Raphael - Revision history

imported>Gener4l Cl4ank4 at 17:53, 7 October 2025

2025-10-07T17:53:41Z

← Older revision		Revision as of 19:53, 7 October 2025
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	Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref name="Wiki"/>		Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref name="Wiki"/>

	During the period ~~of time that~~ Raphael painted most of his works, the [[Assassins\|Assassin]] [[Ezio Auditore da Firenze]] ~~purchased~~ several of them for his [[Tiber Island headquarters\|hideout]] on [[Tiber Island]], including but not limited to the {{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|fragments}} of the ''{{Wiki\|Baronci Altarpiece}}''.<ref>''[[Assassin's Creed: Brotherhood]]''</ref>		During the period when Raphael painted most of his works, the [[Assassins\|Assassin]] [[Ezio Auditore da Firenze\|Ezio Auditore]] bought several of them for his [[Tiber Island headquarters\|hideout]] on [[Tiber Island]], including but not limited to the {{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|fragments}} of the ''{{Wiki\|Baronci Altarpiece}}''.<ref>''[[Assassin's Creed: Brotherhood]]''</ref>

	===Legacy===		===Legacy===

imported>Gener4l Cl4ank4 at 17:51, 7 October 2025

2025-10-07T17:51:40Z

← Older revision		Revision as of 19:51, 7 October 2025
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	Around 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, he produced the ''[[Marriage of the Virgin]]'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-portrait (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture.<ref name="Wiki"/>		Around 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, he produced the ''[[Marriage of the Virgin]]'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-portrait (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture.<ref name="Wiki"/>

	Around 1504-1505, Raphael painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, he created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. That same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture. Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref name="Wiki"/>		Around 1504-1505, Raphael painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, he created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. That same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture.<ref name="Wiki"/>

	During the period of time Raphael painted most of his works, the [[Assassins\|Assassin]] [[Ezio Auditore da Firenze]] ~~bought~~ several of them for his [[Tiber Island headquarters\|hideout]] on [[Tiber Island]], including but not limited to the {{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|fragments}} of the ''{{Wiki\|Baronci Altarpiece}}''.<ref>''[[Assassin's Creed: Brotherhood]]''</ref>		Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref name="Wiki"/>

			During the period of time that Raphael painted most of his works, the [[Assassins\|Assassin]] [[Ezio Auditore da Firenze]] purchased several of them for his [[Tiber Island headquarters\|hideout]] on [[Tiber Island]], including but not limited to the {{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|fragments}} of the ''{{Wiki\|Baronci Altarpiece}}''.<ref>''[[Assassin's Creed: Brotherhood]]''</ref>

	===Legacy===		===Legacy===

imported>Gener4l Cl4ank4 at 17:38, 7 October 2025

2025-10-07T17:38:17Z

← Older revision		Revision as of 19:38, 7 October 2025
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	In the late 15th and early 16th centuries, Raphael engaged in a prolific period of painting. In December 1500, he, along with {{Wiki\|Evangelista da Pian di Meleto}}, received a {{Wiki\|Baronci Altarpiece\|commission}} to paint an altarpiece dedicated to {{Wiki\|Saint Nicholas of Tolentino}}, signaling the commencement of his significant contributions to Renaissance art. Around 1499-1502, he depicted the ''{{Wiki\|Resurrection of Christ (Raphael)\|Resurrection of Christ}}'', showcasing his early mastery.<ref name="Wiki">{{WP\|Raphael}}</ref>		In the late 15th and early 16th centuries, Raphael engaged in a prolific period of painting. In December 1500, he, along with {{Wiki\|Evangelista da Pian di Meleto}}, received a {{Wiki\|Baronci Altarpiece\|commission}} to paint an altarpiece dedicated to {{Wiki\|Saint Nicholas of Tolentino}}, signaling the commencement of his significant contributions to Renaissance art. Around 1499-1502, he depicted the ''{{Wiki\|Resurrection of Christ (Raphael)\|Resurrection of Christ}}'', showcasing his early mastery.<ref name="Wiki">{{WP\|Raphael}}</ref>

	In 1501, Raphael painted ''{{Wiki\|St. Sebastian (Raphael)\|St. Sebastian}}'', capturing the saint's martyrdom with artistic finesse. By 1502, he crafted the ''{{Wiki\|Mond Crucifixion}}'', revealing his evolving skills in religious subjects. In 1503, he painted the ''{{Wiki\|Vision of a Knight (Raphael)\|Vision of a Knight}}'', exhibiting a blend of narrative and artistic imagination. Around 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, he produced the ''[[Marriage of the Virgin]]'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-portrait (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture.		In 1501, Raphael painted ''{{Wiki\|St. Sebastian (Raphael)\|St. Sebastian}}'', capturing the saint's martyrdom with artistic finesse. By 1502, he crafted the ''{{Wiki\|Mond Crucifixion}}'', revealing his evolving skills in religious subjects. In 1503, he painted the ''{{Wiki\|Vision of a Knight (Raphael)\|Vision of a Knight}}'', exhibiting a blend of narrative and artistic imagination.<ref name="Wiki"/>

