Assassin's Creed Wiki - User contributions [en-gb]

File:ACSH DB Alessandro Valignano.png

2026-06-03T01:11:21Z

Darman36:

{{Information
|attention=
|description=[[Alessandro Valignano]]'s [[database]] image
|source=''[[Assassin's Creed: Shadows]]''
|author=[[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows/Images]]
[[Category:Alessandro Valignano/Images]]

Devils of the Caribbean

2026-06-02T23:15:35Z

Darman36: /* Behind the scenes */

{{DISPLAYTITLE:''{{PAGENAME}}''}}
{{Era|Culture|Abstergo}}
{{Quote|Certainly we realized very early in production that Devils of the Caribbean would not be the ideal experience for everyone. But for those who want a fun, exciting, and lighthearted look at the Golden Age of Piracy, their ship has come to port.|Helix Team Virtual Entertainment eXposition (VEX) Press Training document, 2014.|Assassin's Creed: Unity|Database: 03. "Helix" Marketing Strategy Memo}}
[[File:ACIV Devils of the Caribbean.png|thumb|250px|Devils of the Caribbean]]
'''''Devils of the Caribbean''''' is a 2014 feature film developed by [[Abstergo Entertainment]]. Like the video game ''[[Pirates of Nightmares]]'', ''Devils'' was created mainly via use of footage sourced from an [[Noob|Abstergo Entertainment research analyst]]'s sessions in the [[Animus]], viewing the [[Genetic memory|genetic memories]] of the [[Piracy|pirate]] [[Edward Kenway]].

However, as with ''Pirates of Nightmares'' and Abstergo Entertainment's previous game ''[[Liberation]]'', the final product was heavily censored and modified, omitting all traces of the [[Assassins]] or the mythical [[Observatory (Isu)|Observatory]] from Kenway's recovered memories.<ref name="AC4BF">''[[Assassin's Creed IV: Black Flag]]''</ref> ''Devils'' fared poorly upon release, being described as "a frightful mess of clichés, dime-store moralizing, and pandering stereotypes" according to Abstergo Entertainment's own [[Helix|Helix Team]] Virtual Entertainment eXposition Press Training document.<ref name="ACU">''[[Assassin's Creed: Unity]]'' – [[Database: 03. "Helix" Marketing Strategy Memo]]</ref>

==Gallery==
<gallery position="center" captionalign="center" widths="180">
Devils of the Caribbean|Teaser
</gallery>

==Behind the scenes==
The movie's title can be considered a reference to the {{Wiki|The Walt Disney Company|Disney}} movie series ''"{{Wiki|Pirates of the Caribbean (film series)|Pirates of the Caribbean}}"''.

==Appearances==
*''[[Assassin's Creed IV: Black Flag]]'' {{1st}}
*''[[Assassin's Creed: Unity]]'' {{Mo}} {{Mdat}}
*''[[Assassin's Creed: Black Flag Resynced]]''

==References==
{{Reflist}}


[[Category:Films]]
[[Category:Abstergo Industries products]]

Database: Devils Release Poster

2026-06-02T23:15:25Z

Darman36: Created page with "{{Prerelease}} An image stitched together from various incomplete file fragments of what appears to be a The Devils of the Caribbean release poster. Category:Animus EGO database entries Category:Database: Vault"

{{Prerelease}}
An image stitched together from various incomplete file fragments of what appears to be a The [[Devils of the Caribbean]] release poster.
[[Category:Animus EGO database entries]]
[[Category:Database: Vault]]

Animus Hub

2026-06-02T23:15:14Z

Darman36: /* Vault */

{{DISPLAYTITLE:{{PAGENAME}}}}{{Era|RW}}
{{Expand}}
[[File:Animus Hub menu.png|thumb|250px|Animus Hub{{'}}s menu]]
The '''Animus Hub''' is the interface for the hacked<ref name="EGO Welcome">''[[Assassin's Creed: Shadows]]'' – [[Database: EGO WELCOME ONBOOT (CORRUPTED)|Database: EGO WELCOME ONBOOT <nowiki>[CORRUPTED]</nowiki>]]</ref> [[Animus|Animus EGO]] used to relive the [[Genetic memory|memories]] of the [[samurai]] [[Yasuke]] and the ''[[Ninja|kunoichi]]'' [[Fujibayashi Naoe]] during [[Sengoku period|Sengoku era]] [[Japan]]. After the hack, the [[Animus EGO user|user]] had access to four different sections: Memories, Projects, Exchange, and Vault.<ref name="Shadows">''[[Assassin's Creed: Shadows]]''</ref>

==Memories==
[[File:Animus Hub Memories symbol.png|thumb|125px|The symbol for the Memories section]]
The Memories section featured a timeline and allowed access to a few other individuals' memories, besides the aforementioned Naoe and Yasuke. Other years were marked down without any associated memory streams,<ref name="Shadows"/> though they did align with the memory start dates of other known [[Animus host]]s' memories.
===Timeline===
*1330 BCE
*551 BCE
*'''431 BCE''' – [[Assassin's Creed: Odyssey|Memories]] of [[Alexios]] & [[Kassandra]]
*221 BCE
*100 BCE
*'''49 BCE''' – [[Assassin's Creed: Origins|Memories]] of [[Bayek]]
*0 CE
*121 CE
*325 CE
*406 CE
*800 CE
*'''861 CE''' – [[Assassin's Creed: Mirage|Memories]] of [[Basim ibn Ishaq|Basim]]
*'''872 CE''' – [[Assassin's Creed: Valhalla|Memories]] of [[Eivor Varinsdottir|Eivor]]
*1066 CE
*[[Assassin's Creed|1191 CE]]
*1215 CE
*1347 CE
*1453 CE
*[[Assassin's Creed II|1476 CE]]
*1558 CE
*'''1579 CE''' – Memories of Naoe & Yasuke
*1616 CE
*'''1715 CE''' – [[Assassin's Creed: Black Flag Resynced|Memories]] of [[Edward Kenway|Edward]]
*[[Assassin's Creed III|1754 CE]]
*[[Assassin's Creed: Unity|1789 CE]]
*[[Assassin's Creed: Syndicate|1868 CE]]

==Projects==
[[File:Animus Hub Projects symbol.png|thumb|125px|The symbol for the Projects section]]
The Projects section contained missions meant to achieve greater [[synchronization]] and correct the simulation in many small ways, such as by eliminating anomalies. These missions rewarded [[Animus data fragment|data fragments]] that could be redeemed for keys to be spent in the Exchange section, decryption of files in the Vault section, as well as for [[Animus mod|mods]] that would add [[gold]] and gear to the simulation for Naoe and Yasuke to use.<ref name="Shadows"/>

<tabber>
|-|The Legacy=
*1,000 Keys
*Encrypted Data File
*Gold
*Cerulean Nexus
*Encrypted Data File
*1,000 Keys
*Gold
*Encrypted Data File
*Cerulean Guise Hood
*1,500 Keys
*Encrypted Data File
*Gold
*Cerulean Puzzle Trinket
*Encrypted Data File
*1,500 Keys
*Gold
*Encrypted Data File
*Cerulean Glitch
*1,500 Keys
*Encrypted Data File
*Cerulean Guise {{Wiki|Kosode}}
|-|Awakening=
*1,000 Keys
*Encrypted Data File
*Gold
*Cerulean Flux
*Encrypted Data File
*1,000 Keys
*Gold
*Encrypted Data File
*Cerulean Guise Mask
*1,500 Keys
*Encrypted Data File
*Gold
*Cerulean Core
*Encrypted Data File
*1,500 Keys
*Gold
*Encrypted Data File
*Cerulean Arc
*2,000 Keys
*Encrypted Data File
*Cerulean Guise Armor
|-|Mnemosyne=
*Mark of Control Helmet
*Encrypted Data File
*2 Mastery Points
*1,000 Keys
*Encrypted Data File
*Knowledge Point
*Cerulean Akita Puppy
*Encrypted Data File
*1,500 Keys
*2 Mastery Points
*Encrypted Data File
*1,500 Keys
*Mark of Control Kanabo
*Encrypted Data File
*1,500 Keys
*Knowledge Point
*Encrypted Data File
*Talisman of Control
*1,500 Keys
*Encrypted Data File
*Mark of Control Armor
|-|Sanctuary=
*Eagle Head
*Encrypted Data File
*Gold
*1,000 Keys
*2 Mastery Points
*Encrypted Data File
*Rooftop Cat
*2 Knowledge Points
*1,500 Keys
*Encrypted Data File
*6 Gold
*1,500 Keys
*Renaissance Hood
*4 Mastery Points
*1,500 Keys
*Encrypted Data File
*2 Knowledge Point
*Charm of Firenze
*1,500 Keys
*Encrypted Data File
*Renaissance Robes
|-|Defiance=
*Mutiny Staff
*Encrypted Data File
*5 Gold
*1,000 Keys
*3 Mastery Points
*Encrypted Data File
*Insurgent Hood
*2 Knowledge Points
*1,500 Keys
*Encrypted Data File
*5 Gold
*1,500 Keys
*Rebellion Talisman
*3 Mastery Points
*1,500 Keys
*2 Knowledge Points
*Encrypted Data File
*5 Gold
*1,500 Keys
*Encrypted Data File
*Insurgent Robes
<gallery captionalign="center" position="center" widths="180">
ACSH Insurgent Hood.png|Insurgent Hood
ACSH Insurgent Robes.png|Insurgent Robes
ACSH Mutiny Staff.png|Mutiny Staff
ACSH Rebelion Talisman.png|Rebelion Talisman
</gallery>
</tabber>

==Exchange==
[[File:Animus Hub Exchange symbol.png|thumb|125px|The symbol for the Exchange section]]
The Exchange section allowed the user to trade in keys, currency collected both through the Projects and inside the memories of Naoe and Yasuke, for various items to be added to the simulation, such as weapons, armor, and outfits for the [[Japanese Brotherhood of Assassins|Kakushiba ''ikki'']]{{'}}s members.<ref name="Shadows"/>
{{-}}

==Vault==
[[File:Animus Hub Vault symbol.png|thumb|125px|The symbol for the Vault section]]
The Vault section compiled various data files, mimicking the [[database]] function existent in other [[Animus|Animi]] sessions, and was separate from the "Codex" for Yasuke and Naoe's memories. The Vault's files started out encrypted and were decrypted both by completing Projects and by interacting with [[rifts]] during the session, with these particular files transcribing conversations with the artificial intelligences known as [[The Guide]] and [[Ego]].<ref name="Shadows"/> 
{{-}}
<tabber>
|-|The Calling=
<center>
{|class="article-table sortable"
|[[Database: EGO WELCOME ONBOOT (CORRUPTED)|EGO_WELCOME_ONBOOT [CORRUPTED]]]
|-
|[[Database: Rift 1 - Bleeding Effect|Rift 1 - Bleeding Effect]]
|-
|[[Database: Rift 2 - The Heart of an Assassin|Rift 2 - The Heart of an Assassin]]
|-
|[[Database: Rift 3 - Shadows Without Light|Rift 3 - Shadows Without Light]]
|-
|[[Database: Rift 4 - The Aberration|Rift 4 - The Aberration]]
|-
|[[Database: llun ecruos - tpircsnart noissimsnart|llun ecruos - tpircsnart noissimsnart]]
|-
|[[Database: Gift from The Guide|Gift from The Guide]]
|}</center>
|-|The Legacy=
<center>
{|class="article-table sortable"
|The Legacy project files
|Sanctuary project files
|Defiance project files
|-
|[[Database: Diary of Joel Eastman (1)|Diary of Joel Eastman (1)]]
|[[Database: Diary of Joel Eastman (3)|Diary of Joel Eastman (3)]]
|[[Database: Letter from Cayetano Ortiz to his Wife (3)|Letter from Cayetano Ortiz to his Wife (3)]]
|-
|[[Database: Operations Report, Marrakech|Operations Report, Marrakech]]
|[[Database: Transcript of Dr. Muller Interrogation|Transcript of Dr. Muller Interrogation]]
|[[Database: Meeting, Multiple Attendees (2)|Meeting, Multiple Attendees (2)]]
|-
|[[Database: Phone call, Hotel La Perle|Phone call, Hotel La Perle]]
|[[Database: Diary of Joel Eastman (4)|Diary of Joel Eastman (4)]]
|[[Database: Diary of Joel Eastman (5)|Diary of Joel Eastman (5)]]
|-
|[[Database: E2EE Chat, Dane and Other|E2EE Chat, Dane and Other]]
|[[Database: Surveillance Audio, Dane, Eastman|Surveillance Audio, Dane, Eastman]]
|[[Database: Surveillance Audio, Maeda and Ortiz (3)|Surveillance Audio, Maeda and Ortiz (3)]]
|-
|[[Database: Meeting, Multiple Attendees|Meeting, Multiple Attendees]]
|[[Database: Encrypted Message|Encrypted Message]]
|[[Database: Security Memo (2), Ospanov to Lothian|Security Memo (2), Ospanov to Lothian]]
|-
|[[Database: Diary of Joel Eastman (2)|Diary of Joel Eastman (2)]]
|-
|[[Database: Notice of Dismissal, Ospanov to Klein|Notice of Dismissal, Ospanov to Klein]]
|-
|}</center>
|-|Awakening=
<center>
{|class="article-table sortable"
|Awakening project files
|Mnemosyne project files
|-
|[[Database: Security Memo, Ospanov to Lothian|Security Memo, Ospanov to Lothian]]
|[[Database: Diary of Cay Ortiz|Diary of Cay Ortiz]]
|-
|[[Database: Letter from Ortiz to his Wife|Letter from Ortiz to his Wife]]
|[[Database: Online Chat, Maeda and Ortiz (3)|Online Chat, Maeda and Ortiz (3)]]
|-
|[[Database: Online Chat, Maeda and Ortiz (1)|Online Chat, Maeda and Ortiz (1)]]
|[[Database: Security Concerns, Lothian to Ospanov|Security Concerns, Lothian to Ospanov]]
|-
|[[Database: Online Chat, Maeda and Ortiz (2)|Online Chat, Maeda and Ortiz (2)]]
|[[Database: Access Request, Maeda (URGENT)|Access Request, Maeda (URGENT)]]
|-
|[[Database: Access Request, Maeda|Access Request, Maeda]]
|[[Database: RE Security Concerns, Ospanov to Lothian|RE Security Concerns, Ospanov to Lothian]]
|-
|[[Database: Progress Update, Lothian to Ospanov|Progress Update, Lothian to Ospanov]]
|[[Database: Surveillance Audio, Maeda and Ortiz (2)|Surveillance Audio, Maeda and Ortiz (2)]]
|-
|[[Database: Surveillance Audio, Maeda and Ortiz|Surveillance Audio, Maeda and Ortiz]]
|[[Database: Letter from Ortiz to his Wife (Memories)|Letter from Ortiz to his Wife (Memories)]]
|}</center>
|-|Breach=
<center>
{|class="article-table sortable"
|[[Database: RE Damage Survey|RE Damage Survey]]
|-
|[[Database: Attempt to Breach|Attempt to Breach]]
|}</center>
</tabber>


==Behind the scenes==
[[File:AC Infinity start.jpg|thumb|250px|''Assassin's Creed: Infinity'' teaser image]]
The Animus Hub, originally known as "'''''Assassin's Creed: Infinity'''''", was expected to be a separate live-service platform that would host the modern day storyline and span multiple titles, including ''[[Assassin's Creed: Codename Hexe]]'' and ''[[Assassin's Creed: Codename Invictus]]''.<ref>{{Ubisoft|text=Welcome to the Animus Hub - Your New Home for Assassin's Creed Games|url=en-us/game/assassins-creed/news/6yQywqDB4bRmLtXp3K0pbd/welcome-to-the-animus-hub-your-new-home-for-assassins-creed-games|archivedate=20250123180226}}</ref> With the release of ''[[Assassin's Creed: Shadows]]'', the Hub was discovered to be an integral part of the game and inaccessible without that particular title.

