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imported>Lacrossedeamon
tried to standardize the tables a bit and bring it in line with the tables for arno and fryes; feel free to play with it now TiagoFF
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During the [[Renaissance]], the [[Assassins|Assassin]] [[Ezio Auditore da Firenze]] collected a variety of item '''collections''' while on his hunt for the [[Templars|Templar]] conspirators behind the [[Last Man Standing|death]] of his father [[Giovanni Auditore da Firenze|Giovanni]] and brothers, [[Federico Auditore da Firenze|Federico]] and [[Petruccio Auditore da Firenze|Petruccio]], from 1478 to 1499. He used said objects to decorate the various rooms of the [[Villa Auditore]] in [[Monteriggioni]], [[Italy]].<ref>''[[Assassin's Creed II]]</ref>
During the [[Renaissance]], the [[Assassins|Assassin]] [[Ezio Auditore da Firenze]] collected a variety of item '''collections''' while on his hunt for the [[Templars|Templar]] conspirators behind the [[Last Man Standing|death]] of his father [[Giovanni Auditore da Firenze|Giovanni]] and brothers, [[Federico Auditore da Firenze|Federico]] and [[Petruccio Auditore da Firenze|Petruccio]], from 1478 to 1499. He used said objects to decorate the various rooms of the [[Villa Auditore]] in [[Monteriggioni]], [[Italy]].<ref>''[[Assassin's Creed II]]</ref>


==Weapons [Weapon Room]==
==Weapons==
{| class="fandom-table"
{| class="fandom-table"
|+Weapons
!Image
!Image
!Rack
!Rack
!Contents
!Contents
!Location
!Location
!Placement
|-
|-
|
|
|First Sword Rack
|First Sword Rack
|
|
*Common Sword
* Common Sword
* Captain's Sword
* Captain's Sword
* Milanese Sword
* Milanese Sword
* Schiavona
* Schiavona
|lefthand rack on left wall
|Weapon Room
|Left-hand rack on left wall
|-
|-
|
|
|Second Sword Rack
|Second Sword Rack
|
|
*Sword of Altaïr
* Sword of Altaïr
* Old Syrian Sword
* Old Syrian Sword
* Venetian Falchion
* Venetian Falchion
* Florentine Falchion
* Florentine Falchion
* Scimitar
* Scimitar
|righthand rack on left wall
|Weapon Room
|Right-hand rack on left wall
|-
|-
|
|
|First Small Weapon Rack
|First Small Weapon Rack
|
|
*Dagger
* Dagger
* Stiletto
* Stiletto
* Knife
* Knife
* Metal Cestus
* Metal Cestus
|stand facing back wall
|Weapon Room
|Stand facing back wall
|-
|-
|
|
|Second small weapons rack
|Second small weapons rack
|
|
*Sultan's Knife
* Sultan's Knife
* Butcher Knife
* Butcher Knife
* Channeled Cinquedea
* Channeled Cinquedea
* Notched Cinquedea
* Notched Cinquedea
|stand facing entrance wall
|Weapon Room
|Stand facing entrance wall
|-
|-
|
|
|Hammer rack
|Hammer rack
|
|
*Mercenario War Hammer
* Mercenario War Hammer
* Condottiero War Hammer
* Condottiero War Hammer
* Maul
* Maul
* Flanged Mace
* Flanged Mace
* Cavalier Mace
* Cavalier Mace
|lefthand rack on right wall
|Weapon Room
|Left-hand rack on right wall
|-
|-
|
|
|Special Weapons rack
|Special Weapons rack
|
|
*Maria Thorpe's Longsword
* Maria Thorpe's Longsword
* Fredrick's Hammer
* Fredrick's Hammer
* Mace of the Bull
* Mace of the Bull
Line 65: Line 70:
* Twins' Rapier
* Twins' Rapier
* Bouchart's Blade
* Bouchart's Blade
|righthand rack on right wall
|Weapon Room
|Right-hand rack on right wall
|}
|}