			Around 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, he produced the ''[[Marriage of the Virgin]]'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-portrait (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture.<ref name="Wiki"/>

	Around 1504-1505, Raphael painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, he created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. That same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture. Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref name="Wiki"/>		Around 1504-1505, Raphael painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, he created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. That same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture. Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref name="Wiki"/>

imported>Gener4l Cl4ank4 at 13:43, 6 July 2025

2025-07-06T13:43:12Z

← Older revision		Revision as of 15:43, 6 July 2025
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	\| birth = 28 March ''or'' 6 April 1483<br>[[Urbino]], {{Wiki\|Duchy of Urbino}}		\| birth = 28 March ''or'' 6 April 1483<br>[[Urbino]], {{Wiki\|Duchy of Urbino}}
	\| death = 6 April 1520 {{c\|aged 37}}<br>[[Rome]], {{Wiki\|Papal States}}		\| death = 6 April 1520 {{c\|aged 37}}<br>[[Rome]], {{Wiki\|Papal States}}
	\| species = [[Human]]}}		\| species = [[Human]]
			}}
	'''Raffaello Sanzio da Urbino''' (1483 – 1520), later known commonly as '''Raphael''', was an [[Italy\|Italian]] painter and architect of the High [[Renaissance]]. Along with [[Michelangelo]] and [[Leonardo da Vinci]], he was considered one of the great masters of the time.		'''Raffaello Sanzio da Urbino''' (1483 – 1520), later known commonly as '''Raphael''', was an [[Italy\|Italian]] painter and architect of the High [[Renaissance]]. Along with [[Michelangelo]] and [[Leonardo da Vinci]], he was considered one of the great masters of the time.

	==Biography==		==Biography==
	===Renaissance paintings===		===Renaissance paintings===
	In the late 15th and early 16th centuries, ~~the renowned artist~~ Raphael engaged in a prolific period of painting. In December 1500, ~~Raphael~~, along with {{Wiki\|Evangelista da Pian di Meleto}}, received a {{Wiki\|Baronci Altarpiece\|commission}} to paint an altarpiece dedicated to {{Wiki\|Saint Nicholas of Tolentino}}, signaling the commencement of his significant contributions to Renaissance art. Around 1499-1502, he depicted the ''{{Wiki\|Resurrection of Christ (Raphael)\|Resurrection of Christ}}'', showcasing his early mastery. In 1501, Raphael painted ''{{Wiki\|St. Sebastian (Raphael)\|St. Sebastian}}'', capturing the saint's martyrdom with artistic finesse. By 1502, ~~Raphael~~ crafted the ''{{Wiki\|Mond Crucifixion}}'', revealing his evolving skills in religious subjects. In 1503, he painted the ''{{Wiki\|Vision of a Knight (Raphael)\|Vision of a Knight}}'', exhibiting a blend of narrative and artistic imagination. Around c. 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, ~~Raphael~~ produced the ''[[Marriage of the Virgin]]'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-portrait (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture. Around 1504-1505, he painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, ~~Raphael~~ created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. ~~In the~~ same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture. Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref~~>{{WP\|Raphael}}<~~/~~ref~~>		In the late 15th and early 16th centuries, Raphael engaged in a prolific period of painting. In December 1500, he, along with {{Wiki\|Evangelista da Pian di Meleto}}, received a {{Wiki\|Baronci Altarpiece\|commission}} to paint an altarpiece dedicated to {{Wiki\|Saint Nicholas of Tolentino}}, signaling the commencement of his significant contributions to Renaissance art. Around 1499-1502, he depicted the ''{{Wiki\|Resurrection of Christ (Raphael)\|Resurrection of Christ}}'', showcasing his early mastery.<ref name="Wiki">{{WP\|Raphael}}</ref>

			In 1501, Raphael painted ''{{Wiki\|St. Sebastian (Raphael)\|St. Sebastian}}'', capturing the saint's martyrdom with artistic finesse. By 1502, he crafted the ''{{Wiki\|Mond Crucifixion}}'', revealing his evolving skills in religious subjects. In 1503, he painted the ''{{Wiki\|Vision of a Knight (Raphael)\|Vision of a Knight}}'', exhibiting a blend of narrative and artistic imagination. Around 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, he produced the ''[[Marriage of the Virgin]]'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-portrait (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture.

