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	<id>https://assassinscreedwiki.accesstheanimus.com/index.php?action=history&amp;feed=atom&amp;title=The_Art_of_War</id>
	<title>The Art of War - Revision history</title>
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	<updated>2026-06-14T07:21:57Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
	<generator>MediaWiki 1.42.3</generator>
	<entry>
		<id>https://assassinscreedwiki.accesstheanimus.com/index.php?title=The_Art_of_War&amp;diff=512300&amp;oldid=prev</id>
		<title>imported&gt;Soranin at 14:34, 22 February 2025</title>
		<link rel="alternate" type="text/html" href="https://assassinscreedwiki.accesstheanimus.com/index.php?title=The_Art_of_War&amp;diff=512300&amp;oldid=prev"/>
		<updated>2025-02-22T14:34:42Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:34, 22 February 2025&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l10&quot;&gt;Line 10:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 10:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 756, as the last surviving [[Hidden Ones of the Great Desert|Hidden One of the Great Desert]], [[Li E]], made his escape from the [[Golden Turtles]]&#039; captivity within the [[Mengshan Giant Buddha]], he composed himself for a [[Leap of Faith]] by reciting this line, having made peace with the loss of his mentor [[Éléna]] and his other comrades. Before the [[Soldier|guards]] pursuing him could reach him, he dived from the Buddha&#039;s eye into the river below with the affirmation that he was a &quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Hidden Ones of the Great Tang|&lt;/del&gt;Hidden One of the Great Tang&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]]&lt;/del&gt;.&amp;lt;ref name=&quot;Dynasty 33&quot;&amp;gt;&#039;&#039;[[Assassin&#039;s Creed: Dynasty]]&#039;&#039; – [[The Hidden Ones (Part 1)]]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 756, as the last surviving [[Hidden Ones of the Great Desert|Hidden One of the Great Desert]], [[Li E]], made his escape from the [[Golden Turtles]]&#039; captivity within the [[Mengshan Giant Buddha]], he composed himself for a [[Leap of Faith]] by reciting this line, having made peace with the loss of his mentor [[Éléna]] and his other comrades. Before the [[Soldier|guards]] pursuing him could reach him, he dived from the Buddha&#039;s eye into the river below with the affirmation that he was a &quot;Hidden One of the Great Tang&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&quot;&lt;/ins&gt;.&amp;lt;ref name=&quot;Dynasty 33&quot;&amp;gt;&#039;&#039;[[Assassin&#039;s Creed: Dynasty]]&#039;&#039; – [[The Hidden Ones (Part 1)]]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Appearances==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Appearances==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Soranin</name></author>
	</entry>
	<entry>
		<id>https://assassinscreedwiki.accesstheanimus.com/index.php?title=The_Art_of_War&amp;diff=512299&amp;oldid=prev</id>
		<title>imported&gt;Darman36 at 20:35, 13 August 2024</title>
		<link rel="alternate" type="text/html" href="https://assassinscreedwiki.accesstheanimus.com/index.php?title=The_Art_of_War&amp;diff=512299&amp;oldid=prev"/>
		<updated>2024-08-13T20:35:22Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 22:35, 13 August 2024&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l2&quot;&gt;Line 2:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 2:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Art of War&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (孫子兵法), written by [[Sun Tzu]], is one of the most influential treatises on the fundamental principles, stratagems, and logistics of war.&amp;lt;ref name=&amp;quot;Honig 2012&amp;quot;&amp;gt;Sun Wu. Introduction to &amp;#039;&amp;#039;The Art of War&amp;#039;&amp;#039;. Illustrated Edition, pp. 8–20. Translated by Lionel Giles. Introduction by Jan Willem Honig. New York, NY: Fall River Press, 2014.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Art of War&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (孫子兵法), written by [[Sun Tzu]], is one of the most influential treatises on the fundamental principles, stratagems, and logistics of war.&amp;lt;ref name=&amp;quot;Honig 2012&amp;quot;&amp;gt;Sun Wu. Introduction to &amp;#039;&amp;#039;The Art of War&amp;#039;&amp;#039;. Illustrated Edition, pp. 8–20. Translated by Lionel Giles. Introduction by Jan Willem Honig. New York, NY: Fall River Press, 2014.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It was significant for not only conventional military forces but also for &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;the covert action philosophy of &lt;/del&gt;the [[Hidden Ones]]. Its influence can be witnessed in the way the Chinese Hidden Ones translated the name of their organization: 無形者 (Mandarin: &#039;&#039;Wúxíngzhě&#039;&#039;, Cantonese: &#039;&#039;Mòuyìng-tsé&#039;&#039;), literally meaning &#039;Those who are Formless&#039;. The term [[wikt:無形|無形]] (Mandarin: &#039;&#039;wúxíng&#039;&#039;, Cantonese: &#039;&#039;mòuyìng&#039;&#039;) or &#039;&#039;Formless&#039;&#039; refers to a state of being imperceptible, such that actions and intentions are indiscernible, and this quality is referenced in the sixth chapter, &quot;Weak Points and Strong&quot; (虛實):&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It was significant for not only conventional military