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Hidden Blade

2009-12-25T03:16:21Z

75.91.34.40: /* In combat */

{{Good}}

[[File:Hiddenblade.jpg|300px|thumb|right|Altaïr stabbing a crusader with the Hidden Blade.]]

The iconic weapon of the Assassins Creed series, '''Hidden Blades''' are useful both for regular combat and for stealthy, low-profile assassinations. An unaware target may be stabbed (with a variety of animations depending on the angle of attack) without drawing too much attention.

==Assassin's Creed==
Although [[Altaïr]] already has this weapon at the start of the game, he loses it when he is demoted to [[Novice]]. At his first promotion to [[rank]] 2, however, he earns it back (along with his Longsword) so that he may perform his first assassination on [[Tamir|Tamir the Merchant]] in [[Damascus]].

===Usage===
This weapon is mostly used for stealthy, low-profile assassinations upon soldiers. An unaware soldier may be assassinated without drawing too much attention. When stealth is not a priority, Altaïr may perform a high profile assassination. This involves jumping upon an opponent and causing his victim to fall on the ground, then the blade is triggered, stabbing the opponent in the throat, or jabbing the blade into the target's chin, and on into the brain, when right in front of you, between other examples.

Both low and high profile assassinations may fail. A guard wary of your actions may catch your arms when you attempt the kill and throw you back. Counter-maneuvers using the blade are possible in active combat.

Be aware, of course, that you will lose a lot of [[synchronization]] if you assassinate innocent civilians with the hidden blade, just as with any other weapon.

===In combat===
The hidden blade can also be used while in combat. It can be easily used on weak enemies, just pushing him to the ground (High-Profile+Shift) and then moving for the kill while he lays on the ground.

Use in combat against stronger enemies or larger groups is more challenging, as it is only possible for Altaïr to counter the enemy he is facing and he cannot block ''any'' attack. The time frame in which Altaïr can counter-attack is extremely small compared to the longsword and short blade, but successfully countering enables one of several different - always lethal - counter-attacks in which Altaïr stabs his opponent in the chest, head, abdomen, under the chin, or spine. Mastering the use of a hidden blade in combat against large and powerful groups of enemies is an art. It is actually possible to assassinate the enemy in combat, while he is caught in a moment of inattention (praying, threatening, horrified...) or grappling with a vigilante, but any other time, it will fail because the enemy will always block the attack.

===Mechanism===
[[File:Assassinscreedbladema5.png|thumb|This diagram shows the mechanism behind the Hidden Blade.]]
When not in use, the blade is hidden in a gauntlet on Altaïr's lower left arm. Altaïr triggers it via a ring on his little finger. Or using a flicking motion of the hand to traject the blade into a fully extended locking position .This ring causes a gear system to eject the blade, hopefully into the neck or stomach of an enemy.

When the blade is open, it rests between Altaïr's middle and little fingers, in the space left by his amputated ring finger. This amputation is part of the initiation into the Hashshashin sect, which the [[Assassins]] are based on.

===Role in investigations and missions===
====Assassination missions====
The Hidden Blade is also used for one of the [[investigation|investigations]] given to you by [[informants]]. You are asked to stealthily assassinate a number of targets. If any guard even once confronts you, the mission is failed. If you attack the targets or the guards with [[fists]], the [[Short Blade|short blade]], the [[Longsword|longsword]], or any other high profile weapon, you will fail the mission. Because of this, you may ONLY use the [[Throwing Knives|throwing knives]] or the Hidden Blade.

====Interrogation missions====
During [[Interrogation]] missions, after successfully interrogating the target, Altaïr is forced to kill them, so they can not reveal his plans to the enemy. He will bury the blade in their stomach to kill them, then gently lower their body onto the ground so as not to draw further attention to himself. Occasionally, other assassinations performed with the Hidden Blade play out in the same manner.

====Save Citizen missions====
In the optional [[Citizens|Save Citizen missions]] to save citizens from soldiers threatening to kill them, this weapon will come in handy. Successfully and stealthily used, you might take out three of the soldiers before they notice you, draw their weapons, and engage you in a swordfight. If they notice your tactic, however, you'd best be prepared and draw either your short blade or sword for a swordfight.

====Assassinations====
The hidden blade is used in every storyline assassination you perform. Even if you begin by attacking the enemy with a sword, you will always finish them off with the hidden blade before it cuts to the death cutscene.

