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Rodrigo Borgia

2009-11-24T22:21:16Z

81.156.138.102:

{{WP-REAL}}

{{Character Infobox
|image= Rodrigolineage.png
|faction=[[Templars]]
|imgdesc=
|name=Alexander VI
|meaning=The one who protect (from Greek: ''alexein'' which means repulse, protect, and ''andros'', the man, the warrior)
|alias= Roderic de Borja i Borja (Italian: Rodrigo Borgia)
|appear=''[[Assassin's Creed II]]'', ''[[Assassin's Creed: Lineage]]''
|period=Italian Renaissance (15th Century)
}}
'''Pope Alexander VI''' (1 January 1431 – 18 August 1503), born '''Roderic Llançol''', later '''Roderic de Borja i Borja''' ([[wikipedia:Italian|Italian]]: '''Rodrigo Borgia''') was [[wikipedia:Pope|Pope]] from 1492 to 1503. He is one of the most controversial of the [[wikipedia:Renaissance|Renaissance]] popes, and his surname (Italianized as ''[[wikipedia:Borgia|Borgia]]'') became a byword for the debased standards of the papacy of that era. He is portrayed by [[wikipedia:Manuel Tadros|Manuel Tadros]] in both ''[[Assassin's Creed II]]'' and ''[[Assassin's Creed: Lineage]]''.

==Biography==
===''[[Assassin's Creed: Lineage]]''===
Italy, during the Renaissance, the [[wikipedia:House of Medici|Medicis]] are ruling over [[Florence]]. But a conspiracy in a attempt to overthrow the powerful [[Lorenzo de' Medici]] is being plotted. Rodrigo Borgia is part of it. One night of 1476, Rodrigo is on his way to leave Florence with few of his men in the dark streets of the city. Suddenly, [[Giovanni Auditore]] intercepts him. Rodrigo flees immediately as the Assassin is fighting with his men. Hidden behind a corner, he sees the Assassin capturing one of his men. The prisoner reveals to Rodrigo's enemies the assassination of [[wikipedia:Galeazzo Maria Sforza|Galeazzo Maria Sforza]], Duke of Milan and a powerful ally of Lorenzo. However, the Assassin arrives too late. Rodrigo and his accomplices' plan has succeed. He is planning the next move.

===''[[Assassin's Creed II]]''===
{{Spoiler}}

[[File:Rodrigo acii.png|thumb|left]]
We can see Rodrigo on the execution platform of Florence, attending to the judgement of [[Giovanni Auditore]] and his sons. He is later seen during a meeting for the [[wikipedia:Pazzi#The conspiracy|plot of the Pazzis]] and the [[Templars]] in a catacomb under the Basilica of Santa Maria Novella.

Borgia is later found in [[Venice]], discussing with [[Carlo Grimaldi]] and the Barbarigos about killing the current Doge so that one of them can replace the Doge and take control of Venice. He appears later on to claim the [[Piece of Eden]] the Templars found in Cyprus. [[Ezio]], disguised as the carrier of the artifact, attempts to kill Borgia, but he had planned this out, knowing that Ezio would do this. The two then begin a battle against each other, with Ezio being the victor. However, Borgia calls in his guards and is ready for battle once again, when suddenly, all of Ezio's allies throughout the story appear and help him defeat Borgia, who then escapes from them before Ezio can kill him.

In the Final Memory Block, Ezio travels to [[Rome]] to assassinate Borgia, who has now become the Pope. Ezio sneaks into the Vatican and seemingly assassinates Borgia without being seen, after Ezio finishes speaking with Borgia he leaves only to have him rise from the ground and uses his Piece of Eden, the Papal Cross to strike down Ezio and everyone else in the room. However, he is surprised to see that Ezio has not given up his will to stop him, instead he brings out his own Piece of Eden, The Apple, Ezio then summons 4 clones of himself to assist him in his battle against Borgio, eventually defeating him. Borgio snatches The Apple from Ezio's hands, and combines it with The Staff to open up the door to The Vault, which had been underneath Rome the whole time. Ezio tries to stop but he is lifted into the air by Borgio and stabbed with a sword, lying on the ground as Borgio escapes into the Vault. Ezio eventually finds the Vault, with Borgia furiously pounding the door to the inner chambers, Ezio drops down into the pit where he is, and challenges him to a battle with no weapons, Borgia accepts and the two have one last Battle. During the battle, Borgia states that he never believed in The Bible or in God, and only became Pope to get the Staff and access to the Vault, wanting to unify Italy under the Templar rule. Ezio defeats Borgia but refrains from killing him, saying that killing him will not bring back his family, leaving him alone in the Vault.
{{Spoiler End}}