forces but also for the [[&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Assassins|&lt;/ins&gt;Hidden Ones]]&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039; covert action philosophy&lt;/ins&gt;. Its influence can be witnessed in the way the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Chinese Brotherhood of Assassins|&lt;/ins&gt;Chinese Hidden Ones&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;translated the name of their organization: 無形者 (Mandarin: &#039;&#039;Wúxíngzhě&#039;&#039;, Cantonese: &#039;&#039;Mòuyìng-tsé&#039;&#039;), literally meaning &#039;Those who are Formless&#039;. The term [[wikt:無形|無形]] (Mandarin: &#039;&#039;wúxíng&#039;&#039;, Cantonese: &#039;&#039;mòuyìng&#039;&#039;) or &#039;&#039;Formless&#039;&#039; refers to a state of being imperceptible, such that actions and intentions are indiscernible, and this quality is referenced in the sixth chapter, &quot;Weak Points and Strong&quot; (虛實):&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;「故形兵之極，至于&#039;&#039;&#039;無形&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;；&#039;&#039;&#039;&lt;/del&gt;無形&#039;&#039;&#039;，則深間不能窺，智者不能謀。亅 {{c|Chapter VI, line 6}}&amp;lt;ref name=&quot;Sun Tzu&quot;&amp;gt;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;孫武 [Sun Wu]. 虛實 [&quot;Weak Points and Strong&quot;]. In 孫子兵法 [&#039;&#039;The Art of War&#039;&#039;]. &#039;&#039;Chinese Text Project&#039;&#039;. Accessed 16 April 2023. &lt;/del&gt;https://ctext.org/art-of-war/weak-points-and-strong&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/del&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;「故形兵之極，至于&#039;&#039;&#039;無形&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;; &lt;/ins&gt;無形&#039;&#039;&#039;，則深間不能窺，智者不能謀。亅 {{c|Chapter VI, line 6}}&amp;lt;ref name=&quot;Sun Tzu&quot;&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{Cite web|url=&lt;/ins&gt;https://ctext.org/art-of-war/weak-points-and-strong&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;|title=孫子兵法: 虛實|transtitle=The Art of War: Weak Points and Strong|archiveurl=|archivedate=|author=孫武 [Sun Wu]|date=|publisher=&#039;&#039;{{Wiki|Chinese Text Project}}&#039;&#039;|accessdate=16 April 2023}}&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;In making tactical dispositions, the highest pitch you can attain is to &#039;&#039;&#039;conceal them&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/del&gt;; &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&#039;&lt;/del&gt;conceal your dispositions&#039;&#039;&#039;, and you will be safe from the prying of the subtlest spies, from the machinations of the wisest brains.&quot; {{c|Translated by {{wiki|Lionel Giles}}, 1910}}&amp;lt;ref name=&quot;Fall River Press&quot;&amp;gt;Sun Wu, &quot;Weak Points and Strong&quot;, translated by Lionel Giles, pp. 124–135.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;In making tactical dispositions, the highest pitch you can attain is to &#039;&#039;&#039;conceal them; conceal your dispositions&#039;&#039;&#039;, and you will be safe from the prying of the subtlest spies, from the machinations of the wisest brains.&quot; {{c|Translated by {{wiki|Lionel Giles}}, 1910}}&amp;lt;ref name=&quot;Fall River Press&quot;&amp;gt;Sun Wu, &quot;Weak Points and Strong&quot;, translated by Lionel Giles, pp. 124–135.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Therefore the pinnacle of troop formation lies in being &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;; be &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;, and even the most immersed of spies would not be able to pry, nor would the wisest be able to scheme.&amp;quot; {{c|Original wiki translation}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Therefore the pinnacle of troop formation lies in being &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;; be &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;, and even the most immersed of spies would not be able to pry, nor would the wisest be able to scheme.&amp;quot; {{c|Original wiki translation}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 756, as the last surviving [[Hidden Ones of the Great Desert|Hidden One of the Great Desert]], [[Li E]], made his escape from the [[Golden Turtles]]&#039; captivity within the [[Mengshan Giant Buddha]], he composed himself for a [[Leap of Faith]] by reciting this line, having made peace with the loss of his mentor [[Éléna]] and his other comrades. Before the guards pursuing him could reach him, he dived from the Buddha&#039;s eye into the river below with the affirmation that he was a &quot;[[Hidden Ones of the Great Tang|Hidden One of the Great Tang]].&amp;lt;ref name=&quot;Dynasty 33&quot;&amp;gt;&#039;&#039;[[Assassin&#039;s Creed: Dynasty]]&#039;&#039; – [[The Hidden Ones (Part 1)]]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In 756, as the last surviving [[Hidden Ones of the Great Desert|Hidden One of the Great Desert]], [[Li E]], made his escape from the [[Golden Turtles]]&#039; captivity within the [[Mengshan Giant Buddha]], he composed himself for a [[Leap of Faith]] by reciting this line, having made peace with the loss of his mentor [[Éléna]] and his other comrades. Before the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Soldier|&lt;/ins&gt;guards&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]] &lt;/ins&gt;pursuing him could reach him, he dived from the Buddha&#039;s eye into the river below with the affirmation that he was a &quot;[[Hidden Ones of the Great Tang|Hidden One of the Great Tang]].&amp;lt;ref name=&quot;Dynasty 33&quot;&amp;gt;&#039;&#039;[[Assassin&#039;s Creed: Dynasty]]&#039;&#039; – [[The Hidden Ones (Part 1)]]&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Appearances==&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;==Appearances==&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Darman36</name></author>
