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{{youmay|Lysistrata, the character behind the multiplayer persona|the [[Thespian]]}} | {{youmay|Lysistrata, the character behind the multiplayer persona|the [[Thespian]]}} | ||
'''Lysistrata''' was an individual that the [[Templars]] often relied on for her seductive charisma in influencing [[Ottoman Empire|Ottoman]] officials and visiting monarchs. Her favored weapon was the dagger.<ref name="SegmentNext.com">''[http://segmentnext.com/2011/08/10/assassins-creed-revelations-multiplayer-beta-guide/ Revelations Multiplayer Beta]''</ref> | '''Lysistrata''' was an individual that the [[Templars]] often relied on for her seductive charisma in influencing [[Ottoman Empire|Ottoman]] officials and visiting monarchs. Her favored weapon was the dagger.<ref name="SegmentNext.com">''[http://segmentnext.com/2011/08/10/assassins-creed-revelations-multiplayer-beta-guide/ Revelations Multiplayer Beta]''</ref> | ||
She escapes from Ezio and the assassin you are with in part 1 of the mission by using a smoke bomb and saying, "Not this time!" | |||
In 2012, her genetic memories were used by the Templar company [[Abstergo Industries]], for the training of their Animus [[Abstergo recruits|recruits]], under the title of the [[Thespian]]. | In 2012, her genetic memories were used by the Templar company [[Abstergo Industries]], for the training of their Animus [[Abstergo recruits|recruits]], under the title of the [[Thespian]]. | ||
Revision as of 08:35, 25 November 2011
| This article is about Lysistrata, the character behind the multiplayer persona. You may be looking for the Thespian. |
Lysistrata was an individual that the Templars often relied on for her seductive charisma in influencing Ottoman officials and visiting monarchs. Her favored weapon was the dagger.[1] She escapes from Ezio and the assassin you are with in part 1 of the mission by using a smoke bomb and saying, "Not this time!"
In 2012, her genetic memories were used by the Templar company Abstergo Industries, for the training of their Animus recruits, under the title of the Thespian.
References
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