			Around 1504-1505, Raphael painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, he created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. That same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture. Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref name="Wiki"/>

	During the period of time Raphael painted most of his works, the [[Assassins\|Assassin]] [[Ezio Auditore da Firenze]] bought several of them for his [[Tiber Island headquarters\|hideout]] on [[Tiber Island]]~~. Including~~ but not limited; to the {{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|fragments}} of the ''{{Wiki\|Baronci Altarpiece}}''.<ref>''[[Assassin's Creed: Brotherhood]]''</ref>		During the period of time Raphael painted most of his works, the [[Assassins\|Assassin]] [[Ezio Auditore da Firenze]] bought several of them for his [[Tiber Island headquarters\|hideout]] on [[Tiber Island]], including but not limited to the {{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|fragments}} of the ''{{Wiki\|Baronci Altarpiece}}''.<ref>''[[Assassin's Creed: Brotherhood]]''</ref>

	===Legacy===		===Legacy===
	In 2012, Raphael was represented in the Artists [[Mnemonic sets#Artists\|mnemonic set]] in ''[[Project Legacy]]''.<ref>''[[Assassin's Creed: Project Legacy]]''</ref>		In 2012, Raphael was represented in the Artists [[Mnemonic sets#Artists\|mnemonic set]] in [[Abstergo Industries]]' ''[[Project Legacy]]''.<ref>''[[Assassin's Creed: Project Legacy]]''</ref>

	==Appearances==		==Appearances==

imported>Soranin: /* Renaissance paintings */

2024-05-27T17:47:29Z

Renaissance paintings

← Older revision		Revision as of 19:47, 27 May 2024
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	==Biography==		==Biography==
	===Renaissance paintings===		===Renaissance paintings===
	In the late 15th and early 16th centuries, the renowned artist Raphael engaged in a prolific period of painting. In December 1500, Raphael, along with {{Wiki\|Evangelista da Pian di Meleto}}, received a {{Wiki\|Baronci Altarpiece\|commission}} to paint an altarpiece dedicated to {{Wiki\|Saint Nicholas of Tolentino}}, signaling the commencement of his significant contributions to Renaissance art. Around 1499-1502, he depicted the ''{{Wiki\|Resurrection of Christ (Raphael)\|Resurrection of Christ}}'', showcasing his early mastery. In 1501, Raphael painted ''{{Wiki\|St. Sebastian (Raphael)\|St. Sebastian}}'', capturing the saint's martyrdom with artistic finesse. By 1502, Raphael crafted the ''{{Wiki\|Mond Crucifixion}}'', revealing his evolving skills in religious subjects. In 1503, he painted the ''{{Wiki\|Vision of a Knight (Raphael)\|Vision of a Knight}}'', exhibiting a blend of narrative and artistic imagination. Around c. 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, Raphael produced the ''~~{{Wiki\|The~~ Marriage of the Virgin ~~(Raphael)\|Marriage of the Virgin}}~~'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-portrait (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture. Around 1504-1505, he painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, Raphael created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. In the same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture. Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref>{{WP\|Raphael}}</ref>		In the late 15th and early 16th centuries, the renowned artist Raphael engaged in a prolific period of painting. In December 1500, Raphael, along with {{Wiki\|Evangelista da Pian di Meleto}}, received a {{Wiki\|Baronci Altarpiece\|commission}} to paint an altarpiece dedicated to {{Wiki\|Saint Nicholas of Tolentino}}, signaling the commencement of his significant contributions to Renaissance art. Around 1499-1502, he depicted the ''{{Wiki\|Resurrection of Christ (Raphael)\|Resurrection of Christ}}'', showcasing his early mastery. In 1501, Raphael painted ''{{Wiki\|St. Sebastian (Raphael)\|St. Sebastian}}'', capturing the saint's martyrdom with artistic finesse. By 1502, Raphael crafted the ''{{Wiki\|Mond Crucifixion}}'', revealing his evolving skills in religious subjects. In 1503, he painted the ''{{Wiki\|Vision of a Knight (Raphael)\|Vision of a Knight}}'', exhibiting a blend of narrative and artistic imagination. Around c. 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, Raphael produced the ''[[Marriage of the Virgin]]'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-portrait (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture. Around 1504-1505, he painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, Raphael created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. In the same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture. Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref>{{WP\|Raphael}}</ref>

	During the period of time Raphael painted most of his works, the [[Assassins\|Assassin]] [[Ezio Auditore da Firenze]] bought several of them for his [[Tiber Island headquarters\|hideout]] on [[Tiber Island]]. Including but not limited; to the {{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|fragments}} of the ''{{Wiki\|Baronci Altarpiece}}''.<ref>''[[Assassin's Creed: Brotherhood]]''</ref>		During the period of time Raphael painted most of his works, the [[Assassins\|Assassin]] [[Ezio Auditore da Firenze]] bought several of them for his [[Tiber Island headquarters\|hideout]] on [[Tiber Island]]. Including but not limited; to the {{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|fragments}} of the ''{{Wiki\|Baronci Altarpiece}}''.<ref>''[[Assassin's Creed: Brotherhood]]''</ref>