	</entry>
	<entry>
		<id>https://assassinscreedwiki.accesstheanimus.com/index.php?title=The_Art_of_War&amp;diff=512298&amp;oldid=prev</id>
		<title>imported&gt;Sol Pacificus at 01:48, 19 April 2023</title>
		<link rel="alternate" type="text/html" href="https://assassinscreedwiki.accesstheanimus.com/index.php?title=The_Art_of_War&amp;diff=512298&amp;oldid=prev"/>
		<updated>2023-04-19T01:48:03Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 03:48, 19 April 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l5&quot;&gt;Line 5:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 5:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;「故形兵之極，至于&amp;#039;&amp;#039;&amp;#039;無形&amp;#039;&amp;#039;&amp;#039;；&amp;#039;&amp;#039;&amp;#039;無形&amp;#039;&amp;#039;&amp;#039;，則深間不能窺，智者不能謀。亅 {{c|Chapter VI, line 6}}&amp;lt;ref name=&amp;quot;Sun Tzu&amp;quot;&amp;gt;孫武 [Sun Wu]. 虛實 [&amp;quot;Weak Points and Strong&amp;quot;]. In 孫子兵法 [&amp;#039;&amp;#039;The Art of War&amp;#039;&amp;#039;]. &amp;#039;&amp;#039;Chinese Text Project&amp;#039;&amp;#039;. Accessed 16 April 2023. https://ctext.org/art-of-war/weak-points-and-strong.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;「故形兵之極，至于&amp;#039;&amp;#039;&amp;#039;無形&amp;#039;&amp;#039;&amp;#039;；&amp;#039;&amp;#039;&amp;#039;無形&amp;#039;&amp;#039;&amp;#039;，則深間不能窺，智者不能謀。亅 {{c|Chapter VI, line 6}}&amp;lt;ref name=&amp;quot;Sun Tzu&amp;quot;&amp;gt;孫武 [Sun Wu]. 虛實 [&amp;quot;Weak Points and Strong&amp;quot;]. In 孫子兵法 [&amp;#039;&amp;#039;The Art of War&amp;#039;&amp;#039;]. &amp;#039;&amp;#039;Chinese Text Project&amp;#039;&amp;#039;. Accessed 16 April 2023. https://ctext.org/art-of-war/weak-points-and-strong.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;In making tactical dispositions, the highest pitch you can attain is to &#039;&#039;&#039;conceal them&#039;&#039;&#039;; &#039;&#039;&#039;conceal your dispositions&#039;&#039;&#039;, and you will be safe from the prying of the subtlest spies, from the machinations of the wisest brains.&quot; {{c|Translated by {{wiki|Lionel Giles}}, 1910}}&amp;lt;ref name=&quot;Fall River Press&quot;&amp;gt;Sun Wu, &quot;Weak Points and Strong&quot;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;translatedd &lt;/del&gt;by Lionel Giles, pp. 124–135.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;In making tactical dispositions, the highest pitch you can attain is to &#039;&#039;&#039;conceal them&#039;&#039;&#039;; &#039;&#039;&#039;conceal your dispositions&#039;&#039;&#039;, and you will be safe from the prying of the subtlest spies, from the machinations of the wisest brains.&quot; {{c|Translated by {{wiki|Lionel Giles}}, 1910}}&amp;lt;ref name=&quot;Fall River Press&quot;&amp;gt;Sun Wu, &quot;Weak Points and Strong&quot;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;translated &lt;/ins&gt;by Lionel Giles, pp. 124–135.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Therefore the pinnacle of troop formation lies in being &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;; be &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;, and even the most immersed of spies would not be able to pry, nor would the wisest be able to scheme.&amp;quot; {{c|Original wiki translation}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Therefore the pinnacle of troop formation lies in being &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;; be &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;, and even the most immersed of spies would not be able to pry, nor would the wisest be able to scheme.&amp;quot; {{c|Original wiki translation}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Sol Pacificus</name></author>
	</entry>
	<entry>
		<id>https://assassinscreedwiki.accesstheanimus.com/index.php?title=The_Art_of_War&amp;diff=512297&amp;oldid=prev</id>
		<title>imported&gt;Sol Pacificus at 14:24, 18 April 2023</title>
		<link rel="alternate" type="text/html" href="https://assassinscreedwiki.accesstheanimus.com/index.php?title=The_Art_of_War&amp;diff=512297&amp;oldid=prev"/>
		<updated>2023-04-18T14:24:09Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 16:24, 18 April 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Era|Culture}}{{WP-REAL}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Era|Culture}}{{WP-REAL}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;The Art of War&#039;&#039;&#039;&#039;&#039; (孫子兵法), written by [[Sun Tzu]], is one of the most influential treatises on the fundamental principles, stratagems, and logistics of war.&amp;lt;ref name=&quot;Honig 2012&quot;&amp;gt;Sun Wu. Introduction to &#039;&#039;The Art of War&#039;&#039;. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Barnes &amp;amp; Noble Signature &lt;/del&gt;Edition, pp. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;xv–xxiii&lt;/del&gt;. Translated by Lionel Giles. Introduction by Jan Willem Honig&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. Supplementary material by Ilmari Käihkö&lt;/del&gt;. New York, NY: &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Sterling Publishing&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2012&lt;/del&gt;.