==Armor [Armory]==
==Armor==
{| class="fandom-table"
{| class="fandom-table"
|+Armor
!Image
!Image
!Set
!Set
!Location
!Location
!Placement
|-
|-
|
|
|Leather Armor
|Leather Armor
|left stand on left wall
|Armory
|Left stand on left wall
|-
|-
|
|
|Helmschmied Armor
|Helmschmied Armor
|right stand on left wall
|Armory
|Right stand on left wall
|-
|-
|
|
|Metal Armor
|Metal Armor
|right stand on right wall [closest stand to room entrance]
|Armory
|Right stand on right wall
|-
|-
|
|
|Missaglias Armor
|Missaglias Armor
|left stand on right wall
|Armory
|Left stand on right wall
|-
|-
|
|
|Armor of Altaïr
|Armor of Altaïr
|stand on back wall
|Armory
|Stand on back wall
|}
|}


==Models [Armory]==
==Models==
{| class="fandom-table"
{| class="fandom-table"
|+Models
!Image
!Image
!Name
!Name
!Description
!Description
!Room
!Location
!Location
!Placement
|-
|-
|
|
Line 109: Line 119:
|This is a model of the carriage I drove
|This is a model of the carriage I drove
|Armory
|Armory
|first stand from entrance
|First stand from entrance
|-
|-
|
|
Line 115: Line 125:
|This is a model of Leonardo da Vinci's flying machine.
|This is a model of Leonardo da Vinci's flying machine.
|Armory
|Armory
|second stand (closest to far wall)
|Second stand from entrace
|}
|}