imported>Soranin: /* Renaissance paintings */

2024-05-18T17:30:11Z

Renaissance paintings

← Older revision		Revision as of 19:30, 18 May 2024
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	==Biography==		==Biography==
	===Renaissance paintings===		===Renaissance paintings===
	In the late 15th and early 16th centuries, the renowned artist Raphael engaged in a prolific period of painting. In December 1500, Raphael, along with {{Wiki\|Evangelista da Pian di Meleto}}, received a {{Wiki\|Baronci Altarpiece\|commission}} to paint an altarpiece dedicated to {{Wiki\|Saint Nicholas of Tolentino}}, signaling the commencement of his significant contributions to Renaissance art. Around 1499-1502, he depicted the ''{{Wiki\|Resurrection of Christ (Raphael)\|Resurrection of Christ}}'', showcasing his early mastery. In 1501, Raphael painted ''{{Wiki\|St. Sebastian (Raphael)\|St. Sebastian}}'', capturing the saint's martyrdom with artistic finesse. By 1502, Raphael crafted the ''{{Wiki\|Mond Crucifixion}}'', revealing his evolving skills in religious subjects. In 1503, he painted the ''{{Wiki\|Vision of a Knight (Raphael)\|Vision of a Knight}}'', exhibiting a blend of narrative and artistic imagination. Around c. 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, Raphael produced the ''{{Wiki\|The Marriage of the Virgin (Raphael)\|Marriage of the Virgin}}'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-portrait (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture. Around 1504-1505, he painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, Raphael created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. In the same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture. Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del ~~cardellino\|Madonna Del~~ Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref>{{WP\|Raphael}}</ref>		In the late 15th and early 16th centuries, the renowned artist Raphael engaged in a prolific period of painting. In December 1500, Raphael, along with {{Wiki\|Evangelista da Pian di Meleto}}, received a {{Wiki\|Baronci Altarpiece\|commission}} to paint an altarpiece dedicated to {{Wiki\|Saint Nicholas of Tolentino}}, signaling the commencement of his significant contributions to Renaissance art. Around 1499-1502, he depicted the ''{{Wiki\|Resurrection of Christ (Raphael)\|Resurrection of Christ}}'', showcasing his early mastery. In 1501, Raphael painted ''{{Wiki\|St. Sebastian (Raphael)\|St. Sebastian}}'', capturing the saint's martyrdom with artistic finesse. By 1502, Raphael crafted the ''{{Wiki\|Mond Crucifixion}}'', revealing his evolving skills in religious subjects. In 1503, he painted the ''{{Wiki\|Vision of a Knight (Raphael)\|Vision of a Knight}}'', exhibiting a blend of narrative and artistic imagination. Around c. 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, Raphael produced the ''{{Wiki\|The Marriage of the Virgin (Raphael)\|Marriage of the Virgin}}'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-portrait (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture. Around 1504-1505, he painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, Raphael created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. In the same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture. Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref>{{WP\|Raphael}}</ref>

	During the period of time Raphael painted most of his works, the [[Assassins\|Assassin]] [[Ezio Auditore da Firenze]] bought several of them for his [[Tiber Island headquarters\|hideout]] on [[Tiber Island]]. Including but not limited; to the {{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|fragments}} of the ''{{Wiki\|Baronci Altarpiece}}''.<ref>''[[Assassin's Creed: Brotherhood]]''</ref>		During the period of time Raphael painted most of his works, the [[Assassins\|Assassin]] [[Ezio Auditore da Firenze]] bought several of them for his [[Tiber Island headquarters\|hideout]] on [[Tiber Island]]. Including but not limited; to the {{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|fragments}} of the ''{{Wiki\|Baronci Altarpiece}}''.<ref>''[[Assassin's Creed: Brotherhood]]''</ref>