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;The Art of War&#039;&#039;&#039;&#039;&#039; (孫子兵法), written by [[Sun Tzu]], is one of the most influential treatises on the fundamental principles, stratagems, and logistics of war.&amp;lt;ref name=&quot;Honig 2012&quot;&amp;gt;Sun Wu. Introduction to &#039;&#039;The Art of War&#039;&#039;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Illustrated &lt;/ins&gt;Edition, pp. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;8–20&lt;/ins&gt;. Translated by Lionel Giles. Introduction by Jan Willem Honig. New York, NY: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Fall River Press&lt;/ins&gt;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;2014&lt;/ins&gt;.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It was significant for not only conventional military forces but also for the covert action philosophy of the [[Hidden Ones]]. Its influence can be witnessed in the way the Chinese Hidden Ones translated the name of their organization: 無形者 (Mandarin: &#039;&#039;Wúxíngzhě&#039;&#039;, Cantonese: &#039;&#039;Mòuyìng-tsé&#039;&#039;), literally meaning &#039;Those who are Formless&#039;. The term [[wikt:無形|無形]] (Mandarin: &#039;&#039;wúxíng&#039;&#039;, Cantonese: &#039;&#039;mòuyìng&#039;&#039;) or &#039;&#039;Formless&#039;&#039; refers to a state of being imperceptible and &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;indecipherable&lt;/del&gt;, and this quality is referenced in the sixth chapter, &quot;Weak Points and Strong&quot; (虛實):&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It was significant for not only conventional military forces but also for the covert action philosophy of the [[Hidden Ones]]. Its influence can be witnessed in the way the Chinese Hidden Ones translated the name of their organization: 無形者 (Mandarin: &#039;&#039;Wúxíngzhě&#039;&#039;, Cantonese: &#039;&#039;Mòuyìng-tsé&#039;&#039;), literally meaning &#039;Those who are Formless&#039;. The term [[wikt:無形|無形]] (Mandarin: &#039;&#039;wúxíng&#039;&#039;, Cantonese: &#039;&#039;mòuyìng&#039;&#039;) or &#039;&#039;Formless&#039;&#039; refers to a state of being imperceptible&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, such that actions &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;intentions are indiscernible&lt;/ins&gt;, and this quality is referenced in the sixth chapter, &quot;Weak Points and Strong&quot; (虛實):&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;「故形兵之極，至于&#039;&#039;&#039;無形&#039;&#039;&#039;；&#039;&#039;&#039;無形&#039;&#039;&#039;，則深間不能窺，智者不能謀。亅 {{c|Chapter VI, line 6}}&amp;lt;ref name=&quot;Sun Tzu&quot;&amp;gt;Sun Wu. &quot;Weak Points and Strong&quot;. In &#039;&#039;The Art of War&#039;&#039;. &#039;&#039;Chinese Text Project&#039;&#039;. Accessed 16 April 2023. https://ctext.org/art-of-war/weak-points-and-strong.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;「故形兵之極，至于&#039;&#039;&#039;無形&#039;&#039;&#039;；&#039;&#039;&#039;無形&#039;&#039;&#039;，則深間不能窺，智者不能謀。亅 {{c|Chapter VI, line 6}}&amp;lt;ref name=&quot;Sun Tzu&quot;&amp;gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;孫武 [&lt;/ins&gt;Sun Wu&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;虛實 [&lt;/ins&gt;&quot;Weak Points and Strong&quot;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;. In &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;孫子兵法 [&lt;/ins&gt;&#039;&#039;The Art of War&#039;&#039;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;]&lt;/ins&gt;. &#039;&#039;Chinese Text Project&#039;&#039;. Accessed 16 April 2023. https://ctext.org/art-of-war/weak-points-and-strong.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;In making tactical dispositions, the highest pitch you can attain is to &#039;&#039;&#039;conceal them&#039;&#039;&#039;; &#039;&#039;&#039;conceal your dispositions&#039;&#039;&#039;, and you will be safe from the prying of the subtlest spies, from the machinations of the wisest brains.&quot; {{c|Translated by {{wiki|Lionel Giles}}, 1910}}&amp;lt;ref name=&quot;Fall River Press&quot;&amp;gt;Sun Wu&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. &lt;/del&gt;&quot;Weak Points and Strong&quot;&lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;. In &#039;&#039;The Art of War&#039;&#039;. Illustrated Edition&lt;/del&gt;, &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;pp. 124–135. Translated &lt;/del&gt;by Lionel Giles. &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Introduction by Jan Willem Honig. New York, NY: Fall River Press, 2014&lt;/del&gt;.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;In making tactical dispositions, the highest pitch you can attain is to &#039;&#039;&#039;conceal them&#039;&#039;&#039;; &#039;&#039;&#039;conceal your dispositions&#039;&#039;&#039;, and you will be safe from the prying of the subtlest spies, from the machinations of the wisest brains.&quot; {{c|Translated by {{wiki|Lionel Giles}}, 1910}}&amp;lt;ref name=&quot;Fall River Press&quot;&amp;gt;Sun Wu&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, &lt;/ins&gt;&quot;Weak Points and Strong&quot;, &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;translatedd &lt;/ins&gt;by Lionel Giles&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;, pp&lt;/ins&gt;. &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;124–135&lt;/ins&gt;.