The platform's conceptual title was first leaked on 7 July 2021 and reported by ''{{Wiki|Bloomberg News}}'',<ref name="Bloomberg">{{Cite web|url=https://www.bloomberg.com/news/articles/2021-07-07/assassin-s-creed-infinity-to-offer-live-online-game-service|title=Ubisoft Plans Assassin’s Creed Live Online Game Service|archiveurl=https://web.archive.org/web/20210707112323/https://www.bloomberg.com/news/articles/2021-07-07/assassin-s-creed-infinity-to-offer-live-online-game-service|archivedate=7 July 2021|author={{Wiki|Jason Schreier|Schreier, Jason}}|date=7 July 2021|publisher=''Bloomberg News''|accessdate=7 July 2021}}</ref> following which [[Ubisoft]] acknowledged the leaked project as genuine.<ref name="UbisoftAnnouncement">{{Ubisoft|url=en-us/article/GZi5hT4dBeM8YITOsJeCn/an-update-on-assassins-creed-infinity-and-the-future-of-the-assassins-creed-franchise|text=An Update on Assassin's Creed Infinity and the Future of the Assassin's Creed Franchise|archivedate=20210707131014|subdomain=news}}</ref> During an earnings call in October, Ubisoft CEO [[Yves Guillemot]] revealed that ''Infinity'' would not be a free-to-play title.<ref>{{Cite web|url=https://screenrant.com/ac-infinity-not-free-to-play-ubisoft/|title=AC Infinity Is NOT Free-To-Play, Ubisoft Confirms|author=Reeves, Brianna|publisher=''Screen Rant''|date=28 October 2021|accessdate=20 August 2022|archiveurl=https://web.archive.org/web/20211028200423/https://screenrant.com/ac-infinity-not-free-to-play-ubisoft/|archivedate=28 October 2021}}</ref> During Ubisoft Forward's ''Assassin's Creed'' showcase for 2022, series Vice President Executive Producer [[Marc-Alexis Côté]] clarified that ''Infinity'' would instead be a hub for all future series entries as a starting point for players and would facilitate multiplayer in the future. ''Infinity'' would operate as an in-universe Animus for players to operate as they navigated different time periods.<ref name="UbiFoward">{{Youtube|SS_khJE0mbQ|Assassin’s Creed: 2022 Showcase <nowiki>|</nowiki> #UbiForward|Ubisoft|Ubisoft}}</ref> Two years later, in a mid-June 2024 interview, Côté revealed that the platform had been renamed to "Animus Hub".<ref>{{Cite web|url=https://www.gamefile.news/p/assassins-creed-shadows-interview|title=Assassin's Creed Shadows developers talk Animus, Yasuke backlash and more|author=Totilo, Stephen|publisher=''Game File''|date=13 June 2024|accessdate=14 June 2024|archiveurl=http://web.archive.org/web/20240613191403/https://www.gamefile.news/p/assassins-creed-shadows-interview|archivedate=13 June 2024}}</ref>

==References==
{{Reflist}}
{{AnimusHub}}
{{ACSH}}

[[Category:Animus]]

Assassins

2026-06-02T01:34:37Z

Darman36: /* References */

{{Era|Organizations|HiddenOnes|Assassins|Good}}{{WP-REAL}}
{{Quote|We work in the dark, to serve the light. We are Assassins.|[[Niccolò Machiavelli]]|Assassin's Creed II}}
{{Faction Infobox
|image = Aclogo.png
|founder = [[Eve]] and [[Adam]]<ref name="AC2">''[[Assassin's Creed II]]''</ref> {{c|legendary}} [[Bayek]] and [[Amunet]] {{c|''de jure''}}<ref name="ACO">''[[Assassin's Creed: Origins]]''</ref>
|leader = [[Mentor]]<ref name="ACR">''[[Assassin's Creed: Revelations]]''</ref><ref name="The Fall">''[[Assassin's Creed: The Fall]]''</ref>
|headquarters =
|locations =
|predecessor =
*[[Shields of Mars]]
*[[Artabanus' group]]
*[[Babylonian Brotherhood]]
*[[Medjay]]
|successor =
|subsidiaries =
[[Roman Hidden Ones|Liberatores]]<ref name="ACPL - Giovanni Borgia">''[[Assassin's Creed: Project Legacy]]'' – [[Rome: Chapter 2 – Giovanni Borgia]]</ref> 
[[Liberalis Circulum]]<ref name="AC3A">''[[Assassin's Creed 3: Accipiter]]''</ref> 
[[Rooks]]<ref name="ACS">''[[Assassin's Creed: Syndicate]]''</ref> 
[[Narodnaya Volya]]<ref name="The Fall"/> 
[[Initiates]]<ref name="ACU">''[[Assassin's Creed: Unity]]''</ref>
|formed = c. 75000 BCE {{c|legendary}} 47 BCE {{c|''de jure''}}
|reorganized = 1191<ref name="AC2" />
|religion = {{wiki|Agnosticism}}<ref name="AC1">''[[Assassin's Creed]]''</ref><ref name="ACU" />
{{wiki|Atheism}}<ref name="AC1" /><ref name="ACU" /><ref name="nb1">Although the organization is irreligious and professes to an agnostic philosophy, [[Altaïr Ibn-La'Ahad]] and [[Arno Dorian]] described the creed in strongly atheist terms as well, having specifically been {{wiki|agnostic atheism|agnostic atheists}}. Despite this, individual members may practice various faiths—an example being [[Luis de Santángel]] who was a Jew.</ref>
|collapsed =
}}
The '''Assassin Brotherhood''', also known as the '''Assassin Order''' and originally as the '''Hidden Ones''' (Arabic: المخفيون; Chinese: 無形者), is a secret global peacekeeping organization dedicated to protecting humanity from abuses of power, coercive rule, and injustice. As the etymology of the term ''assassin'', their traditional methods have revolved around stealth operations, selective violence, and the assassination of those deemed to be perpetrators of oppression under the belief that this minimizes collateral damage in accordance with their absolute prohibition against harming innocent lives.

Their political philosophy is enshrined in [[the Creed]], consisting of a maxim and three core tenets which serve as their principal prescriptions. While the maxim presents itself as akin to a doctrine, it is in reality a value-neutral epistemic claim about nature that the Assassins hold to serve as the bedrock to developing an independent, critical, and open-minded value and belief system. Despite this, their culture and goals are driven by an idealistic ideology emphasizing the faith in humanity's potential to foster world peace through collective growth enabled by freedom of education, belief, and expression.

Although the Assassins can trace their genetic and cultural roots to the [[hybrid]]s [[Eve]] and [[Adam]], they officially originated with the [[Medjay]] of [[Egypt]]. The last Medjay [[Bayek]] and his wife [[Amunet|Aya of Alexandria]] founded the order—then known as the Hidden Ones—at the tumultuous twilight of [[Ptolemaic Kingdom|Ptolemaic rule]] to defend the common people against the [[Order of the Ancients]], a clandestine militant group which evolved into the [[Templars|Templar Order]]. Since then, the Assassins and the Templars have been sworn enemies, fighting a recondite [[Assassin-Templar War|shadow war]] for more than two millennia across the world, a conflict so intractable and immemorial that it is often thought to have instead spanned the entirety of recorded human history. Fundamental to this conflict is the Assassin conviction that the preservation of free will is a necessary condition for human fulfillment and harmony while the Templars believe that humanity can only find lasting peace through the imposition of a world government under their control.

In a development paralleling that of the Templars, the Hidden Ones emerged as the Assassins in the 11th century when [[Hassan-i Sabbāh]] fled Egypt and re-organized the order as a state in [[Alamut]], where it could be protected by the northern mountains of [[Iran|Persia]]. Alamut remained the heartland of the Assassins until [[Al Mualim]] founded a branch in [[Masyaf]] and thereupon established a reputation feared by the [[Crusaders]] and [[Saracens]] alike, entering into public imagination. By then, the Assassins had become entrenched in traditional dogma, and under Al Mualim's successor, [[Altaïr Ibn-La'Ahad]], a wave of momentous reforms was enacted that were simultaneously progressive and returned the Assassins to the original principles of the Hidden Ones. Unable to withstand the onslaught of the [[Mongol Empire]], the Assassins then relinquished their state, retreated into the shadows once more, and spread across the world, seeding their presence to regions like [[Italy]] and [[Spain]], [[India]] and [[Japan]], and reaching peoples as far-flung as the [[Kanien'kehá:ka]] and the [[Maya]], becoming a truly multicultural and global network.

==History==
{{Main|History of the Assassins}}

==The Creed==
{{Quote|Laa shay'a waqi'un mutlaq bale kouloun moumkin. ("Nothing is true, everything is permitted" in Arabic.)|The Assassins' [[The Creed|Creed]].|Assassin's Creed II}}The Order believes in a strong set of values that strictly govern their way of life, referred to as "the Creed". This Creed consists of three tenets:
#"Stay your blade from the flesh of an innocent."
#"Hide in plain sight, be one with the crowd."
#"Never compromise the Brotherhood."<ref name="AC1" />

These tenets permeate every aspect of the Assassins' daily life, as well as their fight for "peace in all things". The Assassins carry out their duties through political, strategic assassination in the hope that killing one individual will lead to the salvation of thousands. They also believe that they fight on the behalf of those who do not possess the abilities, resources, or knowledge to speak out against those who abuse their power.<ref name="AC2" />

==Philosophy and goals==
{{Quote|To recognize nothing is true and everything is permitted. That laws arise not from divinity, but reason. I understand now that our Creed does not command us to be free. It commands us to be wise.|Altaïr Ibn-La'Ahad, 1191|Assassin's Creed|Assassination (Sibrand)}}
===Origins===
Since its earliest beginnings, the Assassin Order has taken it upon themselves to be a force for the protection of humanity against social injustice, abuses of power, state terror, and enslavement. They have prided themselves on sacrificing their lives to "champion the poor and powerless"<ref name="The Guardian 2">''[[Assassin's Creed: Revelations]]'' – [[The Guardian, Part 2]]</ref> while embracing human rights ideals such as equality, liberty, justice, and welfare. This premise can be traced back to the order's founding as the Hidden Ones by the last [[Medjay]] of [[Egypt]], [[Bayek]], and his wife [[Aya|Amunet]]. Recognizing that their sworn enemies, the [[Order of the Ancients]], "work[ed] in the shadows of kings and queens" to control nations for their whims, Bayek advocated that there needed to be those who "work in the shadows. . .to defend the free will of the people".<ref name="The Aftermath">''[[Assassin's Creed: Origins]]'' – [[The Aftermath]]</ref> True to his Medjay roots, Bayek was bringing to the fledgling group the principle of ''[[ma'at]]'' he had lived by in his service to Egypt.<ref name="Bayek's Promise">''[[Assassin's Creed: Origins]]'' – [[Bayek's Promise]]</ref> His ardent belief was that the Medjay was not merely the protector of the pharaoh but the protector of the Egyptian people as well, especially the downtrodden among them. Nor did their duty stop at protection; it extended further to the advancement of their well-being.<ref name="The False Oracle">''[[Assassin's Creed: Origins]]'' – [[The False Oracle]]</ref> It was the determination of the first Hidden Ones that their society's unity owed not to an exalted leader but in the shared values of their cause, encapsulated in the Creed.<ref name="The Aftermath" /> An individual-centric, rather than a state-centric, orientation and the concept of peace as self-fulfillment rather than merely security are themes which have echoed through the ages in Assassin political action, undergirding their opposition to coercive authority.<ref name="Codex">''[[Assassin's Creed II]]'' – [[Altaïr Ibn-La'Ahad's Codex]]</ref><ref name="Power to the People">''[[Assassin's Creed II]]'' – [[Power to the People]]</ref>

