Assassin's Creed: Origins soundtrack - Revision history

Soranin: /* References */

2026-05-10T21:47:51Z

References

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Soranin: /* References */

2026-05-09T21:18:43Z

References

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imported>Soranin: /* Track listing */

2023-08-27T00:30:49Z

Track listing

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	#Be My Eyes - 1:48		#Be My Eyes - 1:48
	#The Cracked Wall - 1:54		#The Cracked Wall - 1:54
	#The [[~~Alexander the Great\|~~Alexandrian]] ~~{{Wiki\|Alexandrian Pleiad\|Pleiad}}~~ - 3:44		#The [[Alexandrian Pleiad]] - 3:44
	#Desert Delirium - 1:56		#Desert Delirium - 1:56
	#[[Apep]]'s [[The Lizard's Mask\|Vengeance]] - 2:40		#[[Apep]]'s [[The Lizard's Mask\|Vengeance]] - 2:40

imported>Zone of Endless: removing newline before Era template

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removing newline before Era template

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	{{Soundtrack Infobox		{{Soundtrack Infobox
	\|name = ''Assassin's Creed: Origins'' (Original Game Soundtrack)		\|name = ''Assassin's Creed: Origins'' (Original Game Soundtrack)

imported>VilkaTheWolf at 03:54, 19 June 2020

2020-06-19T03:54:08Z

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	{{DISPLAYTITLE:''Assassin's Creed: Origins'' soundtrack}}		{{DISPLAYTITLE:''Assassin's Creed: Origins'' soundtrack}}

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	\|link= [https://itunes.apple.com/us/album/assassins-creed-origins-original-game-soundtrack/id1298694737 iTunes]<br>[https://play.google.com/store/music/album/Sarah_Schachner_Assassin_s_Creed_Origins_Original?id=Bpszeano3hxijzdxifx7jtp76om Google Play]<br>[https://www.amazon.com/dp/B076P99FW6/ Amazon]}}		\|link= [https://itunes.apple.com/us/album/assassins-creed-origins-original-game-soundtrack/id1298694737 iTunes]<br>[https://play.google.com/store/music/album/Sarah_Schachner_Assassin_s_Creed_Origins_Original?id=Bpszeano3hxijzdxifx7jtp76om Google Play]<br>[https://www.amazon.com/dp/B076P99FW6/ Amazon]}}
	The '''''Assassin's Creed: Origins'' soundtrack''' is a collection of music tracks written by [[United States\|American]] composer [[Sarah Schachner]] that were used as background music in ''[[Assassin's Creed: Origins]]''. It was released digitally on October 27, 2017. A vinyl edition is expected, though there are no known plans to make a physical CD.<ref>{{Twitter\|SarahSchachner\|status/923659782283653120\|Sarah Schachner\|quote=@H4RR7H @VulakAerr Not that I know of, but there will be a vinyl edition.\|image=\|backup=}}</ref> Players who pre-ordered ''Collectors'' or ''Special Editions'' of ''Origins'' received a CD with 15 bonus gameplay cues<ref>{{Twitter\|H4RR7H\|status/923731219434545152\|Harry @ MoTR\|quote=[https://pbs.twimg.com/media/DNHAo0IUEAAMrs5.jpg pic.twitter.com/5YdFNIRulp]\|image=\|noimage=\|backup=}}</ref> also by Schachner.<ref>{{Twitter\|SarahSchachner\|status/923595742031233024\|Sarah Schachnew\|quote=[https://pbs.twimg.com/media/DNFFathVAAExHzi.jpg pic.twitter.com/OCBiBNpcdi]\|image=\|noimage=\|backup=}}</ref>		The '''''Assassin's Creed: Origins'' soundtrack''' is a collection of music tracks written by [[United States\|American]] composer [[Sarah Schachner]] that were used as background music in ''[[Assassin's Creed: Origins]]''. It was released digitally on October 27, 2017. A vinyl edition is expected, though there are no known plans to make a physical CD.<ref>{{Twitter\|SarahSchachner\|status/923659782283653120\|Sarah Schachner\|quote=@H4RR7H @VulakAerr Not that I know of, but there will be a vinyl edition.\|image=\|backup=}}</ref> Players who pre-ordered ''Collectors'' or ''Special Editions'' of ''Origins'' received a CD with 15 bonus gameplay cues<ref>{{Twitter\|H4RR7H\|status/923731219434545152\|Harry @ MoTR\|quote=[https://pbs.twimg.com/media/DNHAo0IUEAAMrs5.jpg pic.twitter.com/5YdFNIRulp]\|image=\|noimage=\|backup=}}</ref> also by Schachner.<ref>{{Twitter\|SarahSchachner\|status/923595742031233024\|Sarah Schachnew\|quote=[https://pbs.twimg.com/media/DNFFathVAAExHzi.jpg pic.twitter.com/OCBiBNpcdi]\|image=\|noimage=\|backup=}}</ref>