{{ACII}}
[[Category:Assassin's Creed II Characters]]
[[Category:Assassination Targets]]

Rodrigo Borgia

2009-11-24T22:20:44Z

81.156.138.102:

{{WP-REAL}}

{{Character Infobox
|image= Rodrigolineage.png
|faction=[[Templars]]
|imgdesc=
|name=Alexander VI
|meaning=The one who protect (from Greek: ''alexein'' which means repulse, protect, and ''andros'', the man, the warrior)
|alias= Roderic de Borja i Borja (Italian: Rodrigo Borgia)
|appear=''[[Assassin's Creed II]]'', ''[[Assassin's Creed: Lineage]]''
|period=Italian Renaissance (15th Century)
}}
'''Pope Alexander VI''' (1 January 1431 – 18 August 1503), born '''Roderic Llançol''', later '''Roderic de Borja i Borja''' ([[wikipedia:Italian|Italian]]: '''Rodrigo Borgia''') was [[wikipedia:Pope|Pope]] from 1492 to 1503. He is one of the most controversial of the [[wikipedia:Renaissance|Renaissance]] popes, and his surname (Italianized as ''[[wikipedia:Borgia|Borgia]]'') became a byword for the debased standards of the papacy of that era. He is portrayed by [[wikipedia:Manuel Tadros|Manuel Tadros]] in both ''[[Assassin's Creed II]]'' and ''[[Assassin's Creed: Lineage]]''.

==Biography==
===''[[Assassin's Creed: Lineage]]''===
Italy, during the Renaissance, the [[wikipedia:House of Medici|Medicis]] are ruling over [[Florence]]. But a conspiracy in a attempt to overthrow the powerful [[Lorenzo de' Medici]] is being plotted. Rodrigo Borgia is part of it. One night of 1476, Rodrigo is on his way to leave Florence with few of his men in the dark streets of the city. Suddenly, [[Giovanni Auditore ]]intercepts him. Rodrigo flees immediately as the Assassin is fighting with his men. Hidden behind a corner, he sees the Assassin capturing one of his men. The prisoner reveals to Rodrigo's enemies the assassination of [[wikipedia:Galeazzo Maria Sforza|Galeazzo Maria Sforza]], Duke of Milan and a powerful ally of Lorenzo. However, the Assassin arrives too late. Rodrigo and his accomplices' plan has succeed. He is planning the next move.

===''[[Assassin's Creed II]]''===
{{Spoiler}}

[[File:Rodrigo acii.png|thumb|left]]
We can see Rodrigo on the execution platform of Florence, attending to the judgement of [[Giovanni Auditore]] and his sons. He is later seen during a meeting for the [[wikipedia:Pazzi#The conspiracy|plot of the Pazzis]] and the [[Templars]] in a catacomb under the Basilica of Santa Maria Novella.

Borgia is later found in [[Venice]], discussing with [[Carlo Grimaldi]] and the Barbarigos about killing the current Doge so that one of them can replace the Doge and take control of Venice. He appears later on to claim the [[Piece of Eden]] the Templars found in Cyprus. [[Ezio]], disguised as the carrier of the artifact, attempts to kill Borgia, but he had planned this out, knowing that Ezio would do this. The two then begin a battle against each other, with Ezio being the victor. However, Borgia calls in his guards and is ready for battle once again, when suddenly, all of Ezio's allies throughout the story appear and help him defeat Borgia, who then escapes from them before Ezio can kill him.