===The Creed===
{{Quote|You cannot know anything, only suspect. You must expect to be wrong, to have overlooked something.|Malik al-Sayf to Altaïr Ibn-La'ahad, 1191|Assassin's Creed|Knowledge (Majd Addin)}}
Because of its symbolic role for the Assassins' values, the Creed, consisting of a central maxim and three proscriptive tenets, has served as the highest authority guiding the ethics of their actions and as their foundational code.<ref name="The Aftermath" /><ref name="ACfilm">''[[Assassin's Creed (film)|Assassin's Creed: The Movie]]</ref> It has often been misinterpreted literally by their [[Templars|Templar]] enemies and third-parties alike to prescribe {{wiki|moral nihilism}},<ref name="Codex" /> enable wanton hedonism,<ref name="Nothing is True...">''[[Assassin's Creed IV: Black Flag]]'' – [[Nothing Is True...]]</ref> and propagate the pursuit of absolute individual freedoms without a mind to the risk of "chaos".<ref name="Father and Son">''[[Assassin's Creed III]]'' – [[Father and Son]]</ref><ref name="We the People">''[[Assassin's Creed: Rogue]]'' – [[We the People]]</ref> While certain Assassins across history, such as [[Spanish Brotherhood of Assassins|Spanish Assassins]] [[María]] and [[Aguilar de Nerha]], have been more dogmatic in their obeisance to it than others,<ref name="ACfilm" /> the Creed's maxim is fundamentally a descriptive claim about the nature of reality to be contemplated and not a doctrine to be followed.<ref name="A Homecoming">''[[Assassin's Creed: Revelations]]'' – [[A Homecoming]]</ref> For all their idealism, the Assassins' philosophy begins with {{wiki|epistemology|epistemological}} principles and not {{wiki|normative ethics}}.
<blockquote>"Nothing is true, everything is permitted."</blockquote>
This claim pertains to {{wiki|philosophical skepticism}} and {{wiki|moral relativism}}. "''Nothing is true''" is an affirmation that Truth, as an absolute, flawless worldview applicable to all contexts, does not exist—or if it does, then [[human|human beings]] lack the capacity to know it. As the [[Mentor]] [[Altaïr Ibn-La'Ahad]] reflected in his [[Altaïr Ibn-La'Ahad's Codex|Codex]], perfect objectivity is unachievable because the sheer amount of variables and formulae needed to construct an ideal paradigm for our world's quandaries and travails is infinitely great. The intricate depths of reality is awe-inspiring and fathomless, and its labyrinthine web of interconnections are impossible to thoroughly unravel. Humans can reach for perfection by employing the {{wiki|empirical research|empirical process}} of information-gathering, thereby becoming ever more and more objective in our understandings, but Truth behaves {{wiki|asymptote|asymptotically}}—it shall always remain elusive and just beyond our grasp.<ref name="Codex" />

These limits of {{wiki|empiricism}} are given expression in the line "''everything is permitted''", which serves as a reminder that it is {{wiki|Problem of induction|fallacious to presume the uniformity of nature}}. Patterns of the present are not proofs of the future, which can always be radically different from all that has preceded it. As teased by a message left by the [[Isu]] for humanity in [[Oun-mAa Niye Ressoot]], all the regularities of sentient beings' lifelong experiences, too, cannot falsify the possibility that they exist only within a "masterfully crafted simulation" or a "dream within a dream".<ref name="The Empirical Truth">''[[Assassin's Creed: Origins]]'' – [[Layla Hassan's personal files#The Empirical Truth|The Empirical Truth]]</ref>

Confronted by this complexity of reality, humans are compelled to simplify it into comprehensible models, but some react with a more intense impulse: insecurity in the face of uncertainty. With this insecurity comes the desire to resolve it through the assumption of a truth and obtain a measure of certainty, a certainty that is inherently self-deceptive.<ref name="Forsaken">''[[Assassin's Creed: Forsaken]]''</ref> A danger arises when an individual, in their fixation on their truth, becomes convinced of its universality and strives to impose it onto the world as the grand solution, a project that inevitably involves the violent erasure of other epistemic communities.<ref name="Codex" /><ref name="Forsaken" /> Replication of this imaginary truth across the ages in the form of harmful discursive practices and repression of dissent can cement it in societal consciousness as a self-evident Truth—a "realization"<ref name="Lee's Last Stand">''[[Assassin's Creed III]]'' – [[Lee's Last Stand]]</ref>—but it will always remain fundamentally a falsehood. The Assassins identify this progression from fear of uncertainty to the imposition of an illusion for Truth as a destructive force to humanity and a recurring theme among authoritarians like their sworn enemies, the Templars.<ref name="Codex" /> When [[Al Mualim]] betrayed the Assassins in 1191, Altaïr recognized that their own leader had succumbed to this same temptation.<ref name="Al Mualim">''[[Assassin's Creed]]'' – [[Assassination (Al Mualim)]]</ref>

As a result, Assassins teach their pupils that complex answers to life should be embraced,<ref name="Codex" /> and uncertainty should be accepted as natural.<ref name="Forsaken" /> Wisdom begins with uncertainty and not from self-assurance. While this {{wiki|pedagogy|pedagogical}} practice, alongside anti-authoritarianism, gives the Creed a normative slant, the starting Assassin premise against Templar ideology rests still on epistemic grounds. Many of the leading Assassins throughout history, such as Altaïr Ibn-La'ahad and [[Ezio Auditore da Firenze|Ezio Auditore]] reify their moral convictions to {{wiki|cultural pluralism|pluralism}}, {{wiki|humanitarianism}}, and {{wiki|egalitarianism}} by reference to the Creed, but the Creed itself may not necessarily entail these political stances. Its core argument remains that sentient beings do not truly know anything, and if the Templars are in error, that error lies not just in the inhumane consequences of their deeds but also in their self-denial that their own truth does not amount to universal reality, for it is not any more or less objective than the Assassins' own ethical values. The classic Templar conception of their [[Assassin-Templar War|perennial conflict]] with the Assassins hinges on {{wiki|false dilemma|false binaries}} such as "order" vs. "freedom", presupposing parity in incommensurable first-order claims. This narrative actually elides the proposition of fallibility central to Assassin thought, the admission that even the Assassin way is not absolute. Unlike the Templars, the Assassins engage in higher-order questions of {{wiki|meta-ethics}}.

The introspective quality of Assassin philosophy is evinced in the self-awareness by [[Rebecca Crane]] and [[Shaun Hastings]] that to be Assassins does not necessarily mean to be the "good guys"; they make no claims that they are a force of flawless, moral good, only that their way of life is chosen because they believe it is the best they can do to prevent greater harm to humanity. The introspection is again apparent in Altaïr's reflections of the "ironies" in their order's practices: that they murder while seeking to promote peace, that they mandate discipline to a code of rules while seeking to open minds, and that they embody ideals requiring leaps in faith despite warning against blind faith.<ref name="Codex" />

The paradoxes between their theory and practice has not been lost on Assassins through the ages. To meditate on one's own internal contradictions, on the possibility of hypocrisy, is a central facet of their philosophy. In answering his own charge, Altaïr hazards to circle back to the Creed, for contained within it is the perception that polar opposites may be true simultaneously.<ref name="Codex" /> The nature of reality is paradoxical and that is why it is complex and full of uncertainties. When queried by the Maya Mentor [[Ah Tabai]], [[Edward Kenway]] offered the insight that the Creed was "''only the beginning of wisdom, and not its final form''".<ref name="...Everything is permitted">''[[Assassin's Creed IV: Black Flag]]'' – [[...Everything Is Permitted]]</ref> The affirmation that "nothing is true, everything is permitted" does not prevent an individual from developing their own value and belief system, but the Assassins hold that without prior acknowledgement of the subjective source of those convictions, there can be no wisdom no matter the content of those principles.

===Goals===
{{Quote|What can be done to stop this? To encourage tolerance and equality? Some days we speak of education, believing that knowledge will free us from immorality. But as I walk the streets and see slaves sent off to auction—my heart grows cold. When I see the husband hurl abuses and stones at his wife, insisting she exists only to serve him—my fists clench. And when I see children torn from their parents so that another man might profit—sent off to suffer beneath the desert sun and die... ...On these days, I do not think that dialogue will make a difference. On these days, I can think only of how the perpetrators need to die|Altaïr Ibn-La'Ahad|Assassin's Creed II}}
In light of their antipathy for authoritarianism, the Assassins throughout history have fought under the banner of liberation for oppressed peoples. In spite of this, freedom was not at the heart of their ambitions, but peace. The Assassins aspire for the establishment of global prosperity and harmony, the genesis of what essentially amounts to a utopia. In this, they share with the Templars a sincere desire to resolve the chaos that plagues humanity. Their incompatible visions of the means by which such a utopia could be achieved dismantled this common spirit.<ref name="AC1" />

Unlike the Templars, who condemn humanity as irredeemably weak-minded and corrupt, the Assassins uphold faith, even love, in humanity as one of their core ideals.<ref name="Embers" /> Their fundamentally skeptic Creed neither justifies the defeatism that is the hallmark of Templar ideology, nor endorses the notion that a single group can be wise enough to impose a correct way of life or belief on the people at large.<ref name="AC2" /> Consequently, they scorn the notion that a short-cut to universal peace, especially in the form of global enslavement or elitist control, could be a suitable solution to society's ills. Instead, they argue that humanity must be permitted to undergo the slow and arduous journey of developing tolerance for their myriad differences, a process derided as unrealistic and impossible by the Templars.

In the Assassin view, peace is a product of education, not force,<ref name="AC1" /> and this is only possible without the stringent control over information and society that authoritarians advocate. For this reason, and due to Altaïr's reformation of the Order and focus on free will, the Assassins have increasingly identified with the ideals of liberty over the centuries. This fixation on freedom and compassion led many Templars by the [[American Revolution]], notably [[Grand Master of the Templar Order|Grand Master]] Haytham Kenway, to erroneously accuse the Assassins of having abandoned their goal of peace in favour of absolute freedom as an end.<ref name="AC3">''[[Assassin's Creed III]]''</ref><ref name="ACRG">''[[Assassin's Creed: Rogue]]</ref>

Ironically, in spite of the Assassins' optimistic view of humanity as a whole, they do not always retain the same faith for adversaries of human rights; this is the guiding force behind their operations, of which assassinations take primacy. Altaïr could not help but doubt the efficacy of persuasion, lamenting that many abusers were far too cemented in their ways to be redeemed through dialogue. Echoing Altaïr's sentiment, [[Rebecca Crane]] once explained to [[Desmond Miles]] that sometimes, "there's no other way." To protect the lives of innocents, the Assassins believe that realistically an ideal, noble resolution is not always possible, thus one may have to kill a perpetrator to save an innocent. For many members, compassion has acted as a key motivation, which has paradoxically translated into objectives very often revolving around murder.<ref name="AC2" /><ref name="AC1" /> Social justice is a powerful unifying theme among Assassins, and in this capacity they serve as a reactionary force against perceived oppression, tyranny, and abuses against humanity, becoming the mortal enemies of the Templars.<ref name="AC2" /><ref name="AC1" /><ref name="ACB">''[[Assassin's Creed: Brotherhood]]''</ref><ref name="AC3" />

==Methods==
{{Quote|Cultures and religions and languages keep folks divided. But there's something in the Assassin's Creed that crosses all boundaries. A fondness for life and liberty.|Mary Read, on the Assassin's Creed and society.|Assassin's Creed IV: Black Flag}}
===Precision and stealth===
Throughout the long centuries of war between the Assassins and Templars, members of both factions often mused on the similarity of their goals and the contrast between their means.<ref name="ACR" /><ref name="AC1" /> Even so, it was a frequent contention of Templars that the Assassins' methods were identical to their own in principle: "a minor evil, for a greater good."<ref name="AC1" /> Indeed, the Assassins extensively hunted and murdered [[assassination targets|key individuals]] they perceived to be corrupt or a danger to humanity, and this became one of their defining attributes.<ref name="AC2" /><ref name="AC1" /> A critical distinction, however, lay in the strict tenet that an Assassin must refrain from harming an innocent. As Altaïr reflected, the Templars were brutal and lacked precision in their methods: burning books wholesale, committing grand massacres, and in later histories, instigating nation-wide purges.<ref name="AC1" />

Accordingly, precision was a guiding principle behind the Assassins' technique and a factor behind their focus on stealth and discretion. By reducing collateral damage and the chance of open conflict, casualties would be minimized. Such a tactic aligned with their traditional respect for humanity and life, and in theory (though not always in practice), assassinations were to be carried out only in cases of utmost necessity. Once a target had been killed, agents were dissuaded from rejoicing in the death, and some even adopted the practice of paying last respects, no matter how vile they held them to be.<ref name="AC2" /><ref name="ACAC">''[[Assassin's Creed: Altaïr's Chronicles]]''</ref><ref name="AC3" />

Although not every Assassin operated on the level of perfectionism exhibited by [[Francesco Vecellio]],<ref name="ACPL">''[[Assassin's Creed: Project Legacy]]''</ref> prodigious information was expected to be gathered before an assassination is attempted. Failure to do so could yield catastrophic errors, such as [[Arno Dorian]]'s mistaken murder of the Templar ally [[Chrétien Lafrenière]].<ref name="ACU" /> For their investigations, Assassins referred to a variety of means including but not limited to: [[eavesdropping|espionage]], [[pickpocketing|theft]] of documents, and mingling with locals.<ref name="AC2" /><ref name="AC1" /><ref name="ACB" /><ref name="ACPL" /><ref name="ACU" />

In some ways, the reforms of Altaïr promoted a greater level of stealth than under the tenure of his predecessor, Rashid ad-din Sinan. Previously, it was common practice for the Levantine Assassins to perform high-risk, near suicidal, yet awe-inspiring assassinations in crowded, public areas.<ref name="ACU" /> This tactic relied on shock to impress power—through fear—in the public imagination.<ref name="AC1" /> Under Altaïr's direction, the Assassins retreated further into the shadows, and this approach was generally discouraged, if not outright abolished, and restrictions on formerly banned methods such as [[poison]] were lifted. While some members were impatient with the secrecy demanded by the brotherhood, feeling that it hampered progress and influence, Altaïr feared the great risks of exposure to public society. Ever mindful that Assassins could be branded as madmen and destroyed if they remained an open target, as evident in the [[Fall of Masyaf]] to the [[Mongol Empire]], Altaïr withdrew the brotherhood further into secrecy. Thus, security was another reason for the Assassins' policy of stealth.<ref name="AC1" />

Despite this, it was not unknown for Assassins even after the High Middle Ages to resort to open conflict, and these uncommon tactics could range from the instigation of riots, employment of mercenaries, or even a direct militaristic assault on enemy bases.<ref name="ACR" /><ref name="AC3" /><ref name="ACRG" />

===Social reforms===
In Altaïr's time, the Assassins were markedly apprehensive that public promotion of their ideals could yield societal reforms. As a result, at first much of their activities revolved only around the elimination or sabotage of those they believed threatened the rights of humanity. With their dream that humanity arrive at utopia through free will, their way of guidance was often indirect, with an emphasis on individuals learning through self-experience. For instance, their way of teaching Ezio against the path of vengeance involved allowing him to experience that journey personally.