			==Background==
			Because historians do not know what contemporary [[Ptolemaic Kingdom\|Ptolemaic]] [[Egypt]] music could have sounded like and can only make assumptions, Schachner decided to merge old and new styles. In her view, this not only reflected a culture deeply tied to its mythology, but also was in keeping with [[Assassin's Creed (series)\|the series]]' themes of secretive organizations and the near-supernatural.<ref name="Billboard">{{Cite web\| url=https://www.billboard.com/articles/news/8005935/sarah-schachner-ancient-egypt-assassins-creed-origins \|title= Stalk like an Egyptian: Sarah Schachner Sojourns to Ancient Egypt For 'Assassin's Creed Origins' Score \| archiveurl=\| archivedate=\| author=Parisi, Paula\| date=19 October, 2017\| publisher=''{{Wiki\|Billboard (magazine)\|Billboard}}''\| accessdate= 19 April 2019}}</ref><ref name="Ubisoft">{{Cite web\| url=https://blog.ubi.com/assassins-creed-origins-creating-soundtrack-ancient-egypt/ \|title= ''Assassin's Creed Origins'' – Creating the Soundtrack for Ancient Egypt \| archiveurl=http://web.archive.org/web/20171103133900/blog.ubi.com/assassins-creed-origins-creating-soundtrack-ancient-egypt/\| archivedate=3 November 2017\| author= Reparaz, Mikel\| date=20 October, 2014\| publisher=''Ubisoft''\| accessdate= 20 October 2017}}</ref> Another theme she hoped to convey was the perceived dual nature of the Egyptian deserts as lands home to both nature's exotic beauty and its unforgiving power, as heard in the rough sounds made by an undisclosed string instrument.<ref name="Ubisoft" />

			As such, Schachner used traditional instruments when creating the score, ranging from the {{Wiki\|oud}}, lyres, and various bells and winds,<ref name="Billboard" /> to lutes, rattles, and animal-hide drums,<ref name="Ubisoft" /> all of which would "bring [the player] back to the sand."<ref name="Billboard" /> Not wanting to retread the stereotypically "Middle Eastern" sounds that were expected,<ref name="Ubisoft" /> she then ran the recordings through a {{Wiki\|Yamaha CS-80\|CS-80 synthesizer}} in order to give them the air of mystery that pervades ''Assassin's Creed''.<ref name="Billboard" /> As a result, ''Origins''{{'}} ambient tracks are moodier than music used in previous games, but are perfectly complimentary given ''Origins''<nowiki>'</nowiki> apparent mytho-historical setting and Bayek's more mature outlook on life due to having been a Medjay for many years.<ref name="Ubisoft" /> Schachner not only composed all the music, she also performed it and provided the vocals for the track "Ezio's Family (''Origins'' version)".<ref name="Billboard" />

			While the final bonus track is named "Great Sea Sand", the region's actual name is "Great Sand Sea".

