Auto-da-fé - Revision history

Soranin: Text replacement - "\[\[zh:(.+)\]\]" to ""

2026-05-13T14:22:10Z

Text replacement - "\[\[zh:(.+)\]\]" to ""

← Older revision		Revision as of 16:22, 13 May 2026
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	==References==		==References==
	{{Reflist}}		{{Reflist}}
	[[zh:信仰审判‎‎]]		<!--[zh:信仰审判‎‎]-->
	[[Category:Ceremonies]]		[[Category:Ceremonies]]
	[[Category:Execution methods]]		[[Category:Execution methods]]

Soranin: /* Behind the scenes */

2026-05-10T16:30:07Z

Behind the scenes

← Older revision		Revision as of 18:30, 10 May 2026
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	Rizi's painting used in the film is a stylized version of his actual artwork, ''{{Wiki\|File:Francisco rizi-auto de fe.jpg\|Auto de fe en la plaza Mayor de Madrid}}''. Its most glaring difference is the replacement of the central, fenced-off, open-air court with the execution stakes shown in [[United Kingdom\|British]] artist [[Sevendalino Khay]]'s three concept pieces below for the film. The partial green crest with gold writing on the right hand bleacher in the original work is also missing.<ref name="EspWiki">{{WP\|es:Auto de fe en la plaza Mayor de Madrid\|Auto de fe en la plaza Mayor de Madrid}}</ref>		Rizi's painting used in the film is a stylized version of his actual artwork, ''{{Wiki\|File:Francisco rizi-auto de fe.jpg\|Auto de fe en la plaza Mayor de Madrid}}''. Its most glaring difference is the replacement of the central, fenced-off, open-air court with the execution stakes shown in [[United Kingdom\|British]] artist [[Sevendalino Khay]]'s three concept pieces below for the film. The partial green crest with gold writing on the right hand bleacher in the original work is also missing.<ref name="EspWiki">{{WP\|es:Auto de fe en la plaza Mayor de Madrid\|Auto de fe en la plaza Mayor de Madrid}}</ref>

	Further, it is not a representation of the film's location of the ''auto-da-fe'', nor of any of the characters in that scene. As clearly stated in the title, the area depicted is {{Wiki\|Plaza Mayor, Madrid\|Plaza Mayor}} in [[Madrid]], not Seville, and instead features King {{Wiki\|Charles II of Spain\|Charles II}}, Queen {{Wiki\|Marie Louise d'Orléans}}, and {{Wiki\|Queen mother}} {{Wiki\|Mariana of Austria\|Mariana}} of [[Austria]] in the background presiding over an ''auto-da-fe'' on 30 June 1680, with Grand Inquisitor {{Wiki\|Diego Sarmiento Valladares}} standing on the ground just left of their box holding a {{Wiki\|crozier}}. According to the stage's [[architect]] and Inquisition informant ''{{Wiki\|Alguacil\|Alguacil Mayor}}'' (Chief Justice) {{Wiki~~\|es:José del Olmo~~\|José del Olmo}}, the ceremony lasted all day and he recorded it in great detail in his book, ''[http://fama2.us.es/fde/relacionHistoricaDelAuto.pdf Relación histórica del auto general de fe, que se celebró en Madrid Este Año de 1680]''.<ref name="EspWiki"/>		Further, it is not a representation of the film's location of the ''auto-da-fe'', nor of any of the characters in that scene. As clearly stated in the title, the area depicted is {{Wiki\|Plaza Mayor, Madrid\|Plaza Mayor}} in [[Madrid]], not Seville, and instead features King {{Wiki\|Charles II of Spain\|Charles II}}, Queen {{Wiki\|Marie Louise d'Orléans}}, and {{Wiki\|Queen mother}} {{Wiki\|Mariana of Austria\|Mariana}} of [[Austria]] in the background presiding over an ''auto-da-fe'' on 30 June 1680, with Grand Inquisitor {{Wiki\|Diego Sarmiento Valladares}} standing on the ground just left of their box holding a {{Wiki\|crozier}}. According to the stage's [[architect]] and Inquisition informant ''{{Wiki\|Alguacil\|Alguacil Mayor}}'' (Chief Justice) {{Wiki\|José del Olmo}}, the ceremony lasted all day and he recorded it in great detail in his book, ''[http://fama2.us.es/fde/relacionHistoricaDelAuto.pdf Relación histórica del auto general de fe, que se celebró en Madrid Este Año de 1680]''.<ref name="EspWiki"/>

