Database: The Barber of Seville - Revision history

imported>Soranin at 14:09, 14 June 2024

2024-06-14T14:09:22Z

← Older revision		Revision as of 16:09, 14 June 2024
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	[[File:ACUDB - The Barber of Seville.png\|250px\|right]]		[[File:ACUDB - The Barber of Seville.png\|250px\|right]]
	The first of the plays from the Figaro trilogy by [[Pierre Beaumarchais\|Pierre-Augustin Caron de Beaumarchais]], ''~~{{Wiki\|~~The Barber of Seville ~~(play)\|The Barber of Seville}}~~'' (1775) tells the story of a gentleman from [[Seville]], the Count Almaviva, who sets out to win the heart of Rosine, ward to the aging and unscrupulous Bartolo. This he achieves thanks to the ruse of his clever valet, Figaro. Almaviva, under the name Lindoro, disguises himself as a poor student to gain entry and upset Bartolo's plans. {{Wiki\|Gioachino Rossini\|Rossini}} used the play as a libretto for {{Wiki\|The Barber of Seville\|his opera}} of the same name in 1816.		The first of the plays from the Figaro trilogy by [[Pierre Beaumarchais\|Pierre-Augustin Caron de Beaumarchais]], ''[[The Barber of Seville]]'' (1775) tells the story of a gentleman from [[Seville]], the Count Almaviva, who sets out to win the heart of Rosine, ward to the aging and unscrupulous Bartolo. This he achieves thanks to the ruse of his clever valet, Figaro. Almaviva, under the name Lindoro, disguises himself as a poor student to gain entry and upset Bartolo's plans. {{Wiki\|Gioachino Rossini\|Rossini}} used the play as a libretto for {{Wiki\|The Barber of Seville\|his opera}} of the same name in 1816.
	{{DEFAULTSORT:The Barber of Seville}}		{{DEFAULTSORT:The Barber of Seville}}
	[[Category:Database: Items]]		[[Category:Database: Items]]
	[[Category:Helix database entries]]		[[Category:Helix database entries]]

imported>Darman36 at 04:43, 24 March 2021

2021-03-24T04:43:49Z

← Older revision		Revision as of 06:43, 24 March 2021
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	[[File:ACUDB - The Barber of Seville.png\|250px\|right]]		[[File:ACUDB - The Barber of Seville.png\|250px\|right]]
	The first of the plays from the Figaro trilogy by [[Pierre Beaumarchais\|Pierre-Augustin Caron de Beaumarchais]], ~~[[the~~ Barber of Seville]] (1775) tells the story of a gentleman from [[Seville]], the Count Almaviva, who sets out to win the heart of Rosine, ward to the aging and unscrupulous Bartolo. This he achieves thanks to the ruse of his clever valet, Figaro. Almaviva, under the name Lindoro, disguises himself as a poor student to gain entry and upset Bartolo's plans. {{Wiki\|Gioachino Rossini\|Rossini}} used the play as a libretto for his opera of the same name in 1816.		The first of the plays from the Figaro trilogy by [[Pierre Beaumarchais\|Pierre-Augustin Caron de Beaumarchais]], ''{{Wiki\|The Barber of Seville (play)\|The Barber of Seville}}'' (1775) tells the story of a gentleman from [[Seville]], the Count Almaviva, who sets out to win the heart of Rosine, ward to the aging and unscrupulous Bartolo. This he achieves thanks to the ruse of his clever valet, Figaro. Almaviva, under the name Lindoro, disguises himself as a poor student to gain entry and upset Bartolo's plans. {{Wiki\|Gioachino Rossini\|Rossini}} used the play as a libretto for {{Wiki\|The Barber of Seville\|his opera}} of the same name in 1816.
	{{DEFAULTSORT:The Barber of Seville}}		{{DEFAULTSORT:The Barber of Seville}}
	[[Category:Database: Items]]		[[Category:Database: Items]]
	[[Category:Helix database entries]]		[[Category:Helix database entries]]

imported>Bovkaffe at 00:19, 26 December 2017

2017-12-26T00:19:50Z

← Older revision		Revision as of 02:19, 26 December 2017
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	The first of the plays from the Figaro trilogy by [[Pierre Beaumarchais\|Pierre-Augustin Caron de Beaumarchais]], the Barber of Seville (1775) tells the story of a gentleman from Seville, the Count Almaviva, who sets out to win the heart of Rosine, ward to the aging and unscrupulous Bartolo. This he achieves thanks to the ruse of his clever valet, Figaro. Almaviva, under the name Lindoro, disguises himself as a poor student to gain entry and upset Bartolo's plans. Rossini used the play as a libretto for his opera of the same name in 1816.		[[File:ACUDB - The Barber of Seville.png\|250px\|right]]
			The first of the plays from the Figaro trilogy by [[Pierre Beaumarchais\|Pierre-Augustin Caron de Beaumarchais]], [[the Barber of Seville]] (1775) tells the story of a gentleman from [[Seville]], the Count Almaviva, who sets out to win the heart of Rosine, ward to the aging and unscrupulous Bartolo. This he achieves thanks to the ruse of his clever valet, Figaro. Almaviva, under the name Lindoro, disguises himself as a poor student to gain entry and upset Bartolo's plans. {{Wiki\|Gioachino Rossini\|Rossini}} used the play as a libretto for his opera of the same name in 1816.
	{{DEFAULTSORT:The Barber of Seville}}		{{DEFAULTSORT:The Barber of Seville}}
	[[Category:Database: Items]]		[[Category:Database: Items]]
	[[Category:Helix database entries]]		[[Category:Helix database entries]]