	==Track listing==		==Track listing==
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	#Time Without Conflict White Desert - 0:56		#Time Without Conflict White Desert - 0:56
	#Time Without Conflict Great Sea Sand - 0:59		#Time Without Conflict Great Sea Sand - 0:59

	{{-}}		{{-}}
	~~==Creation of the score==~~
	Because historians do not know what contemporary [[Ptolemaic Kingdom\|Ptolemaic]] [[Egypt]] music could have sounded like and can only make assumptions, Schachner decided to merge old and new styles. In her view, this not only reflected a culture deeply tied to its mythology, but also was in keeping with [[Assassin's Creed (series)\|the series]]' themes of secretive organizations and the near-supernatural.<ref name="Billboard">{{Cite web\| url=https://www.billboard.com/articles/news/8005935/sarah-schachner-ancient-egypt-assassins-creed-origins \|title= Stalk like an Egyptian: Sarah Schachner Sojourns to Ancient Egypt For 'Assassin's Creed Origins' Score \| archiveurl=\| archivedate=\| author=Parisi, Paula\| date=19 October, 2017\| publisher=''{{Wiki\|Billboard (magazine)\|Billboard}}''\| accessdate= 19 April 2019}}</ref><ref name="Ubisoft">{{Cite web\| url=https://blog.ubi.com/assassins-creed-origins-creating-soundtrack-ancient-egypt/ \|title= ''Assassin's Creed Origins'' – Creating the Soundtrack for Ancient Egypt \| archiveurl=http://web.archive.org/web/20171103133900/blog.ubi.com/assassins-creed-origins-creating-soundtrack-ancient-egypt/\| archivedate=3 November 2017\| author= Reparaz, Mikel\| date=20 October, 2014\| publisher=''Ubisoft''\| accessdate= 20 October 2017}}</ref> Another theme she hoped to convey was the perceived dual nature of the Egyptian deserts as lands home to both nature's exotic beauty and its unforgiving power, as heard in the rough sounds made by an undisclosed string instrument.<ref name="Ubisoft" />

	As such, Schachner used traditional instruments when creating the score, ranging from the {{Wiki\|oud}}, lyres, and various bells and winds,<ref name="Billboard" /> to lutes, rattles, and animal-hide drums,<ref name="Ubisoft" /> all of which would "bring [the player] back to the sand."<ref name="Billboard" /> Not wanting to retread the stereotypically "Middle Eastern" sounds that were expected,<ref name="Ubisoft" /> she then ran the recordings through a {{Wiki\|Yamaha CS-80\|CS-80 synthesizer}} in order to give them the air of mystery that pervades ''Assassin's Creed''.<ref name="Billboard" /> As a result, ''Origins''{{'}} ambient tracks are moodier than music used in previous games, but are perfectly complimentary given ''Origins''<nowiki>'</nowiki> apparent mytho-historical setting and Bayek's more mature outlook on life due to having been a Medjay for many years.<ref name="Ubisoft" />

	~~==Trivia==~~
	*Schachner not only composed all the music, she also performed it and provided the vocals for the track "Ezio's Family (''Origins'' version)".<ref name="Billboard" />
	*While the final bonus track is named "Great Sea Sand", the region's actual name is "Great Sand Sea".

