Assassin's Creed III: Liberation soundtrack - Revision history

Soranin: /* References */

2026-05-11T00:18:33Z

References

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	[[Category:Soundtracks]]		[[Category:Soundtracks]]
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Soranin: /* References */

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References

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imported>MikonoshinobiCE at 09:11, 16 February 2025

2025-02-16T09:11:56Z

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imported>Soranin at 00:38, 27 August 2023

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	\|name = ''Assassin's Creed III: Liberation'' (Original Soundtrack)		\|name = ''Assassin's Creed III: Liberation'' (Original Soundtrack)
	\|image = LiberationOSTCover.jpg		\|image = LiberationOSTCover.jpg
	\|composer = ~~{{Wiki\|~~Winifred Phillips}}		\|composer = [[Winifred Phillips]]
	\|arranger =		\|arranger =
	\|producer = {{Wiki\|Winnie Waldron}}		\|producer = {{Wiki\|Winnie Waldron}}

imported>Zone of Endless: removing newline before Era template

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	{{Era\|AC3L\|RW}}
	{{Soundtrack Infobox		{{Soundtrack Infobox
	\|name = ''Assassin's Creed III: Liberation'' (Original Soundtrack)		\|name = ''Assassin's Creed III: Liberation'' (Original Soundtrack)

imported>Soranin: /* Track listing */

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Track listing

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	#Society Suite in 4 Movements - 7:16		#Society Suite in 4 Movements - 7:16
	#Ride to Oblivion - 2:12		#Ride to Oblivion - 2:12
	#[[~~Mayans\|Mayan~~]] Labyrinth - 2:04		#[[Maya]]n Labyrinth - 2:04
	#Chasing Freedom - 2:19		#Chasing Freedom - 2:19
	#The Hunt - 2:13		#The Hunt - 2:13

imported>Blue-castle: fr

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imported>Darman36 at 16:10, 17 September 2018

2018-09-17T16:10:54Z

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	{{Era\|AC3L\|RW}}		{{Era\|AC3L\|RW}}
	{{Soundtrack Infobox		{{Soundtrack Infobox
	\|name = ''Assassin's Creed III: Liberation'' (Original ~~Game~~ Soundtrack)		\|name = ''Assassin's Creed III: Liberation'' (Original Soundtrack)
	\|image = LiberationOSTCover.jpg		\|image = LiberationOSTCover.jpg
	\|composer = {{Wiki\|Winifred Phillips}}		\|composer = {{Wiki\|Winifred Phillips}}
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	\|no tracks = 26		\|no tracks = 26
	\|length = 1:08:17		\|length = 1:08:17
	\|release = ~~Oct.~~ 30, 2012		\|release = October 30, 2012
	\|link=[https://itunes.apple.com/us/album/assassins-creed-3-liberation/id901491600 iTunes]<br/>[https://www.amazon.com/gp/product/B009YU6VRS/ Amazon]}}		\|link=[https://itunes.apple.com/us/album/assassins-creed-3-liberation/id901491600 iTunes]<br>[https://play.google.com/store/music/album/Winifred_Phillips_Assassin_s_Creed_3_Liberation_Or?id=Bdpgojprzvwf5i7ed6jiwtiaqdi Google Play]<br/>[https://www.amazon.com/gp/product/B009YU6VRS/ Amazon]}}
	The '''''Assassin's Creed III: Liberation'' soundtrack''' is a collection of music tracks written by [[United States\|American]] composer [[Winifred Phillips]] and produced by {{Wiki\|Winnie Waldron}} that were used as background music in ''[[Assassin's Creed III: Liberation]]''. The album was released ~~online~~ on October 30, 2012.		The '''''Assassin's Creed III: Liberation'' soundtrack''' is a collection of music tracks written by [[United States\|American]] composer [[Winifred Phillips]] and produced by {{Wiki\|Winnie Waldron}} that were used as background music in ''[[Assassin's Creed III: Liberation]]''. The album was released digitally on October 30, 2012.