imported>Bovkaffe at 10:21, 9 August 2015

2015-08-09T10:21:34Z

← Older revision		Revision as of 12:21, 9 August 2015
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	The first of the plays from the Figaro trilogy by [[Pierre-Augustin Caron de Beaumarchais]], the Barber of Seville (1775) tells the story of a gentleman from Seville, the Count Almaviva, who sets out to win the heart of Rosine, ward to the aging and unscrupulous Bartolo. This he achieves thanks to the ruse of his clever valet, Figaro. Almaviva, under the name Lindoro, disguises himself as a poor student to gain entry and upset Bartolo's plans. Rossini used the play as a libretto for his opera of the same name in 1816.		The first of the plays from the Figaro trilogy by [[Pierre Beaumarchais\|Pierre-Augustin Caron de Beaumarchais]], the Barber of Seville (1775) tells the story of a gentleman from Seville, the Count Almaviva, who sets out to win the heart of Rosine, ward to the aging and unscrupulous Bartolo. This he achieves thanks to the ruse of his clever valet, Figaro. Almaviva, under the name Lindoro, disguises himself as a poor student to gain entry and upset Bartolo's plans. Rossini used the play as a libretto for his opera of the same name in 1816.
	{{DEFAULTSORT:The Barber of Seville}}		{{DEFAULTSORT:The Barber of Seville}}
	[[Category:Database: Items]]		[[Category:Database: Items]]
	[[Category:Helix database entries]]		[[Category:Helix database entries]]

imported>Amnestyyy: link

2015-08-09T09:45:47Z

link

← Older revision		Revision as of 11:45, 9 August 2015
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	The first of the plays from the Figaro trilogy by Pierre-Augustin Caron de Beaumarchais, the Barber of Seville (1775) tells the story of a gentleman from Seville, the Count Almaviva, who sets out to win the heart of Rosine, ward to the aging and unscrupulous Bartolo. This he achieves thanks to the ruse of his clever valet, Figaro. Almaviva, under the name Lindoro, disguises himself as a poor student to gain entry and upset Bartolo's plans. Rossini used the play as a libretto for his opera of the same name in 1816.		The first of the plays from the Figaro trilogy by [[Pierre-Augustin Caron de Beaumarchais]], the Barber of Seville (1775) tells the story of a gentleman from Seville, the Count Almaviva, who sets out to win the heart of Rosine, ward to the aging and unscrupulous Bartolo. This he achieves thanks to the ruse of his clever valet, Figaro. Almaviva, under the name Lindoro, disguises himself as a poor student to gain entry and upset Bartolo's plans. Rossini used the play as a libretto for his opera of the same name in 1816.
	{{DEFAULTSORT:The Barber of Seville}}		{{DEFAULTSORT:The Barber of Seville}}
	[[Category:Database: Items]]		[[Category:Database: Items]]
	[[Category:Helix database entries]]		[[Category:Helix database entries]]

imported>Amnestyyy at 21:30, 1 March 2015

2015-03-01T21:30:07Z

← Older revision		Revision as of 23:30, 1 March 2015
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	The first of the plays from the Figaro trilogy by Pierre-Augustin Caron de Beaumarchais, the Barber of Seville (1775) tells the story of a gentleman from Seville, the Count Almaviva, who sets out to win the heart of Rosine, ward to the aging and unscrupulous Bartolo. This he achieves thanks to the ruse of his clever valet, Figaro. Almaviva, under the name Lindoro, disguises himself as a poor student to gain entry and upset Bartolo's plans. Rossini used the play as a libretto for his opera of the same name in 1816.		The first of the plays from the Figaro trilogy by Pierre-Augustin Caron de Beaumarchais, the Barber of Seville (1775) tells the story of a gentleman from Seville, the Count Almaviva, who sets out to win the heart of Rosine, ward to the aging and unscrupulous Bartolo. This he achieves thanks to the ruse of his clever valet, Figaro. Almaviva, under the name Lindoro, disguises himself as a poor student to gain entry and upset Bartolo's plans. Rossini used the play as a libretto for his opera of the same name in 1816.
	[[Category:Database~~/ACU~~]]		{{DEFAULTSORT:The Barber of Seville}}
			[[Category:Database: Items]]
			[[Category:Helix database entries]]

imported>Amnestyyy: Amnestyyy moved page Database/Misc (ACU):The Barber of Seville to Database: The Barber of Seville

2015-03-01T21:20:58Z

Amnestyyy moved page Database/Misc (ACU):The Barber of Seville to Database: The Barber of Seville

← Older revision	Revision as of 23:20, 1 March 2015
(No difference)

imported>Amnestyyy: Created page with "The first of the plays from the Figaro trilogy by Pierre-Augustin Caron de Beaumarchais, the Barber of Seville (1775) tells the story of a gentleman from Seville, the Count Al..."

2015-02-16T22:28:18Z

Created page with "The first of the plays from the Figaro trilogy by Pierre-Augustin Caron de Beaumarchais, the Barber of Seville (1775) tells the story of a gentleman from Seville, the Count Al..."

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The first of the plays from the Figaro trilogy by Pierre-Augustin Caron de Beaumarchais, the Barber of Seville (1775) tells the story of a gentleman from Seville, the Count Almaviva, who sets out to win the heart of Rosine, ward to the aging and unscrupulous Bartolo. This he achieves thanks to the ruse of his clever valet, Figaro. Almaviva, under the name Lindoro, disguises himself as a poor student to gain entry and upset Bartolo's plans. Rossini used the play as a libretto for his opera of the same name in 1816.
[[Category:Database/ACU]]