Over time, the brotherhood's policies evolved and during the [[Renaissance|Italian Renaissance]], the Assassins under the leadership of Ezio Auditore became more active at winning the hearts of the public. It was Ezio's conviction that the strength of the Assassins derived from the strength of the common people, a sentiment initially rebuffed by the cynical Mentor [[Niccolò Machiavelli]]. Accordingly, the Assassins' campaign in [[Rome]] was prolific in rehabilitating a city crumbling under the weight of [[Borgia]] corruption, such as funding renovations, sponsoring merchants, and rescuing civilians.<ref name="The Fall" /><ref name="ACB" />

The order continued to adapt and reform gradually through the centuries, and by the 20th century, their activities began to shift over to non-violent social reforms rather than aggressive enforcement. The transition was tenuous: certain branches, such as the fledgling branch established in North America by [[Achilles Davenport]] and the Assassin-sponsored movement ''[[Narodnaya Volya]]'' engaged in operations smacking of terrorism. It was only after [[World War II]] that the Assassins definitively refocused their activities towards inspiring change through example. Assassinations became far rarer, and until the [[Great Purge|Great Purge of 2000]], the shadow war with the Templars defused to one waged through covert tampering of political elections instead.<ref name="The Fall" />

==Practices==
===Initiation into the Order===
{{Main|Initiation into the Assassin Order}}
[[File:Ascension 9.png|thumb|250px|Claudia Auditore being inducted into the Assassin Order in 1503]]
There were two ways of entering into the Order: through birth, like Altaïr Ibn-La'Ahad, Ezio Auditore and Desmond Miles,<ref name="AC1" /><ref name="AC2" /> or through recruitment, like [[Assassin apprentices]], Edward Kenway and Shaun Hastings.<ref name="ACB" /><ref name="AC4">''[[Assassin's Creed IV: Black Flag]]''</ref><ref name="AC2" />

After declaring oneself an Assassin under the Creed, a trainee would be tested to prove their worth over an unspecified period of time. For example, Ezio was tasked with hunting down Templar conspirators over years before he was officially inducted,<ref name="AC2" /> whereas Assassin apprentices had to gain enough experience in their contract missions across the world before joining the [[Assassins Guilds|Assassins Guild]] as fully-fledged members.<ref name="ACB" />

===Training===
The Assassins spent their entire lives training to kill.<ref name="AC1" /> From an early age, they were taught to observe their surroundings and plan ahead. Combat skills were essential and focused on bladed weaponry. However, the most important consideration in the Assassins' training was concealment. Stealth was the greatest weapon of the Assassins, and everything about their lives emphasized a devotion to it.<ref name="AC1" /><ref name="AC2" /> It was essential for an Assassin to be able to reach their target unnoticed and then slip back into the crowd after they had struck.<ref name="AC1" />

Another significant focus of an Assassin's training was maneuverability. By the time an Assassin reached the [[Ranks|rank]] of Master Assassin, they were also a master of [[freerunning]]. Widely seen as alien by the general populace, this method of movement allowed the Assassins to reach areas not otherwise accessible. Freerunning gave the Assassins a significant advantage over nearly all of their enemies and city [[guards]], and could be used to traverse crowded urban environments quickly and efficiently.

[[File:AC1 Fight Instructor.png|thumb|250px|left|Altaïr with the combat trainer at Masyaf]]
However, not all Assassins were trained from birth, particularly those recruited later in life. Trainees had to learn the ways of their craft through personal experience and the teachings from other Assassins in the field. For example, Ezio learned many techniques from other Assassins and allies like [[Paola]], his uncle [[Mario Auditore]] and the [[Thieves|thief]] [[Rosa]], as well as several fundamental assassination techniques through reading Altaïr's Codex.<ref name="AC2" /> Centuries later, Edward Kenway used skills learned through [[piracy]] to better himself as an Assassin.<ref name="AC4" />

Unlike certain other factions, the Assassins did not have a specific style of fighting. Aside from their signature Hidden Blade, each branch used weapons and fighting styles native to the area. For example, the Ottoman Assassins favored curved daggers,<ref name="ACR" /> while the [[Chinese Brotherhood of Assassins|Chinese Assassins]] were trained in ''{{Wiki|Chinese martial arts|wushu}}''.<ref name="Embers">''[[Assassin's Creed: Embers]]''</ref>

===Equipment===
Throughout the ages, the Brotherhood has had many weapons at its disposal. During ancient times, the Assassins did not have any standard attire or equipment, but ancient Assassins were known for using [[Long weapons|spears]], [[poison]]s, [[bow]]s, and other armaments.<ref name="AC2" /> By the time of the High Middle Ages, they had assumed white as their general color and robes with beaked hoods as their common clothing.

This age also marked the appearance of the Assassins' signature weapon, the [[Hidden Blade]], a retractable blade first conceptualized by [[Darius]]. Other weapons used by the Assassins included swords, [[short blades]] and [[throwing knives]], though the Order forbade the use of poison as "a coward's tool". Many such rules changed under the leadership of Altaïr, who pioneered several inventions and techniques with the assistance of an [[Apple of Eden 2|Apple of Eden]]. These included the [[Poison Blade]], the [[Hidden Gun]], and new types of assassinations which dramatically altered the practices of the Order.<ref name="AC1" />

From the Renaissance onward, the Assassins' equipment did not change significantly, but some weapons were added to their arsenal. The use of armor over robes had become popular, although the white robes with beaked hoods persisted. Ezio Auditore and other Italian Assassins used a Hidden Gun, [[crossbow]], [[poison darts]], [[Bombs#Smoke bombs|smoke bombs]], and a secondary Hidden Blade, among more conventional weapons like swords and knives. Some regions also had unique weapons not seen elsewhere, like the [[Tomahawks|tomahawk]] of Ratonhnhaké:ton or [[Hookblade]]s used in the early 16th century Ottoman Empire. Still others, such as the [[West Indies Brotherhood of Assassins|Caribbean Assassins]], did not have beaked hoods as part of their standard attire.

Under the Mentorship of the Sikh [[Jayadeep Mir]], the British Brotherhood adopted the fear tactics developed by the [[Indian Brotherhood of Assassins|Indian Brotherhood]], began utilizing fear tactics through the employment of hallucinogens and [[fear bombs]]. By scaring enemies from battle, the Indian and British Assassins could avoid being forced to kill them, thereby mitigating casualties.

In modern times, Assassins followed the rest of society into the new era. As technology progressed, guns became commonplace and computers became prevalent, with Assassins like Rebecca Crane and [[Hannah Mueller]] specializing in their use.<ref name="AC2" /><ref name="AC3" /><ref name="The Fall #2">''Assassin's Creed: The Fall - Issue #2''</ref> While Desmond Miles was being held by [[Abstergo Industries]] within their [[Animus Project laboratory|Roman facility]], a small group of Assassins attempted to rescue him, armed with automatic weapons.<ref name="AC1" />

===Specializations===
While the classical Assassin is a parkour expert who specializes in eliminating targets in stealth operations, not all Assassins fit this archetypal mold. These are commonly termed field agents,<ref name="ACS" /> but more than a paramilitary organization, the Assassin Brotherhood was a transnational state within itself, composed of entire families born into the order with a diverse range of skill sets, not all of them combat-oriented.<ref name="AC2" /><ref name="ACI">''[[Assassin's Creed: Initiates]]''</ref> Many Assassins serve in support roles, such as Shaun Hastings, whose specialty is as a history analyst, and Rebecca Crane, a security expert and computer technician.<ref name="ACB" /> Within their team, Desmond Miles and later Galina Voronina acted as their field operative.<ref name="AC3" /><ref name="ACS" />

Even among Assassins primarily trained for combat roles, there has been much variation in specialization. The Italian Brotherhood of the early 16th century deployed teams such as that of Francesco Vecellio which had among its members [[Tessa Varzi]], a herbalist with an unrivaled knowledge of concocting poisons, and [[Cipriano Enu]], a masterful archer.<ref name="ACPL" />

====Italian Brotherhood system====
{{AmbCanon Start}}
During the Renaissance in the Italian peninsula some assassins like [[Lo Sparviero]] were typed as Berserker, Shadowblade, Trickster, Thief, or some dual combination there of. Berserkers focused on attack and defense, using heavy damage to stun, knock over, and shred armor of multiple opponents at a time, and were equipped with [[splinter bomb]]s to cause bleeding. Shadowblades were masters of stealth, able to remain incognito for longer periods while under scrutiny, using throwing knives to silence and blind enemies or deal precision strikes, and smokbombs to extricate themselves from battle. Trickster were skilled in guile and creating diversions, able to disguise themselves as guards, lure or distract targets with whistling or coins, and employed [[Sticky bomb casing|sticky bombs]] and the explosive jack in the box to kill from a distance. Thieves were adept pickpocket who used sand and fast strikes to blind and overwhelm opponents, relied on precision and agility to reduce noteriety and fall damage, and set [[Trip-wire bomb casing|trip-wire bombs]] to frighten and cause bleeding.<ref>[[Assassin's Creed: Identity|''Assassin's Creed: Identity'']]</ref>
{{AmbCanon End}}

====Spanish Brotherhood system====
Depending on the branch, specializations differed and could be more formalized. During the era of the Spanish Inquisition, the Spanish Brotherhood classified its agents as either Shadow, Enforcer, or Specialist with each further broken down into three subdivisions. Shadows could focus their training more exclusively towards pure stealth, the art of assassination, or freerunning. Enforcers were warriors whose approach could be geared more towards an offensive style, defensive style, or employing crowd control tactics. Specialists provided field support as medics, saboteurs who disarmed traps, or in other miscellaneous roles.<ref name="Rebellion">''[[Assassin's Creed: Rebellion]]''</ref>

====French Brotherhood system====
The French Brotherhood utilized a similar system of nine classes which recognized a wide range of operational styles. Derived from four parameters, combat, stealth, parkour, and tactics (i.e. relying on tools), eight of the classes corresponded to either one of these specializations or was a hybrid of two; the ninth was a ''generalist'' field that encompassed all in equal measure as a jack of all trades. These classes are as follows:<ref name="ACU" /><ref name="ACI" />
*''Prowlers'' who focused all their training on mastering the art of social stealth relied almost exclusively on slow and steady, low-profile assassinations rather than the swift, high-profile assassinations of popular imagination.
*''Brawlers'', being combat purists, were akin to the Enforcers of the Spanish Brotherhood. An exception to the stealth ethos of the Assassins, Brawlers engaged in direct combat equipped with heavy plate and mail armor and often a [[heavy weapon]] such as a two-handed sword. Their role was to defend their comrades as a tank or create a diversion with their own presence.
*''Daredevils'' who mastered freerunning exclusively took a pacifistic approach where their speed and navigational expertise facilitated swift entries and getaways without ever engaging with hostiles.
*''Tricksters'' were essentially [[snipers]] armed with a [[musket]] or [[rifle]] to shoot enemies from afar. Much like archers of an older age, they provided long range cover for their squad mates, cleared rooftops of enemies, or performed assassinations from a safe distance.
*''Infilitrators'' were those who employed the traditional methods iconic with the Assassins: a fast-paced yet meticulous fusion of parkour and stealth for swift and precise assassinations. These Assassins had to be able to rapidly shift between the demands of remaining undetected and acting quickly and efficiently as the situation develops.
*''Rioters'' were what the French Brotherhood called those who relied upon {{wiki|guerrilla warfare}}. They sprung from hiding to ambush enemies in berserker-like fashion before merging back into the environment.
*''Tormentors'' were so-called because they sowed chaos in their enemies by manipulating the environment from the shadows. They relied upon gadgets such as bombs and the [[Phantom Blade]] to rain confusion and strike terror of an impending yet undetectable danger looming around them.
*''Handlers'' were soldiers with light equipment, such as a single cuirass, a sword, and a pistol who fought conventionally against enemies.

These classes were not necessarily rigid, serving more as templates which permitted flexibility to accommodate the unique skills and sensibilities of French Assassins. They illustrate that although mainstream Assassin methodology mandated discretion, there has historically been a recognition of the need for specialized roles which did not conform strictly with the classical approach. Exceptions were allowed for Assassins to be battle specialists, such as the Spanish Enforcers or French Brawlers, who confronted enemies aggressively and directly, particularly as part of a larger strategem to divert attention away from fellow Assassins in charge of stealth infiltration.<ref name="ACU" /> Such tactics were not unprecedented and were akin to the way [[mercenaries]] were hired and employed by the Italian Brotherhood.<ref name="ACB" /><ref name="AC2" />

===Burial system===
Historically, Assassins always showed great respect for the dead. Their own were buried in crypts or large tombs, wrapped in a cloth shroud with their red sash spread across the body. The greatest Assassins were venerated in large tombs and entombed within sarcophagi, their likeness emblazoned on the lid and their symbol venerated in the flags of the tomb.<ref name="AC2" />

For all assassination targets, unless circumstances prevented, Assassins would give them their last rites after they had passed away. Early in his career as an Assassin, Ezio Auditore was reprimanded by his uncle Mario for disrespecting the corpse of his target and longtime rival [[Vieri de' Pazzi]], instilling in him a respect for the dead.<ref name="AC2" />

===Expulsion and Reinstatement===
It is possible for members of the Order to be expelled for various reasons, including but not limited to breaking the tenents of the Creed. In such situations, the [[Assassin Council]] could call for a vote of expulsion. After being expelled, the Assassin would be stripped of their rank and exiled from the Brotherhood.

The Assassin Arno Dorian was expelled from the Order, after he had defied the Council's orders, performed several assassinations without the Council's consent and in their words "flouted the Creed at every step". Arno would be welcomed back into the Order, however, after he later reformed and demonstrated true fidelity to the Creed.<ref name="ACU"/>

In cases of extreme disregard for the Creed's tenets, an expelled member may further become the target of assassination by their former comrades, such examples being [[Perotto Calderon]] for the theft of the Shroud of Eden, and Shay Cormac for the theft of the Voynich manuscript.