==Assassin's Creed II==
{{quote|The blade is designed to ensure the commitment of whomever wields it.|Leonardo da Vinci}}
[[Image:Ac2hiddenblade.png|50px|right]]
[[File:Ezio's_Hidden_Blade.jpg|thumb|300px|left|Ezio's Modern Hidden Blade.]]
In ''[[Assassin's Creed II]]'', [[Ezio]] possesses two of these blades, whereas Altair has only one. In addition, unlike Altaïr, who had to sacrifice his ring finger, both Ezio's ring fingers are intact, due to a modification that raises the base of the weapon itself.

Ezio's blade is the one inherited from his father. The blade is initally broken since the last fight of [[Giovanni Auditore|Giovanni]] against [[Rodrigo Borgia|Borgia]]'s men (see ''[[Assassin's Creed: Lineage]]''), and Ezio bring it to his friend [[Leonardo da Vinci]] to repair it.

{{Spoiler}}
At the end of the game, [[Desmond]] recieves from [[Lucy]] a similar (if not the same) model of the Hidden Blade used by Ezio to face the attacking Abstergo's men. However, unlike Ezio's, the Hidden Blade has no upgrades.
{{Spoiler End}}

===In combat===
[[File:Lineage Hidden Blade.png|thumb|300px|right|Giovanni's (later Ezio's) Hidden Blade in Lineage.]]

In ''Assassin's Creed II'', the use of the hidden blade in combat is more "classical": we can use it as a normal blade attack weapon, and try to break the enemy's defenses instead of just trying to assassinate him. It attacks fairly fast, becoming faster as he gains the second blade, allowing Ezio to unleash a constant barrage of strikes, suppressing a foes ability to attack. It is also possible to block attacks while using the Hidden Blade unlike the first episode (not with the Blade itself though, but with the upgraded bracers).

Veterans of Assassin's Creed combat may want to challenge themselves by using the Hidden Blade(s) in combat. While the counter-kill timing window is very short (fraction of a second), skillful timing will be rewarded nicely; except for against the [[Brutes]]' smashes which knock Ezio's weapon away (which does not work against Hidden Blades) and [[Seekers]]' (sweep Ezio's feet) special attacks, a successfully timed counter will always kill the guard against which it is performed, even if they have high health and/or are a high-ranking soldier.

===Upgrades===
The second hidden blades is acquired later and the main blade gets upgraded with the [[Poison Blade]] and the [[Pistol]] installed.

== Trivia==
*On codex page it says that the blade has to be connected or linked with the user, as a result Altaïr cuts off his ring finger. Altaïr opens his hand and spreads his fingers whenever the blade is extended. Similarly, he never uses the blade with his hand clenched in a fist; all stabbing moves and assassinations are performed with an open hand. The only time the blade sits in the space left by the amputated finger is when the player extends the blade and holds it out (by holding the weapon hand button while out of combat). However, as the weapon is specifically a ''hidden'' blade, it seems unlikely that a true Assassin would ever walk around with it exposed in this manner. However doing so in AC will make the beggars wary and less likely to get in your way. As it does in a AC II with the minstrels.
*Ironically in both games the trigger mechanism is not visible on Altair's or Ezio's hands. Even when they aren't wearing gloves it is not there
*Masyaf Guards in Assassin's Creed do sport a hidden blade, though they never use it, nor is their ring finger missing.
*Malik from the first game, before he lost his arm had the Hidden Blade but did not have an amputated finger.
*The first recorded usage of the Hidden Blade by an Assassin was Darius', when he assassinated [[wikipedia:Xerxes|Xerxes]]. Moreover, his seal's symbol is the Hidden blade.
*[[Patrice Desilets]], the creative director of the game stated that the addition of a second blade in ''Assassin's Creed II'' had also a ludic reason: it's the sequel, it's Assassin's Creed '''2''' so there are '''2''' blades.

{{AC}}
{{ACII}}
[[Category:Assassin's Creed Weapons]]
[[Category:Assassin's Creed II Weapons]]
[[Category:Assassin's Order]]

Hidden Blade

2009-12-25T03:09:34Z

75.91.34.40: an important tactic.

{{Good}}

[[File:Hiddenblade.jpg|300px|thumb|right|Altaïr stabbing a crusader with the Hidden Blade.]]

The iconic weapon of the Assassins Creed series, '''Hidden Blades''' are useful both for regular combat and for stealthy, low-profile assassinations. An unaware target may be stabbed (with a variety of animations depending on the angle of attack) without drawing too much attention.

==Assassin's Creed==
Although [[Altaïr]] already has this weapon at the start of the game, he loses it when he is demoted to [[Novice]]. At his first promotion to [[rank]] 2, however, he earns it back (along with his Longsword) so that he may perform his first assassination on [[Tamir|Tamir the Merchant]] in [[Damascus]].

