Database: Boulevard des théâtres - Revision history

imported>Soranin at 13:10, 23 February 2022

2022-02-23T13:10:23Z

← Older revision		Revision as of 15:10, 23 February 2022
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	[[File:ACUDB - Boulevard des theatres.png\|250px\|right]]		[[File:ACUDB - Boulevard des theatres.png\|250px\|right]]
	Thanks to [[Jean-Baptiste Nicolet]] and his royally-approved theater, "dubbed Spectacle des Grands Danseurs et Sauteurs du Roi," the Boulevard du Temple in the north of [[Paris]] developed into what could be called a continuous fair. The theater brought in all types of entertainment, along with cafés, caterers and wine merchants. In addition to shows inside the venue, actors were hired to play out small scenarious called "parades" on a balcony in front of the theater in order to attract spectators. The construction of several theaters towards the end of the 18th century (no less than 16 new theaters built between 1774 and 1789) prompted the establishment of entertainment networks that became ongoing fairs. The [[French Revolution\|Revolution]] merely expedited this desire to free the theater from the oppression of an Ancien Régime that prevented the public from expressing itself. [[Maximilien de Robespierre\|Robespierre]] commended the educational side of theatrical arts and, on January 13, 1791, the [[National Assembly]] abolished royal privileges, unshackled the theater, and acknowledged - as human rights - author's royalties, which had been written off on August 4, 1789, along with other privileges.		Thanks to {{Wiki\|Jean-Baptiste Nicolet}} and his royally-approved theater, "dubbed Spectacle des Grands Danseurs et Sauteurs du Roi," the Boulevard du Temple in the north of [[Paris]] developed into what could be called a continuous fair. The theater brought in all types of entertainment, along with cafés, caterers and wine merchants. In addition to shows inside the venue, actors were hired to play out small scenarious called "parades" on a balcony in front of the theater in order to attract spectators. The construction of several theaters towards the end of the 18th century (no less than 16 new theaters built between 1774 and 1789) prompted the establishment of entertainment networks that became ongoing fairs. The [[French Revolution\|Revolution]] merely expedited this desire to free the theater from the oppression of an Ancien Régime that prevented the public from expressing itself. [[Maximilien de Robespierre\|Robespierre]] commended the educational side of theatrical arts and, on January 13, 1791, the [[National Assembly]] abolished royal privileges, unshackled the theater, and acknowledged - as human rights - author's royalties, which had been written off on August 4, 1789, along with other privileges.
	{{DEFAULTSORT:Boulevard des théâtres}}		{{DEFAULTSORT:Boulevard des théâtres}}
	[[Category:Database: Locations]]		[[Category:Database: Locations]]
	[[Category:Helix database entries]]		[[Category:Helix database entries]]

imported>Lady Kyashira at 14:56, 11 June 2020

2020-06-11T14:56:47Z

← Older revision		Revision as of 16:56, 11 June 2020
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	[[File:ACUDB - Boulevard des theatres.png\|250px\|right]]		[[File:ACUDB - Boulevard des theatres.png\|250px\|right]]
	Thanks to Jean-Baptiste Nicolet and his royally-approved theater, "dubbed Spectacle des Grands Danseurs et Sauteurs du Roi," the Boulevard du Temple in the north of [[Paris]] developed into what could be called a continuous fair. The theater brought in all types of entertainment, along with cafés, caterers and wine merchants. In addition to shows inside the venue, actors were hired to play out small scenarious called "parades" on a balcony in front of the theater in order to attract spectators. The construction of several theaters towards the end of the 18th century (no less than 16 new theaters built between 1774 and 1789) prompted the establishment of entertainment networks that became ongoing fairs. The [[French Revolution\|Revolution]] merely expedited this desire to free the theater from the oppression of an Ancien Régime that prevented the public from expressing itself. [[Maximilien de Robespierre\|Robespierre]] commended the educational side of theatrical arts and, on January 13, 1791, the National Assembly abolished royal privileges, unshackled the theater, and acknowledged - as human rights - author's royalties, which had been written off on August 4, 1789, along with other privileges.		Thanks to [[Jean-Baptiste Nicolet]] and his royally-approved theater, "dubbed Spectacle des Grands Danseurs et Sauteurs du Roi," the Boulevard du Temple in the north of [[Paris]] developed into what could be called a continuous fair. The theater brought in all types of entertainment, along with cafés, caterers and wine merchants. In addition to shows inside the venue, actors were hired to play out small scenarious called "parades" on a balcony in front of the theater in order to attract spectators. The construction of several theaters towards the end of the 18th century (no less than 16 new theaters built between 1774 and 1789) prompted the establishment of entertainment networks that became ongoing fairs. The [[French Revolution\|Revolution]] merely expedited this desire to free the theater from the oppression of an Ancien Régime that prevented the public from expressing itself. [[Maximilien de Robespierre\|Robespierre]] commended the educational side of theatrical arts and, on January 13, 1791, the [[National Assembly]] abolished royal privileges, unshackled the theater, and acknowledged - as human rights - author's royalties, which had been written off on August 4, 1789, along with other privileges.
	{{DEFAULTSORT:Boulevard des théâtres}}		{{DEFAULTSORT:Boulevard des théâtres}}
	[[Category:Database: Locations]]		[[Category:Database: Locations]]
	[[Category:Helix database entries]]		[[Category:Helix database entries]]

