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Upton's Sorrow: Difference between revisions

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imported>Slate Vesper
mNo edit summary
imported>Crookandcharlatan
while I do like all these little different audio options, but it's a bit of pain to list them like this :s
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==Description==
==Description==
Edward found a drunken [[Upton Travers]] and aimed to sober him up.
Edward found a drunken [[Upton Travers]] and aimed to sober him up, so he could be brought to safety.


==Dialogue==
==Dialogue==
Line 33: Line 33:
*'''Edward:''' ''Come on mate, let's go.''
*'''Edward:''' ''Come on mate, let's go.''
*'''Upton:''' ''No!''
*'''Upton:''' ''No!''
*'''Edward:''' ''Just go as straight as you can.''
*'''Edward:''' ''Just go as straight as you can. // Yes, towards me. // That's it. // Not that way! // No! // There's trouble over there. // Work with me, mate! // Turn around. // Not over there! // This way.''
*'''Upton:''' ''I don't feel so good. The church! In the name of the father, the son, and the holy– Mate, the father, the son, and the holy- what's the third one again?''
*'''Upton:''' ''Who the hell are you? // I don't feel so good. // Mate, I think I drank too much.''
The pair passed by a church.
*'''Upton:''' ''The church! In the name of the father, the son, and the holy– Mate, the father, the son, and the holy- what's the third one again?''
*'''Edward:''' ''Let's just keep it moving, yeah?''
*'''Edward:''' ''Let's just keep it moving, yeah?''
*'''Upton:''' ''The father, the son, and the let's keep it move– no, that's not it.''
*'''Upton:''' ''The father, the son, and the let's keep it move– no, that's not it.''
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[[File:Upton's Sorrow 4.png|thumb|250px|Upton and Edward stopping by a group of prostitutes]]
[[File:Upton's Sorrow 4.png|thumb|250px|Upton and Edward stopping by a group of prostitutes]]
*'''Upton:''' ''Who are these creatures?''
*'''Upton:''' ''Who are these creatures?''
*'''Prostitute:''' ''That's no way to flatter a lady.''
*'''Prostitute 1:''' ''That's no way to flatter a lady.''
*'''Upton:''' ''They all look like that woman to me. Are they muses or furies? I can't tell.''
*'''Upton:''' ''They all look like that woman to me. Are they muses or furies? I can't tell.''
*'''Prostitute:''' ''Muse? Fury? Whichever you like, for a price.''
*'''Prostitute 2:''' ''Muse? Fury? Whichever you like, for a price.''
*'''Upton:''' ''My lady, what happened to your teeth?''
*'''Upton:''' ''My lady, what happened to your teeth?''
*'''Prostitute:''' ''Come with me, kind sir, I'll make it worth your while.''
*'''Prostitute 3:''' ''What's the matter? Do you not enjoy female company?''
*'''Upton:''' ''Edward, give me your purse. I wish to commune with these angels. They have the appearance of beauty but smell of spirits, and rot. Wonderful!''
*'''Prostitute: 4''' '' Come with me, kind sir, I'll make it worth your while.''
*'''Prostitute:''' ''Your breath is no treat either, my lord, but I'll forget it for a price.''
*'''Upton:''' ''Edward, give me your purse. I wish to commune with these angels.''
*'''Prostitute 1:''' ''Please my lord. My children are sick. Spare some coin for a glimpse of Venus?''
*'''Upton:''' ''They have the appearance of beauty but smell of spirits, and rot. Wonderful!''
*'''Prostitute 2:''' ''Your breath is no treat either, my lord, but I'll forget it for a price.''
*'''Upton:''' ''Edward, please?''
*'''Upton:''' ''Edward, please?''
With some intervention from Edward, the two were able to move on.
With some intervention from Edward, the two were able to move on.
*'''Edward:''' ''Not over there!''
*'''Edward:''' ''Just go as straight as you can. // Yes, towards me. // That's it. // Not that way! // No! // There's trouble over there. // Work with me, mate! // Turn around. // Not over there! // This way.''
*'''Upton:''' ''I don't feel so good.''
*'''Upton:''' ''Who the hell are you? // I don't feel so good. // Mate, I think I drank too much.''
Upton then went to urinate against a wall.
*'''Edward:''' ''Upton, mate, no! [[Guards]]! There are guards nearby.''
*'''Edward:''' ''Upton, mate, no! [[Guards]]! There are guards nearby.''
*'''Upton:''' ''Piss off!''
*'''Upton:''' ''Piss off!''