In the Final Memory Block, Ezio travels to [[Rome]] to assassinate Borgia, who has now become the Pope. Ezio sneaks into the Vatican and seemingly assassinates Borgia without being seen, after Ezio finishes speaking with Borgia he leaves only to have him rise from the ground and uses his Piece of Eden, the Papal Cross to strike down Ezio and everyone else in the room. However, he is surprised to see that Ezio has not given up his will to stop him, instead he brings out his own Piece of Eden, The Apple, Ezio then summons 4 clones of himself to assist him in his battle against Borgio, eventually defeating him. Borgio snatches The Apple from Ezio's hands, and combines it with The Staff to open up the door to The Vault, which had been underneath Rome the whole time. Ezio tries to stop but he is lifted into the air by Borgio and stabbed with a sword, lying on the ground as Borgio escapes into the Vault. Ezio eventually finds the Vault, with Borgia furiously pounding the door to the inner chambers, Ezio drops down into the pit where he is, and challenges him to a battle with no weapons, Borgia accepts and the two have one last Battle. During the battle, Borgia states that he never believed in The Bible or in God, and only became Pope to get the Staff and access to the Vault, wanting to unify Italy under the Templar rule. Ezio defeats Borgia but refrains from killing him, saying that killing him will not bring back his family, leaving him alone in the Vault.
{{Spoiler End}}

{{ACII}}
[[Category:Assassin's Creed II Characters]]
[[Category:Assassination Targets]]

Hidden Gun

2009-11-24T22:18:18Z

81.156.138.102:

[[File:EzioFiringCinematic.png|thumb|300px|Ezio firing his Hidden Gun.]]
[[Image:Hiddengunac2.png|50px|right]]
The '''Hidden Gun''' is one of the upgrades invented by [[Altaïr]] and made by [[Leonardo da Vinci]] on the wrist device ([[Hidden Blade]]) of [[Ezio Auditore da Firenze|Ezio]] in ''[[Assassin's Creed II]]''.

== Use ==
The hidden gun is used for long ranged kills, as well as assassinating your targets (whereas in the first game, only the hidden blade could be used for assassinating your targets). It isn't stealthy, using it near a group of guards will likely attract attention, however it is a one shot kill. The downside, it takes a good deal of time to aim (it can be used without aiming, but you will most likely miss even at close range); the aiming consists of four lines converging together and accuracy depends on how long you spend aiming.

The Hidden Gun does not work as "one shot kills" when battling against [[Rodrigo Borgia]] when he is pope.

The Gun, along with the [[Throwing Knives]], are disabled while in the Assassin's Tombs, this may be to stop the player shooting any guards that the must chase, therefore skipping large sections of narrative.

 

== Gallery ==
<gallery>
File:HiddenGunAimingMode.gif|Aiming mode of the Hidden Gun.
File:Hiddengundessin.jpg|Concept art of the Hidden Gun.
File:Bullet.png|Bullet of the Hidden Gun with the [[Assassins]]' symbol on the end of it.
</gallery>
[[Category:Assassin's Creed II Weapons]]

Altaïr Ibn-La'Ahad's Codex

2009-11-24T22:13:07Z

81.156.138.102:

'''The Codex''' are documents left behind by [[Altaïr]], containing cryptic messages. In [[Assassin's Creed II]], [[Ezio]] takes the Codex papers to [[Leonardo da Vinci]], who interprets them, and creates weapons using guidelines encrypted on the Codex. In order to complete Assassin's Creed II, the player must collect all 30 pages from the Codex. If the player doesn't have all the Codex once they are ready for Memory Block 14, all remaining pages will appear on the map.