===Usage===
This weapon is mostly used for stealthy, low-profile assassinations upon soldiers. An unaware soldier may be assassinated without drawing too much attention. When stealth is not a priority, Altaïr may perform a high profile assassination. This involves jumping upon an opponent and causing his victim to fall on the ground, then the blade is triggered, stabbing the opponent in the throat, or jabbing the blade into the target's chin, and on into the brain, when right in front of you, between other examples.

Both low and high profile assassinations may fail. A guard wary of your actions may catch your arms when you attempt the kill and throw you back. Counter-maneuvers using the blade are possible in active combat.

Be aware, of course, that you will lose a lot of [[synchronization]] if you assassinate innocent civilians with the hidden blade, just as with any other weapon.

===In combat===
The hidden blade can also be used while in combat. It can be easily used on weak enemies, just pushing him to the ground (High-Profile+Shift) and then moving for the kill while he lays on the ground.

Use in combat against stronger enemies or larger groups is more challenging, as it is only possible for Altaïr to counter the enemy he is facing and he cannot block ''any'' attack. The time frame in which Altaïr can counter-attack is extremely small compared to the longsword and short blade, but successfully countering enables one of several different - always lethal - counter-attacks in which Altaïr stabs his opponent in the chest, head, abdomen, under the chin, or spine. Mastering the use of a hidden blade in combat against large and powerful groups of enemies is an art. It is actually possible to assassinate the enemy in combat, while he is caught in a moment of inattention (praying, threatening, horrified...) or grappling with a vigilante, but any other time, it will fail because the enemy will always block the attack.

===Mechanism===
[[File:Assassinscreedbladema5.png|thumb|This diagram shows the mechanism behind the Hidden Blade.]]
When not in use, the blade is hidden in a gauntlet on Altaïr's lower left arm. Altaïr triggers it via a ring on his little finger. Or using a flicking motion of the hand to traject the blade into a fully extended locking position .This ring causes a gear system to eject the blade, hopefully into the neck or stomach of an enemy.

When the blade is open, it rests between Altaïr's middle and little fingers, in the space left by his amputated ring finger. This amputation is part of the initiation into the Hashshashin sect, which the [[Assassins]] are based on.

===Role in investigations and missions===
====Assassination missions====
The Hidden Blade is also used for one of the [[investigation|investigations]] given to you by [[informants]]. You are asked to stealthily assassinate a number of targets. If any guard even once confronts you, the mission is failed. If you attack the targets or the guards with [[fists]], the [[Short Blade|short blade]], the [[Longsword|longsword]], or any other high profile weapon, you will fail the mission. Because of this, you may ONLY use the [[Throwing Knives|throwing knives]] or the Hidden Blade.

====Interrogation missions====
During [[Interrogation]] missions, after successfully interrogating the target, Altaïr is forced to kill them, so they can not reveal his plans to the enemy. He will bury the blade in their stomach to kill them, then gently lower their body onto the ground so as not to draw further attention to himself. Occasionally, other assassinations performed with the Hidden Blade play out in the same manner.

====Save Citizen missions====
In the optional [[Citizens|Save Citizen missions]] to save citizens from soldiers threatening to kill them, this weapon will come in handy. Successfully and stealthily used, you might take out three of the soldiers before they notice you, draw their weapons, and engage you in a swordfight. If they notice your tactic, however, you'd best be prepared and draw either your short blade or sword for a swordfight.

====Assassinations====
The hidden blade is used in every storyline assassination you perform. Even if you begin by attacking the enemy with a sword, you will always finish them off with the hidden blade before it cuts to the death cutscene.

==Assassin's Creed II==
{{quote|The blade is designed to ensure the commitment of whomever wields it.|Leonardo da Vinci}}
[[Image:Ac2hiddenblade.png|50px|right]]
[[File:Ezio's_Hidden_Blade.jpg|thumb|300px|left|Ezio's Modern Hidden Blade.]]
In ''[[Assassin's Creed II]]'', [[Ezio]] possesses two of these blades, whereas Altair has only one. In addition, unlike Altaïr, who had to sacrifice his ring finger, both Ezio's ring fingers are intact, due to a modification that raises the base of the weapon itself.

Ezio's blade is the one inherited from his father. The blade is initally broken since the last fight of [[Giovanni Auditore|Giovanni]] against [[Rodrigo Borgia|Borgia]]'s men (see ''[[Assassin's Creed: Lineage]]''), and Ezio bring it to his friend [[Leonardo da Vinci]] to repair it.