	In the movie novelization, a copy of the real painting hung in the Council of Elders' meeting room, where [[Ellen Kaye]] correctly identified the piece and date of the events depicted, with [[Alan Rikkin]] observing that he felt the queen looked too old to be Isabella.<ref>''[[Assassin's Creed: The Official Movie Novelization]]'' – Chapter 8</ref>		In the movie novelization, a copy of the real painting hung in the Council of Elders' meeting room, where [[Ellen Kaye]] correctly identified the piece and date of the events depicted, with [[Alan Rikkin]] observing that he felt the queen looked too old to be Isabella.<ref>''[[Assassin's Creed: The Official Movie Novelization]]'' – Chapter 8</ref>

imported>Darman36: /* Behind the scenes */

2025-09-06T16:58:33Z

Behind the scenes

← Older revision		Revision as of 18:58, 6 September 2025
Line 19:		Line 19:
	Rizi's painting used in the film is a stylized version of his actual artwork, ''{{Wiki\|File:Francisco rizi-auto de fe.jpg\|Auto de fe en la plaza Mayor de Madrid}}''. Its most glaring difference is the replacement of the central, fenced-off, open-air court with the execution stakes shown in [[United Kingdom\|British]] artist [[Sevendalino Khay]]'s three concept pieces below for the film. The partial green crest with gold writing on the right hand bleacher in the original work is also missing.<ref name="EspWiki">{{WP\|es:Auto de fe en la plaza Mayor de Madrid\|Auto de fe en la plaza Mayor de Madrid}}</ref>		Rizi's painting used in the film is a stylized version of his actual artwork, ''{{Wiki\|File:Francisco rizi-auto de fe.jpg\|Auto de fe en la plaza Mayor de Madrid}}''. Its most glaring difference is the replacement of the central, fenced-off, open-air court with the execution stakes shown in [[United Kingdom\|British]] artist [[Sevendalino Khay]]'s three concept pieces below for the film. The partial green crest with gold writing on the right hand bleacher in the original work is also missing.<ref name="EspWiki">{{WP\|es:Auto de fe en la plaza Mayor de Madrid\|Auto de fe en la plaza Mayor de Madrid}}</ref>

	Further, it is not a representation of the film's location of the ''auto-da-fe'', nor of any of the characters in that scene. As clearly stated in the title, the area depicted is {{Wiki\|Plaza Mayor, Madrid\|Plaza Mayor}} in [[Madrid]], not Seville, and instead features King {{Wiki\|Charles II of Spain\|Charles II}}, Queen {{Wiki\|Marie Louise d'Orléans}}, and {{Wiki\|~~queen~~ mother}} {{Wiki\|Mariana of Austria\|Mariana}} of [[Austria]] in the background presiding over an ''auto-da-fe'' on 30 June 1680, with Grand Inquisitor {{Wiki\|Diego Sarmiento Valladares}} standing on the ground just left of their box holding a {{Wiki\|crozier}}. According to the stage's [[architect]] and Inquisition informant ''{{Wiki\|Alguacil\|Alguacil Mayor}}'' (Chief Justice) {{Wiki\|es:José del Olmo\|José del Olmo}}, the ceremony lasted all day and he recorded it in great detail in his book, ''[http://fama2.us.es/fde/relacionHistoricaDelAuto.pdf Relación histórica del auto general de fe, que se celebró en Madrid Este Año de 1680]''.<ref name="EspWiki"/>		Further, it is not a representation of the film's location of the ''auto-da-fe'', nor of any of the characters in that scene. As clearly stated in the title, the area depicted is {{Wiki\|Plaza Mayor, Madrid\|Plaza Mayor}} in [[Madrid]], not Seville, and instead features King {{Wiki\|Charles II of Spain\|Charles II}}, Queen {{Wiki\|Marie Louise d'Orléans}}, and {{Wiki\|Queen mother}} {{Wiki\|Mariana of Austria\|Mariana}} of [[Austria]] in the background presiding over an ''auto-da-fe'' on 30 June 1680, with Grand Inquisitor {{Wiki\|Diego Sarmiento Valladares}} standing on the ground just left of their box holding a {{Wiki\|crozier}}. According to the stage's [[architect]] and Inquisition informant ''{{Wiki\|Alguacil\|Alguacil Mayor}}'' (Chief Justice) {{Wiki\|es:José del Olmo\|José del Olmo}}, the ceremony lasted all day and he recorded it in great detail in his book, ''[http://fama2.us.es/fde/relacionHistoricaDelAuto.pdf Relación histórica del auto general de fe, que se celebró en Madrid Este Año de 1680]''.<ref name="EspWiki"/>

	In the movie novelization, a copy of the real painting hung in the Council of Elders' meeting room, where [[Ellen Kaye]] correctly ~~named~~ the piece and ~~the~~ date of the events depicted, with [[Alan Rikkin]] observing that he ~~thought~~ the queen looked too old to be Isabella I.<ref>''[[Assassin's Creed: The Official Movie Novelization]]'' – Chapter 8</ref>		In the movie novelization, a copy of the real painting hung in the Council of Elders' meeting room, where [[Ellen Kaye]] correctly identified the piece and date of the events depicted, with [[Alan Rikkin]] observing that he felt the queen looked too old to be Isabella.<ref>''[[Assassin's Creed: The Official Movie Novelization]]'' – Chapter 8</ref>

	==Gallery==		==Gallery==

imported>Darman36: /* Gallery */

2024-06-18T03:03:23Z

Gallery

← Older revision		Revision as of 05:03, 18 June 2024
Line 24:		Line 24:

	==Gallery==		==Gallery==
	<gallery captionalign="center" position="center~~" spacing="small~~" widths="180">		<gallery captionalign="center" position="center" widths="180">
	ACUDB - Auto-da-fe.png\|Database image of an ''auto-da-fé''		ACUDB - Auto-da-fe.png\|Database image of an ''auto-da-fé''
	ACfilm the Auto-da-fé by Tomás de Torquemada.jpg\|Tomás de Torquemada presiding over a ''auto-da-fé''		ACfilm the Auto-da-fé by Tomás de Torquemada.jpg\|Tomás de Torquemada presiding over a ''auto-da-fé''

imported>Darman36 at 03:00, 18 June 2024

2024-06-18T03:00:51Z

imported>Soranin at 04:25, 7 June 2024

2024-06-07T04:25:16Z

← Older revision		Revision as of 06:25, 7 June 2024
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	{{DISPLAYTITLE:''{{PAGENAME}}''}}		{{DISPLAYTITLE:''{{PAGENAME}}''}}{{Era\|Culture}}{{WP-REAL}}
	{{Era\|Culture}}{{WP-REAL}}
	{{Youmay\|the ritual\|the [[Auto-Da-Fé\|memory]] of [[Arno Dorian]] or the [[The Auto-Da-Fé\|memory]] of Aguilar de Nerha}}		{{Youmay\|the ritual\|the [[Auto-Da-Fé\|memory]] of [[Arno Dorian]] or the [[The Auto-Da-Fé\|memory]] of Aguilar de Nerha}}
	{{~~quote~~\|The Lord spake and he said, 'If a man abide not in me, he is cast into the fire, and he is burned.'\|Tomás de Torquemada presiding over a auto-da-fé.\|Assassin's Creed (film)}}		{{Quote\|The Lord spake and he said, 'If a man abide not in me, he is cast into the fire, and he is burned.'\|Tomás de Torquemada presiding over a auto-da-fé.\|Assassin's Creed (film)}}
	[[File:Aguilarinbattle.jpg\|thumb\|250px\|Aguilar de Nerha escaping an ''auto-da-fé'']]		[[File:Aguilarinbattle.jpg\|thumb\|250px\|Aguilar de Nerha escaping an ''auto-da-fé'']]
	An '''auto-da-fé''' (English: ''act of faith'') was a ritual of public penance of condemned heretics.		An '''auto-da-fé''' (English: ''act of faith'') was a ritual of public penance of condemned heretics.

imported>Darman36: /* Behind the scenes */

2022-09-05T13:27:08Z

Behind the scenes

← Older revision		Revision as of 15:27, 5 September 2022
Line 22:		Line 22:

	==Behind the scenes==		==Behind the scenes==
	Rizi's painting used in the film is a stylized version of his actual artwork, ''{{Wiki\|File:Francisco rizi-auto de fe.jpg\|Auto de fe en la plaza Mayor de Madrid}}''. Its most glaring difference is the replacement of the central, fenced-off, open-air court with the execution stakes shown in [[Sevendalino Khay]]'s ~~above~~ three concept pieces for the film. The partial green crest with gold writing on the right hand bleacher in the original work is also missing.<ref name="EspWiki">{{WP\|es:Auto de fe en la plaza Mayor de Madrid\|Auto de fe en la plaza Mayor de Madrid}}</ref>		Rizi's painting used in the film is a stylized version of his actual artwork, ''{{Wiki\|File:Francisco rizi-auto de fe.jpg\|Auto de fe en la plaza Mayor de Madrid}}''. Its most glaring difference is the replacement of the central, fenced-off, open-air court with the execution stakes shown in [[Sevendalino Khay]]'s three concept pieces below for the film. The partial green crest with gold writing on the right hand bleacher in the original work is also missing.<ref name="EspWiki">{{WP\|es:Auto de fe en la plaza Mayor de Madrid\|Auto de fe en la plaza Mayor de Madrid}}</ref>

	Further, it is not a representation of the film's location of the ''auto-da-fe'', nor of any of the characters in that scene. As clearly stated in the title, the area depicted is {{Wiki\|Plaza Mayor, Madrid\|Plaza Mayor}} in [[Madrid]], not Seville, and instead features King {{Wiki\|Charles II of Spain\|Charles II}}, Queen {{Wiki\|Marie Louise d'Orléans}}, and {{Wiki\|queen mother}} {{Wiki\|Mariana of Austria\|Mariana}} of [[Austria]] in the background presiding over an ''auto-da-fe'' on 30 June 1680, with Grand Inquisitor {{Wiki\|Diego Sarmiento Valladares}} standing on the ground just left of their box holding a {{Wiki\|crozier}}. According to ''{{Wiki\|Alguacil\|Alguacil Mayor}}'' (Chief Justice) {{Wiki\|es:José del Olmo\|José del Olmo}}, the stage [[architect]] and an Inquisition informant, the ceremony lasted all day, as recorded in great detail in his book, ''[http://fama2.us.es/fde/relacionHistoricaDelAuto.pdf Relación histórica del auto general de fe, que se celebró en Madrid Este Año de 1680]''.<ref name="EspWiki"/>		Further, it is not a representation of the film's location of the ''auto-da-fe'', nor of any of the characters in that scene. As clearly stated in the title, the area depicted is {{Wiki\|Plaza Mayor, Madrid\|Plaza Mayor}} in [[Madrid]], not Seville, and instead features King {{Wiki\|Charles II of Spain\|Charles II}}, Queen {{Wiki\|Marie Louise d'Orléans}}, and {{Wiki\|queen mother}} {{Wiki\|Mariana of Austria\|Mariana}} of [[Austria]] in the background presiding over an ''auto-da-fe'' on 30 June 1680, with Grand Inquisitor {{Wiki\|Diego Sarmiento Valladares}} standing on the ground just left of their box holding a {{Wiki\|crozier}}. According to ''{{Wiki\|Alguacil\|Alguacil Mayor}}'' (Chief Justice) {{Wiki\|es:José del Olmo\|José del Olmo}}, the stage [[architect]] and an Inquisition informant, the ceremony lasted all day, as recorded in great detail in his book, ''[http://fama2.us.es/fde/relacionHistoricaDelAuto.pdf Relación histórica del auto general de fe, que se celebró en Madrid Este Año de 1680]''.<ref name="EspWiki"/>