==Codex Pages==
==Codex Pages==


==Paintings [Gallery/First Floor]==
==Paintings==
{| class="fandom-table"
{| class="fandom-table"
|+Paintings
!Image
!Image
!Name
!Name
!Description
!Description
!Room
!Location
!Location
!Placement
|-
|-
|
|
Line 133: Line 142:
|''By Leonardo da Vinci. The Virgin Mary holds Jesus, while the Magi kneel in adoration. The ruins behind them are of the Basilica of Maxentius, which is said to have collapsed on the night of Christ's birth.''
|''By Leonardo da Vinci. The Virgin Mary holds Jesus, while the Magi kneel in adoration. The ruins behind them are of the Basilica of Maxentius, which is said to have collapsed on the night of Christ's birth.''
|Gallery
|Gallery
|right hand painting on entrance wall
|Right hand painting on entrance wall
|-
|-
|
|
Line 139: Line 148:
|''By Leonardo da Vinci. The Archangel Gabriel appears to Mary, revealing to her that she will conceive Jesus Christ. The setting is the enclosed courtyard garden of a Florentine villa.''
|''By Leonardo da Vinci. The Archangel Gabriel appears to Mary, revealing to her that she will conceive Jesus Christ. The setting is the enclosed courtyard garden of a Florentine villa.''
|First Floor
|First Floor
|second from passage overlooking codex room  
|Second from passage overlooking codex room  
|-
|-
|
|
Line 145: Line 154:
|''By Andrea del Verrocchio. Saint John the Baptist baptizes Jesus by pouring water over his head.''
|''By Andrea del Verrocchio. Saint John the Baptist baptizes Jesus by pouring water over his head.''
|First Floor
|First Floor
|first from gallery right entrance
|First from gallery right entrance
|-
|-
|
|
Line 151: Line 160:
|''By Piero della Francesca. Portrait of the condottiero, Federico da Montefeltro, and his wife Battista Sforza.''
|''By Piero della Francesca. Portrait of the condottiero, Federico da Montefeltro, and his wife Battista Sforza.''
|Gallery
|Gallery
|middle column
|Middle column
|-
|-
|
|
Line 157: Line 166:
|''By Sandro Botticelli. Venus, newly created, yet fully grown, is pushed by the wind toward the seashore.''
|''By Sandro Botticelli. Venus, newly created, yet fully grown, is pushed by the wind toward the seashore.''
|First Floor
|First Floor
|second from Maria's room
|Second from Maria's room
|-
|-
|
|
Line 163: Line 172:
|''By Albrecht Dürer. Eve plucks the apple from the tree of knowledge inside the Garden of Eden''
|''By Albrecht Dürer. Eve plucks the apple from the tree of knowledge inside the Garden of Eden''
|Gallery
|Gallery
|left column
|Left column
|-
|-
|
|
Line 169: Line 178:
|''By Pedro Berruguete. Federico da Montefeltro and his son, Guidobaldo. Federico was a famous condottiero during the Renaissance.''
|''By Pedro Berruguete. Federico da Montefeltro and his son, Guidobaldo. Federico was a famous condottiero during the Renaissance.''
|Gallery
|Gallery
|right column
|Right column
|-
|-
|
|
Line 175: Line 184:
|''By Pietro Perugino. Portrait of Francesco delle Opere''
|''By Pietro Perugino. Portrait of Francesco delle Opere''
|First Floor
|First Floor
|right hand on wall opposite stairs
|Right hand on wall opposite stairs
|-
|-
|
|
Line 181: Line 190:
|''By Francesco di Giorgio Martini and Piero della Francesca. Portrays a city that has been conceived in accordance with the dictates of rational and moral objectives.''
|''By Francesco di Giorgio Martini and Piero della Francesca. Portrays a city that has been conceived in accordance with the dictates of rational and moral objectives.''
|First Floor
|First Floor
|second from gallery right entrance
|Second from gallery right entrance
|-
|-
|
|
Line 187: Line 196:
|''By Antonio Allegri da Correggio. Io, daughter of the king of Argos, is seduced by the evanescent figure of Jupiter.''
|''By Antonio Allegri da Correggio. Io, daughter of the king of Argos, is seduced by the evanescent figure of Jupiter.''
|Gallery
|Gallery
|middle column
|Middle column
|-
|-
|
|
Line 193: Line 202:
|''By Leonardo da Vinci. The model for this portrait is Cecilia Gallerani, the mistress of Ludovico Sforza''
|''By Leonardo da Vinci. The model for this portrait is Cecilia Gallerani, the mistress of Ludovico Sforza''
|First Floor
|First Floor
|left hand painting on wall opposite stairs
|Left hand painting on wall opposite stairs
|-
|-
|
|
Line 199: Line 208:
|''By Leonardo da Vinci. Zeus impregnated Leda while disguised as a swan. Below are her children, two of whom came from Zeus and two from Tyndareus, king of Sparta.''
|''By Leonardo da Vinci. Zeus impregnated Leda while disguised as a swan. Below are her children, two of whom came from Zeus and two from Tyndareus, king of Sparta.''
|Gallery
|Gallery
|right column
|Right column
|-
|-
|
|
Line 205: Line 214:
|''Also know as The Portrait of a Young Woman, by Raphael. The model is Margherita Luti, Raphael's lover.''
|''Also know as The Portrait of a Young Woman, by Raphael. The model is Margherita Luti, Raphael's lover.''
|Gallery
|Gallery
|middle column
|Middle column
|-
|-
|
|
Line 211: Line 220:
|''By Filippo Lippi. Saint Anne  sits with her daughter, Mary''
|''By Filippo Lippi. Saint Anne  sits with her daughter, Mary''
|First Floor
|First Floor
|first from gallery left entrance
|First from gallery left entrance
|-
|-
|
|
Line 217: Line 226:
|''By Sandro Botticelli. The garden of Venus. From left to right: Mercury, the Three Graces, Venus, Flora, Chloris and Zephyr.''
|''By Sandro Botticelli. The garden of Venus. From left to right: Mercury, the Three Graces, Venus, Flora, Chloris and Zephyr.''
|Gallery
|Gallery
|left hand on entrance wall
|Left hand on entrance wall
|-
|-
|
|
Line 223: Line 232:
|''By Leonardo da Vinci. Represents Franchino Gaffurio, who was the maestro di cappella of the Milanese Cathedral''
|''By Leonardo da Vinci. Represents Franchino Gaffurio, who was the maestro di cappella of the Milanese Cathedral''
|Gallery
|Gallery
|left centre on back wall
|Left centre on back wall
|-
|-
|
|
Line 229: Line 238:
|''By Sandro Botticelli. A centaur has trespassed on forbidden territory, but is quickly brought under control by Minerva, who grabs his hair.''
|''By Sandro Botticelli. A centaur has trespassed on forbidden territory, but is quickly brought under control by Minerva, who grabs his hair.''
|First Floor
|First Floor
|first from Maria's Room
|First from Maria's Room
|-
|-
|
|
Line 235: Line 244:
|''By Leonardo da Vinci. Beatrice d'Este, the wife of the duke of Milan, Ludovico Sforza.''
|''By Leonardo da Vinci. Beatrice d'Este, the wife of the duke of Milan, Ludovico Sforza.''
|Gallery
|Gallery
|left column
|Left column
|-
|-
|
|
Line 241: Line 250:
|''By Michele Giambono. Considered the Venetian artist's masterpiece. St Chrysogonus is depicted on horseback. He was later beheaded in Aquileia by the Emperor Diocletian''
|''By Michele Giambono. Considered the Venetian artist's masterpiece. St Chrysogonus is depicted on horseback. He was later beheaded in Aquileia by the Emperor Diocletian''
|Gallery
|Gallery
|middle column
|Middle column
|-
|-
|
|
Line 247: Line 256:
|''By Giovanni Bellini. Portrays St. Francis in ecstasy while receiving the stigmata.''
|''By Giovanni Bellini. Portrays St. Francis in ecstasy while receiving the stigmata.''
|Gallery
|Gallery
|right column
|Right column
|-
|-
|
|
Line 253: Line 262:
|''By Leonardo da Vinci. St. John the Baptist sits in isolation. He holds a reed cross in his left hand while his right hand points up toward heaven.''
|''By Leonardo da Vinci. St. John the Baptist sits in isolation. He holds a reed cross in his left hand while his right hand points up toward heaven.''
|Gallery
|Gallery
|right column
|Right column
|-
|-
|
|
Line 259: Line 268:
|''By Piero di Cosimo. Simonetta Vespucci, referred to by many as the greatest beauty in Florence, sits for this portrait barechested. She was the mistress of Giuliano de' Medici.''
|''By Piero di Cosimo. Simonetta Vespucci, referred to by many as the greatest beauty in Florence, sits for this portrait barechested. She was the mistress of Giuliano de' Medici.''
|Gallery
|Gallery
|left column
|Left column
|-
|-
|
|
Line 265: Line 274:
|''By Titian. A bride dressed in white stands beside Cupid and is assisted by Venus''
|''By Titian. A bride dressed in white stands beside Cupid and is assisted by Venus''
|First Floor
|First Floor
|second from gallery left entrance
|Second from gallery left entrance
|-
|-
|
|
Line 271: Line 280:
|''By Antonello da Messina. Saint Sebastian was killed in Rome during Diocletian's persecution of Christians and became a Christian saint.''
|''By Antonello da Messina. Saint Sebastian was killed in Rome during Diocletian's persecution of Christians and became a Christian saint.''
|Gallery
|Gallery
|far left on back wall
|Far left on back wall
|-
|-
|
|
Line 277: Line 286:
|''By Leonardo da Vinci. Saint Jerome in the Syrian desert, where he lived as a hermit.''
|''By Leonardo da Vinci. Saint Jerome in the Syrian desert, where he lived as a hermit.''
|Gallery
|Gallery
|righthand on left wall
|Right-hand on left wall
|-
|-
|
|
Line 283: Line 292:
|''By Antonello da Messina. St. Jerome working in his studio.''
|''By Antonello da Messina. St. Jerome working in his studio.''
|Gallery
|Gallery
|lefthand on left wall
|Left-hand on left wall
|-
|-
|
|
Line 289: Line 298:
|''By Giorgione. A woman, possibly Venus, rests in the foreground as the hills in the background seem to mirror her profile.''
|''By Giorgione. A woman, possibly Venus, rests in the foreground as the hills in the background seem to mirror her profile.''
|First Floor
|First Floor
|first from passage overlooking codex room
|First from passage overlooking Codex Room
|-
|-
|
|
Line 295: Line 304:
|''By Raphael. The Three Graces reward Scipio for the selecting Minerva, the incarnation of virtue, with the Golden Apples of the Hesperides.''
|''By Raphael. The Three Graces reward Scipio for the selecting Minerva, the incarnation of virtue, with the Golden Apples of the Hesperides.''
|Gallery
|Gallery
|right centre on back wall
|Right centre on back wall
|-
|-
|
|
Line 301: Line 310:
|''By Titian. After she is born from a shell, Venus rises from the sea as a full grown woman.''
|''By Titian. After she is born from a shell, Venus rises from the sea as a full grown woman.''
|Gallery
|Gallery
|left column
|Left column
|-
|-
|
|
Line 307: Line 316:
|''By Mabuse. Venus, the Roman goddess of love gazes at her reflection in the mirror.''
|''By Mabuse. Venus, the Roman goddess of love gazes at her reflection in the mirror.''
|Gallery
|Gallery
|far right on back wall
|Far right on back wall
|}
|}