imported>Soranin: /* Renaissance paintings */

2024-01-23T17:33:16Z

Renaissance paintings

← Older revision		Revision as of 19:33, 23 January 2024
Line 10:		Line 10:
	==Biography==		==Biography==
	===Renaissance paintings===		===Renaissance paintings===
	In the late 15th and early 16th centuries, the renowned artist Raphael engaged in a prolific period of painting. In December 1500, Raphael, along with {{Wiki\|Evangelista da Pian di Meleto}}, received a {{Wiki\|Baronci Altarpiece\|commission}} to paint an altarpiece dedicated to {{Wiki\|Saint Nicholas of Tolentino}}, signaling the commencement of his significant contributions to Renaissance art. Around 1499-1502, he depicted the ''{{Wiki\|Resurrection of Christ (Raphael)\|Resurrection of Christ}}'', showcasing his early mastery. In 1501, Raphael painted ''{{Wiki\|St. Sebastian (Raphael)\|St. Sebastian}}'', capturing the saint's martyrdom with artistic finesse. By 1502, Raphael crafted the ''{{Wiki\|Mond Crucifixion}}'', revealing his evolving skills in religious subjects. In 1503, he painted the ''{{Wiki\|Vision of a Knight (Raphael)\|Vision of a Knight}}'', exhibiting a blend of narrative and artistic imagination. Around c. 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, Raphael produced the ''{{Wiki\|The Marriage of the Virgin (Raphael)\|Marriage of the Virgin}}'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-~~Portrait~~ (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture. Around 1504-1505, he painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, Raphael created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. In the same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture. Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del cardellino\|Madonna Del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref>{{WP\|Raphael}}</ref>		In the late 15th and early 16th centuries, the renowned artist Raphael engaged in a prolific period of painting. In December 1500, Raphael, along with {{Wiki\|Evangelista da Pian di Meleto}}, received a {{Wiki\|Baronci Altarpiece\|commission}} to paint an altarpiece dedicated to {{Wiki\|Saint Nicholas of Tolentino}}, signaling the commencement of his significant contributions to Renaissance art. Around 1499-1502, he depicted the ''{{Wiki\|Resurrection of Christ (Raphael)\|Resurrection of Christ}}'', showcasing his early mastery. In 1501, Raphael painted ''{{Wiki\|St. Sebastian (Raphael)\|St. Sebastian}}'', capturing the saint's martyrdom with artistic finesse. By 1502, Raphael crafted the ''{{Wiki\|Mond Crucifixion}}'', revealing his evolving skills in religious subjects. In 1503, he painted the ''{{Wiki\|Vision of a Knight (Raphael)\|Vision of a Knight}}'', exhibiting a blend of narrative and artistic imagination. Around c. 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, Raphael produced the ''{{Wiki\|The Marriage of the Virgin (Raphael)\|Marriage of the Virgin}}'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-portrait (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture. Around 1504-1505, he painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, Raphael created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. In the same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture. Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del cardellino\|Madonna Del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref>{{WP\|Raphael}}</ref>

	During the period of time Raphael painted most of his works, the [[Assassins\|Assassin]] [[Ezio Auditore da Firenze]] bought several of them for his [[Tiber Island headquarters\|hideout]] on [[Tiber Island]]. Including but not limited; to the {{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|fragments}} of the ''{{Wiki\|Baronci Altarpiece}}''.<ref>''[[Assassin's Creed: Brotherhood]]''</ref>		During the period of time Raphael painted most of his works, the [[Assassins\|Assassin]] [[Ezio Auditore da Firenze]] bought several of them for his [[Tiber Island headquarters\|hideout]] on [[Tiber Island]]. Including but not limited; to the {{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|fragments}} of the ''{{Wiki\|Baronci Altarpiece}}''.<ref>''[[Assassin's Creed: Brotherhood]]''</ref>

imported>VilkaIsBack: way expanded.

2023-12-05T02:12:42Z

way expanded.

← Older revision		Revision as of 04:12, 5 December 2023
Line 3:		Line 3:
	\| image = G13Raphael Self Portrait.jpg		\| image = G13Raphael Self Portrait.jpg
	\| birth = 28 March ''or'' 6 April 1483<br>[[Urbino]], {{Wiki\|Duchy of Urbino}}		\| birth = 28 March ''or'' 6 April 1483<br>[[Urbino]], {{Wiki\|Duchy of Urbino}}
	\| death = 6 April 1520 (aged 37)<br>[[Rome]], {{Wiki\|Papal States}}		\| death = 6 April 1520 {{c\|aged 37}}<br>[[Rome]], {{Wiki\|Papal States}}
	\| species = [[Human]]}}		\| species = [[Human]]}}

	'''Raffaello Sanzio da Urbino''' (1483 – 1520), later known commonly as '''Raphael''', was an [[Italy\|Italian]] painter and architect of the High [[Renaissance]]. Along with [[Michelangelo]] and [[Leonardo da Vinci]], he was considered one of the great masters of the time.		'''Raffaello Sanzio da Urbino''' (1483 – 1520), later known commonly as '''Raphael''', was an [[Italy\|Italian]] painter and architect of the High [[Renaissance]]. Along with [[Michelangelo]] and [[Leonardo da Vinci]], he was considered one of the great masters of the time.

	In 1500, the ~~[[Assassins~~\|~~Assassin]] [[Ezio Auditore da Firenze]] bought several paintings~~ (~~listed below~~) ~~created by~~ Raphael ~~for~~ his ~~[[Tiber Island headquarters~~\|~~hideout]] on [[Tiber Island]]~~.~~<ref>~~''~~[[Assassin~~'s ~~Creed~~: ~~Brotherhood]]~~''</ref>		==Biography==
			===Renaissance paintings===
			In the late 15th and early 16th centuries, the renowned artist Raphael engaged in a prolific period of painting. In December 1500, Raphael, along with {{Wiki\|Evangelista da Pian di Meleto}}, received a {{Wiki\|Baronci Altarpiece\|commission}} to paint an altarpiece dedicated to {{Wiki\|Saint Nicholas of Tolentino}}, signaling the commencement of his significant contributions to Renaissance art. Around 1499-1502, he depicted the ''{{Wiki\|Resurrection of Christ (Raphael)\|Resurrection of Christ}}'', showcasing his early mastery. In 1501, Raphael painted ''{{Wiki\|St. Sebastian (Raphael)\|St. Sebastian}}'', capturing the saint's martyrdom with artistic finesse. By 1502, Raphael crafted the ''{{Wiki\|Mond Crucifixion}}'', revealing his evolving skills in religious subjects. In 1503, he painted the ''{{Wiki\|Vision of a Knight (Raphael)\|Vision of a Knight}}'', exhibiting a blend of narrative and artistic imagination. Around c. 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, Raphael produced the ''{{Wiki\|The Marriage of the Virgin (Raphael)\|Marriage of the Virgin}}'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-Portrait (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture. Around 1504-1505, he painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, Raphael created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. In the same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture. Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del cardellino\|Madonna Del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref>{{WP\|Raphael}}</ref>