	==References==		==References==

imported>Darman36: /* Creation of the score */

2020-06-19T03:12:30Z

Creation of the score

← Older revision		Revision as of 05:12, 19 June 2020
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	{{-}}		{{-}}
	==Creation of the score==		==Creation of the score==
	Because historians do not know what contemporary [[Ptolemaic Kingdom\|Ptolemaic]] [[Egypt]] music could have sounded like and can only make assumptions, Schachner decided to merge old and new styles. In her view, this not only reflected a culture deeply tied to its mythology, but also was in keeping with [[Assassin's Creed (series)\|the series]]' themes of secretive organizations and the near-supernatural.<ref name="Billboard">{{Cite web\| url=https://www.billboard.com/articles/news/8005935/sarah-schachner-ancient-egypt-assassins-creed-origins \|title= Stalk like an Egyptian: Sarah Schachner Sojourns to Ancient Egypt For 'Assassin's Creed Origins' Score \| archiveurl=\| archivedate=\| author=Parisi, Paula\| date=19 October, 2017\| publisher=''{{Wiki\|Billboard (magazine)\|Billboard}}''\| accessdate= 19 April 2019}}</ref><ref>{{Cite web\| url=https://blog.ubi.com/assassins-creed-origins-creating-soundtrack-ancient-egypt/ \|title= ''Assassin's Creed Origins'' – Creating the Soundtrack for Ancient Egypt \| archiveurl=http://web.archive.org/web/20171103133900/blog.ubi.com/assassins-creed-origins-creating-soundtrack-ancient-egypt/\| archivedate=3 November 2017\| author= Reparaz, Mikel\| date=20 October, 2014\| publisher=''Ubisoft''\| accessdate= 20 October 2017}}</ref> Another theme she hoped to convey was the perceived dual nature of the Egyptian deserts as lands home to both nature's exotic beauty and its unforgiving power, as heard in the rough sounds made by an undisclosed string instrument.<ref name="~~Ubiblog~~" />		Because historians do not know what contemporary [[Ptolemaic Kingdom\|Ptolemaic]] [[Egypt]] music could have sounded like and can only make assumptions, Schachner decided to merge old and new styles. In her view, this not only reflected a culture deeply tied to its mythology, but also was in keeping with [[Assassin's Creed (series)\|the series]]' themes of secretive organizations and the near-supernatural.<ref name="Billboard">{{Cite web\| url=https://www.billboard.com/articles/news/8005935/sarah-schachner-ancient-egypt-assassins-creed-origins \|title= Stalk like an Egyptian: Sarah Schachner Sojourns to Ancient Egypt For 'Assassin's Creed Origins' Score \| archiveurl=\| archivedate=\| author=Parisi, Paula\| date=19 October, 2017\| publisher=''{{Wiki\|Billboard (magazine)\|Billboard}}''\| accessdate= 19 April 2019}}</ref><ref name="Ubisoft">{{Cite web\| url=https://blog.ubi.com/assassins-creed-origins-creating-soundtrack-ancient-egypt/ \|title= ''Assassin's Creed Origins'' – Creating the Soundtrack for Ancient Egypt \| archiveurl=http://web.archive.org/web/20171103133900/blog.ubi.com/assassins-creed-origins-creating-soundtrack-ancient-egypt/\| archivedate=3 November 2017\| author= Reparaz, Mikel\| date=20 October, 2014\| publisher=''Ubisoft''\| accessdate= 20 October 2017}}</ref> Another theme she hoped to convey was the perceived dual nature of the Egyptian deserts as lands home to both nature's exotic beauty and its unforgiving power, as heard in the rough sounds made by an undisclosed string instrument.<ref name="Ubisoft" />

	As such, Schachner used traditional instruments when creating the score, ranging from the {{Wiki\|oud}}, lyres, and various bells and winds,<ref name="Billboard" /> to lutes, rattles, and animal-hide drums,<ref name="~~Ubiblog~~" /> all of which would "bring [the player] back to the sand."<ref name="Billboard" /> Not wanting to retread the stereotypically "Middle Eastern" sounds that were expected,<ref name="~~Ubiblog~~" /> she then ran the recordings through a {{Wiki\|Yamaha CS-80\|CS-80 synthesizer}} in order to give them the air of mystery that pervades ''Assassin's Creed''.<ref name="Billboard" /> As a result, ''Origins''{{'}} ambient tracks are moodier than music used in previous games, but are perfectly complimentary given ''Origins''<nowiki>'</nowiki> apparent mytho-historical setting and Bayek's more mature outlook on life due to having been a Medjay for many years.<ref name="~~Ubiblog~~" />		As such, Schachner used traditional instruments when creating the score, ranging from the {{Wiki\|oud}}, lyres, and various bells and winds,<ref name="Billboard" /> to lutes, rattles, and animal-hide drums,<ref name="Ubisoft" /> all of which would "bring [the player] back to the sand."<ref name="Billboard" /> Not wanting to retread the stereotypically "Middle Eastern" sounds that were expected,<ref name="Ubisoft" /> she then ran the recordings through a {{Wiki\|Yamaha CS-80\|CS-80 synthesizer}} in order to give them the air of mystery that pervades ''Assassin's Creed''.<ref name="Billboard" /> As a result, ''Origins''{{'}} ambient tracks are moodier than music used in previous games, but are perfectly complimentary given ''Origins''<nowiki>'</nowiki> apparent mytho-historical setting and Bayek's more mature outlook on life due to having been a Medjay for many years.<ref name="Ubisoft" />