{{Spoiler}}
At the end of the game, [[Desmond]] recieves from [[Lucy]] a similar (if not the same) model of the Hidden Blade used by Ezio to face the attacking Abstergo's men. However, unlike Ezio's, the Hidden Blade has no upgrades.
{{Spoiler End}}

===In combat===
[[File:Lineage Hidden Blade.png|thumb|300px|right|Giovanni's (later Ezio's) Hidden Blade in Lineage.]]
In ''Assassin's Creed II'', the use of the hidden blade in combat is more "classical": we can use it as a normal blade attack weapon, and try to break the enemy's defenses instead of just trying to assassinate him. It is also possible to block attacks while using the Hidden Blade unlike the first episode (not with the Hidden Blade though, but with his bracers). Moreover, the dual wielding of the blades make the combat with hidden blades easier for Ezio.

Veterans of Assassin's Creed combat may want to challenge themselves by using the Hidden Blade(s) in combat. While the counter-kill timing window is very short (fraction of a second), skillful timing will be rewarded nicely; except for against the [[Brutes]]' smashes which knock Ezio's weapon away (which does not work against Hidden Blades) and [[Seekers]]' (sweep Ezio's feet) special attacks, a successfully timed counter will always kill the guard against which it is performed, even if they have high health and/or are a high-ranking soldier.

===Upgrades===
The second hidden blades is acquired later and the main blade gets upgraded with the [[Poison Blade]] and the [[Pistol]] installed.

== Trivia==
*On codex page it says that the blade has to be connected or linked with the user, as a result Altaïr cuts off his ring finger. Altaïr opens his hand and spreads his fingers whenever the blade is extended. Similarly, he never uses the blade with his hand clenched in a fist; all stabbing moves and assassinations are performed with an open hand. The only time the blade sits in the space left by the amputated finger is when the player extends the blade and holds it out (by holding the weapon hand button while out of combat). However, as the weapon is specifically a ''hidden'' blade, it seems unlikely that a true Assassin would ever walk around with it exposed in this manner. However doing so in AC will make the beggars wary and less likely to get in your way. As it does in a AC II with the minstrels.
*Ironically in both games the trigger mechanism is not visible on Altair's or Ezio's hands. Even when they aren't wearing gloves it is not there
*Masyaf Guards in Assassin's Creed do sport a hidden blade, though they never use it, nor is their ring finger missing.
*Malik from the first game, before he lost his arm had the Hidden Blade but did not have an amputated finger.
*The first recorded usage of the Hidden Blade by an Assassin was Darius', when he assassinated [[wikipedia:Xerxes|Xerxes]]. Moreover, his seal's symbol is the Hidden blade.
*[[Patrice Desilets]], the creative director of the game stated that the addition of a second blade in ''Assassin's Creed II'' had also a ludic reason: it's the sequel, it's Assassin's Creed '''2''' so there are '''2''' blades.

{{AC}}
{{ACII}}
[[Category:Assassin's Creed Weapons]]
[[Category:Assassin's Creed II Weapons]]
[[Category:Assassin's Order]]

Altaïr Ibn-La'Ahad's Codex

2009-12-25T02:44:42Z

75.91.34.40:

__NOTOC__
{{quote|All right, let's see it....ah ha! Found another one.|[[Leonardo da Vinci]]}}

[[File:Ezio_handing_codex_page.jpg|thumb|280px|right|Ezio handing over a Codex page to Leonardo da Vinci]]
'''The Codex''' was a thirty-page book written by [[Altaïr Ibn-La'Ahad]] following the death of [[Al Mualim]], that document his explorations into the [[Piece of Eden]] he possessed; as well as offering an auto-biographical view of his life and depicting various assassination-related articles. The Codex remained within the [[Assassins|Order of Assassins]] until the time of [[Domenico Auditore]] when, being sought by the [[Knights Templar]], it was broken apart and lost.

The assassins then attempted to bring the pages of the codex together, but by 1476 were successful in locating just six pages. In this year however, [[Ezio Auditore da Firenze]] took up his [[Giovanni Auditore da Firenze|father's]] duty as an assassin and, by 1499, had succeeded in locating and bringing together all thirty pages.

The Codex also held a prophecy that predicted the arrival of "a prophet" who would bring together two Pieces of Eden and open [[the Vault]].