	==Track listing==		==Track listing==
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	==Creation of the score==		==Creation of the score==
	'''General''' - In composing the score for ''Assassin's Creed III: Liberation'', Winifred Phillips considered both the setting and the protagonist, Aveline de Grandpré, as main inspirations. As the daughter of a [[France\|French]] [[Philippe de Grandpré\|aristocrat]] and an [[Africa]]n [[~~Slavery~~\|slave]], Aveline possessed strong contrasting cultural influences. The French style focused on Baroque string orchestra with an emphasis on the refined and sophisticated style of this genre, while the African style was embodied by complex and intricate percussion, authentic African vocals and the bright and vivid chords and melodies of African musical structure. In crafting the game's score, Phillips blended these music styles and also introduced some musical elements from folk songs.<ref name="Youtube">[https://www.youtube.com/watch?v=-CS3Nc2qFOo Youtube - ''Assassin's Creed Liberation: How to Write Thematic Music for Games'']</ref>		'''General''' - In composing the score for ''Assassin's Creed III: Liberation'', Winifred Phillips considered both the setting and the protagonist, Aveline de Grandpré, as main inspirations. As the daughter of a [[France\|French]] [[Philippe de Grandpré\|aristocrat]] and an [[Africa]]n [[Jeanne\|slave]], Aveline possessed strong contrasting cultural influences. The French style focused on Baroque string orchestra with an emphasis on the refined and sophisticated style of this genre, while the African style was embodied by complex and intricate percussion, authentic African vocals and the bright and vivid chords and melodies of African musical structure. In crafting the game's score, Phillips blended these music styles and also introduced some musical elements from folk songs.<ref name="Youtube">[https://www.youtube.com/watch?v=-CS3Nc2qFOo ''Youtube'' - Assassin's Creed Liberation: How to Write Thematic Music for Games]</ref>

	'''Aveline''' - With the protagonist navigating multiple distinct social spheres, all of which suggest particular choices in musical instrumentation and style, the score needed to reflect that Aveline's inner world was very much a combination of all of these layers. As Aveline lost her ~~[[Jeanne\|~~mother]] at an early age, some of the tracks expressly permeate a sense of melancholy. At the same time, she is fiercely opposed to slavery and the oppression of the occupying [[Spain\|Spanish]] forces. To strike a balance between these two aspects, Phillips used a soprano to communicate Aveline's vulnerability and gentleness, which was juxtaposed against the more aggressive elements of the musical score.<ref name="Kotaku">[http://kotaku.com/5960996/the-assassins-creed-iii-liberation-soundtrack-is-a-stealthy-success Kotaku - ''The Assassin's Creed III: Liberation Soundtrack is a Stealthy Success'']</ref> As much of the storyline revolves around the mystery of the [[Madeleine de L'Isle\|Company Man]]'s identity, Aveline's theme is also associated with yearning, questioning and looking for answers.<ref name="Youtube" />		'''Aveline''' - With the protagonist navigating multiple distinct social spheres, all of which suggest particular choices in musical instrumentation and style, the score needed to reflect that Aveline's inner world was very much a combination of all of these layers. As Aveline lost her mother at an early age, some of the tracks expressly permeate a sense of melancholy. At the same time, she is fiercely opposed to slavery and the oppression of the occupying [[Spain\|Spanish]] forces. To strike a balance between these two aspects, Phillips used a soprano to communicate Aveline's vulnerability and gentleness, which was juxtaposed against the more aggressive elements of the musical score.<ref name="Kotaku">[http://kotaku.com/5960996/the-assassins-creed-iii-liberation-soundtrack-is-a-stealthy-success ''Kotaku'' - The Assassin's Creed III: Liberation Soundtrack is a Stealthy Success]</ref> As much of the storyline revolves around the mystery of the [[Madeleine de L'Isle\|Company Man]]'s identity, Aveline's theme is also associated with yearning, questioning and looking for answers.<ref name="Youtube" />