==Trivia==
*In the High Middle Ages, an Assassin would prove one's target had been slain by dipping a white feather in their target's blood. This practice had fallen out of use by the Renaissance, but appeared to have been revived by the Victorian Era. Both [[Jacob Frye|Jacob]] and [[Evie Frye]] engaged in the practice, though they used white handkerchiefs rather than feathers.
*Rebecca Crane noted that both the Assassin and Templar Orders had existed since before the formation of the Hashshashin and Order of the Knights Templar respectively, and queried what the two organizations called themselves beforehand.<ref name="AssassinBrotherhooddatabase">''[[Assassin's Creed: Syndicate]]'' – [[Database: The Assassin Brotherhood]]</ref>
**However, such an instance of the Assassins' earlier name is known: the [[Roman Assassins]] called themselves ''Liberalis Circulum'', Latin for ''Circle of Liberals''.
**Historically, the ''Hashashin'' were a sect of radical Persian Shia Muslims who, under Hassan-i Sabbāh, were said to be given a drug called hashish, under the influence of which they experienced "the Garden of Paradise". In exchange, they were expected to murder Sabbah's religious and political rivals, and due to the euphoria they experienced as an effect of the drug, they became unwaveringly loyal to Sabbah.
**The word ''Hashashin'' also gave rise to the word 'assassin'.
**The first and the third tenets of the Creed are mostly based upon the sayings of Islam. The first tenet of not to kill innocents matches with many hadeeths and verses of the Quran. The third and last tenet of the Creed, compromising the Brotherhood, refers to waging war against God in Islam and breaking the trust of other people. In both the Brotherhood and Islam, the punishment for violating these rulings is death.

==Appearances==
{{Scroll box|
*''[[Assassin's Creed]]''
*''[[Assassin's Creed: Altaïr's Chronicles]]''
*''[[Assassin's Creed: Bloodlines]]''
*''[[Assassin's Creed: Lineage]]''
*''[[Assassin's Creed II]]''
*''[[Assassin's Creed II: Discovery]]''
*''[[Assassin's Creed: Renaissance]]''
*''[[Assassin's Creed: Project Legacy]]''
*''[[Assassin's Creed: The Fall]]''
*''[[Assassin's Creed: Brotherhood]]''
*[[Assassin's Creed: Brotherhood (novel)|''Assassin's Creed: Brotherhood'' novel]]
*''[[Assassin's Creed: The Secret Crusade]]''
*''[[Assassin's Creed: Embers]]''
*''[[Assassin's Creed: Ascendance]]''
*''[[Assassin's Creed: Revelations]]''
*[[Assassin's Creed: Revelations (novel)|''Assassin's Creed: Revelations'' novel]]
*''[[Assassin's Creed: Recollection]]''
*''[[Assassin's Creed: The Chain]]''
*''[[Assassin's Creed III]]''
**''[[The Tyranny of King Washington]]''
*''[[Assassin's Creed III: Liberation]]''
*''[[Assassin's Creed: Forsaken]]''
*''[[Assassin's Creed IV: Black Flag]]''
**''[[Freedom Cry]]''
*''[[Assassin's Creed: Black Flag]]''
*''[[Assassin's Creed: Brahman]]''
*''[[Assassin's Creed: Pirates]]''
*''[[Assassin's Creed: Memories]]''
*''[[Assassin's Creed: Rogue]]''
*''[[Assassin's Creed: Unity]]''
*[[Assassin's Creed: Unity (novel)|''Assassin's Creed: Unity'' novel]]
*''[[Assassin's Creed Chronicles: China]]''
*''[[Assassin's Creed: Syndicate]]''
*''[[Assassin's Creed: Underworld]]''
*''[[Assassin's Creed Chronicles: India]]''
*''[[Assassin's Creed Chronicles: Russia]]''
*''[[Assassin's Creed: Identity]]'' {{c|non-canonical appearance}}
*''[[Assassin's Creed Volume 1: Trial by Fire|Assassin's Creed: Assassins – Volume 1: Trial by Fire]]''
*''[[Assassin's Creed: Last Descendants]]''
*''[[Assassin's Creed: Last Descendants – Locus]]''
*''[[Assassin's Creed Volume 2: Setting Sun|Assassin's Creed: Assassins – Volume 2: Setting Sun]]''
*''[[Assassin's Creed Templars Volume 1: Black Cross|Assassin's Creed: Templars – Volume 1: Black Cross]]''
*''[[Assassin's Creed: Heresy]]''
*''[[Assassin's Creed (film)|Assassin's Creed: The Movie]]''
*''[[Assassin's Creed: The Official Movie Novelization]]''
*''[[Assassin's Creed: Last Descendants – Tomb of the Khan]]''
*''[[Assassin's Creed Templars Volume 2: Cross of War|Assassin's Creed: Templars – Volume 2: Cross of War]]''
*''[[Assassin's Creed Volume 3: Homecoming|Assassin's Creed: Assassins – Volume 3: Homecoming]]''
*''[[Assassin's Creed: Uprising]]''
*''[[Assassin's Creed: Desert Oath]]''
*''[[Assassin's Creed: Origins]]''
**''[[The Hidden Ones (DLC)|The Hidden Ones]]''
**''[[The Curse of the Pharaohs]]''
*[[Assassin's Creed: Origins (comic)|''Assassin's Creed: Origins'' comic]]
*''[[Assassin's Creed: Odyssey]]''
**''[[Legacy of the First Blade]]''
**''[[The Fate of Atlantis]]''
*[[Assassin's Creed: Odyssey (novel)|''Assassin's Creed: Odyssey'' novel]]
*''[[Assassin's Creed: Rebellion]]''
*''[[Assassin's Creed: Dynasty]]''
*''[[Assassin's Creed: Valhalla]]''
*''[[Assassin's Creed: Forgotten Temple]]''
*''[[Assassin's Creed: Valhalla – Song of Glory]]''
*''[[Assassin's Creed: Valhalla – Geirmund's Saga]]''
* [[Assassin's Creed: Valhalla (graphic novel)|''Assassin's Creed: Valhalla'' (graphic novel)]]
*''[[Assassin's Creed: The Silk Road]]''
*''[[Assassin's Creed: The Imperial Jade Seal]]'' – ''[[Assassin's Creed: Prophecy of the Emperor|Prophecy of the Emperor]]''
* ''[[The World of Assassin's Creed Valhalla: Journey to the North – Logs and Files of a Hidden One]]'' {{Mo}}
*''[[Assassin's Creed Roleplaying Game]]''
*''[[Assassin's Creed: Mirage]]''
*''[[Assassin's Creed: Nexus VR]]''
}}

==References==
{{Reflist|2}}
{{Assassins nav}}
{{ACAC}}
{{AC}}
{{ACBL}}
{{AC2}}
{{AC2D}}
{{ACBH}}
{{ACR}}
{{AC3}}
{{AC3L}}
{{AC4}}
{{FC}}
{{ACRG}}
{{ACU}}
{{ACS}}
{{ACC}}
{{ACO}}
{{ACOD}}
{{ACV}}
{{ACPL}}
{{ACDYL}}
{{Initiates}}
{{ACP}}
{{ACM}}
{{ACID}}
{{ACRebellion}}
{{ACfilm}}
{{ACUW}}
{{ACLD}}
{{ACH}}
{{ACFC}}
{{ACS4}}
{{ACBM}}
{{ACComic}}
{{ACTemplars}}
{{ACCo}}
{{ACUprising}}
{{ACReflections}}
[[Category:Assassin Brotherhood|Assassin Brotherhood]]
[[Category:Organizations]]
[[Category:Secret societies]]

Ao Andon

2026-06-02T01:10:46Z

Darman36: /* Personality and traits */

{{Era|Culture}}{{WP-REAL|Aoandon}}
{{Character Infobox
|name=Ao Andon
|image= ACSH Ao Andon 1.png
|species=''[[Yōkai]]''
}}
An '''Ao Andon''' (青行燈, lit. "blue {{Wiki|Traditional lighting equipment of Japan|lantern}}"), also known as '''Aoandon''', is a ''[[yōkai]]'' incarnated from the collective fear from a group of people. According to legends, it was said to appear only at the very end of the superstitious {{Wiki|parlour game}} ''{{Wiki|Hyakumonogatari Kaidankai}}'' (百物語怪談会; lit. "A Gathering of One Hundred Supernatural Tales"), during which participants would light 100 blue lamps in a room at night and gradually extinguish them as a test of courage with every ghost story told until the room was dark. The spirit appears like a blue-skinned demonic woman with two horns and sharp teeth.<ref name="Wiki">{{WP|Aoandon}}</ref>

==History==
In 1582, the ''yōkai'', disguised as a woman named Chitose, was on a task to meet and claim the soul of [[Mamushi]], a [[monk]]-turned-demon hunter, for his disbelief of their kind.<ref name="The Yokai">''[[Assassin's Creed: Shadows]]'' – [[The Yokai]]</ref>

During their travels, the Ao Andon came across a deranged and beastly monk in [[Kabasaka Village]], [[Tamba]]. While under the guise of Chitose, she and other villagers were held hostage by the monk, whose appearance and behavior led people to mistake him for the ''yōkai'' known as the [[Taka Nyudo (monk)|Taka Nyudo]]. The [[Japanese Brotherhood of Assassins|Kakushiba ''ikki'']] members [[Fujibayashi Naoe]] and [[Yasuke]] soon defeated the monk, prompting Mamushi to task them with investigating various ''yōkai'' claims. Chitose thanked them for their aid and left the village after stating her intent to meet Mamushi to tell him a "tale of her own."<ref name="The Yokai"/>

At [[Nyoiji Daiji Temple]], the Ao Andon revealed their true form to Mamushi and confronted him. Taking the monk's life, the Ao Andon was soon found by Naoe and Yasuke, who were shocked to come face-to-face with a real ''yōkai''. As the Ao Andon closed the temple's door, they told Naoe and Yasuke how they had made Mamushi believe in their kind before killing him. They then appeared outside the temple and attacked the pair, though they were ultimately defeated and dissipated in blue smoke.<ref name="The Yokai"/>

==Personality and traits==
In their human disguise as Chitose, the ''yōkai'' was a shy but cryptic woman with chin-length black hair with oddly blue eyes. Their eye color was the only giveaway to their inhuman nature due to it being a phenotypic outlier in the country. In its true form, the Ao Andon appeared with their characteristic blue complexion, dark forehead markings, twin horns, sharp teeth, and spoke with a distorted voice. In combat, it [[Dual-wielding|dual-wielded]] ''[[tantō]]s'' as their main weapons and had supernatural powers, making use of telekinesis and superhuman strength.<ref name="The Yokai"/>

==Gallery==
<gallery captionalign="center" position="center" widths="180">
ACSH Ao Andon Closeup 1.png|Ao Andon
ACSH Chitose 1.png|Ao Andon disguised as Chitose
</gallery>

==Appearances==
*''[[Assassin's Creed: Shadows]]''

==References==
{{Reflist}}
{{ACSH}}
[[Category:Mythical creatures]]
[[Category:Japanese mythology]]

Ao Andon

2026-06-02T01:00:40Z

Darman36:

{{Era|Culture}}{{WP-REAL|Aoandon}}
{{Character Infobox
|name=Ao Andon
|image= ACSH Ao Andon 1.png
|species=''[[Yōkai]]''
}}
An '''Ao Andon''' (青行燈, lit. "blue {{Wiki|Traditional lighting equipment of Japan|lantern}}"), also known as '''Aoandon''', is a ''[[yōkai]]'' incarnated from the collective fear from a group of people. According to legends, it was said to appear only at the very end of the superstitious {{Wiki|parlour game}} ''{{Wiki|Hyakumonogatari Kaidankai}}'' (百物語怪談会; lit. "A Gathering of One Hundred Supernatural Tales"), during which participants would light 100 blue lamps in a room at night and gradually extinguish them as a test of courage with every ghost story told until the room was dark. The spirit appears like a blue-skinned demonic woman with two horns and sharp teeth.<ref name="Wiki">{{WP|Aoandon}}</ref>

==History==
In 1582, the ''yōkai'', disguised as a woman named Chitose, was on a task to meet and claim the soul of [[Mamushi]], a [[monk]]-turned-demon hunter, for his disbelief of their kind.<ref name="The Yokai">''[[Assassin's Creed: Shadows]]'' – [[The Yokai]]</ref>

During their travels, the Ao Andon came across a deranged and beastly monk in [[Kabasaka Village]], [[Tamba]]. While under the guise of Chitose, she and other villagers were held hostage by the monk, whose appearance and behavior led people to mistake him for the ''yōkai'' known as the [[Taka Nyudo (monk)|Taka Nyudo]]. The [[Japanese Brotherhood of Assassins|Kakushiba ''ikki'']] members [[Fujibayashi Naoe]] and [[Yasuke]] soon defeated the monk, prompting Mamushi to task them with investigating various ''yōkai'' claims. Chitose thanked them for their aid and left the village after stating her intent to meet Mamushi to tell him a "tale of her own."<ref name="The Yokai"/>

At [[Nyoiji Daiji Temple]], the Ao Andon revealed their true form to Mamushi and confronted him. Taking the monk's life, the Ao Andon was soon found by Naoe and Yasuke, who were shocked to come face-to-face with a real ''yōkai''. As the Ao Andon closed the temple's door, they told Naoe and Yasuke how they had made Mamushi believe in their kind before killing him. They then appeared outside the temple and attacked the pair, though they were ultimately defeated and dissipated in blue smoke.<ref name="The Yokai"/>

==Personality and traits==
In their human disguise as the poet Chitose, the ''yōkai'' appeared a shy, timid, but cryptic woman. In their true form, the Ao Andon appeared with their characteristic blue complexion, dark forehead markings, twin horns, and sharp teeth. Along with their warped voice, they had the ability of telekinesis, superhuman strength, and wielded dual ''[[tantō]]s'' as their main weapons.<ref name="The Yokai"/>

As Chitose, she looks like a perfectly ordinary japanese woman, with chin-lenght black hairs, but with blue eyes.

