-assassins-creed-origins Billboard - ''Stalk like an Egyptian: Sarah Schachner Sojourns to Ancient Egypt For <nowiki>'</nowiki>Assassin's Creed Origins<nowiki>'</nowiki> Score '']</ref> | |||
==Trivia== | ==Trivia== | ||
*Schachner not only composed all the music, she also performed it and also provided the vocals for the track "Ezio's Family (Origins version).<ref name="Billboard"/> | *Schachner not only composed all the music, she also performed it and also provided the vocals for the track "Ezio's Family (Origins version)".<ref name="Billboard"/> | ||
==Reference== | ==Reference== | ||
{{Reflist}} | {{Reflist}} | ||
{{Soundtracks}} | {{Soundtracks}} | ||
Revision as of 11:19, 20 October 2017
The Assassin's Creed: Origins soundtrack is a collection of music tracks written by American composer Sarah Schachner that were used as background music in Assassin's Creed: Origins. It was released online on October 27, 2017.
Track listing
- Assassin's Creed Origins Main Theme - 3:17
- Return of the Medjay - TBA
- Bayek of Siwa - TBA
- The Shimmering Sands - TBA
- The Battle of Krokodilopolis - TBA
- The Tongueless Land - TBA
- Legions of Blood - 2:39
- Dead Kings and Living Gods - 3:21
- Fire in the Duat - TBA
- Born of the Sun - TBA
- Winds Of Cyrene - TBA
- I Walk on Your Water - 3:10
- The Order of the Ancients - TBA
- Nomads of the White Desert - 2:56
- Be My Eyes - TBA
- The Cracked Wall - TBA
- The Alexandrian - TBA
- Desert Delirium - TBA
- Apep's Vengeance - TBA
- Across the Dunes - TBA
- The Last Medjay - TBA
- Chthonic Invasion - TBA
- A Divided Land - TBA
- Ptolemy's Lament - TBA
- The Hyena's Fire - TBA
- Moonlight on the Nile - TBA
- Ezio's Family (Origins Version) - TBA
Creation of the score
Because historians do not know what contemporary ancient Egyptian music could have sounded like and can only make assumptions, Schachner merged old an new styles. In her view, this not only reflected a culture deeply tied to its mythology, but also was in keeping with the series' themes of secretive organizations and the near-supernatural.
As such, Schachner used traditional Egyptian instruments when creating the score, including the oud, lyres, and various bells and winds that "always bring [the listener] back to the sand." She then ran the recordings through a CS-80 synthesizer in order to give them the air of mystery that pervades the series.[1]
Trivia
- Schachner not only composed all the music, she also performed it and also provided the vocals for the track "Ezio's Family (Origins version)".[1]
Reference
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