imported>Bovkaffe at 21:57, 27 December 2017

2017-12-27T21:57:47Z

← Older revision		Revision as of 23:57, 27 December 2017
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	[[File:~~ACU~~ Boulevard des ~~Théâtres~~.~~JPG~~\|~~thumb~~\|~~220x220px~~]]		[[File:ACUDB - Boulevard des theatres.png\|250px\|right]]
	Thanks to Jean-Baptiste Nicolet and his royally-approved theater, "dubbed Spectacle des Grands Danseurs et Sauteurs du Roi," the Boulevard du Temple in the north of [[Paris]] developed into what could be called a continuous fair. The theater brought in all types of entertainment, along with cafés, caterers and wine merchants. In addition to shows inside the venue, actors were hired to play out small scenarious called "parades" on a balcony in front of the theater in order to attract spectators. The construction of several theaters towards the end of the 18th century (no less than 16 new theaters built between 1774 and 1789) prompted the establishment of entertainment networks that became ongoing fairs. The [[French Revolution\|Revolution]] merely expedited this desire to free the theater from the oppression of an Ancien Régime that prevented the public from expressing itself. [[Maximilien de Robespierre\|Robespierre]] commended the educational side of theatrical arts and, on January 13, 1791, the National Assembly abolished royal privileges, unshackled the theater, and acknowledged - as human rights - author's royalties, which had been written off on August 4, 1789, along with other privileges.		Thanks to Jean-Baptiste Nicolet and his royally-approved theater, "dubbed Spectacle des Grands Danseurs et Sauteurs du Roi," the Boulevard du Temple in the north of [[Paris]] developed into what could be called a continuous fair. The theater brought in all types of entertainment, along with cafés, caterers and wine merchants. In addition to shows inside the venue, actors were hired to play out small scenarious called "parades" on a balcony in front of the theater in order to attract spectators. The construction of several theaters towards the end of the 18th century (no less than 16 new theaters built between 1774 and 1789) prompted the establishment of entertainment networks that became ongoing fairs. The [[French Revolution\|Revolution]] merely expedited this desire to free the theater from the oppression of an Ancien Régime that prevented the public from expressing itself. [[Maximilien de Robespierre\|Robespierre]] commended the educational side of theatrical arts and, on January 13, 1791, the National Assembly abolished royal privileges, unshackled the theater, and acknowledged - as human rights - author's royalties, which had been written off on August 4, 1789, along with other privileges.
	{{DEFAULTSORT:Boulevard des théâtres}}		{{DEFAULTSORT:Boulevard des théâtres}}
	[[Category:Database: Locations]]		[[Category:Database: Locations]]
	[[Category:Helix database entries]]		[[Category:Helix database entries]]

imported>Lady Kyashira at 07:53, 4 October 2017

2017-10-04T07:53:41Z

← Older revision		Revision as of 09:53, 4 October 2017
Line 1:		Line 1:
			[[File:ACU Boulevard des Théâtres.JPG\|thumb\|220x220px]]
	Thanks to Jean-Baptiste Nicolet and his royally-approved theater, "dubbed Spectacle des Grands Danseurs et Sauteurs du Roi," the Boulevard du Temple in the north of [[Paris]] developed into what could be called a continuous fair. The theater brought in all types of entertainment, along with cafés, caterers and wine merchants. In addition to shows inside the venue, actors were hired to play out small scenarious called "parades" on a balcony in front of the theater in order to attract spectators. The construction of several theaters towards the end of the 18th century (no less than 16 new theaters built between 1774 and 1789) prompted the establishment of entertainment networks that became ongoing fairs. The [[French Revolution\|Revolution]] merely expedited this desire to free the theater from the oppression of an Ancien Régime that prevented the public from expressing itself. [[Maximilien de Robespierre\|Robespierre]] commended the educational side of theatrical arts and, on January 13, 1791, the National Assembly abolished royal privileges, unshackled the theater, and acknowledged - as human rights - author's royalties, which had been written off on August 4, 1789, along with other privileges.		Thanks to Jean-Baptiste Nicolet and his royally-approved theater, "dubbed Spectacle des Grands Danseurs et Sauteurs du Roi," the Boulevard du Temple in the north of [[Paris]] developed into what could be called a continuous fair. The theater brought in all types of entertainment, along with cafés, caterers and wine merchants. In addition to shows inside the venue, actors were hired to play out small scenarious called "parades" on a balcony in front of the theater in order to attract spectators. The construction of several theaters towards the end of the 18th century (no less than 16 new theaters built between 1774 and 1789) prompted the establishment of entertainment networks that became ongoing fairs. The [[French Revolution\|Revolution]] merely expedited this desire to free the theater from the oppression of an Ancien Régime that prevented the public from expressing itself. [[Maximilien de Robespierre\|Robespierre]] commended the educational side of theatrical arts and, on January 13, 1791, the National Assembly abolished royal privileges, unshackled the theater, and acknowledged - as human rights - author's royalties, which had been written off on August 4, 1789, along with other privileges.
	{{DEFAULTSORT:Boulevard des théâtres}}		{{DEFAULTSORT:Boulevard des théâtres}}
	[[Category:Database: Locations]]		[[Category:Database: Locations]]
	[[Category:Helix database entries]]		[[Category:Helix database entries]]