==Gallery==
<gallery captionalign="center" position="center" widths="180">
ACSH Ao Andon Closeup 1.png|Ao Andon
ACSH Chitose 1.png|Ao Andon disguised as Chitose
</gallery>

==Appearances==
*''[[Assassin's Creed: Shadows]]''

==References==
{{Reflist}}
{{ACSH}}
[[Category:Mythical creatures]]
[[Category:Japanese mythology]]

User talk:Batfan13

2026-06-02T00:25:56Z

Darman36: /* Overuse of some words */

{{Welcome}}
==Howdy howdy==
Since I don’t think anyone has officially reached out to you, I’m taking it upon myself to show our appreciation for your hard work. Close to 300 significant edits in less than 2 weeks is awesome. If you aren't already a member, I suggest joining our discord which should be accessible through the sidebar. A good number of us use it to coordinate better or discuss certain topics on a platform that facilitates it better than these talkpages. But now that the pleasantries are out of the way, on to brass tacks. I notice that some of your edits have included trivia point sections. We’ve recently decided to try to phase these out in favor for wither working the content into the main body paragraphs or if it is out-of-universe or character concept like etymology into behind the scenes sections. Trivia sections are still valid but are now meant to be temporary placeholders for such information or sections that edits who are possibly intimidated by larger articles to put their content. Of course we also have been kind of lax dealing with these sections especially on older character pages that have really large trivia sections. Anyways great to have you and feel free to contact any of us on the admin team if you have any questions. [[User:Lacrossedeamon|Lacrossedeamon]] ([[User talk:Lacrossedeamon|talk]]) 03:36, 16 February 2021 (UTC)

==Talk pages==
Hello Batfan13, Just want to likewise extend another welcome and a thank you for all your work on the Order of the Ancients pages. Just a quick note for the future, when you use a talk page, whether yours or someone else's, it's best to sign off on your posts. We can typically see who last edited a talk page through its "History" drop-down menu section or watching the "Recent Activity" feed, but it's faster if everyone signs their name where possible. You can do that by using 4 tilde marks, "<nowiki>~~~~</nowiki>", at the end of whatever you write. I hope you enjoy your stay and wish you many more productive edits. Cheers, – [[User:Darman36|Darman]] ([[User talk:Darman36|talk]]) 15:55, 16 February 2021 (UTC)

==Reporting on Cent==
I see your change at [https://assassinscreed.fandom.com/wiki/Reporting_on_Cent?diff=925520&oldid=925208 Reporting on Cent]. I also see you changed the description in the infobox. You know that that description is the ingame description of the mission itself right? As far as I know, the description field of the infobox is to display the ingame description, not make up one of our own. [[User:Kennyannydenny|Kennyannydenny]] ([[User talk:Kennyannydenny|talk]]) 09:53, 22 February 2021 (UTC)
:I've asked [[User talk:Sol Pacificus|Sol Pacificus‎]] about the description field as I want to be sure i'm doing the correct thing. [[User:Kennyannydenny|Kennyannydenny]] ([[User talk:Kennyannydenny|talk]]) 09:59, 22 February 2021 (UTC)
::Thanks for the response! I wouldn't have mind if it stayed that way until Sol responded, but we can always change it back to what you made of the description if it turns out it's fine not using ingame descriptions there. If I get a response from Sol, i'll let you know. [[User:Kennyannydenny|Kennyannydenny]] ([[User talk:Kennyannydenny|talk]]) 09:36, 23 February 2021 (UTC)

==Metadata security==
Hello again,Batfan13, I'm not sure if you're aware, but the metadata on every image you've uploaded so far looks to have your full name still attached to them. If that's a concern for you because of online safety, you might want to find a way to scrub that in future files you post here. Just thought I'd give you a heads up on the matter. – [[User:Darman36|Darman]] ([[User talk:Darman36|talk]]) 04:10, 6 March 2021 (UTC)

== Discord? ==

Hello, I was wondering if you happen to have joined our Discord server? There's a regular user on our server named Bat_Creature, and I'm curious if you and this user is one and the same. :) [[User:Sol Pacificus|'''Sol Pacificus''']][[User talk:Sol Pacificus|(Cyfiero)]] 05:52, 5 August 2021 (UTC)
:It's a great thing we asked then! You're welcome to join our server any time by the way. :) [[User:Sol Pacificus|'''Sol Pacificus''']][[User talk:Sol Pacificus|(Cyfiero)]] 23:44, 9 August 2021 (UTC)

== Weapon rollbacks ==

What is your reasoning for undoing all of those? [[User:Lacrossedeamon|Lacrossedeamon]] ([[User talk:Lacrossedeamon|talk]]) 18:07, 19 September 2021 (UTC)
:RE: the new stats are for the weapons at max upgrade which follows the standard set by weapon stats on articles from previous games like Odyssey and Origins. In the future if you have concerns about a series of edits like this please reach out first beforehand. [[User:Lacrossedeamon|Lacrossedeamon]] ([[User talk:Lacrossedeamon|talk]]) 18:58, 19 September 2021 (UTC)
:RE:RE: No worries. I think the disconnect comes from Odyssey but that's because the weapons in Odyssey can appear as different tiers but are locked while Valhalla you can actually upgrade the tier level. Also I didn't realize you had reached out to Nstav but next time wait for a response before continuing. Otherwise your concerns were valid so good on you for that. [[User:Lacrossedeamon|Lacrossedeamon]] ([[User talk:Lacrossedeamon|talk]]) 19:53, 19 September 2021 (UTC)

== New hub for editors ==

Hey Batfan13!

I wanted to let you know I made a hub for the editors, so we can see what needs to be done and talk to each other about it.

It's over on [[Assassin's Creed Wiki:Target board]]. - [[User:Soranin|Soranin]] ([[User talk:Soranin|talk]]) 16:02, 7 December 2021 (UTC)

== Proofreading resources articles ==

Hello Batfan, I just proofread a few of your recent articles on resources, and there were a few mistakes I noticed which I hope you don't mind me pointing out.

First, their appearances in the games are not "mentioned only" if they are collectible items into the inventory. This is especially so for ''Project Legacy'', which is a text-based game. Just like if a character handled flax or saffron in a novel, you wouldn't call it just a mention, if the player handles flax and saffron in the game by collecting them then creating items with them, they are also not just mere mentions; they have made actual appearances.

Apart from this, please make sure to avoid this kind of wording in the future:
<blockquote>"During the Peloponnesian War in southwestern Elis, Greece. . ."</blockquote>
<blockquote>"During the Renaissance in Florence, Italy. . ."</blockquote>
<blockquote>"During the early 16th century in Rome, Italy. . ."</blockquote>

You don't add "in [place]" after "during [time period]". This phrasing is very awkward and essentially turns the sentence into a run-on. Part of it is because it's too many prepositions stacked on top of one another in a subordinating clause and part of it is I think the word ''during'' doesn't support that syntax. It's basically not correct syntax. I've also explained this to other editors in the past, but your writing doesn't have to be so formulaic.

In fact, you will write better if you don't. Try to write naturally with what content you have in mind, rather than making rote lists of appearances. You aren't always required to name the war happening in the background during the events of ''Odyssey'' (it might not always be relevant). Yes, you collect flax and saffron while playing as Francesco Vecellio, but is the collection of flax specific to Vecellio and his team or can we infer that it's just a general thing the Italian Assassins did? Well, the collection of saffron is a bit more particular to Tessa Varzi since she was a poison expert, so in my revision, I decided to focus on that a little more. These are some examples of how to naturalize writing more. [[User:Sol Pacificus|'''Sol Pacificus''']][[User talk:Sol Pacificus|(Cyfiero)]] 20:54, 1 February 2022 (UTC)

:Batfan, I've already asked you to avoid this kind of wording "''[https://assassinscreed.fandom.com/wiki/Turtle?type=revision&diff=999395&oldid=999391 During the late 880s in West Francia''...]" It's syntactically incorrect and very awkward. :-/ [[User:Sol Pacificus|'''Sol Pacificus''']][[User talk:Sol Pacificus|(Cyfiero)]] 03:02, 16 May 2022 (UTC)

== Unsourced info in "Peony" ==

Hello Batfan, I just wanted to check quickly with you:
<blockquote>In Chinese history, peony exhibitions are held and cultivated annually in the ancient city of Luoyang.</blockquote>
Do you know where this line's information is from? It needs as a citation. [[User:Sol Pacificus|'''Sol Pacificus''']][[User talk:Sol Pacificus|(Cyfiero)]] 21:39, 28 February 2022 (UTC)

== Re: medal reset ==

I’m not tracking a reset on any of the other medal. The most likely culprit is that that medal tracks days by UTC so it is possible for you to edit everyday your local time but if you edit early one day and late the next day its possible for you to actually miss a day in UTC and that resets your counter. I’ve had it happen for me. Looking through your contributions page it looks like on the 21st you only edited your own profile which might not count for the medal. Looks like we’ve got you for another year. [[User:Lacrossedeamon|Lacrossedeamon]] ([[User talk:Lacrossedeamon|talk]]) 02:59, 29 May 2022 (UTC)

== More proofreading ==

Batfan, I've been taking a closer look at your writing again lately for some ''Valhalla'' locations.

#Do you think you can stop beginning sentences with the phrase "''Through her travels...''" Most of the time, you're not using that phrase correctly, and in any case usually it should be "''Throughout her travels...''". It's quite complicated to explain how you're using it incorrectly, but it has to do with the fact you're typically following that phrase with momentary, singular, concrete actions that occupy a timeframe too short for the word "''throughout''".
#I've told many editors about this before too, but you don't always have to introduce Eivor as "''the Viking shieldmaiden Eivor Varinsdottir of the Raven Clan''". That's long, unwieldy, and not always necessary. Change this up depending on which is the most concise for the sentence and what context about her background is needed.
#Please stop breaking whole terms like Raven Clan into two different links like this, [[Raven]] [[Raven Clan|Clan]]. This goes against our wiki's conventional standard. If you see other editors doing this as well, please correct it. The link should just be [[Raven Clan]].
#You don't have to describe every minute action, like every movement of her hands, that Eivor does when she is in a place. Try to summarize it together naturally.
#Articles should primarily be written from the perspective of their subject. If you are writing about a location, the writing shouldn't be centered around the protagonist. Sometimes, this is unavoidable because all we know about the location is from the perspective of the protagonist, but there should still be ways to write about it from a more general point-of-view.
#Character names should be substituted with pronouns if they are being mentioned repeatedly in a paragraph. For example, instead of "Eivor... Eivor... Eivor...", it should be "Eivor... she... she...".

Feel free to let me know if you have any questions. [[User:Sol Pacificus|'''Sol Pacificus''']][[User talk:Sol Pacificus|(Cyfiero)]] 00:00, 18 July 2022 (UTC)

==Congrats==
Just want to extend my congratulations to you for earning 3,450 badge points and making it into the Top 20 on the achievements leaderboard! Here's to more edits, and perhaps you'll climb even higher in the ranks. [[User:Darman36|Darman]] ([[User talk:Darman36|talk]]) 01:25, 7 September 2022 (UTC)
:Congratulations again, 5 months later, on reaching 5,500 points, entering the Top 15 in the leaderboard, but most importantly, becoming one of the 12 people (I think, hover text used to have a counter) who have the "Grand Master" badge! Having worked to earn it myself, I know it can be a long task, but you did it. – [[User:Darman36|Darman]] ([[User talk:Darman36|talk]]) 14:40, 17 February 2024 (UTC)

== Infoboxes for countries ==

So for articles about countries, we don't use the location infobox, we use either the country infobox or the regime infobox. The country infobox is for articles about a broad, generalized "civilization" or nation spanning multiple regimes and taking on the form of many different states throughout history. (e.g. Egypt, Greece, China, India). The regime infobox is for specific governments and/or specific states of a "civilization". (e.g. Roman Republic, Roman Empire, Republic of China, Tang dynasty, Ptolemaic Kingdom, United Kingdom, etc.). For those modern states which arose from settler colonialism, like the United States of America, the Bahamas, Canada, Australia etc. we use the regime infobox. These nations are more recent creations, with little correspondence to historic nations, and generally have not shifted between many different forms of statehood beyond decolonization.

For South Africa, I corrected it to being about the Republic of South Africa, but if events about it in ''Magus Conspiracy'' take place in the 19th century, should it be the Cape Colony instead? [[User:Sol Pacificus|'''Sol Pacificus''']][[User talk:Sol Pacificus|(Cyfiero)]] 02:59, 8 September 2022 (UTC)

== Conspiracies redlink roundup ==

Hey Batfan!

So, I saw you were doing work on Conspiracies stuff and I took the time to round up what redlinks we still have for that over at the [[Assassin's Creed Wiki:Target board|Target board]]. If you want to tackle them <s>I'll love you forever</s> feel free :) - [[User:Soranin|Soranin]] ([[User talk:Soranin|talk]]) 02:13, 25 November 2022 (UTC)

==Overuse of some words==
Hello Batfan, I've been proofreading the articles you write, and there are a few mistakes that keep on recurring. I notice you have a tendency to both overuse the word ''soon'' in contexts where it is either unnecessary, where the word ''later'' should be used instead, or where it shouldn't be used at all. Likewise, you misuse the word ''as'' very often. When you join two events with ''as'', they are supposed to be occurring concurrently with each other. But you have a habit of using ''as'' to recount events that follow each other instead, which is incorrect. In the future, could you please be more careful when you write to check that you aren't overusing or misusing these two words? Thanks. [[User:Sol Pacificus|'''Sol Pacificus''']][[User talk:Sol Pacificus|(Cyfiero)]] 08:47, 24 January 2023 (UTC)

Batfan, I forgot to mention the other day that I also notice you always misuse the word ''once'' when the proper word is ''when''. I'm not sure why this is the case, but please be attentive to this. [[User:Sol Pacificus|'''Sol Pacificus''']][[User talk:Sol Pacificus|(Cyfiero)]] 02:40, 29 January 2023 (UTC)
:Subject line seems most appropriate. Not to criticize you, specifically, but just a general note that we do not always need to refer to Naoe as "the Kakushiba ''ikki'' member and ''shinobi''" when writing character or location pages. We accidentally got stuck in a rut always typing "the Spartan ''misthios'' Kassandra" (despite the fact she denounced her Spartan heritage for ages before ACOD end), or "''jarlskona'' Eivor Varinsdottir of the Raven Clan", etc. on the old site. We can use descriptors as appropriate—for ex, we can call Yasuke an ''ikki'' member, a ''rōnin'', or a samurai as the situation demands—or not at all, but we shouldn't overuse them lest it get unwieldy. – [[User:Darman36|Darman]] ([[User talk:Darman36|talk]]) 02:25, 2 June 2026 (CEST)