	==Raphael~~'s artwork==~~		During the period of time Raphael painted most of his works, the [[Assassins\|Assassin]] [[Ezio Auditore da Firenze]] bought several of them for his [[Tiber Island headquarters\|hideout]] on [[Tiber Island]]. Including but not limited; to the {{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|fragments}} of the ''{{Wiki\|Baronci Altarpiece}}''.<ref>''[[Assassin's Creed: Brotherhood]]''</ref>
	*''Angel'' ({{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|~~paintings}} - portions of a {{Wiki\|Baronci Altarpiece\|larger work}})~~
	*''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}''
	*''{{Wiki\|Madonna del cardellino\|Madonna Del Cardellino}}''
	*''{{Wiki\|Solly Madonna\|Madonna Solly}}''
	*''{{Wiki\|The Marriage of the Virgin (Raphael)\|Marriage of the ~~Virgin}}''~~
	*''{{Wiki\|~~Mond Crucifixion}}''~~
	*''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}''
	*''{{Wiki\|Resurrection of Christ (Raphael)\|Resurrection of Christ}}''
	*''{{Wiki\|St. George (Raphael, Louvre)\|St. ~~George}}~~''
	*'~~'{{Wiki\|St. Michael (Raphael)\|St. Michael}}''~~
	*''{{Wiki\|St. Sebastian (Raphael)\|St. Sebastian}}''
	*''{{Wiki\|Self-portrait (Raphael)\|Self Portrait}}''
	*''{{Wiki\|Vision of a Knight (Raphael)\|Vision of a Knight}}''
	*''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}''

	==~~Trivia~~==		===Legacy===
	*Raphael was represented in the Artists [[Mnemonic sets#Artists\|mnemonic set]] in ''[[Assassin's Creed: Project Legacy]]''.<ref>''[[Assassin's Creed: Project Legacy]]''~~</ref>~~		In 2012, Raphael was represented in the Artists [[Mnemonic sets#Artists\|mnemonic set]] in ''[[Project Legacy]]''.<ref>''[[Assassin's Creed: Project Legacy]]''</ref>

			==Appearances==
			*''[[Assassin's Creed: Brotherhood]]'' {{c\|painting only}}
			*''[[Assassin's Creed: Project Legacy]]'' {{c\|mnemonic set only}}

	==References==		==References==

imported>Zone of Endless: removing newline between Era and WP-REAL

2021-10-14T21:08:28Z

removing newline between Era and WP-REAL

← Older revision		Revision as of 23:08, 14 October 2021
Line 1:		Line 1:
	{{Era\|Individuals}}		{{Era\|Individuals}}{{WP-REAL}}
	{{WP-REAL}}
	{{Character Infobox		{{Character Infobox
	\| image = G13Raphael Self Portrait.jpg		\| image = G13Raphael Self Portrait.jpg

imported>RebeccaAWB: /* References */Removing deleted category

2018-10-26T12:00:21Z

References: Removing deleted category

← Older revision		Revision as of 14:00, 26 October 2018
Line 39:		Line 39:
	[[Category:Painters]]		[[Category:Painters]]
	[[Category:Architects]]		[[Category:Architects]]
	~~[[Category:Historically attested individuals]]~~

← Older revision		Revision as of 19:51, 7 October 2025
Line 16:		Line 16:
	Around 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, he produced the ''[[Marriage of the Virgin]]'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-portrait (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture.<ref name="Wiki"/>		Around 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, he produced the ''[[Marriage of the Virgin]]'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-portrait (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture.<ref name="Wiki"/>

	Around 1504-1505, Raphael painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, he created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. That same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture. Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref name="Wiki"/>		Around 1504-1505, Raphael painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, he created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. That same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture.<ref name="Wiki"/>

	During the period of time Raphael painted most of his works, the [[Assassins\|Assassin]] [[Ezio Auditore da Firenze]] ~~bought~~ several of them for his [[Tiber Island headquarters\|hideout]] on [[Tiber Island]], including but not limited to the {{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|fragments}} of the ''{{Wiki\|Baronci Altarpiece}}''.<ref>''[[Assassin's Creed: Brotherhood]]''</ref>		Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref name="Wiki"/>