==Codex Pages==
===Pages 1 to 10===
'''Page 1'''
I have spent days with the artifact now. Or has it been weeks? Months? I can no longer be certain...
The others come from time to time - offering food or distraction. They say I should separate myself from these studies... Malik has even suggested I abandon them entirely. But I am not yet ready to turn away. This Apple of Eden will be understood. It must be...
Is it a weapon? Is it a catalogue? Is it somehow both? "He who increaseth knowledge, increaseth sorrow..." The philosophy of such a statement I can understand... But for it to be truth - literally true? A society that waged wars with ideas and information in place of steel and swords...
Its function is simple. Elementary, even. Dominion. Control. But the process... the methods and means it employs... THESE are fascinating. Those subjected to its glow are promised all that they desire. It asks only one thing in return: complete and total obedience. And who can truly refuse? It is temptation incarnate.
I remember my own moment of weakness when confronted by Al Mualim, my confidence shaken by his words. He, who had been like a father, was now revealed to be my greatest enemy. Just the briefest flicker of doubt was all he needed to creep into my mind. But I vanquished his phantoms - restored my self confidence - and sent him from this world. I freed myself. But now I wonder... Did I really? For here I sit - desperate to understand that which I swore to destroy.
This is why: The Apple has a tale to tell. I sense the flickers of something - great and dangerous... We are all at risk. It is my duty to do something about it. I must not - cannot - turn away until I've found the truth.

'''Page 2'''

'''Page 3'''

'''Page 4'''
What follows are the three great ironies of the Assassin Order: (1) Here we seek to promote peace, but murder is our means. (2) Here we seek to open the minds of men, but require obedience to a master and set of rules. (3) Here we seek to reveal the danger of blind faith, yet we are practitioners ourselves.
I have no satisfactory answer to these charges, only possibilities... Do we bend the rules in service to a greater good? And if we do, what does it say of us? That we are liars? That we are frauds? That we are weak? Every moment is spent wrestling with these contradictions and in spite of all the years I've had to reflect, still I can find no suitable answer... And I fear that one may not exist.
Nothing is true. Everything is permitted. Does our creed provide the answer, then? That one may be two things - opposite in every way - simultaneously? And why not? Am I not proof? We of noble intentions, possessed of barbaric means? We who celebrate the sanctity of life and then promptly take it from those we deem our enemies?

'''Page 5'''
Who were The Ones That Came Before? What brought them here? How long ago? Centuries? Millenia? Longer still? So little remains of them... What drove them out? What of these artifacts? Messages in a bottle? Tools left behind to aid and guide us? Or do we fight for control over their refuse, giving divine purpose and meaning to little more than discarded toys?

'''Page 6'''
Robert de Sable may be dead, but his brotherhood survives. Though less conspicuous in appearance, I fear they remain a threat. Where once they proudly walked the streets - making for easier targets - now they retreat into the shadows. It grows difficult to track them. What wicked things will they weave in the darkness? Our work will be all the more complicated for it. Already there are rumors of a movement on Cyprus. I will have to investigate...

It's made me realize that our tactics, too, must change. It means an end to our fortresses. To our penchant for spectacular displays of public assassinations. We must weave our webs quietly. And we must do so differently than we have in the past.

Though I ask my brothers now to abandon their rituals, I do not ask that they abandon the creed. THIS is what makes us assassins. Not the removal of a finger. Not a false promise of paradise. Not the prohibition of poison. Our duty is to the people, not to custom. If we must sneak, we shall sneak. If we must use poison, we shall use poison. If our blades can be used without removing fingers, we shall not demand they be taken. And we shall not manipulate our initiates with lies and parlor tricks. We shall speak plainly and honestly. We shall be made anew...

'''Page 7''' I had thought Adha would be the one to lead me to rest, that I might lay down my blade and live as a normal man. But now I know such dreams are best left to sleep...

Her face.  I try to banish it from my mind as I remember the days and nights during which I chased her Templar captors across the sea.  I almost got to them in time.  Almost.  If I had only been faster.  Instead, I held her lifeless body in my arms - saw the terror reflected in her fixed, unblinking eyes...

I hunted each man - one by one - until all responsible were gone from the world.  But there was no joy in this.  No satisfaction or release.  Their deaths did not bring her back.  Did not heal my wounds.  After that, I was certain I would never again feel for a woman as I had for her.

I am fortunate to have been wrong.

'''Page 8'''
Why do our instincts insist on violence? I have studies the interactions between different species. The innate desire to survive seems to demand the death of the other. Why can they not stand hand in hand? So many believe the world was created by the hand of a divine power - but I see only the designs of a madman, bent on celebrating destruction and desperation. Our origins seem chaotic. Unintended. Purpose and being instilled solely by the passage of time. Imposed first by nature - and later men...