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Therefore the pinnacle of troop formation lies in being &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;; be &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;, and even the most immersed of spies would not be able to pry, nor would the wisest be able to scheme.&amp;quot; {{c|Original wiki translation}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Therefore the pinnacle of troop formation lies in being &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;; be &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;, and even the most immersed of spies would not be able to pry, nor would the wisest be able to scheme.&amp;quot; {{c|Original wiki translation}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Sol Pacificus</name></author>
	</entry>
	<entry>
		<id>https://assassinscreedwiki.accesstheanimus.com/index.php?title=The_Art_of_War&amp;diff=512296&amp;oldid=prev</id>
		<title>imported&gt;Sol Pacificus at 04:02, 18 April 2023</title>
		<link rel="alternate" type="text/html" href="https://assassinscreedwiki.accesstheanimus.com/index.php?title=The_Art_of_War&amp;diff=512296&amp;oldid=prev"/>
		<updated>2023-04-18T04:02:34Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 06:02, 18 April 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l7&quot;&gt;Line 7:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 7:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;In making tactical dispositions, the highest pitch you can attain is to &amp;#039;&amp;#039;&amp;#039;conceal them&amp;#039;&amp;#039;&amp;#039;; &amp;#039;&amp;#039;&amp;#039;conceal your dispositions&amp;#039;&amp;#039;&amp;#039;, and you will be safe from the prying of the subtlest spies, from the machinations of the wisest brains.&amp;quot; {{c|Translated by {{wiki|Lionel Giles}}, 1910}}&amp;lt;ref name=&amp;quot;Fall River Press&amp;quot;&amp;gt;Sun Wu. &amp;quot;Weak Points and Strong&amp;quot;. In &amp;#039;&amp;#039;The Art of War&amp;#039;&amp;#039;. Illustrated Edition, pp. 124–135. Translated by Lionel Giles. Introduction by Jan Willem Honig. New York, NY: Fall River Press, 2014.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;In making tactical dispositions, the highest pitch you can attain is to &amp;#039;&amp;#039;&amp;#039;conceal them&amp;#039;&amp;#039;&amp;#039;; &amp;#039;&amp;#039;&amp;#039;conceal your dispositions&amp;#039;&amp;#039;&amp;#039;, and you will be safe from the prying of the subtlest spies, from the machinations of the wisest brains.&amp;quot; {{c|Translated by {{wiki|Lionel Giles}}, 1910}}&amp;lt;ref name=&amp;quot;Fall River Press&amp;quot;&amp;gt;Sun Wu. &amp;quot;Weak Points and Strong&amp;quot;. In &amp;#039;&amp;#039;The Art of War&amp;#039;&amp;#039;. Illustrated Edition, pp. 124–135. Translated by Lionel Giles. Introduction by Jan Willem Honig. New York, NY: Fall River Press, 2014.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;Therefore the pinnacle of troop formation &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;is to be &lt;/del&gt;&#039;&#039;&#039;formless&#039;&#039;&#039;; be &#039;&#039;&#039;formless&#039;&#039;&#039;, and even the most immersed of spies would not be able to pry, nor would the wisest be able to scheme.&quot; {{c|Original wiki translation}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;Therefore the pinnacle of troop formation &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;lies in being &lt;/ins&gt;&#039;&#039;&#039;formless&#039;&#039;&#039;; be &#039;&#039;&#039;formless&#039;&#039;&#039;, and even the most immersed of spies would not be able to pry, nor would the wisest be able to scheme.&quot; {{c|Original wiki translation}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;/blockquote&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Sol Pacificus</name></author>
	</entry>
	<entry>
		<id>https://assassinscreedwiki.accesstheanimus.com/index.php?title=The_Art_of_War&amp;diff=512295&amp;oldid=prev</id>
		<title>imported&gt;Sol Pacificus at 03:59, 18 April 2023</title>
		<link rel="alternate" type="text/html" href="https://assassinscreedwiki.accesstheanimus.com/index.php?title=The_Art_of_War&amp;diff=512295&amp;oldid=prev"/>
		<updated>2023-04-18T03:59:28Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:59, 18 April 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l3&quot;&gt;Line 3:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 3:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It was significant for not only conventional military forces but also for the covert action philosophy of the [[Hidden Ones]]. Its influence can be witnessed in the way the Chinese Hidden Ones translated the name of their organization: 無形者 (Mandarin: &amp;#039;&amp;#039;Wúxíngzhě&amp;#039;&amp;#039;, Cantonese: &amp;#039;&amp;#039;Mòuyìng-tsé&amp;#039;&amp;#039;), literally meaning &amp;#039;Those who are Formless&amp;#039;. The term [[wikt:無形|無形]] (Mandarin: &amp;#039;&amp;#039;wúxíng&amp;#039;&amp;#039;, Cantonese: &amp;#039;&amp;#039;mòuyìng&amp;#039;&amp;#039;) or &amp;#039;&amp;#039;Formless&amp;#039;&amp;#039; refers to a state of being imperceptible and indecipherable, and this quality is referenced in the sixth chapter, &amp;quot;Weak Points and Strong&amp;quot; (虛實):&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It was significant for not