imported>Darman36: I'd still say BTS is important as it's about continuity issues of IRL painting vs the one in film

2022-09-05T13:26:16Z

I'd still say BTS is important as it's about continuity issues of IRL painting vs the one in film

← Older revision		Revision as of 15:26, 5 September 2022
Line 20:		Line 20:

	In 1683, [[Francisco Rizi]] made the oil painting entitled ''Grand Inquisition''. In 2016, a copy of it hung in the [[Council of Elders]]' meeting room.<ref name="ACfilm" />		In 1683, [[Francisco Rizi]] made the oil painting entitled ''Grand Inquisition''. In 2016, a copy of it hung in the [[Council of Elders]]' meeting room.<ref name="ACfilm" />

			==Behind the scenes==
			Rizi's painting used in the film is a stylized version of his actual artwork, ''{{Wiki\|File:Francisco rizi-auto de fe.jpg\|Auto de fe en la plaza Mayor de Madrid}}''. Its most glaring difference is the replacement of the central, fenced-off, open-air court with the execution stakes shown in [[Sevendalino Khay]]'s above three concept pieces for the film. The partial green crest with gold writing on the right hand bleacher in the original work is also missing.<ref name="EspWiki">{{WP\|es:Auto de fe en la plaza Mayor de Madrid\|Auto de fe en la plaza Mayor de Madrid}}</ref>

			Further, it is not a representation of the film's location of the ''auto-da-fe'', nor of any of the characters in that scene. As clearly stated in the title, the area depicted is {{Wiki\|Plaza Mayor, Madrid\|Plaza Mayor}} in [[Madrid]], not Seville, and instead features King {{Wiki\|Charles II of Spain\|Charles II}}, Queen {{Wiki\|Marie Louise d'Orléans}}, and {{Wiki\|queen mother}} {{Wiki\|Mariana of Austria\|Mariana}} of [[Austria]] in the background presiding over an ''auto-da-fe'' on 30 June 1680, with Grand Inquisitor {{Wiki\|Diego Sarmiento Valladares}} standing on the ground just left of their box holding a {{Wiki\|crozier}}. According to ''{{Wiki\|Alguacil\|Alguacil Mayor}}'' (Chief Justice) {{Wiki\|es:José del Olmo\|José del Olmo}}, the stage [[architect]] and an Inquisition informant, the ceremony lasted all day, as recorded in great detail in his book, ''[http://fama2.us.es/fde/relacionHistoricaDelAuto.pdf Relación histórica del auto general de fe, que se celebró en Madrid Este Año de 1680]''.<ref name="EspWiki"/>

			In the movie novelization, a copy of the real painting hung in the Council of Elders' meeting room, where [[Ellen Kaye]] correctly named the piece and the date of the events depicted, with [[Alan Rikkin]] observing that he thought the queen looked too old to be Isabella I.<ref>''[[Assassin's Creed: The Official Movie Novelization]]'' – Chapter 8</ref>

	==Gallery==		==Gallery==

imported>UJ112013 at 12:36, 5 September 2022

2022-09-05T12:36:59Z

← Older revision		Revision as of 14:36, 5 September 2022
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	{{DISPLAYTITLE:''{{PAGENAME}}''}}		{{DISPLAYTITLE:''{{PAGENAME}}''}}
	{{Era\|Culture}}{{WP-REAL}}		{{Era\|Culture}}{{WP-REAL}}
	{{Youmay\|the ritual\|the [[Auto-Da-Fé\|memory]] of [[Arno Dorian]] or the [[The Auto-Da-Fé\|memory]] of Aguilar de Nerha}}[[File:Aguilarinbattle.jpg\|thumb\|250px\|Aguilar de Nerha escaping an ''auto-da-fé'']]		{{Youmay\|the ritual\|the [[Auto-Da-Fé\|memory]] of [[Arno Dorian]] or the [[The Auto-Da-Fé\|memory]] of Aguilar de Nerha}}
			{{quote\|The Lord spake and he said, 'If a man abide not in me, he is cast into the fire, and he is burned.'\|Tomás de Torquemada presiding over a auto-da-fé.\|Assassin's Creed (film)}}
			[[File:Aguilarinbattle.jpg\|thumb\|250px\|Aguilar de Nerha escaping an ''auto-da-fé'']]
	An '''auto-da-fé''' (English: ''act of faith'') was a ritual of public penance of condemned heretics.		An '''auto-da-fé''' (English: ''act of faith'') was a ritual of public penance of condemned heretics.