	==Trivia==		==Trivia==

imported>Darman36: Updated sources, fixed dead link

2020-06-19T03:10:21Z

Updated sources, fixed dead link

← Older revision		Revision as of 05:10, 19 June 2020
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	{{DISPLAYTITLE:''Assassin's Creed: Origins'' soundtrack}}		{{DISPLAYTITLE:''Assassin's Creed: Origins'' soundtrack}}

	{{Era\|ACO\|RW}}		{{Era\|ACO\|RW}}
	{{Soundtrack Infobox		{{Soundtrack Infobox
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	\|release = October 27, 2017 (CD)<br>TBA (vinyl)		\|release = October 27, 2017 (CD)<br>TBA (vinyl)
	\|link= [https://itunes.apple.com/us/album/assassins-creed-origins-original-game-soundtrack/id1298694737 iTunes]<br>[https://play.google.com/store/music/album/Sarah_Schachner_Assassin_s_Creed_Origins_Original?id=Bpszeano3hxijzdxifx7jtp76om Google Play]<br>[https://www.amazon.com/dp/B076P99FW6/ Amazon]}}		\|link= [https://itunes.apple.com/us/album/assassins-creed-origins-original-game-soundtrack/id1298694737 iTunes]<br>[https://play.google.com/store/music/album/Sarah_Schachner_Assassin_s_Creed_Origins_Original?id=Bpszeano3hxijzdxifx7jtp76om Google Play]<br>[https://www.amazon.com/dp/B076P99FW6/ Amazon]}}
	The '''''Assassin's Creed: Origins'' soundtrack''' is a collection of music tracks written by [[United States\|American]] composer [[Sarah Schachner]] that were used as background music in ''[[Assassin's Creed: Origins]]''. It was released digitally on October 27, 2017. A vinyl edition is expected, though there are no known plans to make a physical CD.<ref>~~[https://twitter.com/~~SarahSchachner/status/923659782283653120 ~~''Twitter'' - @SarahSchachner]: "~~@H4RR7H @VulakAerr Not that I know of, but there will be a vinyl edition."</ref> Players who pre-ordered ''Collectors'' or ''Special Editions'' of ''Origins'' received a CD with 15 bonus gameplay cues<ref>~~[https://twitter.com/~~H4RR7H/status/923731219434545152 ~~''Twitter'' -~~ @~~H4RR7H]:~~		The '''''Assassin's Creed: Origins'' soundtrack''' is a collection of music tracks written by [[United States\|American]] composer [[Sarah Schachner]] that were used as background music in ''[[Assassin's Creed: Origins]]''. It was released digitally on October 27, 2017. A vinyl edition is expected, though there are no known plans to make a physical CD.<ref>{{Twitter\|SarahSchachner\|status/923659782283653120\|Sarah Schachner\|quote=@H4RR7H @VulakAerr Not that I know of, but there will be a vinyl edition.\|image=\|backup=}}</ref> Players who pre-ordered ''Collectors'' or ''Special Editions'' of ''Origins'' received a CD with 15 bonus gameplay cues<ref>{{Twitter\|H4RR7H\|status/923731219434545152\|Harry @ MoTR\|quote=[https://pbs.twimg.com/media/DNHAo0IUEAAMrs5.jpg pic.twitter.com/5YdFNIRulp]\|image=\|noimage=\|backup=}}</ref> also by Schachner.<ref>{{Twitter\|SarahSchachner\|status/923595742031233024\|Sarah Schachnew\|quote=[https://pbs.twimg.com/media/DNFFathVAAExHzi.jpg pic.twitter.com/OCBiBNpcdi]\|image=\|noimage=\|backup=}}</ref>
	"[https://pbs.twimg.com/media/DNHAo0IUEAAMrs5.jpg pic.twitter.com/5YdFNIRulp]"</ref> also by Schachner.<ref>~~[https://twitter.com/~~SarahSchachner/status/923595742031233024 ~~''Twitter'' - @SarahSchachner]: "~~[https://pbs.twimg.com/media/DNFFathVAAExHzi.jpg pic.twitter.com/OCBiBNpcdi]"</ref>

