Database: The Marriage of Figaro - Revision history

imported>Soranin at 14:09, 14 June 2024

2024-06-14T14:09:17Z

← Older revision		Revision as of 16:09, 14 June 2024
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	[[File:ACUDB - The Marriage of Figaro.png\|250px\|right]]		[[File:ACUDB - The Marriage of Figaro.png\|250px\|right]]
	Written by the playwright [[Pierre Beaumarchais\|Pierre-Augustin Caron de Beaumarchais]], ''{{Wiki\|The Marriage of Figaro (play)\|The Marriage of Figaro}}'' played for the first time on April 27, 1784 at the all new {{Wiki\|Odéon-Théâtre de l'Europe\|Théâtre de l'Odéon}} in [[Paris]]. It followed on from ''~~{{Wiki\|~~The Barber of Seville ~~(play)\|The Barber of Seville}}~~''. The play was popularly received as an indictment of the aristocracy: each of its five acts criticizes the privileges and hierarchies inherent to the {{Wiki\|Ancien Régime}}. In the play, the main character, the valet Figaro, must foil the plans of his master, the Count Almaviva, who intends to take advantage of his bride-to-be, Susanna. The defining moment of the play is Figaro's long monologue in the fifth act, when he directly challenges the Count: "What have you done to deserve such advantages? Put yourself to the to the trouble of being born, nothing more." At the time, such words were scandalous and, within his broad comedy, Beaumarchais had pithily summed up the logic of the coming [[French Revolution\|Revolution]]. In 1786, [[Wolfgang Amadeus Mozart\|Mozart]] composed music for {{Wiki\|The Marriage of Figaro\|an opera}} based on the play.		Written by the playwright [[Pierre Beaumarchais\|Pierre-Augustin Caron de Beaumarchais]], ''{{Wiki\|The Marriage of Figaro (play)\|The Marriage of Figaro}}'' played for the first time on April 27, 1784 at the all new {{Wiki\|Odéon-Théâtre de l'Europe\|Théâtre de l'Odéon}} in [[Paris]]. It followed on from ''[[The Barber of Seville]]''. The play was popularly received as an indictment of the aristocracy: each of its five acts criticizes the privileges and hierarchies inherent to the {{Wiki\|Ancien Régime}}. In the play, the main character, the valet Figaro, must foil the plans of his master, the Count Almaviva, who intends to take advantage of his bride-to-be, Susanna. The defining moment of the play is Figaro's long monologue in the fifth act, when he directly challenges the Count: "What have you done to deserve such advantages? Put yourself to the to the trouble of being born, nothing more." At the time, such words were scandalous and, within his broad comedy, Beaumarchais had pithily summed up the logic of the coming [[French Revolution\|Revolution]]. In 1786, [[Wolfgang Amadeus Mozart\|Mozart]] composed music for {{Wiki\|The Marriage of Figaro\|an opera}} based on the play.
	{{DEFAULTSORT:The Marriage of Figaro}}		{{DEFAULTSORT:The Marriage of Figaro}}
	[[Category:Database: Items]]		[[Category:Database: Items]]
	[[Category:Helix database entries]]		[[Category:Helix database entries]]