Line 18:		Line 20:

	In 1683, [[Francisco Rizi]] made the oil painting entitled ''Grand Inquisition''. In 2016, a copy of it hung in the [[Council of Elders]]' meeting room.<ref name="ACfilm" />		In 1683, [[Francisco Rizi]] made the oil painting entitled ''Grand Inquisition''. In 2016, a copy of it hung in the [[Council of Elders]]' meeting room.<ref name="ACfilm" />

	~~==Behind the scenes==~~
	Rizi's painting used in the film is a stylized version of his actual artwork, ''{{Wiki\|File:Francisco rizi-auto de fe.jpg\|Auto de fe en la plaza Mayor de Madrid}}''. Its most glaring difference is the replacement of the central, fenced-off, open-air court with the execution stakes shown in [[Sevendalino Khay]]'s above three concept pieces for the film. The partial green crest with gold writing on the right hand bleacher in the original work is also missing.<ref name="EspWiki">{{WP\|es:Auto de fe en la plaza Mayor de Madrid\|Auto de fe en la plaza Mayor de Madrid}}</ref>

	Further, it is not a representation of the film's location of the ''auto-da-fe'', nor of any of the characters in that scene. As clearly stated in the title, the area depicted is {{Wiki\|Plaza Mayor, Madrid\|Plaza Mayor}} in [[Madrid]], not Seville, and instead features King {{Wiki\|Charles II of Spain\|Charles II}}, Queen {{Wiki\|Marie Louise d'Orléans}}, and {{Wiki\|queen mother}} {{Wiki\|Mariana of Austria\|Mariana}} of [[Austria]] in the background presiding over an ''auto-da-fe'' on 30 June 1680, with Grand Inquisitor {{Wiki\|Diego Sarmiento Valladares}} standing on the ground just left of their box holding a {{Wiki\|crozier}}. According to ''{{Wiki\|Alguacil\|Alguacil Mayor}}'' (Chief Justice) {{Wiki\|es:José del Olmo\|José del Olmo}}, the stage [[architect]] and an Inquisition informant, the ceremony lasted all day, as recorded in great detail in his book, ''[http://fama2.us.es/fde/relacionHistoricaDelAuto.pdf Relación histórica del auto general de fe, que se celebró en Madrid Este Año de 1680]''.<ref name="EspWiki"/>

	In the movie novelization, a copy of the real painting hung in the Council of Elders' meeting room, where [[Ellen Kaye]] correctly named the piece and the date of the events depicted, with [[Alan Rikkin]] observing that he thought the queen looked too old to be Isabella I.<ref>''[[Assassin's Creed: The Official Movie Novelization]]'' – Chapter 8</ref>

	==Gallery==		==Gallery==
	<gallery captionalign="center" position="center" spacing="small" widths="180">		<gallery captionalign="center" position="center" spacing="small" widths="180">
	ACUDB - Auto-da-fe.png\|Database image of an ''auto-da-fé''		ACUDB - Auto-da-fe.png\|Database image of an ''auto-da-fé''
			ACfilm the Auto-da-fé by Tomás de Torquemada.jpg\|Tomás de Torquemada presiding over a ''auto-da-fé''
	ACMovie Auto-da-fé Concept Art.jpg\|Concept art		ACMovie Auto-da-fé Concept Art.jpg\|Concept art
	Sevendalino Khay - Auto-da-fe concept.png\|Alternate coloring of the concept art		Sevendalino Khay - Auto-da-fe concept.png\|Alternate coloring of the concept art
Line 37:		Line 33:
	==Appearances==		==Appearances==
	*''[[Assassin's Creed II: Discovery]]'' {{C\|first appearance, as public burning}}		*''[[Assassin's Creed II: Discovery]]'' {{C\|first appearance, as public burning}}
	*''[[Assassin's Creed: Unity]]'' {{c\|first identified as Auto-da-fé}}		*''[[Assassin's Creed: Unity]]'' {{c\|first identified as ''Auto-da-fé''}}
	*[[Assassin's Creed (film)\|''Assassin's Creed'' (film)]]		*[[Assassin's Creed (film)\|''Assassin's Creed'' film]]
	*''[[Assassin's Creed: The Official Movie Novelization]]''		*''[[Assassin's Creed: The Official Movie Novelization]]''
	*''[[Assassin's Creed: Rebellion]]''		*''[[Assassin's Creed: Rebellion]]''