	==Track listing==		==Track listing==
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	#Time Without Conflict White Desert - 0:56		#Time Without Conflict White Desert - 0:56
	#Time Without Conflict Great Sea Sand - 0:59		#Time Without Conflict Great Sea Sand - 0:59

	{{-}}		{{-}}
	==Creation of the score==		==Creation of the score==
	Because historians do not know what contemporary ~~{{Wiki\|~~Ptolemaic ~~dynasty~~\|Ptolemaic}} [[Egypt]] music could have sounded like and can only make assumptions, Schachner decided to merge old and new styles. In her view, this not only reflected a culture deeply tied to its mythology, but also was in keeping with [[Assassin's Creed (series)\|the series]]' themes of secretive organizations and the near-supernatural.<ref name="Billboard">[https://www.billboard.com/articles/news/8005935/sarah-schachner-ancient-egypt-assassins-creed-origins ~~''Billboard'' -~~ Stalk like an Egyptian: Sarah Schachner Sojourns to Ancient Egypt For 'Assassin's Creed Origins' Score]</ref><ref ~~name~~=~~"Ubiblog">[~~https://blog.ubi.com/assassins-creed-origins-creating-soundtrack-ancient-egypt/ ''~~Ubiblog'' -~~ Assassin's Creed Origins - Creating the Soundtrack for Ancient Egypt]</ref> Another theme she hoped to convey was the perceived dual nature of the Egyptian deserts as lands home to both nature's exotic beauty and its unforgiving power, as heard in the rough sounds made by an undisclosed string instrument.<ref name="Ubiblog" />		Because historians do not know what contemporary [[Ptolemaic Kingdom\|Ptolemaic]] [[Egypt]] music could have sounded like and can only make assumptions, Schachner decided to merge old and new styles. In her view, this not only reflected a culture deeply tied to its mythology, but also was in keeping with [[Assassin's Creed (series)\|the series]]' themes of secretive organizations and the near-supernatural.<ref name="Billboard">{{Cite web\| url=https://www.billboard.com/articles/news/8005935/sarah-schachner-ancient-egypt-assassins-creed-origins \|title= Stalk like an Egyptian: Sarah Schachner Sojourns to Ancient Egypt For 'Assassin's Creed Origins' Score \| archiveurl=\| archivedate=\| author=Parisi, Paula\| date=19 October, 2017\| publisher=''{{Wiki\|Billboard (magazine)\|Billboard}}''\| accessdate= 19 April 2019}}</ref><ref>{{Cite web\| url=https://blog.ubi.com/assassins-creed-origins-creating-soundtrack-ancient-egypt/ \|title= ''Assassin's Creed Origins'' – Creating the Soundtrack for Ancient Egypt \| archiveurl=http://web.archive.org/web/20171103133900/blog.ubi.com/assassins-creed-origins-creating-soundtrack-ancient-egypt/\| archivedate=3 November 2017\| author= Reparaz, Mikel\| date=20 October, 2014\| publisher=''Ubisoft''\| accessdate= 20 October 2017}}</ref> Another theme she hoped to convey was the perceived dual nature of the Egyptian deserts as lands home to both nature's exotic beauty and its unforgiving power, as heard in the rough sounds made by an undisclosed string instrument.<ref name="Ubiblog" />