imported>Darman36 at 04:39, 24 March 2021

2021-03-24T04:39:31Z

← Older revision		Revision as of 06:39, 24 March 2021
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	[[File:ACUDB - The Marriage of Figaro.png\|250px\|right]]		[[File:ACUDB - The Marriage of Figaro.png\|250px\|right]]
	Written by the playwright [[Pierre Beaumarchais\|Pierre-Augustin Caron de Beaumarchais]], ~~[[the~~ Marriage of Figaro]] played for the first time on April 27, 1784 at the all new ~~Théatre~~ de l'Odéon in [[Paris]]. It followed on from ~~[[the~~ Barber of Seville]]. The play was popularly received as an indictment of the aristocracy: each of its five acts criticizes the privileges and hierarchies inherent to the {{Wiki\|Ancien Régime}}. In the play, the main character, the valet Figaro, must foil the plans of his master, the Count Almaviva, who intends to take advantage of his bride-to-be, Susanna. The defining moment of the play is Figaro's long monologue in the fifth act, when he directly challenges the Count: "What have you done to deserve such advantages? Put yourself to the to the trouble of being born, nothing more." At the time, such words were scandalous and, within his broad comedy, Beaumarchais had pithily summed up the logic of the coming [[French Revolution\|Revolution]]. In 1786, [[Wolfgang Amadeus Mozart\|Mozart]] composed music for an opera based on the play.		Written by the playwright [[Pierre Beaumarchais\|Pierre-Augustin Caron de Beaumarchais]], ''{{Wiki\|The Marriage of Figaro (play)\|The Marriage of Figaro}}'' played for the first time on April 27, 1784 at the all new {{Wiki\|Odéon-Théâtre de l'Europe\|Théâtre de l'Odéon}} in [[Paris]]. It followed on from ''{{Wiki\|The Barber of Seville (play)\|The Barber of Seville}}''. The play was popularly received as an indictment of the aristocracy: each of its five acts criticizes the privileges and hierarchies inherent to the {{Wiki\|Ancien Régime}}. In the play, the main character, the valet Figaro, must foil the plans of his master, the Count Almaviva, who intends to take advantage of his bride-to-be, Susanna. The defining moment of the play is Figaro's long monologue in the fifth act, when he directly challenges the Count: "What have you done to deserve such advantages? Put yourself to the to the trouble of being born, nothing more." At the time, such words were scandalous and, within his broad comedy, Beaumarchais had pithily summed up the logic of the coming [[French Revolution\|Revolution]]. In 1786, [[Wolfgang Amadeus Mozart\|Mozart]] composed music for {{Wiki\|The Marriage of Figaro\|an opera}} based on the play.
	{{DEFAULTSORT:The Marriage of Figaro}}		{{DEFAULTSORT:The Marriage of Figaro}}
	[[Category:Database: Items]]		[[Category:Database: Items]]
	[[Category:Helix database entries]]		[[Category:Helix database entries]]

imported>Bovkaffe at 00:18, 26 December 2017

2017-12-26T00:18:38Z

← Older revision		Revision as of 02:18, 26 December 2017
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	Written by the playwright [[Pierre Beaumarchais\|Pierre-Augustin Caron de Beaumarchais]], [[the Marriage of Figaro]] played for the first time on April 27, 1784 at the all new Théatre de l'Odéon in [[Paris]]. It followed on from the Barber of Seville. The play was popularly received as an indictment of the aristocracy: each of its five acts criticizes the privileges and hierarchies inherent to the Ancien Régime. In the play, the main character, the valet Figaro, must foil the plans of his master, the Count Almaviva, who intends to take advantage of his bride-to-be, Susanna. The defining moment of the play is Figaro's long monologue in the fifth act, when he directly challenges the Count: "What have you done to deserve such advantages? Put yourself to the to the trouble of being born, nothing more." At the time, such words were scandalous and, within his broad comedy, Beaumarchais had pithily summed up the logic of the coming [[French Revolution\|Revolution]]. In 1786, Mozart composed music for an opera based on the play.		[[File:ACUDB - The Marriage of Figaro.png\|250px\|right]]
			Written by the playwright [[Pierre Beaumarchais\|Pierre-Augustin Caron de Beaumarchais]], [[the Marriage of Figaro]] played for the first time on April 27, 1784 at the all new Théatre de l'Odéon in [[Paris]]. It followed on from [[the Barber of Seville]]. The play was popularly received as an indictment of the aristocracy: each of its five acts criticizes the privileges and hierarchies inherent to the {{Wiki\|Ancien Régime}}. In the play, the main character, the valet Figaro, must foil the plans of his master, the Count Almaviva, who intends to take advantage of his bride-to-be, Susanna. The defining moment of the play is Figaro's long monologue in the fifth act, when he directly challenges the Count: "What have you done to deserve such advantages? Put yourself to the to the trouble of being born, nothing more." At the time, such words were scandalous and, within his broad comedy, Beaumarchais had pithily summed up the logic of the coming [[French Revolution\|Revolution]]. In 1786, [[Wolfgang Amadeus Mozart\|Mozart]] composed music for an opera based on the play.
	{{DEFAULTSORT:The Marriage of Figaro}}		{{DEFAULTSORT:The Marriage of Figaro}}
	[[Category:Database: Items]]		[[Category:Database: Items]]
	[[Category:Helix database entries]]		[[Category:Helix database entries]]