only conventional military forces but also for the covert action philosophy of the [[Hidden Ones]]. Its influence can be witnessed in the way the Chinese Hidden Ones translated the name of their organization: 無形者 (Mandarin: &amp;#039;&amp;#039;Wúxíngzhě&amp;#039;&amp;#039;, Cantonese: &amp;#039;&amp;#039;Mòuyìng-tsé&amp;#039;&amp;#039;), literally meaning &amp;#039;Those who are Formless&amp;#039;. The term [[wikt:無形|無形]] (Mandarin: &amp;#039;&amp;#039;wúxíng&amp;#039;&amp;#039;, Cantonese: &amp;#039;&amp;#039;mòuyìng&amp;#039;&amp;#039;) or &amp;#039;&amp;#039;Formless&amp;#039;&amp;#039; refers to a state of being imperceptible and indecipherable, and this quality is referenced in the sixth chapter, &amp;quot;Weak Points and Strong&amp;quot; (虛實):&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;「故形兵之極，至于&#039;&#039;&#039;無形&#039;&#039;&#039;；&#039;&#039;&#039;無形&#039;&#039;&#039;，則深間不能窺，智者不能謀。亅 {{c|Chapter VI, line 6}}&amp;lt;ref name=&quot;Sun Tzu&quot;&amp;gt;Sun Wu. &quot;Weak Points and Strong&quot;. In &#039;&#039;The Art of War&#039;&#039;. &#039;&#039;Chinese Text Project&#039;&#039;. Accessed 16 April 2023. https://ctext.org/art-of-war/weak-points-and-strong&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;「故形兵之極，至于&#039;&#039;&#039;無形&#039;&#039;&#039;；&#039;&#039;&#039;無形&#039;&#039;&#039;，則深間不能窺，智者不能謀。亅 {{c|Chapter VI, line 6}}&amp;lt;ref name=&quot;Sun Tzu&quot;&amp;gt;Sun Wu. &quot;Weak Points and Strong&quot;. In &#039;&#039;The Art of War&#039;&#039;. &#039;&#039;Chinese Text Project&#039;&#039;. Accessed 16 April 2023. https://ctext.org/art-of-war/weak-points-and-strong&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;.&lt;/ins&gt;&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;In making tactical dispositions, the highest pitch you can attain is to &amp;#039;&amp;#039;&amp;#039;conceal them&amp;#039;&amp;#039;&amp;#039;; &amp;#039;&amp;#039;&amp;#039;conceal your dispositions&amp;#039;&amp;#039;&amp;#039;, and you will be safe from the prying of the subtlest spies, from the machinations of the wisest brains.&amp;quot; {{c|Translated by {{wiki|Lionel Giles}}, 1910}}&amp;lt;ref name=&amp;quot;Fall River Press&amp;quot;&amp;gt;Sun Wu. &amp;quot;Weak Points and Strong&amp;quot;. In &amp;#039;&amp;#039;The Art of War&amp;#039;&amp;#039;. Illustrated Edition, pp. 124–135. Translated by Lionel Giles. Introduction by Jan Willem Honig. New York, NY: Fall River Press, 2014.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;In making tactical dispositions, the highest pitch you can attain is to &amp;#039;&amp;#039;&amp;#039;conceal them&amp;#039;&amp;#039;&amp;#039;; &amp;#039;&amp;#039;&amp;#039;conceal your dispositions&amp;#039;&amp;#039;&amp;#039;, and you will be safe from the prying of the subtlest spies, from the machinations of the wisest brains.&amp;quot; {{c|Translated by {{wiki|Lionel Giles}}, 1910}}&amp;lt;ref name=&amp;quot;Fall River Press&amp;quot;&amp;gt;Sun Wu. &amp;quot;Weak Points and Strong&amp;quot;. In &amp;#039;&amp;#039;The Art of War&amp;#039;&amp;#039;. Illustrated Edition, pp. 124–135. Translated by Lionel Giles. Introduction by Jan Willem Honig. New York, NY: Fall River Press, 2014.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Sol Pacificus</name></author>
	</entry>
	<entry>
		<id>https://assassinscreedwiki.accesstheanimus.com/index.php?title=The_Art_of_War&amp;diff=512294&amp;oldid=prev</id>
		<title>imported&gt;Sol Pacificus at 18:10, 17 April 2023</title>
		<link rel="alternate" type="text/html" href="https://assassinscreedwiki.accesstheanimus.com/index.php?title=The_Art_of_War&amp;diff=512294&amp;oldid=prev"/>
		<updated>2023-04-17T18:10:18Z</updated>

		<summary type="html">&lt;p&gt;&lt;/p&gt;
&lt;table style=&quot;background-color: #fff; color: #202122;&quot; data-mw=&quot;interface&quot;&gt;
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 20:10, 17 April 2023&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Era|Culture}}{{WP-REAL}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{Era|Culture}}{{WP-REAL}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;The Art of War&#039;&#039;&#039;&#039;&#039; (孫子兵法), written by [[Sun Tzu]], is one of the most influential treatises on the fundamental principles, stratagems, and logistics of war.&amp;lt;ref name=&quot;Honig 2012&quot;&amp;gt;Sun Wu. Introduction to The Art of War. Barnes &amp;amp; Noble Signature Edition, pp. xv–xxiii. Translated by Lionel Giles. Introduction by Jan Willem Honig. Supplementary material by Ilmari Käihkö. New York, NY: Sterling Publishing, 2012.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&#039;&#039;&#039;&#039;&#039;The Art of War&#039;&#039;&#039;&#039;&#039; (孫子兵法), written by [[Sun Tzu]], is one of the most influential treatises on the fundamental principles, stratagems, and logistics of war.&amp;lt;ref name=&quot;Honig 2012&quot;&amp;gt;Sun Wu. Introduction to &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;The Art of War&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;. Barnes &amp;amp; Noble Signature Edition, pp. xv–xxiii. Translated by Lionel Giles. Introduction by Jan Willem Honig. Supplementary material by Ilmari Käihkö. New York, NY: Sterling Publishing, 2012.