== Please refrain from writing articles on religion ==

Hello Batfan, while I appreciate your diligence in helping us fulfill wanted pages, I would like to ask you to refrain from creating articles on religion and other real-world philosophical traditions or political ideologies and instead leave them to others. These are very complex and often sensitive topics which require a lot of precision in writing to ensure accuracy of information, where it can be easy to accidentally phrase something the wrong way and offend someone belonging to a demographic related to the topic. And to be perfectly honest with you, I've noticed that your English language writing still needs a lot of improvement, so I don't think you're ready to tackle these kinds of articles yet. [[User:Sol Pacificus|'''Sol Pacificus''']][[User talk:Sol Pacificus|(Cyfiero)]] 17:30, 11 October 2023 (UTC)

== Journey to the North Canonicity ==

Is your subpage open for other editors to work on or would you rather have us stick to its talk page and leave it to you to integrate anything brought up there to the subpage proper? [[User:Lacrossedeamon|Lacrossedeamon]] ([[User talk:Lacrossedeamon|talk]]) 08:14, 24 April 2024 (UTC)

== RE: ACRPG ==

Oh, sorta. It was supposed to release in October to backers who preordered but got delayed. However they released PDFs of handbooks to backers of which I was one. I’m hoping the PDFs are an earlier draft because there are a lot of grammar issues and, factual errors, and possibly even missing content. There’s a lot to discuss in regards to this canonwise and if it is even feasible. [[User:Lacrossedeamon|Lacrossedeamon]] ([[User talk:Lacrossedeamon|talk]]) 02:57, 11 December 2024 (UTC)
:Hey there! If you're still interested in helping out with the ACRPG stuff, I'm slowly but surely putting their stuff up on the wiki (with the pre-release template, of course). Something that's already up is the collection of a few modern day [[Animus_Handbook#Files|files]] with a bunch of new characters. I admit I could use the help with those... ヾ(￣▽￣) - [[User:Soranin|Soranin]] ([[User talk:Soranin|talk]]) 05:26, 13 February 2025 (UTC)
:: Thank you so much! （づ￣3￣）づ╭❤～ I'm currently working on the other redlinks (over in my sandbox) and I'm making good progress with the memory stuff, so the one other thing I'd appreciate your help with right now are the two related to the [[Legacy_of_the_Brotherhood#Supplementary_material|Supplementary material]] here. Though I'm certain they'll be short pages, both "The Assassin Cult and Its Evolution" and "Matthew Renter" are on the list to be made :p - [[User:Soranin|Soranin]] ([[User talk:Soranin|talk]]) 04:32, 20 February 2025 (UTC)
Letting you know that besides the ACRPG, I've also just published the memories from the [[Apocalypse]] expansion to Brotherhood of Venice. Darman is still to link these, but I've already added what's gonna become a redlink to the target board, if you wanna help. (After all the ACRPG stuff I'm gonna take it easy for a bit (￣o￣) . z Z ) - [[User:Soranin|Soranin]] ([[User talk:Soranin|talk]]) 04:27, 25 February 2025 (UTC)

== Superfluous sections ==

As is, a few of the "Personality and traits" and "Behind the scenes" sections feel a bit unnecessary. If the "Personality and traits" section is just going to be "[character] wielded [weapon] when killed by [protagonist]" I don't think it is important enough to include. Likewise "Behind the scenes" sections that only mention whether the character is fictional or historical and what piece of media they are introduced in is unneeded if lacking in extra context like voice actor, differences with historical records, or ambigously/non canonical choices. I don't want to come off as harsh as you are doing good work with new pages but hopefully this lets you focus more on the biography/history/background sections. [[User:Lacrossedeamon|Lacrossedeamon]] ([[User talk:Lacrossedeamon|talk]]) 02:57, 29 April 2025 (UTC)

== Iga no Monogatari ==

Hey, are you in the AC Wiki discord? Cause if you are, you can just message me and I can send you the hd images I have for the Iga no Monogatari manga over there. I should also have some Shadows stuff proper, too, if I can only remember where it is... My username over there is "Jhonnies (Soranin)".  - [[User:Soranin|Soranin]] ([[User talk:Soranin|talk]]) 18:40, 9 September 2025 (UTC)

==Shadows pics==
Just a question after some observation in RecentChanges, why are some of the ''Shadows'' pics you've uploaded in the .webp format? I know some artists on ArtStation sometimes upload their images as [filename.webp], but I also know through personal experience that we can change the URL path name to [filename.jpg] and get that format. It's a valid file format, it's just that we don't typically upload them. – [[User:Darman36|Darman]] ([[User talk:Darman36|talk]]) 05:15, 21 December 2025 (UTC)
:Oh, I thought webp. were fine since it was accepted as an upload. I can replace them though. Sorry for the inconvenience. Thank you for letting me know. [[User:Batfan13|Batfan13]] ([[User talk:Batfan13|talk]]) 05:33, 21 December 2025 (UTC)
::No, no, they're fine, since as you noted the Upload page ''does'' list it as an acceptable file. Nothing's wrong, you don't need to replace them. I was only curious as to why you were using webp because it's so rarely used here. – [[User:Darman36|Darman]] ([[User talk:Darman36|talk]]) 05:45, 21 December 2025 (UTC)
:::Oh okay. I'll stop at Okunoin ... Shrine then. Honestly, I have tried changing them to jpg on my end but to no avail. Is there a way on the wiki or another outside source I can use to convert them for future pics? [[User:Batfan13|Batfan13]] ([[User talk:Batfan13|talk]]) 05:49, 21 December 2025 (UTC)
::::Yeah, even if you change the URL to jpg, it sometimes still registers as a webp file when attempting to save. When URL changes fail, I tend to use either freeconvert.com or ezgif.com and upload here one-by-one. – [[User:Darman36|Darman]] ([[User talk:Darman36|talk]]) 06:05, 21 December 2025 (UTC)

Yoshiharu

2026-06-02T00:15:59Z

Darman36:

{{Era|Individuals}}
{{Imageneed}}
{{Character Infobox
|name = Yoshiharu
|native =
|image = ACSH Yoshiharu 1.png
|species = [[Human]]
|affiliates = [[Matsu]]
}}
'''Yoshiharu''' was a [[Japan]]ese man from [[Iga]] during the late [[Sengoku period]].<ref name="Shadows and Lights">''[[Assassin's Creed: Shadows]]'' – [[Shadows and Light]]</ref> He was a brother to the ''[[yamabushi]]'' [[Genpaku]]<ref name="Yamabushi Imposters" /> and the grandfather of [[Murasaki]].

==Biography==
After the [[Tenshō Iga War]] in 1581, Yoshiharu lost nearly his entire family except for his granddaughter Murasaki. As a result, [[Oda clan|Oda]] troops occupied their [[Kashiwara Manor|home]] while he and Murasaki wandered the province in search of a new home.<ref name="Shadows and Light"/>

In 1582, they found an [[Matsu's Camp|abandoned cabin]] and rested there only for a [[The Valley Yamabushi|stranger]] to promptly attack them. Fortunately, their fellow Igan ''[[Ninja|shinobi]]'' [[Fujibayashi Naoe]] was nearby and rescued them, fighting and killing their attacker.<ref name="Monks' Wake">''[[Assassin's Creed: Shadows]]'' – [[The Monk's Wake]]</ref><ref name="Yamabushi Imposters">''[[Assassin's Creed: Shadows]]'' – [[Yamabushi Imposters]]</ref>

Naoe checked on Yoshiharu and Murasaki as the elderly man told her that his granddaughter was severely hurt. Naoe left to look for help, bringing her "auntie" [[Matsu]] to treat the girl's injuries<ref name="Monks' Wake"/> while Naoe went to fetch maggots. However, it was all for naught, as Murasaki only pretended to be injured so she and her grandfather would not have to leave the cabin.<ref name="Good for What Ails You">''[[Assassin's Creed: Shadows]]'' – [[Good for What Ails You]]</ref>

While Matsu prepared her famous ''{{Wiki|miso soup|misoshiru}}'' and Naoe retrieved Yoshiharu's lanterns from his former residence, Yoshiharu spent more time with Matsu and felt content with her company. When dinner was set, all four began to eat before Murasaki abruptly pleaded for her grandfather to stay, as she had not seen him smile in a long time. With Naoe and Matsu's insistence, Yoshiharu ultimately agreed to stay for a season. Matsu then promised to train Murasaki as a ''shinobi'' while she and Yoshiharu helped Matsu out at her new home.<ref name="Shadows and Lights"/>

==Appearances==
*''[[Assassin's Creed: Shadows]]''

==References==
{{Reflist}}
{{ACSH}}
[[Category:Individuals]]
[[Category:Japanese]]
[[Category:Igans]]

Yoshiharu

2026-06-02T00:15:35Z

Darman36:

{{Era|Individuals}}
{{Imageneed}}
{{Character Infobox
|name = Yoshiharu
|native =
|image = ACSH Yoshiharu 1.png
|species = [[Human]]
|affiliates = [[Matsu]]
}}
'''Yoshiharu''' was a [[Japan]]ese man from [[Iga]] during the late [[Sengoku period]].<ref name="Shadows and Lights">''[[Assassin's Creed: Shadows]]'' – [[Shadows and Light]]</ref> He was a brother to the ''[[yamabushi]]'' [[Genpaku]]<ref name="Yamabushi Imposters" /> and the grandfather of [[Murasaki]].

==Biography==
After the [[Tenshō Iga War]] in 1581, Yoshiharu lost nearly his entire family except for his granddaughter Murasaki. As a result, [[Oda clan|Oda]] troops occupied their [[Kashiwara Manor|home]] while he and Murasaki wandered the province in search of a new home.<ref name="Shadows and Light"/>

In 1582, they found an [[Matsu's Camp|abandoned cabin]] and rested there only for a [[The Valley Yamabushi|stranger]] to promptly attack them. Fortunately, their fellow Igan ''[[Ninja|shinobi]]'' [[Fujibayashi Naoe]] was nearby and rescued them, fighting and killing their attacker.<ref name="Monks' Wake">''[[Assassin's Creed: Shadows]]'' – [[The Monk's Wake]]</ref><ref name="Yamabushi Imposters">''[[Assassin's Creed: Shadows]]'' – [[Yamabushi Imposters]]</ref>

Naoe checked on Yoshiharu and Murasaki as the elderly man told her that his granddaughter was severely hurt. Naoe left to look for help, bringing her "auntie" [[Matsu]] to treat the girl's injuries<ref name="Monks' Wake"/> while Naoe went to fetch maggots. However, it was all for naught, as Murasaki only pretended to be injured so she and her grandfather would not have to leave the cabin.<ref name="Good for What Ails You">''[[Assassin's Creed: Shadows]]'' – [[Good for What Ails You]]</ref>

While Matsu prepared her famous ''{{Wiki|miso soup|misoshiru}}'' and Naoe retrieved Yoshiharu's lanterns from his former residence, Yoshiharu spent more time with Matsu and felt content with her company. When dinner was set, all four began to eat before Murasaki abruptly pleaded for her grandfather to stay, as she had not seen him smile in a long time. With Naoe and Matsu's insistence, Yoshiharu ultimately agreed to stay for a season. Matsu then promised to train Murasaki as a ''shinobi'' while she and Yoshiharu helped Matsu out at her new home.<ref name="Shadows and Lights"/>

==Behind the scenes==
Yoshiharu is a fictional character in ''[[Assassin's Creed: Shadows]]'', who happens to be

==Appearances==
*''[[Assassin's Creed: Shadows]]''

==References==
{{Reflist}}
{{ACSH}}
[[Category:Individuals]]
[[Category:Japanese]]
[[Category:Igans]]

Murasaki

2026-06-02T00:13:24Z

Darman36: /* Biography */

{{Era|Individuals}}
{{Imageneed}}
{{Character Infobox
|name = Murasaki
|image = ACSH Murasaki 1.png
|species = [[Human]]
}}
'''Murasaki''' was a [[Japan]]ese girl and the granddaughter of [[Yoshiharu]] who lived in the [[Iga|Iga Province]] during the late [[Sengoku period]].

==Biography==
After the [[Tenshō Iga War]] in 1581, Murasaki lost her entire family except for her grandfather Yoshiharu. As a result, [[Oda clan|Oda]] troops occupied their [[Kashiwara Manor|home]] while she and her grandfather wandered around Iga to find a new place to live.<ref name="Shadows and Lights">''[[Assassin's Creed: Shadows]]'' – [[Shadows and Light]]</ref>

In 1582, Murasaki and Yoshiharu found themselves at an [[Matsu's Camp|abandoned cabin]] and rested there only for a [[The Valley Yamabushi|stranger]] to promptly attack them. Fortunately, their fellow Igan ''[[ninja|shinobi]]'' [[Fujibayashi Naoe]] was nearby and rescued them, fighting and killing their attacker.<ref name="Monks' Wake">''[[Assassin's Creed: Shadows]]'' – [[The Monk's Wake]]</ref><ref name="Yamabushi Imposters">''[[Assassin's Creed: Shadows]]'' – [[Yamabushi Imposters]]</ref>

Tired of traveling, Murasaki feigned her injuries, making sure her granfather stayed while Naoe left to find help. Soon, Naoe brought her "auntie" [[Matsu]] to treat Murasaki's injuries<ref name="Monks' Wake"/> while Naoe went to fetch maggots. However, Murasaki soon admitted that she pretended to be injured so she and her grandfather would not have to leave the cabin.<ref name="Good for What Ails You">''[[Assassin's Creed: Shadows]]'' – [[Good for What Ails You]]</ref>

While Matsu cooked her famous ''{{Wiki|miso soup|misoshiru}}'' and Naoe recovered Yoshiharu's lanterns from his former manor, Yoshiharu finally felt content, especially with Matsu's company. Noticing this, Murasaki implored her grandfather to stay, as she had not seen him smile in a long time. With Naoe and Matsu's insistence, Yoshiharu ultimately agreed to stay for a season. Matsu then promised to train Murasaki as a ''shinobi'' while she and Yoshiharu agreed to help her around their new home.<ref name="Shadows and Lights"/>

==Appearances==
*''[[Assassin's Creed: Shadows]]''

==References==
{{Reflist}}
[[Category:Individuals]]
[[Category:Japanese]]
[[Category:Igans]]

Murasaki

2026-06-02T00:07:02Z

Darman36: /* Biography */

{{Era|Individuals}}
{{Imageneed}}
{{Character Infobox
|name = Murasaki
|image = ACSH Murasaki 1.png
|species = [[Human]]
}}
'''Murasaki''' was a [[Japan]]ese girl and the granddaughter of [[Yoshiharu]] who lived in the [[Iga|Iga Province]] during the late [[Sengoku period]].