imported>Bovkaffe at 19:43, 9 September 2015

2015-09-09T19:43:20Z

← Older revision		Revision as of 21:43, 9 September 2015
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	Written by the playwright [[Pierre Beaumarchais\|Pierre-Augustin Caron de Beaumarchais]], [[the Marriage of Figaro]] played for the first time on April 27, 1784 at the all new Théatre de l'Odéon in [[Paris]]. It followed on from the Barber of Seville. The play was popularly received as an indictment of the aristocracy: each of its five acts criticizes the privileges and hierarchies inherent to the Ancien Régime. In the play, the main character, the valet Figaro, must foil the plans of his master, the Count Almaviva, who intends to take ~~afvantage~~ of his bride-to-be, Susanna. The defining moment of the play is Figaro's long monologue in the fifth act, when he directly challenges the Count: "What have you done to deserve such advantages? Put yourself to the to the trouble of being born, nothing more." At the time, such words were scandalous and, within his broad comedy, Beaumarchais had pithily summed up the logic of the coming [[French Revolution\|Revolution]]. In 1786, Mozart composed music for an opera based on the play.		Written by the playwright [[Pierre Beaumarchais\|Pierre-Augustin Caron de Beaumarchais]], [[the Marriage of Figaro]] played for the first time on April 27, 1784 at the all new Théatre de l'Odéon in [[Paris]]. It followed on from the Barber of Seville. The play was popularly received as an indictment of the aristocracy: each of its five acts criticizes the privileges and hierarchies inherent to the Ancien Régime. In the play, the main character, the valet Figaro, must foil the plans of his master, the Count Almaviva, who intends to take advantage of his bride-to-be, Susanna. The defining moment of the play is Figaro's long monologue in the fifth act, when he directly challenges the Count: "What have you done to deserve such advantages? Put yourself to the to the trouble of being born, nothing more." At the time, such words were scandalous and, within his broad comedy, Beaumarchais had pithily summed up the logic of the coming [[French Revolution\|Revolution]]. In 1786, Mozart composed music for an opera based on the play.
	{{DEFAULTSORT:The Marriage of Figaro}}		{{DEFAULTSORT:The Marriage of Figaro}}
	[[Category:Database: Items]]		[[Category:Database: Items]]
	[[Category:Helix database entries]]		[[Category:Helix database entries]]

imported>Bovkaffe at 19:43, 9 September 2015

2015-09-09T19:43:06Z

← Older revision		Revision as of 21:43, 9 September 2015
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	Written by the playwright Pierre-Augustin Caron de Beaumarchais, the Marriage of Figaro played for the first time on April 27, 1784 at the all new Théatre de l'Odéon in [[Paris]]. It followed on from the Barber of Seville. The play was popularly received as an indictment of the aristocracy: each of its five acts criticizes the privileges and hierarchies inherent to the Ancien Régime. In the play, the main character, the valet Figaro, must foil the plans of his master, the Count Almaviva, who intends to take afvantage of his bride-to-be, Susanna. The defining moment of the play is Figaro's long monologue in the fifth act, when he directly challenges the Count: "What have you done to deserve such advantages? Put yourself to the to the trouble of being born, nothing more." At the time, such words were scandalous and, within his broad comedy, Beaumarchais had pithily summed up the logic of the coming [[French Revolution\|Revolution]]. In 1786, Mozart composed music for an opera based on the play.		Written by the playwright [[Pierre Beaumarchais\|Pierre-Augustin Caron de Beaumarchais]], [[the Marriage of Figaro]] played for the first time on April 27, 1784 at the all new Théatre de l'Odéon in [[Paris]]. It followed on from the Barber of Seville. The play was popularly received as an indictment of the aristocracy: each of its five acts criticizes the privileges and hierarchies inherent to the Ancien Régime. In the play, the main character, the valet Figaro, must foil the plans of his master, the Count Almaviva, who intends to take afvantage of his bride-to-be, Susanna. The defining moment of the play is Figaro's long monologue in the fifth act, when he directly challenges the Count: "What have you done to deserve such advantages? Put yourself to the to the trouble of being born, nothing more." At the time, such words were scandalous and, within his broad comedy, Beaumarchais had pithily summed up the logic of the coming [[French Revolution\|Revolution]]. In 1786, Mozart composed music for an opera based on the play.
	{{DEFAULTSORT:The Marriage of Figaro}}		{{DEFAULTSORT:The Marriage of Figaro}}
	[[Category:Database: Items]]		[[Category:Database: Items]]
	[[Category:Helix database entries]]		[[Category:Helix database entries]]