			During the period of time that Raphael painted most of his works, the [[Assassins\|Assassin]] [[Ezio Auditore da Firenze]] purchased several of them for his [[Tiber Island headquarters\|hideout]] on [[Tiber Island]], including but not limited to the {{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|fragments}} of the ''{{Wiki\|Baronci Altarpiece}}''.<ref>''[[Assassin's Creed: Brotherhood]]''</ref>

	===Legacy===		===Legacy===

← Older revision		Revision as of 19:38, 7 October 2025
Line 12:		Line 12:
	In the late 15th and early 16th centuries, Raphael engaged in a prolific period of painting. In December 1500, he, along with {{Wiki\|Evangelista da Pian di Meleto}}, received a {{Wiki\|Baronci Altarpiece\|commission}} to paint an altarpiece dedicated to {{Wiki\|Saint Nicholas of Tolentino}}, signaling the commencement of his significant contributions to Renaissance art. Around 1499-1502, he depicted the ''{{Wiki\|Resurrection of Christ (Raphael)\|Resurrection of Christ}}'', showcasing his early mastery.<ref name="Wiki">{{WP\|Raphael}}</ref>		In the late 15th and early 16th centuries, Raphael engaged in a prolific period of painting. In December 1500, he, along with {{Wiki\|Evangelista da Pian di Meleto}}, received a {{Wiki\|Baronci Altarpiece\|commission}} to paint an altarpiece dedicated to {{Wiki\|Saint Nicholas of Tolentino}}, signaling the commencement of his significant contributions to Renaissance art. Around 1499-1502, he depicted the ''{{Wiki\|Resurrection of Christ (Raphael)\|Resurrection of Christ}}'', showcasing his early mastery.<ref name="Wiki">{{WP\|Raphael}}</ref>

	In 1501, Raphael painted ''{{Wiki\|St. Sebastian (Raphael)\|St. Sebastian}}'', capturing the saint's martyrdom with artistic finesse. By 1502, he crafted the ''{{Wiki\|Mond Crucifixion}}'', revealing his evolving skills in religious subjects. In 1503, he painted the ''{{Wiki\|Vision of a Knight (Raphael)\|Vision of a Knight}}'', exhibiting a blend of narrative and artistic imagination. Around 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, he produced the ''[[Marriage of the Virgin]]'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-portrait (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture.		In 1501, Raphael painted ''{{Wiki\|St. Sebastian (Raphael)\|St. Sebastian}}'', capturing the saint's martyrdom with artistic finesse. By 1502, he crafted the ''{{Wiki\|Mond Crucifixion}}'', revealing his evolving skills in religious subjects. In 1503, he painted the ''{{Wiki\|Vision of a Knight (Raphael)\|Vision of a Knight}}'', exhibiting a blend of narrative and artistic imagination.<ref name="Wiki"/>

			Around 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, he produced the ''[[Marriage of the Virgin]]'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-portrait (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture.<ref name="Wiki"/>

	Around 1504-1505, Raphael painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, he created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. That same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture. Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref name="Wiki"/>		Around 1504-1505, Raphael painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, he created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. That same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture. Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref name="Wiki"/>

← Older revision		Revision as of 04:12, 5 December 2023
Line 3:		Line 3:
	\| image = G13Raphael Self Portrait.jpg		\| image = G13Raphael Self Portrait.jpg
	\| birth = 28 March ''or'' 6 April 1483<br>[[Urbino]], {{Wiki\|Duchy of Urbino}}		\| birth = 28 March ''or'' 6 April 1483<br>[[Urbino]], {{Wiki\|Duchy of Urbino}}
	\| death = 6 April 1520 (aged 37)<br>[[Rome]], {{Wiki\|Papal States}}		\| death = 6 April 1520 {{c\|aged 37}}<br>[[Rome]], {{Wiki\|Papal States}}
	\| species = [[Human]]}}		\| species = [[Human]]}}

	'''Raffaello Sanzio da Urbino''' (1483 – 1520), later known commonly as '''Raphael''', was an [[Italy\|Italian]] painter and architect of the High [[Renaissance]]. Along with [[Michelangelo]] and [[Leonardo da Vinci]], he was considered one of the great masters of the time.		'''Raffaello Sanzio da Urbino''' (1483 – 1520), later known commonly as '''Raphael''', was an [[Italy\|Italian]] painter and architect of the High [[Renaissance]]. Along with [[Michelangelo]] and [[Leonardo da Vinci]], he was considered one of the great masters of the time.