==Portraits [Ezio's Room]==
==Portraits==
{| class="fandom-table"
{| class="fandom-table"
|+Portraits
!Image
!Image
!Target/Name
!Target/Name
!Description
!Description
!Location
!Location
!Placement
|-
|-
|
|
|Uberto Alberti  
|Uberto Alberti  
|This is a picture of the Templar, Uberto Alberti, Florentine Gonfaloniere of Justice and a traitor to my family. Date of death: 1476.
|This is a picture of the Templar, Uberto Alberti, Florentine Gonfaloniere of Justice and a traitor to my family. Date of death: 1476.
|easel in back left corner
|Ezio's Room
|Easel in back left corner
|-
|-
|
|
|Vieri de' Pazzi
|Vieri de' Pazzi
|This is a picture of the Templar, Vieri de' Pazzi, son of Francesco de' Pazzi. Date of death: 1477.
|This is a picture of the Templar, Vieri de' Pazzi, son of Francesco de' Pazzi. Date of death: 1477.
|far right on left wall
|Ezio's Room
|Far right on left wall
|-
|-
|
|
|Francesco de' Pazzi
|Francesco de' Pazzi
|This is a picture of the Templar, Francesco de' Pazzi, head of the Pazzi Bank and perpetrator of the Pazzi Conspiracy. Date of death: 1478
|This is a picture of the Templar, Francesco de' Pazzi, head of the Pazzi Bank and perpetrator of the Pazzi Conspiracy. Date of death: 1478
|left centre on left wall
|Ezio's Room
|Left centre on left wall
|-
|-
|
|
|The Pazzi Conspirators
|The Pazzi Conspirators
|This is a picture of the Templar Pazzi Conspirators, who acted on Francesco de' Paazzi's order. They were responsible for the murder of Giuliano de' Medici and the attempted murder of Lorenzo de' Medici. Dates of death: 1478 - 1480.
|This is a picture of the Templar Pazzi Conspirators, who acted on Francesco de' Paazzi's order. They were responsible for the murder of Giuliano de' Medici and the attempted murder of Lorenzo de' Medici. Dates of death: 1478 - 1480.
|far left on left wall
|Ezio's Room
|Far left on left wall
|-
|-
|
|
|Emilio Barbarigo
|Emilio Barbarigo
|This is a picture of the Templar, Emilio Barbarigo, head of the Venetian Merchants Guild. Date of death: 1484.
|This is a picture of the Templar, Emilio Barbarigo, head of the Venetian Merchants Guild. Date of death: 1484.
|right centre on left wall
|Ezio's Room
|Right centre on left wall
|-
|-
|
|
|Carlo Grimaldi
|Carlo Grimaldi
|This is a picture of the Templar, Carlo Grimaldi, member of the Venetian Council of Ten, and poisoner of Doge Mocenigo. Date of death: 1485.
|This is a picture of the Templar, Carlo Grimaldi, member of the Venetian Council of Ten, and poisoner of Doge Mocenigo. Date of death: 1485.
|centre of back wall [behind desk]
|Ezio's Room
|Centre of back wall
|-
|-
|
|
|Marco Barbarigo
|Marco Barbarigo
|This is a picture of the Templar, Marco Barbarigo, a corrupt Venetian Doge. Date of death: 1486.
|This is a picture of the Templar, Marco Barbarigo, a corrupt Venetian Doge. Date of death: 1486.
|centre of right wall
|Ezio's Room
|Centre of right wall
|-
|-
|
|
|Silvio Barbarigo
|Silvio Barbarigo
|This is a picture of the Templar, Silvio Barbarigo, cousin of Marco Barbarigo and a wealthy Venetian trader. Date of death: 1486.
|This is a picture of the Templar, Silvio Barbarigo, cousin of Marco Barbarigo and a wealthy Venetian trader. Date of death: 1486.
|righthand on right wall
|Ezio's Room
|Righ-thand on right wall
|-
|-
|
|
|Rodrigo Borgia
|Rodrigo Borgia
|This is a picture of the Templar Grand Master, Rodrigo Borgia, who ordered and oversaw the murder of my father and brothers in his quest for dominion. He sought the contents of the Vatican Vault becoming Pope in the process.
|This is a picture of the Templar Grand Master, Rodrigo Borgia, who ordered and oversaw the murder of my father and brothers in his quest for dominion. He sought the contents of the Vatican Vault becoming Pope in the process.
|centre of entrance wall opposite desk
|Ezio's Room
|Centre of entrance wall opposite desk
|-
|-
|
|
|The Orsi Brothers
|The Orsi Brothers
|This is a picture of the Orsi Brothers, corrupt nobles hired by the Templars to try and steal the Apple of Eden. They took Caterina Sforza's children hostage in the process. Date of death: 1488.
|This is a picture of the Orsi Brothers, corrupt nobles hired by the Templars to try and steal the Apple of Eden. They took Caterina Sforza's children hostage in the process. Date of death: 1488.
|far left on right wall
|Ezio's Room
|Far left on right wall
|-
|-
|
|
|Girolamo Savonarola
|Girolamo Savonarola
|This is a picture of Girolamo Savonarola, Dominican priest, ouster of the Medici family, Leader of Florence, and instigator of the Bonfire of the Vanities. Date of death: 1498.
|This is a picture of Girolamo Savonarola, Dominican priest, ouster of the Medici family, Leader of Florence, and instigator of the Bonfire of the Vanities. Date of death: 1498.
|easel in back right corner
|Ezio's Room
|Easel in back right corner
|}
|}
*
 