	As such, Schachner used traditional instruments when creating the score, ranging from the {{Wiki\|oud}}, lyres, and various bells and winds,<ref name="Billboard" /> to lutes, rattles, and animal-hide drums,<ref name="Ubiblog" /> all of which would "bring [the player] back to the sand."<ref name="Billboard" /> Not wanting to retread the stereotypically "Middle Eastern" sounds that were expected,<ref name="Ubiblog" /> she then ran the recordings through a {{Wiki\|Yamaha CS-80\|CS-80 synthesizer}} in order to give them the air of mystery that pervades ''Assassin's Creed''.<ref name="Billboard" /> As a result, ''Origins~~<nowiki>~~'~~</nowiki>~~'' ambient tracks are moodier than music used in previous games, but are perfectly complimentary given ''Origins''<nowiki>'</nowiki> apparent mytho-historical setting and Bayek's more mature outlook on life due to having been a Medjay for many years.<ref name="Ubiblog" />		As such, Schachner used traditional instruments when creating the score, ranging from the {{Wiki\|oud}}, lyres, and various bells and winds,<ref name="Billboard" /> to lutes, rattles, and animal-hide drums,<ref name="Ubiblog" /> all of which would "bring [the player] back to the sand."<ref name="Billboard" /> Not wanting to retread the stereotypically "Middle Eastern" sounds that were expected,<ref name="Ubiblog" /> she then ran the recordings through a {{Wiki\|Yamaha CS-80\|CS-80 synthesizer}} in order to give them the air of mystery that pervades ''Assassin's Creed''.<ref name="Billboard" /> As a result, ''Origins''{{'}} ambient tracks are moodier than music used in previous games, but are perfectly complimentary given ''Origins''<nowiki>'</nowiki> apparent mytho-historical setting and Bayek's more mature outlook on life due to having been a Medjay for many years.<ref name="Ubiblog" />

	==Trivia==		==Trivia==

imported>Blue-castle: fr

2020-06-17T22:23:42Z

← Older revision		Revision as of 00:23, 18 June 2020
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	{{DISPLAYTITLE:''Assassin's Creed: Origins'' soundtrack}}		{{DISPLAYTITLE:''Assassin's Creed: Origins'' soundtrack}}

	{{Era\|ACO\|RW}}		{{Era\|ACO\|RW}}
	{{Soundtrack Infobox		{{Soundtrack Infobox
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	#Time Without Conflict White Desert - 0:56		#Time Without Conflict White Desert - 0:56
	#Time Without Conflict Great Sea Sand - 0:59		#Time Without Conflict Great Sea Sand - 0:59

	{{-}}		{{-}}
	==Creation of the score==		==Creation of the score==
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	[[ru:Assassin's Creed: Origins Soundtrack]]		[[ru:Assassin's Creed: Origins Soundtrack]]
			[[fr:Bande originale d'Assassin's Creed: Origins]]
	[[Category:Soundtracks]]		[[Category:Soundtracks]]
	[[Category:Assassin's Creed: Origins]]		[[Category:Assassin's Creed: Origins]]