imported>Amnestyyy at 10:03, 1 March 2015

2015-03-01T10:03:54Z

← Older revision		Revision as of 12:03, 1 March 2015
Line 1:		Line 1:
	Thanks to Jean-Baptiste Nicolet and his royally-approved theater, "dubbed Spectacle des Grands Danseurs et Sauteurs du Roi," the Boulevard du Temple in the north of Paris developed into what could be called a continuous fair. The theater brought in all types of entertainment, along with cafés, caterers and wine merchants. In addition to shows inside the venue, actors were hired to play out small scenarious called "parades" on a balcony in front of the theater in order to attract spectators. The construction of several theaters towards the end of the 18th century (no less than 16 new theaters built between 1774 and 1789) prompted the establishment of entertainment networks that became ongoing fairs. The Revolution merely expedited this desire to free the theater from the oppression of an Ancien Régime that prevented the public from expressing itself. Robespierre commended the educational side of theatrical arts and, on January 13, 1791, the National Assembly abolished royal privileges, unshackled the theater, and acknowledged - as human rights - author's royalties, which had been written off on August 4, 1789, along with other privileges.		Thanks to Jean-Baptiste Nicolet and his royally-approved theater, "dubbed Spectacle des Grands Danseurs et Sauteurs du Roi," the Boulevard du Temple in the north of [[Paris]] developed into what could be called a continuous fair. The theater brought in all types of entertainment, along with cafés, caterers and wine merchants. In addition to shows inside the venue, actors were hired to play out small scenarious called "parades" on a balcony in front of the theater in order to attract spectators. The construction of several theaters towards the end of the 18th century (no less than 16 new theaters built between 1774 and 1789) prompted the establishment of entertainment networks that became ongoing fairs. The [[French Revolution\|Revolution]] merely expedited this desire to free the theater from the oppression of an Ancien Régime that prevented the public from expressing itself. [[Maximilien de Robespierre\|Robespierre]] commended the educational side of theatrical arts and, on January 13, 1791, the National Assembly abolished royal privileges, unshackled the theater, and acknowledged - as human rights - author's royalties, which had been written off on August 4, 1789, along with other privileges.
	[[Category:Database~~/ACU~~]]		{{DEFAULTSORT:Boulevard des théâtres}}
			[[Category:Database: Locations]]
			[[Category:Helix database entries]]

imported>Amnestyyy: Amnestyyy moved page Database/Locations (ACU):Boulevard des théâtres to Database: Boulevard des théâtres

2015-03-01T10:00:27Z

Amnestyyy moved page Database/Locations (ACU):Boulevard des théâtres to Database: Boulevard des théâtres

← Older revision	Revision as of 12:00, 1 March 2015
(No difference)

imported>Amnestyyy: Created page with "Thanks to Jean-Baptiste Nicolet and his royally-approved theater, "dubbed Spectacle des Grands Danseurs et Sauteurs du Roi," the Boulevard du Temple in the north of Paris deve..."

2015-02-14T19:26:45Z

Created page with "Thanks to Jean-Baptiste Nicolet and his royally-approved theater, "dubbed Spectacle des Grands Danseurs et Sauteurs du Roi," the Boulevard du Temple in the north of Paris deve..."

Páàjì titun

Thanks to Jean-Baptiste Nicolet and his royally-approved theater, "dubbed Spectacle des Grands Danseurs et Sauteurs du Roi," the Boulevard du Temple in the north of Paris developed into what could be called a continuous fair. The theater brought in all types of entertainment, along with cafés, caterers and wine merchants. In addition to shows inside the venue, actors were hired to play out small scenarious called "parades" on a balcony in front of the theater in order to attract spectators. The construction of several theaters towards the end of the 18th century (no less than 16 new theaters built between 1774 and 1789) prompted the establishment of entertainment networks that became ongoing fairs. The Revolution merely expedited this desire to free the theater from the oppression of an Ancien Régime that prevented the public from expressing itself. Robespierre commended the educational side of theatrical arts and, on January 13, 1791, the National Assembly abolished royal privileges, unshackled the theater, and acknowledged - as human rights - author's royalties, which had been written off on August 4, 1789, along with other privileges.
[[Category:Database/ACU]]