	==References==		==References==
	{{Reflist}}[[zh:信仰审判‎‎]]		{{Reflist}}
			[[zh:信仰审判‎‎]]
	[[Category:Ceremonies]]		[[Category:Ceremonies]]
	[[Category:Execution methods]]		[[Category:Execution methods]]

imported>Zone of Endless: removing newline between Era and WP-REAL

2021-10-14T21:47:22Z

removing newline between Era and WP-REAL

← Older revision		Revision as of 23:47, 14 October 2021
Line 1:		Line 1:
	{{DISPLAYTITLE:''{{PAGENAME}}''}}		{{DISPLAYTITLE:''{{PAGENAME}}''}}
	{{Era\|Culture}}		{{Era\|Culture}}{{WP-REAL}}
	{{WP-REAL}}
	{{Youmay\|the ritual\|the [[Auto-Da-Fé\|memory]] of [[Arno Dorian]] or the [[The Auto-Da-Fé\|memory]] of Aguilar de Nerha}}[[File:Aguilarinbattle.jpg\|thumb\|250px\|Aguilar de Nerha escaping an ''auto-da-fé'']]		{{Youmay\|the ritual\|the [[Auto-Da-Fé\|memory]] of [[Arno Dorian]] or the [[The Auto-Da-Fé\|memory]] of Aguilar de Nerha}}[[File:Aguilarinbattle.jpg\|thumb\|250px\|Aguilar de Nerha escaping an ''auto-da-fé'']]
	An '''auto-da-fé''' (English: ''act of faith'') was a ritual of public penance of condemned heretics.		An '''auto-da-fé''' (English: ''act of faith'') was a ritual of public penance of condemned heretics.

← Older revision		Revision as of 06:25, 7 June 2024
Line 1:		Line 1:
	{{DISPLAYTITLE:''{{PAGENAME}}''}}		{{DISPLAYTITLE:''{{PAGENAME}}''}}{{Era\|Culture}}{{WP-REAL}}
	{{Era\|Culture}}{{WP-REAL}}
	{{Youmay\|the ritual\|the [[Auto-Da-Fé\|memory]] of [[Arno Dorian]] or the [[The Auto-Da-Fé\|memory]] of Aguilar de Nerha}}		{{Youmay\|the ritual\|the [[Auto-Da-Fé\|memory]] of [[Arno Dorian]] or the [[The Auto-Da-Fé\|memory]] of Aguilar de Nerha}}
	{{~~quote~~\|The Lord spake and he said, 'If a man abide not in me, he is cast into the fire, and he is burned.'\|Tomás de Torquemada presiding over a auto-da-fé.\|Assassin's Creed (film)}}		{{Quote\|The Lord spake and he said, 'If a man abide not in me, he is cast into the fire, and he is burned.'\|Tomás de Torquemada presiding over a auto-da-fé.\|Assassin's Creed (film)}}
	[[File:Aguilarinbattle.jpg\|thumb\|250px\|Aguilar de Nerha escaping an ''auto-da-fé'']]		[[File:Aguilarinbattle.jpg\|thumb\|250px\|Aguilar de Nerha escaping an ''auto-da-fé'']]
	An '''auto-da-fé''' (English: ''act of faith'') was a ritual of public penance of condemned heretics.		An '''auto-da-fé''' (English: ''act of faith'') was a ritual of public penance of condemned heretics.

← Older revision		Revision as of 05:00, 18 June 2024
Line 1:		Line 1:
	{{DISPLAYTITLE:''{{PAGENAME}}''}}{{Era\|Culture}}{{WP-REAL}}		{{DISPLAYTITLE:''{{PAGENAME}}''}}{{Era\|Culture}}{{WP-REAL}}
	{{Youmay\|the ritual\|the [[Auto-Da-Fé\|memory]] of [[Arno Dorian]] or the [[The Auto-Da-Fé\|memory]] of Aguilar de Nerha}}		{{Youmay\|the ritual\|the [[Auto-Da-Fé\|memory]] of [[Arno Dorian]] or the [[The Auto-Da-Fé\|memory]] of Aguilar de Nerha}}
	{{Quote\|The Lord spake and he said, 'If a man abide not in me, he is cast into the fire, and he is burned.'\|Tomás de Torquemada presiding over a auto-da-fé.\|Assassin's Creed (film)}}		{{Quote\|The Lord spake and he said, 'If a man abide not in me, he is cast into the fire, and he is burned.'\|Tomás de Torquemada presiding over an ''auto-da-fé'', 1492.\|Assassin's Creed (film)}}
	[[File:Aguilarinbattle.jpg\|thumb\|250px\|Aguilar de Nerha escaping an ''auto-da-fé'']]		[[File:Aguilarinbattle.jpg\|thumb\|250px\|Aguilar de Nerha escaping an ''auto-da-fé'']]
	An '''auto-da-fé''' (English: ''act of faith'') was a ritual of public penance of condemned heretics.		An '''auto-da-fé''' (English: ''act of faith'') was a ritual of public penance of condemned heretics. The ''auto-da-fé'' was originally a ritual used by the [[Spain\|Spanish]] [[Spanish Inquisition\|Inquisition]], in which the accused would prove their good faith to fellow [[Christianity\|Christians]]. However, the proceedings often ended with the accused being condemned to death, in some cases by burning at the stake, and so the term therefore came to refer to the burning itself.<ref name="ACfilm">[[Assassin's Creed (film)\|''Assassin's Creed'' (film)]]</ref>