==Feathers==
==Feathers==
Line 385: Line 405:
*Seal of Darius
*Seal of Darius


==Statuettes [Villa External/Grounds]==
==Statuettes==
{| class="fandom-table"
{| class="fandom-table"
|+Statuettes
!Image
!Image
!Name
!Name
!Description
!Description
!Location
!Location
!Placement
|-
|-
|
|
|Jupiter and Minerva
|Jupiter and Minerva
|Here sits the king of all Olympus and beside him stands wisdom, to guide his rule.
|Here sits the king of all Olympus and beside him stands wisdom, to guide his rule.
|northwest plinth in villa grounds
|Villa Grounds
|Northwest plinth
|-
|-
|
|
|Diana and Apollo
|Diana and Apollo
|Together, but never touching, one sleeps while the other rises, yet both watch over us.
|Together, but never touching, one sleeps while the other rises, yet both watch over us.
|northeast plinth in villa grounds
|Villa Grounds
|Northeast plinth
|-
|-
|
|
|Mars and Venus
|Mars and Venus
|The god of rage and strength basks in his lover's radiant beauty. She tames his anger with her gentle touch.
|The god of rage and strength basks in his lover's radiant beauty. She tames his anger with her gentle touch.
|plinth along the east wall
|Villa Grounds
|East plinth
|-
|-
|
|
|Neptune and Pluto
|Neptune and Pluto
|Two brothers rest here. One resides fathoms deep, the other at the end of time
|Two brothers rest here. One resides fathoms deep, the other at the end of time
|plinth along west wall
|Villa Grounds
|West plinth
|}
|}


==References==
==References==
{{Reflist}}
{{Reflist}}

Revision as of 11:24, 4 December 2023

During the Renaissance, the Assassin Ezio Auditore da Firenze collected a variety of item collections while on his hunt for the Templar conspirators behind the death of his father Giovanni and brothers, Federico and Petruccio, from 1478 to 1499. He used said objects to decorate the various rooms of the Villa Auditore in Monteriggioni, Italy.[1]

Weapons

Image Rack Contents Location Placement
First Sword Rack
  • Common Sword
  • Captain's Sword
  • Milanese Sword
  • Schiavona
 Weapon Room Left-hand rack on left wall
Second Sword Rack
  • Sword of Altaïr
  • Old Syrian Sword
  • Venetian Falchion
  • Florentine Falchion
  • Scimitar
 Weapon Room Right-hand rack on left wall
First Small Weapon Rack
  • Dagger
  • Stiletto
  • Knife
  • Metal Cestus
 Weapon Room Stand facing back wall
Second small weapons rack
  • Sultan's Knife
  • Butcher Knife
  • Channeled Cinquedea
  • Notched Cinquedea
 Weapon Room Stand facing entrance wall
Hammer rack
  • Mercenario War Hammer
  • Condottiero War Hammer
  • Maul
  • Flanged Mace
  • Cavalier Mace
 Weapon Room Left-hand rack on right wall
Special Weapons rack
  • Maria Thorpe's Longsword
  • Fredrick's Hammer
  • Mace of the Bull
  • Dark Oracle's Bone Dagger
  • Twins' Rapier
  • Bouchart's Blade
 Weapon Room Right-hand rack on right wall

Armor

Image Set Location Placement
Leather Armor Armory Left stand on left wall
Helmschmied Armor Armory Right stand on left wall
Metal Armor Armory Right stand on right wall
Missaglias Armor Armory Left stand on right wall
Armor of Altaïr Armory Stand on back wall

