The banner of Lesbos, home of the famous poet Sappho, was inspired by one of the most interesting monetary types in antiquity.
Unlike others cities, Lesbos changed monetary types from one issuance to another. This provided great variety - notably this unusual depiction of two female heads overlapping.
Lesbos's cities were members of the Delian league from the start. They provided ships to the alliance, but then revolted in 428 BCE and the victorious Athenians sent clerouchs (settlers) to occupy the island.
Field camps were built at the end of a day's march to provide protection in case of a surprise enemy attack.
They were widely-used when attacking cities during sieges. The camps are where soldiers would eat, sleep, and store their weapons, food rations and spoils - often for months at a time. It's also where a soldier would take refuge when and if things went badly in battle.
Building a good fortified camp or fortifying a village or small city in the enemy's territory may have meant the difference between victory and defeat.
As sieges would stretch on, a good fortified camp meant that an army could safely remain in unfriendly lands and exert pressure on the enemy. This could be done by burning or taking their crops, by preventing resupply, or simply by exerting their demoralizing presence.
Establishing a fortified position in enemy lands in order to constantly raid it was a common tactic in the Peloponnesian War. Athens employed it at Pylos from 425 to 409 BCE, and so did the Spartans with a more devastating effect over a weakened Athens when they fortified Dekeleia from 413 to 404 BCE.
Soldiers on the move mostly slept under the sky on beds of reeds, for in most cases tent materials were too great a burden.
They ate two meals a day - one at mid-day [except when battle was expected), and then dinner. They usually cooked these meatls themselves. In most cases, the meal consisted of maza, a sort of barley porridge. The Spartans did things differently; they had dedicated cooks in their armies.
When the soldiers need to relieve themselves, they simply went wherever they could outside of camp, as there was no special location for this act.
There was little in the way of entertainment in military camps. The Spartans, however, did have some techniques for avoiding boredom. After their regular practice and exercise, they had a sort of contest of singing songs by the poet Tyrtaios, and the winner received a prize in meat.
Even in a war camp, the gods had to be honored. Whenever possible, sacrifices were made and seers were consulted, often about the tides of battle.
(Behind the scenes)
Lesbos is an island situated in the north-east of the Aegean
Sea. Lesbos rebelled against the Athenians, leading to its
eventual surrender to Athens. Lesbos is notable in real life for
its 18-million-year-old petrified forest, a UNESCO World
Heritage Site, home to fossilized remains of a once vast
swathe of vegetation and forest. The art team used their
artistic license to grow the trees into dense forests of tangled
roots and branches, a maze for our hero to navigate. The
atmosphere of the forest is oppressive, with temple ruins
appearing from the murky background, and a sense of dread
lingering behind every corner.
Finished concepts by Hugo Puzzuoli show the red and yellow
accents in the rock of the petrified trees, caused by intense
volcanic activity millions of years ago.
The Medusa has been portrayed in many different ways over
the years, from a beautiful young woman, to a monstrous
creature with a serpent's body and tail. The art team decided
to move away from these depictions, concentrating on the
details of her appearance. The snakes are based on actual
Greek species found on the islands and mainland Greece. Her
dress is made from targe swathes of snake skin, suggesting
even bigger serpents once existed. “Medusa is represented in
her Greek form, as a humanoid woman, rather than in the
Roman version that would follow," explains art director
Thierry Dansereau. She is, after all, a woman transformed by
an ancient artifact, rather than the will of the gods.
Perseus was the Greek hero who ultimately killed Medusa. He
was the son of Zeus and Danai, and he promised to obtain the
head of Medusa to King Polydektes. Medusa was a gorgon, a
female monster that had living snakes on her head instead of
locks of hair. Her gaze petrified all who locked eyes with her,
and turned them to stone.
Perseus went to the Hesperides to acquire the weapon that
would help him defeat Medusa. They also gave him a sack to
hold her head (kibisis). He received a sword [harpe) from
Zeus, winged sandals from Hermes, a shiny shield from
Athena, and the ability to hide from Hades.
When Perseus entered Medusa's cave, he used the shield's
reflection to avoid eye contact, and successfully decapitated
her.
Perseus used the head of Medusa as a weapon, but later gave
itas a gift to Athena, who placed the head of the gorgon
(gorgoneion) on her shield, or the Aegis.
Where better to have the home of the notorious Medusa,
famous for turning her victims to stone, than in a petrified
forest. As one of the most well-known creatures from Greek
myth, featuring in countless books, movies, and historical
records, it was a challenge for the development team to strip
away the previous incarnations and start fresh. In mythology,
Medusa was one of the three Gorgons, sisters with wings and
snakes for hair, able to petrify onlookers. The Medusa in
Assassin's Creed Odyssey is a woman, transformed by a First
Civilization artifact into a creature of great power. As such,
her temple features the classic geometry and architecture of
First Civilization constructions, and is the only open-air First
Civilization temple in game.
The third labor of Herakles was to capture the Keryneian Hind,
a beast notoriously faster than an arrow.
This particular labor was not about strength, but about speed
and patience. Herakles chased the hind on foot for over a year
-in Thrace, and as far as Istria in the Adriatic Sea. However,
there's more than one legend that tells of its capture. In one
version, Herakles caught the hind when it was asleep with a
trap-net or a thrown arrow. In another, it was Artemis -
whose sacred animal was the hind - who helped Herakles
after he told the goddess that he didn't intend on desecrating
the animal.