	The ''auto-da-fé'' was originally a ritual used by the [[Spain\|Spanish]] [[Spanish Inquisition\|Inquisition]], in which the accused would prove their good faith to fellow [[Christianity\|Christians]]. However, the proceedings often ended with the accused being condemned to death, in some cases by burning at the stake, and so the term therefore came to refer to the burning itself.<ref name="ACfilm">[[Assassin's Creed (film)\|''Assassin's Creed'' (film)]]</ref>

	==History==		==History==
	The first ''auto-da-fé'' took place in 1481 in [[Seville]], when six people were burned to death.<ref>{{Cite web\| url=https://www.familytreedna.com/assassinscreed/#inside \|title= ''Assassin's Creed'' DNA – The Inside Story: Explore Historical Timeline \| archiveurl=https://web.archive.org/web/20161030080429/https://www.familytreedna.com/assassinscreed/#inside\| archivedate=30 October 2016\| author=FamilyTreeDNA\| date=28 October, 2016\| publisher=''{{Wiki\|Family Tree DNA}}''\| accessdate= 7 November 2016}}</ref>		The first ''auto-da-fé'' took place in 1481 in [[Seville]], when six people were burned to death.<ref>''[[Assassin's Creed DNA]]'' – Timeline: 1481</ref>

	~~In 1491, the Templar [[Gaspar Martínez]] planned to burn a captive [[Assassins\|Assassin]] alive~~.<ref>''[[Assassin's Creed ~~II: Discovery~~]]'' – [[Assassinate Gaspar Martínez]]</ref> Fortunately, the [[Italian Brotherhood of Assassins\|Italian Assassin]] [[Ezio Auditore da Firenze\|Ezio Auditore]] assassinated Martínez and rescued the Assassin before the execution could be carried out.<ref>''Assassin's Creed II: ~~Discovery'' – [[Rescue the Assassin]]~~</ref>

	In ~~1492~~, a ~~team of~~ [[~~Spanish~~ Brotherhood of Assassins\|~~Spanish Assassins~~]]~~, led by~~ [[~~Aguilar de Nerha~~]]~~, assassinated~~ [[~~Gustavo Ramírez~~]]~~'s executioner~~ before he could ~~perform an ''auto-da-fé''~~.<ref ~~name="Rebellion"~~>''[[Assassin's Creed: ~~Rebellion]]~~'' – [[~~The Auto-Da-Fé~~]]</ref>		In 1491, the Inquisitor [[Gaspar Martínez]] planned to burn a captive [[Assassins\|Assassin]] alive.<ref>''[[Assassin's Creed II: Discovery]]'' – [[Assassinate Gaspar Martínez]]</ref> Fortunately, the [[Italian Brotherhood of Assassins\|Italian Assassin]] [[Ezio Auditore da Firenze\|Ezio Auditore]] [[Assassination\|assassinated]] Martínez and rescued the Assassin before the execution could be carried out.<ref>''Assassin's Creed II: Discovery'' – [[Rescue the Assassin]]</ref>

	Later that year, Aguilar, [[María]], and their [[Mentor]] [[Benedicto]] were subjected to an ''auto-da-fé'' in Seville by [[Tomás de Torquemada]] and the Spanish Inquisition, with King [[Ferdinand II of Aragon\|Ferdinand II]] of [[Kingdom of Aragon\|Aragon]] and Queen [[Isabella I of Castile\|Isabella I]] of [[Kingdom of Castile\|Castile]] in attendance. Although Benedicto was executed, Aguilar and Maria were able to free themselves and fight their way out of Seville to escape.<ref name="ACfilm" />		In 1492, [[Aguilar de Nerha]] led a team of [[Spanish Brotherhood of Assassins\|Spanish Assassins]] and assassinated [[Gustavo Ramírez]]'s executioner before he could perform an ''auto-da-fé''.<ref name="Rebellion">''[[Assassin's Creed: Rebellion]]'' – [[The Auto-Da-Fé]]</ref> Later that year, Aguilar, [[María]], and their [[Mentor]] [[Benedicto]] were subjected to an ''auto-da-fé'' in Seville by [[Tomás de Torquemada]] and the Spanish Inquisition, with King [[Ferdinand II of Aragon\|Ferdinand II]] of [[Kingdom of Aragon\|Aragon]] and Queen [[Isabella I of Castile\|Isabella I]] of [[Kingdom of Castile\|Castile]] in attendance. Although Benedicto was executed, Aguilar and Maria were able to free themselves and fight their way out of Seville to escape.<ref name="ACfilm" />

	During the [[France\|French]] [[French Revolution\|Revolution]], ''auto-da-fé'' took on the meaning of a revolutionary act of faith directed against Christian [[~~Scholar~~\|clerics]].<ref>''[[Assassin's Creed: Unity]]'' – [[Database: Auto-da-fé]]</ref>		During the [[France\|French]] [[French Revolution\|Revolution]], ''auto-da-fé'' took on the meaning of a revolutionary act of faith directed against Christian [[Priest\|clerics]].<ref>''[[Assassin's Creed: Unity]]'' – [[Database: Auto-da-fé]]</ref>