Models

Image Name Description Location Placement
Carriage This is a model of the carriage I drove Armory First stand from entrance
Flying Machine This is a model of Leonardo da Vinci's flying machine. Armory Second stand from entrace

Codex Pages

Paintings

Image Name Description Location Placement
Adoration of the Magi By Leonardo da Vinci. The Virgin Mary holds Jesus, while the Magi kneel in adoration. The ruins behind them are of the Basilica of Maxentius, which is said to have collapsed on the night of Christ's birth. Gallery Right hand painting on entrance wall
Annunciation By Leonardo da Vinci. The Archangel Gabriel appears to Mary, revealing to her that she will conceive Jesus Christ. The setting is the enclosed courtyard garden of a Florentine villa. First Floor Second from passage overlooking codex room
Baptism of Christ By Andrea del Verrocchio. Saint John the Baptist baptizes Jesus by pouring water over his head. First Floor First from gallery right entrance
Battista and Federico By Piero della Francesca. Portrait of the condottiero, Federico da Montefeltro, and his wife Battista Sforza. Gallery Middle column
The Birth of Venus By Sandro Botticelli. Venus, newly created, yet fully grown, is pushed by the wind toward the seashore. First Floor Second from Maria's room
Eve By Albrecht Dürer. Eve plucks the apple from the tree of knowledge inside the Garden of Eden Gallery Left column
Federico da Montefeltro By Pedro Berruguete. Federico da Montefeltro and his son, Guidobaldo. Federico was a famous condottiero during the Renaissance. Gallery Right column
Francesco delle Opere By Pietro Perugino. Portrait of Francesco delle Opere First Floor Right hand on wall opposite stairs
Ideal City By Francesco di Giorgio Martini and Piero della Francesca. Portrays a city that has been conceived in accordance with the dictates of rational and moral objectives. First Floor Second from gallery right entrance
Jupiter and Io By Antonio Allegri da Correggio. Io, daughter of the king of Argos, is seduced by the evanescent figure of Jupiter. Gallery Middle column
Lady With an Ermine By Leonardo da Vinci. The model for this portrait is Cecilia Gallerani, the mistress of Ludovico Sforza First Floor Left hand painting on wall opposite stairs
Leda and the Swan By Leonardo da Vinci. Zeus impregnated Leda while disguised as a swan. Below are her children, two of whom came from Zeus and two from Tyndareus, king of Sparta. Gallery Right column
La Fornarina Also know as The Portrait of a Young Woman, by Raphael. The model is Margherita Luti, Raphael's lover. Gallery Middle column
Madonna and Child By Filippo Lippi. Saint Anne sits with her daughter, Mary First Floor First from gallery left entrance
Primavera By Sandro Botticelli. The garden of Venus. From left to right: Mercury, the Three Graces, Venus, Flora, Chloris and Zephyr. Gallery Left hand on entrance wall
Portrait of a Musician By Leonardo da Vinci. Represents Franchino Gaffurio, who was the maestro di cappella of the Milanese Cathedral Gallery Left centre on back wall
Pallas and the Centaur By Sandro Botticelli. A centaur has trespassed on forbidden territory, but is quickly brought under control by Minerva, who grabs his hair. First Floor First from Maria's Room
Portrait of a Lady By Leonardo da Vinci. Beatrice d'Este, the wife of the duke of Milan, Ludovico Sforza. Gallery Left column
Saint Chyrsogonus By Michele Giambono. Considered the Venetian artist's masterpiece. St Chrysogonus is depicted on horseback. He was later beheaded in Aquileia by the Emperor Diocletian Gallery Middle column
St-Francis in Ecstasy By Giovanni Bellini. Portrays St. Francis in ecstasy while receiving the stigmata. Gallery Right column
Saint Jean Baptiste By Leonardo da Vinci. St. John the Baptist sits in isolation. He holds a reed cross in his left hand while his right hand points up toward heaven. Gallery Right column
Simonetta Vespucci By Piero di Cosimo. Simonetta Vespucci, referred to by many as the greatest beauty in Florence, sits for this portrait barechested. She was the mistress of Giuliano de' Medici. Gallery Left column
Sacred and Profane Love By Titian. A bride dressed in white stands beside Cupid and is assisted by Venus First Floor Second from gallery left entrance
San Sebastian By Antonello da Messina. Saint Sebastian was killed in Rome during Diocletian's persecution of Christians and became a Christian saint. Gallery Far left on back wall
St-Jerome By Leonardo da Vinci. Saint Jerome in the Syrian desert, where he lived as a hermit. Gallery Right-hand on left wall
St-Jerome in His Study By Antonello da Messina. St. Jerome working in his studio. Gallery Left-hand on left wall
Sleeping Venus By Giorgione. A woman, possibly Venus, rests in the foreground as the hills in the background seem to mirror her profile. First Floor First from passage overlooking Codex Room
Three Graces By Raphael. The Three Graces reward Scipio for the selecting Minerva, the incarnation of virtue, with the Golden Apples of the Hesperides. Gallery Right centre on back wall
Venus Rising By Titian. After she is born from a shell, Venus rises from the sea as a full grown woman. Gallery Left column
Venus and the Mirror By Mabuse. Venus, the Roman goddess of love gazes at her reflection in the mirror. Gallery Far right on back wall