	In 1500, the ~~[[Assassins~~\|~~Assassin]] [[Ezio Auditore da Firenze]] bought several paintings~~ (~~listed below~~) ~~created by~~ Raphael ~~for~~ his ~~[[Tiber Island headquarters~~\|~~hideout]] on [[Tiber Island]]~~.~~<ref>~~''~~[[Assassin~~'s ~~Creed~~: ~~Brotherhood]]~~''</ref>		==Biography==
			===Renaissance paintings===
			In the late 15th and early 16th centuries, the renowned artist Raphael engaged in a prolific period of painting. In December 1500, Raphael, along with {{Wiki\|Evangelista da Pian di Meleto}}, received a {{Wiki\|Baronci Altarpiece\|commission}} to paint an altarpiece dedicated to {{Wiki\|Saint Nicholas of Tolentino}}, signaling the commencement of his significant contributions to Renaissance art. Around 1499-1502, he depicted the ''{{Wiki\|Resurrection of Christ (Raphael)\|Resurrection of Christ}}'', showcasing his early mastery. In 1501, Raphael painted ''{{Wiki\|St. Sebastian (Raphael)\|St. Sebastian}}'', capturing the saint's martyrdom with artistic finesse. By 1502, Raphael crafted the ''{{Wiki\|Mond Crucifixion}}'', revealing his evolving skills in religious subjects. In 1503, he painted the ''{{Wiki\|Vision of a Knight (Raphael)\|Vision of a Knight}}'', exhibiting a blend of narrative and artistic imagination. Around c. 1500-1504, Raphael painted the ''{{Wiki\|Solly Madonna\|Madonna Solly}}'', contributing to his diverse body of work. In 1504, Raphael produced the ''{{Wiki\|The Marriage of the Virgin (Raphael)\|Marriage of the Virgin}}'', a pivotal work in his career. In the same period, he painted a {{Wiki\|Self-Portrait (Raphael)\|self-portrait}}, providing a glimpse into the artist's self-perception. Following this, he painted the ''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}'', showcasing his prowess in portraiture. Around 1504-1505, he painted ''{{Wiki\|St. George (Raphael, Louvre)\|St. George}}'', showcasing his skill in portraying heroic subjects. Continuing his religious themes, in 1505, Raphael created ''{{Wiki\|St. Michael (Raphael)\|St. Michael}}'', emphasizing divine intervention. In the same year, he depicted the ''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}'', showcasing his ability to infuse symbolism into portraiture. Between 1505 and 1506, Raphael painted the ''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}'', capturing a profound religious moment. In the same period, around 1505-1506, he painted the ''{{Wiki\|Madonna del cardellino\|Madonna Del Cardellino}}'', a masterpiece featuring the Madonna and Child with a goldfinch.<ref>{{WP\|Raphael}}</ref>

	==Raphael~~'s artwork==~~		During the period of time Raphael painted most of his works, the [[Assassins\|Assassin]] [[Ezio Auditore da Firenze]] bought several of them for his [[Tiber Island headquarters\|hideout]] on [[Tiber Island]]. Including but not limited; to the {{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|fragments}} of the ''{{Wiki\|Baronci Altarpiece}}''.<ref>''[[Assassin's Creed: Brotherhood]]''</ref>
	*''Angel'' ({{Wiki\|File:Raffaello Angelo 1 (frammento pala Baronci).jpg\|two}} {{Wiki\|File:Raffaello Angelo 2 (frammento pala Baronci).jpg\|~~paintings}} - portions of a {{Wiki\|Baronci Altarpiece\|larger work}})~~
	*''{{Wiki\|File:Raffaello Sanzio - Christ Blessing (Pax Vobiscum) - WGA18639.jpg\|Christ Blessing}}''
	*''{{Wiki\|Madonna del cardellino\|Madonna Del Cardellino}}''
	*''{{Wiki\|Solly Madonna\|Madonna Solly}}''
	*''{{Wiki\|The Marriage of the Virgin (Raphael)\|Marriage of the ~~Virgin}}''~~
	*''{{Wiki\|~~Mond Crucifixion}}''~~
	*''{{Wiki\|Portrait of Pietro Bembo (Raphael)\|Portrait of Pietro Bembo}}''
	*''{{Wiki\|Resurrection of Christ (Raphael)\|Resurrection of Christ}}''
	*''{{Wiki\|St. George (Raphael, Louvre)\|St. ~~George}}~~''
	*'~~'{{Wiki\|St. Michael (Raphael)\|St. Michael}}''~~
	*''{{Wiki\|St. Sebastian (Raphael)\|St. Sebastian}}''
	*''{{Wiki\|Self-portrait (Raphael)\|Self Portrait}}''
	*''{{Wiki\|Vision of a Knight (Raphael)\|Vision of a Knight}}''
	*''{{Wiki\|Young Man with an Apple (Raphael)\|Young Man with an Apple}}''

	==~~Trivia~~==		===Legacy===
	*Raphael was represented in the Artists [[Mnemonic sets#Artists\|mnemonic set]] in ''[[Assassin's Creed: Project Legacy]]''.<ref>''[[Assassin's Creed: Project Legacy]]''~~</ref>~~		In 2012, Raphael was represented in the Artists [[Mnemonic sets#Artists\|mnemonic set]] in ''[[Project Legacy]]''.<ref>''[[Assassin's Creed: Project Legacy]]''</ref>

			==Appearances==
			*''[[Assassin's Creed: Brotherhood]]'' {{c\|painting only}}
			*''[[Assassin's Creed: Project Legacy]]'' {{c\|mnemonic set only}}

	==References==		==References==