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{{Quote|[[Ezio's Apple of Eden|The Apple]] has been put to rest, perhaps it would do you good to focus on painting. You seem to be doing decent work on this one.|Ezio Auditore da Firenze remarking on the ''Mona Lisa''.|Assassin's Creed: Brotherhood}}
{{Quote|[[Ezio's Apple of Eden|The Apple]] has been put to rest, perhaps it would do you good to focus on painting. You seem to be doing decent work on this one.|Ezio Auditore da Firenze remarking on the ''Mona Lisa''.|Assassin's Creed: Brotherhood}}
[[File:ACRef Mona Lisa.jpg|thumb|200px|Lisa del Giocondo]]
'''Lisa del Giocondo''' (June 15, 1479 – July 15, 1542), born '''Lisa Gherardini''' and posthumously known as '''Mona Lisa''', was an [[Italy|italian]] noblewoman and a conquest of [[Assassin]] [[Ezio Auditore da Firenze]]. Centuries after her death, Lisa passed to posterity thanks to a famous painting made by [[Leonardo da Vinci]], which depicted her.
'''Lisa del Giocondo''' (June 15, 1479 – July 15, 1542), born '''Lisa Gherardini''' and posthumously known as '''Mona Lisa''', was an [[Italy|italian]] noblewoman and a conquest of [[Assassin]] [[Ezio Auditore da Firenze]]. Centuries after her death, Lisa passed to posterity thanks to a famous painting made by [[Leonardo da Vinci]], which depicted her.


==Biography==
==Biography==
In 1504, while visiting her father's land near [[Florence]], Lisa rescued Ezio after she found him uncouncious and laying among the bodies of mercenaries sent by [[Cesare Borgia]] that he just killed. While his injuries healed, Ezio stayed in the barn during several days with Lisa hidding him and tending to his wounds. During their time together, they developed mutual feelings but due to Lisa's loyalty to her family and Ezio's commitment to the Brotherhood, the Assassin left before anything could happen.<ref name="ACRef">''[[Assassin's Creed: Reflections]] #01''</ref>
In 1504, while visiting her father's lands near [[Florence]], Lisa rescued Ezio after she found him uncouncious and laying among the bodies of mercenaries sent by [[Cesare Borgia]] that he just killed. While his injuries healed, Ezio stayed in the barn during several days with Lisa hidding him and tending to his wounds. During their time together, they developed mutual feelings but due to Lisa's loyalty to her family and Ezio's commitment to the Brotherhood, the Assassin left before anything could happen.<ref name="ACRef">''[[Assassin's Creed: Reflections]] #01''</ref>


They met again a year later, as Ezio visited Leonardo after saving the unaware maestro from assassins sent after him. Entering his workshop, Ezio discovered Lisa posing for Leonardo. Upon recognizing him, the young lady gratified him with a little smile which Leonardo asked her to keep for the paint. Deciding not to disturb the artist, Ezio left without speaking to Lisa and they never saw each other again.<ref name="ACRef" />  
They met again a year later, as Ezio visited Leonardo after saving the unaware maestro from assassins sent after him. Entering his workshop, Ezio discovered Lisa posing for Leonardo. Upon recognizing him, the young lady gratified him with a little smile which Leonardo asked her to keep for the paint. Deciding not to disturb the artist, Ezio left without speaking to Lisa and they never saw each other again.<ref name="ACRef" />  
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Upon first seeing the work in progress in 1506, [[Ezio Auditore da Firenze]] remarked positively about the piece; however, Leonardo rebuked that Lisa was "badly drawn", with an overdone, meaningless smile.<ref name="ACB">''[[Assassin's Creed: Brotherhood]]'' - ''[[The Da Vinci Disappearance]]''</ref>  
Upon first seeing the work in progress in 1506, [[Ezio Auditore da Firenze]] remarked positively about the piece; however, Leonardo rebuked that Lisa was "badly drawn", with an overdone, meaningless smile.<ref name="ACB">''[[Assassin's Creed: Brotherhood]]'' - ''[[The Da Vinci Disappearance]]''</ref>  


In 1519, in order to entertain a dying Leonardo, Ezio revealed to his friend that how he met Lisa before she posed for him.<ref name="ACRef" /> Shortly before his death, Leonardo gave the painting depicting Lisa to his longtime assistant, [[Salaì]].<ref name="ACB" />
In 1519, in order to entertain a dying Leonardo, Ezio revealed to his friend how he met Lisa before she posed for him.<ref name="ACRef" /> Shortly before his death, Leonardo gave the painting depicting Lisa to his longtime assistant, [[Salaì]].<ref name="ACB" />


==Gallery==
==Gallery==
<gallery captionalign="center" position="center" spacing="small" widths="180">
<gallery captionalign="center" position="center" spacing="small" widths="180">
A Roll of the Dice 3.png|Ezio and Leonardo looking at the unfinished ''Mona Lisa''
A Roll of the Dice 3.png|Ezio and Leonardo looking at the unfinished ''Mona Lisa''
ACRef Lisa & Ezio.jpg|Lisa and Ezio parting ways in 1504
</gallery>
</gallery>



Revision as of 21:48, 11 March 2017


"The Apple has been put to rest, perhaps it would do you good to focus on painting. You seem to be doing decent work on this one."
―Ezio Auditore da Firenze remarking on the Mona Lisa.[src]
File:ACRef Mona Lisa.jpg
Lisa del Giocondo

Lisa del Giocondo (June 15, 1479 – July 15, 1542), born Lisa Gherardini and posthumously known as Mona Lisa, was an italian noblewoman and a conquest of Assassin Ezio Auditore da Firenze. Centuries after her death, Lisa passed to posterity thanks to a famous painting made by Leonardo da Vinci, which depicted her.

Biography

In 1504, while visiting her father's lands near Florence, Lisa rescued Ezio after she found him uncouncious and laying among the bodies of mercenaries sent by Cesare Borgia that he just killed. While his injuries healed, Ezio stayed in the barn during several days with Lisa hidding him and tending to his wounds. During their time together, they developed mutual feelings but due to Lisa's loyalty to her family and Ezio's commitment to the Brotherhood, the Assassin left before anything could happen.[1]

They met again a year later, as Ezio visited Leonardo after saving the unaware maestro from assassins sent after him. Entering his workshop, Ezio discovered Lisa posing for Leonardo. Upon recognizing him, the young lady gratified him with a little smile which Leonardo asked her to keep for the paint. Deciding not to disturb the artist, Ezio left without speaking to Lisa and they never saw each other again.[1]

Upon first seeing the work in progress in 1506, Ezio Auditore da Firenze remarked positively about the piece; however, Leonardo rebuked that Lisa was "badly drawn", with an overdone, meaningless smile.[2]

In 1519, in order to entertain a dying Leonardo, Ezio revealed to his friend how he met Lisa before she posed for him.[1] Shortly before his death, Leonardo gave the painting depicting Lisa to his longtime assistant, Salaì.[2]

Gallery

Reference