	'''Louisiana Bayou''' - For the bayou, Phillips largely focused on African percussion, using instruments such as dunun drums, the balafon, wooden flutes and rice shakers, making the location feel as though it was infused with African culture.<ref name="Youtube" />		'''Louisiana Bayou''' - For the bayou, Phillips largely focused on African percussion, using instruments such as dunun drums, the balafon, wooden flutes and rice shakers, making the location feel as though it was infused with African culture.<ref name="Youtube" />
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	'''Mayan ruins''' - Mayan civilization possesses a very different cultural foundation from 18th century [[New Orleans]], making for a change in musical instruments. For these soundtracks, Phillips used instruments including the Mesoamerican ocarina, the rainstick, hollow log drums and shell shakers.<ref name="Youtube" />		'''Mayan ruins''' - Mayan civilization possesses a very different cultural foundation from 18th century [[New Orleans]], making for a change in musical instruments. For these soundtracks, Phillips used instruments including the Mesoamerican ocarina, the rainstick, hollow log drums and shell shakers.<ref name="Youtube" />

	'''Sci-fi elements''' - As in previous entries in the franchise, a modern element was present in the soundtrack to reference the technological marvel of the Animus, usually in the form of synths and contemporary rhythms.<ref name="Youtube" /> Phillips also associated the reliving of memories with visions, which she introduced into some of the tracks via floating ambient synths and unsettling musical effects. She believed that, in this way, "the instruments that typify the New Orleans regional sound have the potential to drift to the surface of the ambient soundscape and make themselves known, like hazy images in a dream".<ref name="IGN">[http://www.ign.com/articles/2012/12/17/the-music-behind-assassins-creed-iii-liberation~~?page=2~~ IGN - ''The Music Behind Assassin's Creed III: Liberation'']</ref>		'''Sci-fi elements''' - As in previous entries in the franchise, a modern element was present in the soundtrack to reference the technological marvel of the Animus, usually in the form of synths and contemporary rhythms.<ref name="Youtube" /> Phillips also associated the reliving of memories with visions, which she introduced into some of the tracks via floating ambient synths and unsettling musical effects. She believed that, in this way, "the instruments that typify the New Orleans regional sound have the potential to drift to the surface of the ambient soundscape and make themselves known, like hazy images in a dream".<ref name="IGN">[http://www.ign.com/articles/2012/12/17/the-music-behind-assassins-creed-iii-liberation ''IGN'' - The Music Behind Assassin's Creed III: Liberation]</ref>

	==Trivia==		==Trivia==
	*Samples of the tracks were released on a French website before the release of the game.<ref>[http://world.idolweb.fr/ubisoft-music/winifred-phillips/assassins-creed-3-liberation-original-game-soundtrack/3700551741663.html ''Assassin's Creed ~~III~~: Liberation~~'' soundtrack samples~~]</ref>		*Samples of the tracks were released on the French website IDOL before the release of the game.<ref>[http://world.idolweb.fr/ubisoft-music/winifred-phillips/assassins-creed-3-liberation-original-game-soundtrack/3700551741663.html ''IDOL'' - Assassin's Creed 3: Liberation (Original Game Soundtrack) - Winifred Phillips]</ref>

	==References==		==References==
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	[[ru:Assassin's Creed III: Liberation Original Soundtrack]]		[[ru:Assassin's Creed III: Liberation Original Soundtrack]]
			[[Category:Soundtracks]]
	[[Category:Assassin's Creed III: Liberation]]		[[Category:Assassin's Creed III: Liberation]]
	~~[[Category:Soundtracks]]~~

imported>1857a at 02:59, 12 January 2018

2018-01-12T02:59:40Z

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	{{Reflist}}		{{Reflist}}
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	[[Category:Assassin's Creed III: Liberation]]		[[Category:Assassin's Creed III: Liberation]]
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