==Biography==
After the [[Tenshō Iga War]], Murasaki lost her entire family except for her grandfather Yoshiharu. As a result, their [[Kashiwara Manor|home]] was taken over by [[Oda clan|Oda]] troops while she and her grandfather wandered around Iga to find a new place to live.<ref name="Shadows and Lights">''[[Assassin's Creed: Shadows]]'' – [[Shadows and Light]]</ref>

In 1582, Murasaki and Yoshiharu found themselves at an [[Matsu's Camp|abandoned cabin]] and rested there. However, they were attacked by a [[The Valley Yamabushi|stranger]]. Fortunately, they were saved by their fellow Igan ''[[ninja|shinobi]]'' [[Fujibayashi Naoe]], who fought and killed their attacker.<ref name="Monks' Wake">''[[Assassin's Creed: Shadows]]'' – [[The Monk's Wake]]</ref><ref name="Yamabushi Imposters">''[[Assassin's Creed: Shadows]]'' – [[Yamabushi Imposters]]</ref>

Tired of traveling, Murasaki feigned her injuries, making sure her granfather stayed while Naoe left to find help. Soon, Naoe brought her "auntie" [[Matsu]] to treat the girl's injuries<ref name="Monks' Wake"/> while Naoe went to fetch maggots. However, Murasaki soon admitted that she pretended to be injured so she and her grandfather would not have to leave the cabin.<ref name="Good for What Ails You">''[[Assassin's Creed: Shadows]]'' – [[Good for What Ails You]]</ref>

While Matsu cooked her famous ''{{Wiki|miso soup|misoshiru}}'' and Naoe recovered Yoshiharu's lanterns from his former manor, Yoshiharu finally felt content, especially with Matsu's company. Noticing this, Murasaki implored her grandfather to stay, as she had not seen him smile in a long time. With Naoe and Matsu's insistence, Yoshiharu ultimately agreed to stay for a season. Matsu then promised to train Murasaki as a ''shinobi'' while she and Yoshiharu agreed to help her around their new home.<ref name="Shadows and Lights"/>

==Appearances==
*''[[Assassin's Creed: Shadows]]''

==References==
{{Reflist}}
[[Category:Individuals]]
[[Category:Japanese]]
[[Category:Igans]]

Kashiwara Manor

2026-06-02T00:06:24Z

Darman36:

{{Era|Locations}}
[[File:ACSH Kashiwara Manor 1.png|thumb|250px|Kashiwara Manor]]
The '''Kashiwara Manor''' was the residence of the [[Iga]] native [[Yoshiharu]] in southern [[Hijiyama]], [[Japan]].

==History==
After the [[Tenshō Iga War|invasion]] of Iga in 1581, [[Oda clan|Oda]] [[soldier]]s killed Yoshiharu's wife and children and took over the residence, leaving him and his granddaughter [[Murasaki]] to wander and search for a new home.<ref name="Shadows and Lights">''[[Assassin's Creed: Shadows]]'' – [[Shadows and Light]]</ref>

In 1582, the [[Japanese Brotherhood of Assassins|Kakushiba ''ikki'']] member [[Fujibayashi Naoe]], on Yoshiharu's instructions, infiltrated the manor to look for lanterns that could help [[Matsu]] light up her [[Matsu's Camp|cabin]] while she cooked. Although the manor was guarded, Naoe managed to find and retrieve three lanterns from the premises before heading back to the cabin.<ref name="Shadows and Lights"/>

==Appearances==
*''[[Assassin's Creed: Shadows]]''

==References==
{{Reflist}}
[[Category:Landmarks in Hijiyama]]
[[Category:Residences]]

File:ACSH InM Hattori Mansion 1.jpg

2026-06-02T00:02:28Z

Darman36:

{{Information
|attention=Bubble information erased
|description=[[Hattori Mansion]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 9|Chapter 9]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Assassin's Creed: Shadows – Tales of Iga locations/Images]]
[[Category:Hattori Hanzō/Images]]

File:ACSH InM - Masayasu defeating Hanzo.png

2026-06-02T00:02:01Z

Darman36:

{{Information
|attention=
|description=[[Fujibayashi Nagato|Fujibayashi Masayasu]] defeating [[Hattori Hanzō]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 1|Chapter 1]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Fujibayashi Nagato/Images]]
[[Category:Hattori Hanzō/Images]]
[[Category:Momochi Sandayu/Images]]

File:ACSH InM Tsuyu Father 1.png

2026-06-02T00:01:45Z

Darman36:

{{Information
|attention=
|description=[[Tsuyu's father]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 15|Chapter 15]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Tsuyu's father/Images]]

File:ACSH InM - Masayasu vs Hanzo.png

2026-06-02T00:01:27Z

Darman36:

{{Information
|attention=
|description=[[Fujibayashi Nagato|Fujibayashi Masayasu]] and [[Hattori Hanzō]] preparing to fight
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 1|Chapter 1]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Fujibayashi Nagato/Images]]
[[Category:Hattori Hanzō/Images]]

File:ACSH InM - Masayasu meeting Chiyo.png

2026-06-02T00:01:02Z

Darman36:

{{Information
|attention=Speech bubble text erased
|description=[[Fujibayashi Nagato|Fujibayashi Masayasu]] meeting [[Chiyo]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 1|Chapter 1]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Chiyo/Images]]
[[Category:Fujibayashi Nagato/Images]]

File:ACSH InM Imagawa Mansion 1.jpg

2026-06-02T00:00:39Z

Darman36:

{{Information
|attention=Bubble information erased
|description=[[Imagawa Mansion]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 13|Chapter 13]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Assassin's Creed: Shadows – Tales of Iga locations/Images]]

File:ACSH InM - Hanzo threatening Chiyo.png

2026-06-02T00:00:18Z

Darman36:

{{Information
|attention=
|description=[[Hattori Hanzō]] threatening [[Chiyo]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 1|Chapter 1]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Chiyo/Images]]
[[Category:Hattori Hanzō/Images]]

File:ACSH InM Old Inn of the Fifty Emblems 1.jpg

2026-06-01T23:59:57Z

Darman36:

{{Information
|attention=Bubble information erased
|description=[[Old Inn of the Fifty Emblems]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 18|Chapter 18]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Assassin's Creed: Shadows – Tales of Iga locations/Images]]

File:ACSH InM Kaminogo Castle 1.jpg

2026-06-01T23:58:19Z

Darman36:

{{Information
|attention=Bubble information erased and cropped from [[:File:ACSH InM - Ch24.jpg]]
|description=[[Kaminogō Castle]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 24|Chapter 24]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Assassin's Creed: Shadows – Tales of Iga locations/Images]]

File:ACSH InM - Ch1.jpg

2026-06-01T23:57:57Z

Darman36:

{{Information
|attention=
|description=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 1|Chapter 1]], page 1
|source=''Assassin's Creed: Shadows – Tales of Iga''
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]

File:ACSH InM - Tsuyu observing Masayasu.png

2026-06-01T23:57:40Z

Darman36:

{{Information
|attention=
|description=[[Fujibayashi Tsuyu]] observing [[Fujibayashi Nagato|Fujibayashi Masayasu]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 1|Chapter 1]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Fujibayashi Tsuyu/Images]]

File:ACSH InM Paulino Massa 1.png

2026-06-01T23:57:21Z

Darman36:

{{Information
|attention=Speech bubble text erased
|description=[[Paulino Massa]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 9|Chapter 9]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Paulino Massa/Images]]

File:ACSH InM Matsudaira Nobuyasu 1.png

2026-06-01T23:56:54Z

Darman36:

{{Information
|attention=
|description=[[Matsudaira Nobuyasu]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 12|Chapter 12]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Matsudaira Nobuyasu/Images]]

File:ACSH InM Nuno Caro 1.png

2026-06-01T23:56:34Z

Darman36:

{{Information
|attention=Speech bubble text erased
|description=[[Nuno Caro]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 2|Chapter 2]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Nuno Caro/Images]]

File:ACSH InM Hattori Yasunaga 1.png

2026-06-01T23:56:04Z

Darman36:

{{Information
|attention=Speech bubble text erased
|description=[[Hattori Yasunaga]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 9|Chapter 9]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Hattori Yasunaga/Images]]

File:ACSH InM Tokugawa Ieyasu 1.png

2026-06-01T23:55:20Z

Darman36:

{{Information
|attention=
|description=[[Tokugawa Ieyasu]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 12|Chapter 12]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Tokugawa Ieyasu/Images]]

File:ACSH InM - Fujibayashi Masayasu.png

2026-06-01T23:54:59Z

Darman36:

{{Information
|attention=
|description=[[Fujibayashi Nagato|Fujibayashi Masayasu]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 1|Chapter 1]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Fujibayashi Nagato/Images]]

File:ACSH InM - Momochi Sandayu.png

2026-06-01T23:54:44Z

Darman36:

{{Information
|attention=
|description=[[Momochi Sandayu]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 1|Chapter 1]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Momochi Sandayu/Images]]

File:ACSH InM - Alvaro Catarribera.png

2026-06-01T23:54:25Z

Darman36:

{{Information
|attention=
|description=[[Alvaro Catarribera]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 1|Chapter 1]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Alvaro Catarribera/Images]]

File:ACSH InM - Hattori Hanzo.png

2026-06-01T23:54:05Z

Darman36:

{{Information
|attention=
|description=[[Hattori Hanzō]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 1|Chapter 1]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Hattori Hanzō/Images]]

File:ACSH InM - Ch2.png

2026-06-01T23:53:34Z

Darman36:

{{Information
|attention=
|description=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 2|Chapter 2]], page 1
|source=''Assassin's Creed: Shadows – Tales of Iga''
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]

File:ACSH InM Watanabe Moritsuna 1A.png

2026-06-01T23:53:20Z

Darman36:

{{Information
|attention=Speech bubble removed
|description=[[Watanabe Moritsuna]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 9|Chapter 9]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Watanabe Moritsuna/Images]]

File:ACSH InM - Shinobi Masayasu.png

2026-06-01T23:52:55Z

Darman36:

{{Information
|attention=
|description=[[Fujibayashi Nagato|Fujibayashi Masayasu]] in his [[Ninja|shinobi]] attire
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 1|Chapter 1]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Fujibayashi Nagato/Images]]

File:ACSH InM Port of Sakai 1.jpg

2026-06-01T23:52:33Z

Darman36:

{{Information
|attention=Infobox erased
|description=[[Port of Sakai]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 2|Chapter 2]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Assassin's Creed: Shadows locations/Images]]

File:ACSH InM - Chiyo.png

2026-06-01T23:52:01Z

Darman36:

{{Information
|attention=
|description=[[Chiyo]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 1|Chapter 1]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Chiyo/Images]]

File:ACSH InM Udono Nagateru 1.jpg

2026-06-01T23:51:39Z

Darman36:

{{Information
|attention=Speech erased in bubble
|description=[[Udono Nagateru]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 13|Chapter 13]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Udono Nagateru/Images]]

File:ACSH InM Sena 1.png

2026-06-01T23:51:22Z

Darman36:

{{Information
|attention=Speech erased in bubble
|description=[[Lady Tsukiyama|Sena]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 12|Chapter 12]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Lady Tsukiyama/Images]]

File:ACSH InM - Tsuyu Leap of Faith.png

2026-06-01T23:50:56Z

Darman36:

{{Information
|attention=Image altered to remove speech bubble
|description=[[Fujibayashi Tsuyu]] performing a [[Leap of Faith]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 1|Chapter 1]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Fujibayashi Tsuyu/Images]]

File:ACSH InM Toza 1.png

2026-06-01T23:50:43Z

Darman36:

{{Information
|attention=Speech bubble nearly erased
|description=[[Toza]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 6|Chapter 6]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Toza/Images]]

File:ACSH InM Okiku 1.jpg

2026-06-01T23:50:29Z

Darman36:

{{Information
|attention=Speech erased in bubble
|description=[[Okiku]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 13|Chapter 13]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Okiku/Images]]

File:ACSH InM Balthazar 1.png

2026-06-01T23:50:07Z

Darman36:

{{Information
|attention=Speech erased in bubble
|description=[[Balthazar]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 20|Chapter 20]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Balthazar/Images]]

File:ACSH InM Tomi 2.png

2026-06-01T23:49:48Z

Darman36:

{{Information
|attention=Speech bubble erased
|description=[[Tomi]] as an adult
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 17|Chapter 17]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Tomi/Images]]

File:ACSH InM Tomi 1.png

2026-06-01T23:49:28Z

Darman36:

{{Information
|attention=Speech erased in bubbles
|description=[[Tomi]] as a child
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 15|Chapter 15]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Tomi/Images]]

File:ACSH InM - Tomohito.jpg

2026-06-01T23:48:58Z

Darman36:

{{Information
|attention=
|description=[[Tomohito|Emperor Go-Nara]] dealing with the [[Assassins]] from behind curtains
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 3|Chapter 3]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]
[[Category:Tomohito/Images]]

File:ACSH InM - Chiyo's grandfather.png

2026-06-01T23:48:40Z

Darman36:

{{Information
|attention=
|description=[[Chiyo's grandfather]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 1|Chapter 1]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]

File:ACSH InM Mikawa Map 1.jpg

2026-06-01T23:48:06Z

Darman36:

{{Information
|attention=Information erased
|description=A map to [[Mikawa]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 9|Chapter 9]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]

File:ACSH InM Imagawa Mansion Map 1.jpg

2026-06-01T23:47:45Z

Darman36:

{{Information
|attention=Bubble information erased
|description=A map of [[Imagawa Mansion]]
|source=''[[Assassin's Creed: Shadows – Tales of Iga]]'' – [[Assassin's Creed: Shadows – Tales of Iga Chapter 13|Chapter 13]]
|author=[[Reguje]] / [[Ubisoft]]
|filespecs=
|licensing={{Fairuse}}
}}
[[Category:Assassin's Creed: Shadows – Tales of Iga/Images]]