Portraits

Image Target/Name Description Location Placement
Uberto Alberti This is a picture of the Templar, Uberto Alberti, Florentine Gonfaloniere of Justice and a traitor to my family. Date of death: 1476. Ezio's Room Easel in back left corner
Vieri de' Pazzi This is a picture of the Templar, Vieri de' Pazzi, son of Francesco de' Pazzi. Date of death: 1477. Ezio's Room Far right on left wall
Francesco de' Pazzi This is a picture of the Templar, Francesco de' Pazzi, head of the Pazzi Bank and perpetrator of the Pazzi Conspiracy. Date of death: 1478 Ezio's Room Left centre on left wall
The Pazzi Conspirators This is a picture of the Templar Pazzi Conspirators, who acted on Francesco de' Paazzi's order. They were responsible for the murder of Giuliano de' Medici and the attempted murder of Lorenzo de' Medici. Dates of death: 1478 - 1480. Ezio's Room Far left on left wall
Emilio Barbarigo This is a picture of the Templar, Emilio Barbarigo, head of the Venetian Merchants Guild. Date of death: 1484. Ezio's Room Right centre on left wall
Carlo Grimaldi This is a picture of the Templar, Carlo Grimaldi, member of the Venetian Council of Ten, and poisoner of Doge Mocenigo. Date of death: 1485. Ezio's Room Centre of back wall
Marco Barbarigo This is a picture of the Templar, Marco Barbarigo, a corrupt Venetian Doge. Date of death: 1486. Ezio's Room Centre of right wall
Silvio Barbarigo This is a picture of the Templar, Silvio Barbarigo, cousin of Marco Barbarigo and a wealthy Venetian trader. Date of death: 1486. Ezio's Room Righ-thand on right wall
Rodrigo Borgia This is a picture of the Templar Grand Master, Rodrigo Borgia, who ordered and oversaw the murder of my father and brothers in his quest for dominion. He sought the contents of the Vatican Vault becoming Pope in the process. Ezio's Room Centre of entrance wall opposite desk
The Orsi Brothers This is a picture of the Orsi Brothers, corrupt nobles hired by the Templars to try and steal the Apple of Eden. They took Caterina Sforza's children hostage in the process. Date of death: 1488. Ezio's Room Far left on right wall
Girolamo Savonarola This is a picture of Girolamo Savonarola, Dominican priest, ouster of the Medici family, Leader of Florence, and instigator of the Bonfire of the Vanities. Date of death: 1498. Ezio's Room Easel in back right corner


Feathers

Seals

  • Seal of Iltani
  • Seal of Qulan Gal
  • Seal of Amunet
  • Seal of Leonius
  • Seal of Wei Yu
  • Seal of Darius

Statuettes

Image Name Description Location Placement
Jupiter and Minerva Here sits the king of all Olympus and beside him stands wisdom, to guide his rule. Villa Grounds Northwest plinth
Diana and Apollo Together, but never touching, one sleeps while the other rises, yet both watch over us. Villa Grounds Northeast plinth
Mars and Venus The god of rage and strength basks in his lover's radiant beauty. She tames his anger with her gentle touch. Villa Grounds East plinth
Neptune and Pluto Two brothers rest here. One resides fathoms deep, the other at the end of time Villa Grounds West plinth

References

  1. ↑ Assassin's Creed II
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