'''Page 9'''
Over time, any sentence uttered long and loud enough becomes fixed. Becomes a truth. Provided, of course, you can outlast the dissent and silence your opponents. But should you succeed - and remove all challengers - then what remains is, by default, now true.

Is it truth in some objective sense? No. But how does one ever achieve an objective point of view? The answer is you don't. It is literally, physically impossible. There are too many variables. Too many fields and formulae to consider. We can try, of course. We can inch closer and closer to a revelation. But we'll never reach it. Not ever...

And so I have realized, that so long as The Templars exist, they will attempt to bend reality to their will. They recognize there is no such things as an absolute truth - or if there is - we are hopelessly underequipped to recognize it. And so in its place, they seek to create their own explanation. It is the guiding principle of their so-named "New World Order"; To reshape existence in their own image. It is not about artifacts. Not about men. These are merely tools. It's about concepts. Clever of them. For how does one wage war against a concept?

It is the perfect weapon. It lacks a physical form yet can alter the world around us in numerous, often violent ways. You cannot kill a creed. Even if you kill all of its adherents, destroy all of its writings - these are a reprieve at best. Some one, some day, will rediscover it. Reinvent it. I believe that even we, the Assassins, have simply re-discovered an Order that predates the Old Man himself...

'''Page 10'''

===Pages 11 to 20===
'''Page 11''' Attis.  Dionysus.  Horus.  Krishna.  Mithra.  Jesus.  Similar stories color their lives.  Too similar, I think.  Divine birthright.  Persecution.  Disciples.  Miraculous acts.  Resurrection...

How is it possible?

Perhaps it isn't... Merely a single story told over the ages?  Borrowed then changed to fit the times? Evolving as our tools and language do?  Is this tale borne of fact or fiction?  A bit of both?  Could these figures be the same person - their life extended and transformed by a Piece of Eden?

Al Mualim spoke of Jesus as a real person - a mortal who had mastered the arts of manipulation.  But what if he was wrong?  If these men are real - and if they have walked amongst us many times before - does it mean they'll come again?  Perhaps they are here now?  So many questions, and every day, even more...

'''Page 12'''

'''Page 13'''

'''Page 14'''
Man seeks dominion over all that he encounters. I suppose it a natural tendency for us to aspire towards mastery of our surroundings. But this should not include other human beings. Every day more and more are pressed into service - by deception or by force. Others, though not so firmly imprisoned, are made to feel as if their lives are worthless. I have seen the ways in which men persecute women. Heard the cruel words hurled at those who come here from other lands. Watched as those who believe or act differently are made to suffer...

We discuss such things often - watching as we do from the spires of Masyaf. What can be done to stop this? To encourage tolerance and equality? Some days we speak of education, believing that knowledge will free us from immorality. But as I walk the streets and see slaves sent off to auction - my heart grows cold. When I see the husband hurl abuses and stones at his wife, insisting she exists only to serve him - my fists clench. And when I see children torn from their parents so that another man might profit - sent off to suffer beneath the desert sun and die...

...On these days, I do not think that dialogue will make a difference. On these days, I can think only of how the perpetrators need to die.

'''Page 15'''

'''Page 16'''
The Apple is more than a catalog of that which precedes us. Within its twisting, sparking innards I've caught glimpses of what will be. Such a thing should not be possible. Perhaps it isn't. Maybe it is simply a suggestion. How to know? How to be sure?

I contemplate the consequences of these visions: are they images of things to come - or simply the potential for what might be. Can we influence the outcome? Dare we try? And in so doing, do we merely ensure that which we've seen?

I am torn - as always - between action and inaction - unclear as to which - if either - will make a difference. Am I even meant to make a difference? Still, I keep this journal. Is that not an attempt to change - or perhaps guarantee - what I have seen?