Revision as of 15:14, 25 June 2014

Upton's Sorrow was a virtual representation of one of Edward Kenway's genetic memories, relived by a research analyst at Abstergo Entertainment through the Animus.

Description

Edward found a drunken Upton Travers and aimed to sober him up, so he could be brought to safety.

Dialogue

Edward met Upton at the Old Avery tavern.

  • Edward: Good god man, what's happened to you?
  • Upton: I cannot go on anymore! My brother: a traitor! That woman... Templar. I have no family! No wife of my own! What is the point of living, hm? Let them kill me.
  • Edward: You don't know what you're saying, mate. Let's get you some place safe.
  • Upton: What's the point?
  • Edward: The point is, I want my key, so I need you alive. I need your information, so I need you sober.
  • Upton: You are my best friend. C'mere; I'll kill you. What are you looking at?

Edward defended Upton in a fist fight.

  • Sailor: Hey, you there, with the sour face. What's that you said about mah maw?
  • Upton: I said she's a lovely woman, inside and out.
  • Sailor: Ah... And how would you know?
  • Upton: I thought everyone knew. That's right! I said it.
  • Sailor: I'll fix that mouth so it stops talking 'bout mas!

Edward knocked out Upton's assailants and began to escort him away from the tavern.

  • Edward: Come on mate, let's go.
  • Upton: No!
  • Edward: Just go as straight as you can. // Yes, towards me. // That's it. // Not that way! // No! // There's trouble over there. // Work with me, mate! // Turn around. // Not over there! // This way.
  • Upton: Who the hell are you? // I don't feel so good. // Mate, I think I drank too much.

The pair passed by a church.

  • Upton: The church! In the name of the father, the son, and the holy– Mate, the father, the son, and the holy- what's the third one again?
  • Edward: Let's just keep it moving, yeah?
  • Upton: The father, the son, and the let's keep it move– no, that's not it.
  • Edward: What does it matter?
  • Upton: It doesn't. It doesn't matter. Nothing in this sour life does. Let's keep it moving. Keep it moving.

The pair came upon a group of prostitutes.

Upton and Edward stopping by a group of prostitutes
  • Upton: Who are these creatures?
  • Prostitute 1: That's no way to flatter a lady.
  • Upton: They all look like that woman to me. Are they muses or furies? I can't tell.
  • Prostitute 2: Muse? Fury? Whichever you like, for a price.
  • Upton: My lady, what happened to your teeth?
  • Prostitute 3: What's the matter? Do you not enjoy female company?
  • Prostitute: 4 Come with me, kind sir, I'll make it worth your while.
  • Upton: Edward, give me your purse. I wish to commune with these angels.
  • Prostitute 1: Please my lord. My children are sick. Spare some coin for a glimpse of Venus?
  • Upton: They have the appearance of beauty but smell of spirits, and rot. Wonderful!
  • Prostitute 2: Your breath is no treat either, my lord, but I'll forget it for a price.
  • Upton: Edward, please?

With some intervention from Edward, the two were able to move on.

  • Edward: Just go as straight as you can. // Yes, towards me. // That's it. // Not that way! // No! // There's trouble over there. // Work with me, mate! // Turn around. // Not over there! // This way.
  • Upton: Who the hell are you? // I don't feel so good. // Mate, I think I drank too much.

Upton then went to urinate against a wall.

  • Edward: Upton, mate, no! Guards! There are guards nearby.
  • Upton: Piss off!
  • Edward: They won't stand for this.
  • Upton: I said, piss off! I need a piss. Ahhh, that's much better.
  • Guard: Stop that!
  • Upton: What? Why won't no one let me so much as take a piss.
  • Guard: Put it away!
  • Upton: I'm like a child.
  • Guard: Oy! This is sacred ground! I'll teach you to urinate!

Edward killed the guards.

