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Nothing Is True...: Difference between revisions
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imported>RebeccaAWB m →top: Updating field parameter, replaced: |ancestor → | source, |description → | description, |appearance → | appearance, |type → | type, |previous → | previous, |next → | next, |location → | location, |date → | date, |image →... |
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| next = [[The Sage's Buried Secret]] | | next = [[The Sage's Buried Secret]] | ||
| source = [[Edward Kenway]] | | source = [[Edward Kenway]] | ||
| location = [[Tulum]], | | location = [[Tulum]], [[Yucatán Peninsula]], {{Wiki|New Spain}} | ||
| date = 1716}} | | date = 1716}} | ||
'''Nothing Is True...''' was a virtual representation of one of [[Edward Kenway]]'s [[Genetic memory|genetic memories]], relived by [[Abstergo Entertainment research analyst|a research analyst]] at [[Abstergo Entertainment]] through the [[Animus]]. | '''Nothing Is True...''' was a virtual representation of one of [[Edward Kenway]]'s [[Genetic memory|genetic memories]], relived by [[Abstergo Entertainment research analyst|a research analyst]] at [[Abstergo Entertainment]] through the [[Animus]]. | ||
| Line 53: | Line 53: | ||
==Outcome== | ==Outcome== | ||
Edward reached Kidd in the Assassin hideout, and they entered the [[ | Edward reached Kidd in the Assassin hideout, and they entered the [[Maya]] ruin together. | ||
==Gallery== | ==Gallery== | ||
| Line 64: | Line 64: | ||
</gallery> | </gallery> | ||
== | ==References== | ||
*''[[Assassin's Creed IV: Black Flag]]'' | *''[[Assassin's Creed IV: Black Flag]]'' | ||
Latest revision as of 02:57, 30 September 2023
Nothing Is True... was a virtual representation of one of Edward Kenway's genetic memories, relived by a research analyst at Abstergo Entertainment through the Animus.
Description[edit | edit source]
Edward set out to meet Kidd at the given coordinates.
Dialogue[edit | edit source]
Edward snuck through the wilderness of Tulum, looking for James Kidd.
- Assassin 1: The Mentor bids us be ready for anything. The Templars may know our whereabouts now.
- Assassin 2: It was Walpole, isn't that right? The Englishman?
- Assassin 1: Aye. He played us from the start... betrayed our confidence.
- Assassin 2: How could we have known? Even Ah Tabai was taken in by his charms.
- Assassin 3: I saw a ship pass this way, close upon the shore, then gone.
- Assassin 4: Ah Tabai warned us to be vigilant. The Templars have been closing in for well on a year now.
- Assassin 3: Indeed. But Templars make noise with their comings and goings. I've not heard a thing just yet.
- Assassin 4: You will.
- Assassin 5: (What is he doing here?)
- Assassin 6: (He has been summoned. Though he does not know it.)
- Assassin 7: (An imposter wears the costume of a traitor. How much lower can one fall?)
Edward met with Kidd.
- Edward: Jaysus, Kidd! You led me into a mess. Is it these monks guarding the treasure you promised me?
- Kidd: I told you I had a secret to share... but I didn't say it would be easy. Now let's get this door open and I'll show you what's inside.
Kidd opened an ancient door.
- Edward: Ah! We're on to something. I can feel it...
- Ah Tabai: Captain Kenway.
- Edward: Ah!
- Ah Tabai: Where is the Assassin, Duncan Walpole?
- Edward: Dead and buried. After he tried to kill me.
- Ah Tabai: We are not sorry to see him gone. But it was you who carried out his final betrayal. Why?
- Edward: Money was my only aim.
- Ah Tabai: Should I find comfort in that? You murdered our brothers and sisters in Havana!
- Kidd: He has the Sense, Mentor.
- Ah Tabai: James tells me you treated with the Templars there. Did you see the man they call The Sage?
- Edward: Aye.
- Ah Tabai: Would you recognize his face if you saw it again?
- Edward: I reckon so...
- Ah Tabai: I must be certain.
- Kidd: Not a word. Come on.
Outcome[edit | edit source]
Edward reached Kidd in the Assassin hideout, and they entered the Maya ruin together.
Gallery[edit | edit source]
-
Edward choking an Assassin -
Edward moving through the jungle -
Kidd opening the Mayan temple -
Kidd telling Ah Tabai about Edward's Eagle Vision -
Kidd and Edward entering the temple