imported>Darman36 at 04:40, 2 October 2018

2018-10-02T04:40:38Z

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	==Creation of the score==		==Creation of the score==
	Because historians do not know what contemporary {{Wiki\|Ptolemaic dynasty\|Ptolemaic}} [[Egypt]] music could have sounded like and can only make assumptions, Schachner decided to merge old and new styles. In her view, this not only reflected a culture deeply tied to its mythology, but also was in keeping with [[Assassin's Creed (series)\|the series]]' themes of secretive organizations and the near-supernatural.<ref name="Billboard">[https://www.billboard.com/articles/news/8005935/sarah-schachner-ancient-egypt-assassins-creed-origins Billboard - ''Stalk like an Egyptian: Sarah Schachner Sojourns to Ancient Egypt For 'Assassin's Creed Origins' Score'']</ref><ref name="Ubiblog">[https://blog.ubi.com/assassins-creed-origins-creating-soundtrack-ancient-egypt/ Ubiblog - ''Assassin's Creed Origins - Creating the Soundtrack for Ancient Egypt'']</ref> Another theme she hoped to convey was the perceived dual nature of the Egyptian deserts as lands home to both nature's exotic beauty and its unforgiving power, as heard in the rough sounds made by an undisclosed string instrument.<ref name="Ubiblog" />		Because historians do not know what contemporary {{Wiki\|Ptolemaic dynasty\|Ptolemaic}} [[Egypt]] music could have sounded like and can only make assumptions, Schachner decided to merge old and new styles. In her view, this not only reflected a culture deeply tied to its mythology, but also was in keeping with [[Assassin's Creed (series)\|the series]]' themes of secretive organizations and the near-supernatural.<ref name="Billboard">[https://www.billboard.com/articles/news/8005935/sarah-schachner-ancient-egypt-assassins-creed-origins ''Billboard'' - Stalk like an Egyptian: Sarah Schachner Sojourns to Ancient Egypt For 'Assassin's Creed Origins' Score]</ref><ref name="Ubiblog">[https://blog.ubi.com/assassins-creed-origins-creating-soundtrack-ancient-egypt/ ''Ubiblog'' - Assassin's Creed Origins - Creating the Soundtrack for Ancient Egypt]</ref> Another theme she hoped to convey was the perceived dual nature of the Egyptian deserts as lands home to both nature's exotic beauty and its unforgiving power, as heard in the rough sounds made by an undisclosed string instrument.<ref name="Ubiblog" />

	As such, Schachner used traditional instruments when creating the score, ranging from the {{Wiki\|oud}}, lyres, and various bells and winds,<ref name="Billboard" /> to lutes, rattles, and animal-hide drums,<ref name="Ubiblog" /> all of which would "bring [the player] back to the sand."<ref name="Billboard" /> Not wanting to retread the stereotypically "Middle Eastern" sounds that were expected,<ref name="Ubiblog" /> she then ran the recordings through a {{Wiki\|Yamaha CS-80\|CS-80 synthesizer}} in order to give them the air of mystery that pervades ''Assassin's Creed''.<ref name="Billboard" /> As a result, ''Origins<nowiki>'</nowiki>'' ambient tracks are moodier than music used in previous games, but are perfectly complimentary given ''Origins''<nowiki>'</nowiki> apparent mytho-historical setting and Bayek's more mature outlook on life due to having been a Medjay for many years.<ref name="Ubiblog" />		As such, Schachner used traditional instruments when creating the score, ranging from the {{Wiki\|oud}}, lyres, and various bells and winds,<ref name="Billboard" /> to lutes, rattles, and animal-hide drums,<ref name="Ubiblog" /> all of which would "bring [the player] back to the sand."<ref name="Billboard" /> Not wanting to retread the stereotypically "Middle Eastern" sounds that were expected,<ref name="Ubiblog" /> she then ran the recordings through a {{Wiki\|Yamaha CS-80\|CS-80 synthesizer}} in order to give them the air of mystery that pervades ''Assassin's Creed''.<ref name="Billboard" /> As a result, ''Origins<nowiki>'</nowiki>'' ambient tracks are moodier than music used in previous games, but are perfectly complimentary given ''Origins''<nowiki>'</nowiki> apparent mytho-historical setting and Bayek's more mature outlook on life due to having been a Medjay for many years.<ref name="Ubiblog" />