imported>Amnestyyy at 21:38, 1 March 2015

2015-03-01T21:38:12Z

← Older revision		Revision as of 23:38, 1 March 2015
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	Written by the playwright Pierre-Augustin Caron de Beaumarchais, the Marriage of Figaro played for the first time on April 27, 1784 at the all new Théatre de l'Odéon in Paris. It followed on from the Barber of Seville. The play was popularly received as an indictment of the aristocracy: each of its five acts criticizes the privileges and hierarchies inherent to the Ancien Régime. In the play, the main character, the valet Figaro, must foil the plans of his master, the Count Almaviva, who intends to take afvantage of his bride-to-be, Susanna. The defining moment of the play is Figaro's long monologue in the fifth act, when he directly challenges the Count: "What have you done to deserve such advantages? Put yourself to the to the trouble of being born, nothing more." At the time, such words were scandalous and, within his broad comedy, Beaumarchais had pithily summed up the logic of the coming Revolution. In 1786, Mozart composed music for an opera based on the play.		Written by the playwright Pierre-Augustin Caron de Beaumarchais, the Marriage of Figaro played for the first time on April 27, 1784 at the all new Théatre de l'Odéon in [[Paris]]. It followed on from the Barber of Seville. The play was popularly received as an indictment of the aristocracy: each of its five acts criticizes the privileges and hierarchies inherent to the Ancien Régime. In the play, the main character, the valet Figaro, must foil the plans of his master, the Count Almaviva, who intends to take afvantage of his bride-to-be, Susanna. The defining moment of the play is Figaro's long monologue in the fifth act, when he directly challenges the Count: "What have you done to deserve such advantages? Put yourself to the to the trouble of being born, nothing more." At the time, such words were scandalous and, within his broad comedy, Beaumarchais had pithily summed up the logic of the coming [[French Revolution\|Revolution]]. In 1786, Mozart composed music for an opera based on the play.
	[[Category:Database~~/ACU~~]]		{{DEFAULTSORT:The Marriage of Figaro}}
			[[Category:Database: Items]]
			[[Category:Helix database entries]]

imported>Amnestyyy: Amnestyyy moved page Database/Misc (ACU):The Marriage of Figaro to Database: The Marriage of Figaro

2015-03-01T21:22:06Z

Amnestyyy moved page Database/Misc (ACU):The Marriage of Figaro to Database: The Marriage of Figaro

← Older revision	Revision as of 23:22, 1 March 2015
(No difference)

imported>Amnestyyy: Created page with "Written by the playwright Pierre-Augustin Caron de Beaumarchais, the Marriage of Figaro played for the first time on April 27, 1784 at the all new Théatre de l'Odéon in Pari..."

2015-02-16T22:39:56Z

Created page with "Written by the playwright Pierre-Augustin Caron de Beaumarchais, the Marriage of Figaro played for the first time on April 27, 1784 at the all new Théatre de l'Odéon in Pari..."

Páàjì titun

Written by the playwright Pierre-Augustin Caron de Beaumarchais, the Marriage of Figaro played for the first time on April 27, 1784 at the all new Théatre de l'Odéon in Paris. It followed on from the Barber of Seville. The play was popularly received as an indictment of the aristocracy: each of its five acts criticizes the privileges and hierarchies inherent to the Ancien Régime. In the play, the main character, the valet Figaro, must foil the plans of his master, the Count Almaviva, who intends to take afvantage of his bride-to-be, Susanna. The defining moment of the play is Figaro's long monologue in the fifth act, when he directly challenges the Count: "What have you done to deserve such advantages? Put yourself to the to the trouble of being born, nothing more." At the time, such words were scandalous and, within his broad comedy, Beaumarchais had pithily summed up the logic of the coming Revolution. In 1786, Mozart composed music for an opera based on the play.
[[Category:Database/ACU]]