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It was significant for not only conventional military forces but also for the covert action philosophy of the [[Hidden Ones]]. Its influence can be witnessed in the way the Chinese Hidden Ones translated the name of their organization: 無形者 (Mandarin: &amp;#039;&amp;#039;Wúxíngzhě&amp;#039;&amp;#039;, Cantonese: &amp;#039;&amp;#039;Mòuyìng-tsé&amp;#039;&amp;#039;), literally meaning &amp;#039;Those who are Formless&amp;#039;. The term [[wikt:無形|無形]] (Mandarin: &amp;#039;&amp;#039;wúxíng&amp;#039;&amp;#039;, Cantonese: &amp;#039;&amp;#039;mòuyìng&amp;#039;&amp;#039;) or &amp;#039;&amp;#039;Formless&amp;#039;&amp;#039; refers to a state of being imperceptible and indecipherable, and this quality is referenced in the sixth chapter, &amp;quot;Weak Points and Strong&amp;quot; (虛實):&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;It was significant for not only conventional military forces but also for the covert action philosophy of the [[Hidden Ones]]. Its influence can be witnessed in the way the Chinese Hidden Ones translated the name of their organization: 無形者 (Mandarin: &amp;#039;&amp;#039;Wúxíngzhě&amp;#039;&amp;#039;, Cantonese: &amp;#039;&amp;#039;Mòuyìng-tsé&amp;#039;&amp;#039;), literally meaning &amp;#039;Those who are Formless&amp;#039;. The term [[wikt:無形|無形]] (Mandarin: &amp;#039;&amp;#039;wúxíng&amp;#039;&amp;#039;, Cantonese: &amp;#039;&amp;#039;mòuyìng&amp;#039;&amp;#039;) or &amp;#039;&amp;#039;Formless&amp;#039;&amp;#039; refers to a state of being imperceptible and indecipherable, and this quality is referenced in the sixth chapter, &amp;quot;Weak Points and Strong&amp;quot; (虛實):&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;「故形兵之極，至于&amp;#039;&amp;#039;&amp;#039;無形&amp;#039;&amp;#039;&amp;#039;；&amp;#039;&amp;#039;&amp;#039;無形&amp;#039;&amp;#039;&amp;#039;，則深間不能窺，智者不能謀。亅 {{c|Chapter VI, line 6}}&amp;lt;ref name=&amp;quot;Sun Tzu&amp;quot;&amp;gt;Sun Wu. &amp;quot;Weak Points and Strong&amp;quot;. In &amp;#039;&amp;#039;The Art of War&amp;#039;&amp;#039;. &amp;#039;&amp;#039;Chinese Text Project&amp;#039;&amp;#039;. Accessed 16 April 2023. https://ctext.org/art-of-war/weak-points-and-strong&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;blockquote&amp;gt;「故形兵之極，至于&amp;#039;&amp;#039;&amp;#039;無形&amp;#039;&amp;#039;&amp;#039;；&amp;#039;&amp;#039;&amp;#039;無形&amp;#039;&amp;#039;&amp;#039;，則深間不能窺，智者不能謀。亅 {{c|Chapter VI, line 6}}&amp;lt;ref name=&amp;quot;Sun Tzu&amp;quot;&amp;gt;Sun Wu. &amp;quot;Weak Points and Strong&amp;quot;. In &amp;#039;&amp;#039;The Art of War&amp;#039;&amp;#039;. &amp;#039;&amp;#039;Chinese Text Project&amp;#039;&amp;#039;. Accessed 16 April 2023. https://ctext.org/art-of-war/weak-points-and-strong&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;In making tactical dispositions, the highest pitch you can attain is to &#039;&#039;&#039;conceal them&#039;&#039;&#039;; &#039;&#039;&#039;conceal your dispositions&#039;&#039;&#039;, and you will be safe from the prying of the subtlest spies, from the machinations of the wisest brains.&quot; {{c|Translated by {{wiki|Lionel Giles}}, 1910}}&amp;lt;ref name=&quot;Fall River Press&quot;&amp;gt;Sun Wu. &quot;Weak Points and Strong&quot;. In The Art of War. Illustrated Edition, pp. 124–135. Translated by Lionel Giles. Introduction by Jan Willem Honig. New York, NY: Fall River Press, 2014.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&quot;In making tactical dispositions, the highest pitch you can attain is to &#039;&#039;&#039;conceal them&#039;&#039;&#039;; &#039;&#039;&#039;conceal your dispositions&#039;&#039;&#039;, and you will be safe from the prying of the subtlest spies, from the machinations of the wisest brains.&quot; {{c|Translated by {{wiki|Lionel Giles}}, 1910}}&amp;lt;ref name=&quot;Fall River Press&quot;&amp;gt;Sun Wu. &quot;Weak Points and Strong&quot;. In &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;The Art of War&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;. Illustrated Edition, pp. 124–135. Translated by Lionel Giles. Introduction by Jan Willem Honig. New York, NY: Fall River Press, 2014.&amp;lt;/ref&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Therefore the pinnacle of troop formation is to be &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;; be &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;, and even the most immersed of spies would not be able to pry, nor would the wisest be able to scheme.&amp;quot; {{c|Original wiki translation}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;quot;Therefore the pinnacle of troop formation is to be &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;; be &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;, and even the most immersed of spies would not be able to pry, nor would the wisest be able to scheme.&amp;quot; {{c|Original wiki translation}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>imported&gt;Sol Pacificus</name></author>
	</entry>
	<entry>
		<id>https://assassinscreedwiki.accesstheanimus.com/index.php?title=The_Art_of_War&amp;diff=512293&amp;oldid=prev</id>
		<title>imported&gt;Sol Pacificus: Created page with &quot;{{Era|Culture}}{{WP-REAL}} &#039;&#039;&#039;&#039;&#039;The Art of War&#039;&#039;&#039;&#039;&#039; (孫子兵法), written by Sun Tzu, is one of the most influential treatises on the fundamental principles, stratagems, and logistics of war.&lt;ref name=&quot;Honig 2012&quot;&gt;Sun Wu. Introduction to The Art of War. Barnes &amp; Noble Signature Edition, pp. xv–xxiii. Translated by Lionel Giles. Introduction by Jan Willem Honig. Supplementary material by Ilmari Käihkö. New York, NY: Sterling Publishing, 2012.&lt;/ref&gt;  It was signi...&quot;</title>