	In 1683, [[Francisco Rizi]] made the oil painting entitled ''Grand Inquisition''. In 2016, a copy of it hung in the [[Council of Elders]]' meeting room.<ref name="ACfilm" />		In 1683, [[Francisco Rizi]] made the oil painting entitled ''Grand Inquisition''. In 2016, a copy of it hung in the [[Council of Elders]]' meeting room.<ref name="ACfilm" />

	==Behind the scenes==		==Behind the scenes==
	Rizi's painting used in the film is a stylized version of his actual artwork, ''{{Wiki\|File:Francisco rizi-auto de fe.jpg\|Auto de fe en la plaza Mayor de Madrid}}''. Its most glaring difference is the replacement of the central, fenced-off, open-air court with the execution stakes shown in [[Sevendalino Khay]]'s three concept pieces below for the film. The partial green crest with gold writing on the right hand bleacher in the original work is also missing.<ref name="EspWiki">{{WP\|es:Auto de fe en la plaza Mayor de Madrid\|Auto de fe en la plaza Mayor de Madrid}}</ref>		Rizi's painting used in the film is a stylized version of his actual artwork, ''{{Wiki\|File:Francisco rizi-auto de fe.jpg\|Auto de fe en la plaza Mayor de Madrid}}''. Its most glaring difference is the replacement of the central, fenced-off, open-air court with the execution stakes shown in [[United Kingdom\|British]] artist [[Sevendalino Khay]]'s three concept pieces below for the film. The partial green crest with gold writing on the right hand bleacher in the original work is also missing.<ref name="EspWiki">{{WP\|es:Auto de fe en la plaza Mayor de Madrid\|Auto de fe en la plaza Mayor de Madrid}}</ref>

	Further, it is not a representation of the film's location of the ''auto-da-fe'', nor of any of the characters in that scene. As clearly stated in the title, the area depicted is {{Wiki\|Plaza Mayor, Madrid\|Plaza Mayor}} in [[Madrid]], not Seville, and instead features King {{Wiki\|Charles II of Spain\|Charles II}}, Queen {{Wiki\|Marie Louise d'Orléans}}, and {{Wiki\|queen mother}} {{Wiki\|Mariana of Austria\|Mariana}} of [[Austria]] in the background presiding over an ''auto-da-fe'' on 30 June 1680, with Grand Inquisitor {{Wiki\|Diego Sarmiento Valladares}} standing on the ground just left of their box holding a {{Wiki\|crozier}}. According to ''{{Wiki\|Alguacil\|Alguacil Mayor}}'' (Chief Justice) {{Wiki\|es:José del Olmo\|José del Olmo}}~~, the stage [[architect]] and an Inquisition informant~~, the ceremony lasted all day~~, as~~ recorded in great detail in his book, ''[http://fama2.us.es/fde/relacionHistoricaDelAuto.pdf Relación histórica del auto general de fe, que se celebró en Madrid Este Año de 1680]''.<ref name="EspWiki"/>		Further, it is not a representation of the film's location of the ''auto-da-fe'', nor of any of the characters in that scene. As clearly stated in the title, the area depicted is {{Wiki\|Plaza Mayor, Madrid\|Plaza Mayor}} in [[Madrid]], not Seville, and instead features King {{Wiki\|Charles II of Spain\|Charles II}}, Queen {{Wiki\|Marie Louise d'Orléans}}, and {{Wiki\|queen mother}} {{Wiki\|Mariana of Austria\|Mariana}} of [[Austria]] in the background presiding over an ''auto-da-fe'' on 30 June 1680, with Grand Inquisitor {{Wiki\|Diego Sarmiento Valladares}} standing on the ground just left of their box holding a {{Wiki\|crozier}}. According to the stage's [[architect]] and Inquisition informant ''{{Wiki\|Alguacil\|Alguacil Mayor}}'' (Chief Justice) {{Wiki\|es:José del Olmo\|José del Olmo}}, the ceremony lasted all day and he recorded it in great detail in his book, ''[http://fama2.us.es/fde/relacionHistoricaDelAuto.pdf Relación histórica del auto general de fe, que se celebró en Madrid Este Año de 1680]''.<ref name="EspWiki"/>

	In the movie novelization, a copy of the real painting hung in the Council of Elders' meeting room, where [[Ellen Kaye]] correctly named the piece and the date of the events depicted, with [[Alan Rikkin]] observing that he thought the queen looked too old to be Isabella I.<ref>''[[Assassin's Creed: The Official Movie Novelization]]'' – Chapter 8</ref>		In the movie novelization, a copy of the real painting hung in the Council of Elders' meeting room, where [[Ellen Kaye]] correctly named the piece and the date of the events depicted, with [[Alan Rikkin]] observing that he thought the queen looked too old to be Isabella I.<ref>''[[Assassin's Creed: The Official Movie Novelization]]'' – Chapter 8</ref>