Edward listening to Upton
  • Upton: I don't want to be like a child, Edward.
  • Edward: It's alright, mate.
  • Upton: Help me not be like a child.
  • Edward: You just need the drink to wear off. Are you safe here?
  • Upton: Safety is an illusion. But yes, I have friends here. I can hide.
  • Edward: Good.
  • Upton: What you must think of me. Have I said anything embarrassing?
  • Edward: No mate. You sound quite the scholar.
  • Upton: Betrayal makes one philosophical, don't it? Imagine. A Templar. My brother to marry a Templar.
  • Edward: I doubt it'll come to that.
  • Upton: I'm so afraid for him! Oh, please help keep him safe!
  • Edward: Sober up, mate. We'll finish this in the morning.
  • Upton: You're a forever friend, Kenway.
  • Edward: Mmm.

Outcome

After much inconvenience, Edward managed to get Upton to safety.

Gallery

Reference

Assassin's Creed IV: Black Flag memories
Main memories
Sequence 1: Prologue
Edward Kenway
Sequence 2: The Spanish Main
Lively Havana - ...And My Sugar? - Mister Walpole, I Presume? - A Man They Call the Sage - Claiming What's Due - The Treasure Fleet
Sequence 3: The Republic of Pirates
This Tyro Captain - Now Hiring - Prizes and Plunder - Raise the Black Flag - Sugarcane and Its Yields - Proper Defenses - A Single Madman
Sequence 4: Retribution
This Old Cove - Nothing Is True... - The Sage's Buried Secret - Overrun and Outnumbered
Sequence 5: Mistaken Motives
The Forts - Traveling Salesman - Unmanned
Sequence 6: Shifting Sands
Diving for Medicines - Devil's Advocate - The Siege of Charles-Towne
Sequence 7: The British Invasion
We Demand a Parlay - The Gunpowder Plot - Commodore Eighty-Sixed - The Fireship
Sequence 8: No Regrets
Do Not Go Gently... - Vainglorious Bastards - Marooned
Sequence 9: Muddied Waters
Imagine My Surprise - Trust Is Earned
Sequence 10: Dead Reckoning
Black Bart's Gambit - Murder and Mayhem - The Observatory
Sequence 11: To the Lees
To Suffer Without Dying - Delirium - ...Everything Is Permitted
Sequence 12: The Eagle and the Jackdaw
A Governor No Longer - Royal Misfortune - Tainted Blood - Ever a Splinter
Sequence 13: Epilogue
The End - How Grand, Master Kenway!
Templar hunts
Opía Apito
The Taíno Assassin - Templar Ships - Right-Hand Man - The Trail of Lucia Márquez
Rhona Dinsmore
Bureau Under Attack - A Thief in the Market - Arms Race - Flint's End
Antó
The Maroon Assassin - Recruiting Maroons - Under Attack - The Commander's Ruse
Vance Travers
Oh Brother... - The Other Brother - Upton's Sorrow - Queen of Pirates, King of Fools
Assassination contracts
The Plantation Master - The Guard Post - The Slave Traders - The Judge - The Weapons Smugglers - The British Captain - Beach Bonfire - A Shipment of Powder - The Spanish Commander - Unlicensed Dealer - No More Taxes - A Botched Escape - The Pirate Captain - The Outlaws - Tomb Raiders - A Last Drink for the Road - Castaway - The Unworthy Brother - The Poachers - The Deserter - The Twin Dilemma - The Dreaded Pirate - The Expedition - The Slave Master - A Slaver's Business - The Informant - The Treasure Hunter - Shady Business - The Smuggler's Squat - The Outlaw's Cave
Naval contracts
An Eye for an Eye - The Law of the Ocean - A Spanish Plague - Driftwood - Silk on the Waves - Contraband - Private Escort - Blind Justice - The Realities of War - Hunter Gatherer - Papers, Please - Weathering the Storm - Smuggler's Den - A Personal Matter - The Final Contract
Aveline missions
The Rebel Camp - The Fort - The Tower
Freedom Cry missions
The Calm Before the Storm - A Common Enemy - Laying the First Brick - A Ship of His Own - Lifting the Veil - A Scientific Inquiry - Plant the Seeds - Down with the Ship - De Fayet's Last Stand