'''Page 17'''

'''Page 18'''
We are obligated to hide. To be silent. To shape the course of history in secret. But some of my brothers and sisters disagree. They grow angry, insisting it is a mistake to shroud ourselves. They say it slows our work. But they do not understand the risks. To expose ourselves now would be too dangerous. I fear we would be branded madmen and attacked. So it goes. So it always has. If there is one thing I know for certain, it is that men do not learn by being told. Instead they must be shown. They must make the connections themselves. If I say unto a man, be kind, be tolerant, be of an open mind - these words will wither and die long before they've affected change. It would be a waste. And so we must maintain our course...

'''Page 19'''

'''Page 20'''
I have studied the ancient pagan faiths that came before this more recent obsession with a single, divine creator. They seem to have focused more on the fundamental forces at play in the world around us and less on arbitrary moral rules...

The sun rises in the morning and sets in the evening. The tides ebb and flow. Grass grows, withers, dies, and then in time, emerges from the ground once more. The air turns warm then cools and back again. Some hidden energy keeps us fitted to the ground and pulls us back when we attempt to leave it.

Each of these movements was represented before by a god or goddess. Each force given face, but recognized as something distinct and powerful. Which is not to say there were not connections between these forces - a pantheon of individual spirits - of rules. Invisible hands guiding the progress of the world around us.

And so here there was an attempt to categorize, study, explain, and understand the way things work - even if it was flawed. But no more. Now we are asked to succumb to a far more simplified explanation. How naive to believe there might be a single answer to every question. Every mystery. That there exists a lone divine light which rules over all. They say it is a light that brings truth and love. I say it is a light that blinds us - and forces us to stumble about in ignorance.

I long for the day when men turn away from invisible monsters and once more embrace a more rational view of the world. But these new religions are so convenient - and promise such terrible punishment should one reject them - I worry that fear shall keep us stuck to what is surely the greatest lie ever told.

===Pages 21 to 30===
'''Page 21'''

'''Page 22'''

'''Page 23'''

'''Page 24'''

'''Page 25'''

'''Page 26'''
I have the answer now. I know the truth. I shall not touch that wretched thing again. Best that no one do, now or ever. I have tried - at last - to destroy it, but it will neither bend nor break nor melt. Oh the irony - I am certain if I asked, the Apple would tell me what need be done. But even this promise is insufficient. Always it holds one more gift to give. I must refrain. So it shall be sealed. We will take it to the island - once theirs, now ours. There is a treasury there - hidden well - and it shall have to suffice. Risky to separate myself from the artifact that others may discover it. Riskier still to keep it close. In time I will be tempted. I am weak. We all are. Who wouldn't be? Oh, the things I have seen... The tale is here - inside the text. Not between the lines but beneath them. Where only our eyes might peer. Go and see it for yourself. That you might succeed where I and the others have failed. Time marches on - bringing with it new discoveries and developments. And so at least one day the doorway might be opened and the message delivered. They will have their prophet.

'''Page 27'''
We are growing larger. More make their way to our fortresses every day. Men and women. Young and old. From different lands. Of different faiths. Each tells a similar story - of having discovered the first part of our creed: that nothing is true.

Too often, though, the revelation undoes them. They lose their morality, certainty, security. Many are driven mad. We must guide them. Help them to heal. Their minds must not be filled with more fairy tales, but with knowledge instead. Let them have answers - and let those answers be difficult and complex. Such is life.

'''Page 28'''

'''Page 29''' A dark tide rises to the east - an army of such size and power that all the land is made quick to worry.  Their leader is a man named Temujin, who has adopted the title Ghengis Khan.  He sweeps across the lands, conquering and subsuming all who stand in his way.  Whatever his motives, he must be stopped.  Were I younger, I might attempt to undertake this work in secret - as I suspect the presence of a Piece of Eden.  But those days are years gone, now.  The mantle must be passed.  It is time she and I spoke with our sons.  We will travel there together, that they may be tested and that this threat might be stopped.

'''Page 30'''
Soon I shall pass from this world. It is my time. All the hours of the day are now colored by the thoughts and fears borne of this realization. I know that the elements of my body will return to the Earth. But what of my consciousness? My identity? That is to say - what of ME? I suspect it will end. That there is no next world. Nor a return to this one. It will simply be done. Forever.