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		<updated>2023-04-17T18:09:31Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;{{Era|Culture}}{{WP-REAL}} &amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Art of War&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (孫子兵法), written by &lt;a href=&quot;/wiki/Sun_Tzu&quot; title=&quot;Sun Tzu&quot;&gt;Sun Tzu&lt;/a&gt;, is one of the most influential treatises on the fundamental principles, stratagems, and logistics of war.&amp;lt;ref name=&amp;quot;Honig 2012&amp;quot;&amp;gt;Sun Wu. Introduction to The Art of War. Barnes &amp;amp; Noble Signature Edition, pp. xv–xxiii. Translated by Lionel Giles. Introduction by Jan Willem Honig. Supplementary material by Ilmari Käihkö. New York, NY: Sterling Publishing, 2012.&amp;lt;/ref&amp;gt;  It was signi...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;Páàjì titun&lt;/b&gt;&lt;/p&gt;&lt;div&gt;{{Era|Culture}}{{WP-REAL}}&lt;br /&gt;
&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039;The Art of War&amp;#039;&amp;#039;&amp;#039;&amp;#039;&amp;#039; (孫子兵法), written by [[Sun Tzu]], is one of the most influential treatises on the fundamental principles, stratagems, and logistics of war.&amp;lt;ref name=&amp;quot;Honig 2012&amp;quot;&amp;gt;Sun Wu. Introduction to The Art of War. Barnes &amp;amp; Noble Signature Edition, pp. xv–xxiii. Translated by Lionel Giles. Introduction by Jan Willem Honig. Supplementary material by Ilmari Käihkö. New York, NY: Sterling Publishing, 2012.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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It was significant for not only conventional military forces but also for the covert action philosophy of the [[Hidden Ones]]. Its influence can be witnessed in the way the Chinese Hidden Ones translated the name of their organization: 無形者 (Mandarin: &amp;#039;&amp;#039;Wúxíngzhě&amp;#039;&amp;#039;, Cantonese: &amp;#039;&amp;#039;Mòuyìng-tsé&amp;#039;&amp;#039;), literally meaning &amp;#039;Those who are Formless&amp;#039;. The term [[wikt:無形|無形]] (Mandarin: &amp;#039;&amp;#039;wúxíng&amp;#039;&amp;#039;, Cantonese: &amp;#039;&amp;#039;mòuyìng&amp;#039;&amp;#039;) or &amp;#039;&amp;#039;Formless&amp;#039;&amp;#039; refers to a state of being imperceptible and indecipherable, and this quality is referenced in the sixth chapter, &amp;quot;Weak Points and Strong&amp;quot; (虛實):&lt;br /&gt;
&amp;lt;blockquote&amp;gt;「故形兵之極，至于&amp;#039;&amp;#039;&amp;#039;無形&amp;#039;&amp;#039;&amp;#039;；&amp;#039;&amp;#039;&amp;#039;無形&amp;#039;&amp;#039;&amp;#039;，則深間不能窺，智者不能謀。亅 {{c|Chapter VI, line 6}}&amp;lt;ref name=&amp;quot;Sun Tzu&amp;quot;&amp;gt;Sun Wu. &amp;quot;Weak Points and Strong&amp;quot;. In &amp;#039;&amp;#039;The Art of War&amp;#039;&amp;#039;. &amp;#039;&amp;#039;Chinese Text Project&amp;#039;&amp;#039;. Accessed 16 April 2023. https://ctext.org/art-of-war/weak-points-and-strong&amp;lt;/ref&amp;gt;&lt;br /&gt;
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&amp;quot;In making tactical dispositions, the highest pitch you can attain is to &amp;#039;&amp;#039;&amp;#039;conceal them&amp;#039;&amp;#039;&amp;#039;; &amp;#039;&amp;#039;&amp;#039;conceal your dispositions&amp;#039;&amp;#039;&amp;#039;, and you will be safe from the prying of the subtlest spies, from the machinations of the wisest brains.&amp;quot; {{c|Translated by {{wiki|Lionel Giles}}, 1910}}&amp;lt;ref name=&amp;quot;Fall River Press&amp;quot;&amp;gt;Sun Wu. &amp;quot;Weak Points and Strong&amp;quot;. In The Art of War. Illustrated Edition, pp. 124–135. Translated by Lionel Giles. Introduction by Jan Willem Honig. New York, NY: Fall River Press, 2014.&amp;lt;/ref&amp;gt;&lt;br /&gt;
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&amp;quot;Therefore the pinnacle of troop formation is to be &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;; be &amp;#039;&amp;#039;&amp;#039;formless&amp;#039;&amp;#039;&amp;#039;, and even the most immersed of spies would not be able to pry, nor would the wisest be able to scheme.&amp;quot; {{c|Original wiki translation}}&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
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In 756, as the last surviving [[Hidden Ones of the Great Desert|Hidden One of the Great Desert]], [[Li E]], made his escape from the [[Golden Turtles]]&amp;#039; captivity within the [[Mengshan Giant Buddha]], he composed himself for a [[Leap of Faith]] by reciting this line, having made peace with the loss of his mentor [[Éléna]] and his other comrades. Before the guards pursuing him could reach him, he dived from the Buddha&amp;#039;s eye into the river below with the affirmation that he was a &amp;quot;[[Hidden Ones of the Great Tang|Hidden One of the Great Tang]].&amp;lt;ref name=&amp;quot;Dynasty 33&amp;quot;&amp;gt;&amp;#039;&amp;#039;[[Assassin&amp;#039;s Creed: Dynasty]]&amp;#039;&amp;#039; – [[The Hidden Ones (Part 1)]]&amp;lt;/ref&amp;gt;&lt;br /&gt;
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==Appearances==&lt;br /&gt;
*&amp;#039;&amp;#039;[[Assassin&amp;#039;s Creed: Dynasty]]&amp;#039;&amp;#039; {{Mo}}&lt;br /&gt;
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==References==&lt;br /&gt;
{{Reflist}}&lt;br /&gt;
[[Category:Books]]&lt;/div&gt;</summary>
		<author><name>imported&gt;Sol Pacificus</name></author>
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