Our lives are so brief and unimportant. The cosmos cares nothing for us. For what we've done; Had we wrought evil instead of good. Had I chosen to abuse the Apple instead of seal it away. None of it would have mattered. There is no counting. No reckoning. No final judgement. There is simply silence. And darkness. Utter and absolute... And so I have begun to wonder - might there not be a way to stop - or at least delay - death's embrace?

Surely the ones who came before were not so frail and feeble as we. But I have sworn to be done with the artifact. To not gaze into its core. Still: faced as I am with the prospect of my end, what harm is there in one last look...

==Description==
The Codex of Altair was a document created and maintained by Altair Ibn-La' Had sometime after he had recovered and first experienced a piece of Eden. He considered it dangerous knowledge, but necessary. Within its pages were many philosophical observations as well as strategic and technological advancements. His main motivation in creating the document was to help him understand and document what the pieces of Eden were exactly, as well as to serve as a resource for future sons of his order. Mentioned in its pages alongside Altair's multiple philosophical insights, are his incidents of giving into temptation, and peering into the apple on multiple occasions. He does this mainly out of fear, fear for his order and mankind's ability to utilize free will, what he sees only reassures him of the need to use the apple for his own means. In doing so he is able to craft new alloys and lightweight materials, make several advancements to the mechanics of the housing of the hidden blade, as well as being the in game cannon creator of black powder and the miniaturized gun within the hidden blade. Altair ultimately regrets doing this, as peering into the future has revealed to him no changes in the ultimate fate of humanity. Altair also struggles with the temptations of the apple, often contemplating misusing it, which eventually leads him to leave the Apple of Eden on the island of Cyprus sometime during his mid-late life.

Altair makes multiple references to an unseen threat other than the Templars. he also details his observations of the warlord Genghis Khan's conquests, fearing he is a Templar conspirator and sensing a Piece of Eden Altair quickly prepares a mission to the near east to investigate, although he is ripe with age at this point and can only act as an advisor to the young assassins he has tasked with the work. It is not know what became of this, only that all the evidence points to Altair giving the codex to the team of or lone assassins tasked with investigating Genghis Khan, the details are lacking on the results the only thing that is know to be fact is that Genghis Khan's successor, Kublai, the fifth Khan was in possession of the codex in the late 13th to early 14th century. He returned it to Marco Polo in the early 14th century while Polo was serving in his court. Upon Polo's return to Italy it comes back into the possession of the author's kinship, as the Father of the Patriarch of the Auditore who was born in 1296( the son not the father) on the south shore of the Venetian Lagoon as per information given in the Crypt of the Auditore, serves as Polo's Aide De Camp and closest advisor. He is an ancestor to both subject 16 and Desmond, Ezio Auditore Da Firenze is the last common relative for both Desmond and Subject 16, he must have fathered 2 children to split the bloodline.

This unnamed relation of Subject 16 and Ezio became assigned to Dante Alighieri for training within the order of the Assassins. This student teacher team was tasked with taking the codex to an Assassins stronghold in Catalonian Spain somewhere near Barcelona for safe keeping. Unfortunately Dante was murdered in Ravenna before they could depart and the unnamed Patriarch was forced to proceed alone. Templar paid pirates raided his ship in the Port of Otranto, raped and murdered his wife, and left he and his son marooned. He hid the Codex within his cargo which the pirates looted and unknowingly scattered the pieces of the Codex all about the Mediterranean. Little did he know the villa he created in disguise in Monteriggioni on his return to Italy would one day house the completed Codex, thanks to his descendant Ezio.

At some point, an Assassin spilled their own blood to encode a hidden map within the codex, of all the know locations of the pieces of Eden, as well as locations of Assassins strongholds or Pieces of Eden hidden by the Assassins already, of the 30 pieces on the map 5 have Assassin symbols encompassing them, suggesting that these have been entombed or hidden by the order. During the 15th century, Ezio Auditore Da Firenze reassembles the codex and stores it in his family villa in the fortress town of Monteriggioni. What became of the codex is unclear, other than the fact that it was scattered with one piece known to be housed in the National history museum in Florence, and others in private collections, most likely Templars by the year 2012.
[[Category:Assassin's Order]]
[[Category:Assassin's Creed II]]