{{col-begin}}

{{col-break}}
{|class="wikitable collapsible autocollapse"
!Pages of the Codex - Page 1
|-
|I have spent days with the artifact now. Or has it been weeks? Months? I can no longer be certain...
The others come from time to time - offering food or distraction. They say I should separate myself from these studies... Malik has even suggested I abandon them entirely. But I am not yet ready to turn away. This Apple of Eden will be understood. It must be...
Is it a weapon? Is it a catalogue? Is it somehow both? "He who increaseth knowledge, increaseth sorrow..." The philosophy of such a statement I can understand... But for it to be truth - literally true? A society that waged wars with ideas and information in place of steel and swords...
Its function is simple. Elementary, even. Dominion. Control. But the process... the methods and means it employs... THESE are fascinating. Those subjected to its glow are promised all that they desire. It asks only one thing in return: complete and total obedience. And who can truly refuse? It is temptation incarnate.
I remember my own moment of weakness when confronted by Al Mualim, my confidence shaken by his words. He, who had been like a father, was now revealed to be my greatest enemy. Just the briefest flicker of doubt was all he needed to creep into my mind. But I vanquished his phantoms - restored my self confidence - and sent him from this world. I freed myself. But now I wonder... Did I really? For here I sit - desperate to understand that which I swore to destroy.
This is why: The Apple has a tale to tell. I sense the flickers of something - great and dangerous... We are all at risk. It is my duty to do something about it. I must not - cannot - turn away until I've found the truth.
|}

{|class="wikitable collapsible autocollapse"
!Pages of the Codex - Page 2
|-
|(A drawing of a group of Assassins charging towards a group of Templars.)
|}

{|class="wikitable collapsible autocollapse"
!Pages of the Codex - Page 3
|-
|(A schematic for putting together the parts for a Hidden Blade.)
|}

{|class="wikitable collapsible autocollapse"
!Pages of the Codex - Page 4
|-
|What follows are the three great ironies of the Assassin Order: (1) Here we seek to promote peace, but murder is our means. (2) Here we seek to open the minds of men, but require obedience to a master and set of rules. (3) Here we seek to reveal the danger of blind faith, yet we are practitioners ourselves.
I have no satisfactory answer to these charges, only possibilities... Do we bend the rules in service to a greater good? And if we do, what does it say of us? That we are liars? That we are frauds? That we are weak? Every moment is spent wrestling with these contradictions and in spite of all the years I've had to reflect, still I can find no suitable answer... And I fear that one may not exist.
Nothing is true. Everything is permitted. Does our creed provide the answer, then? That one may be two things - opposite in every way - simultaneously? And why not? Am I not proof? We of noble intentions, possessed of barbaric means? We who celebrate the sanctity of life and then promptly take it from those we deem our enemies?
|}

{|class="wikitable collapsible autocollapse"
!Pages of the Codex - Page 5
|-
|Who were The Ones That Came Before? What brought them here? How long ago? Centuries? Millenia? Longer still? So little remains of them... What drove them out? What of these artifacts? Messages in a bottle? Tools left behind to aid and guide us? Or do we fight for control over their refuse, giving divine purpose and meaning to little more than discarded toys?
|}

{|class="wikitable collapsible autocollapse"
!Pages of the Codex - Page 6
|-
|Robert de Sable may be dead, but his brotherhood survives. Though less conspicuous in appearance, I fear they remain a threat. Where once they proudly walked the streets - making for easier targets - now they retreat into the shadows. It grows difficult to track them. What wicked things will they weave in the darkness? Our work will be all the more complicated for it. Already there are rumors of a movement on Cyprus. I will have to investigate...

It's made me realize that our tactics, too, must change. It means an end to our fortresses. To our penchant for spectacular displays of public assassinations. We must weave our webs quietly. And we must do so differently than we have in the past.

Though I ask my brothers now to abandon their rituals, I do not ask that they abandon the creed. THIS is what makes us assassins. Not the removal of a finger. Not a false promise of paradise. Not the prohibition of poison. Our duty is to the people, not to custom. If we must sneak, we shall sneak. If we must use poison, we shall use poison. If our blades can be used without removing fingers, we shall not demand they be taken. And we shall not manipulate our initiates with lies and parlor tricks. We shall speak plainly and honestly. We shall be made anew...
|}

{|class="wikitable collapsible autocollapse"
!Pages of the Codex - Page 7
|-
|I had thought Adha would be the one to lead me to rest, that I might lay down my blade and live as a normal man. But now I know such dreams are best left to sleep...

Her face. I try to banish it from my mind as I remember the days and nights during which I chased her Templar captors across the sea. I almost got to them in time. Almost. If I had only been faster. Instead, I held her lifeless body in my arms - saw the terror reflected in her fixed, unblinking eyes...

I hunted each man - one by one - until all responsible were gone from the world. But there was no joy in this. No satisfaction or release. Their deaths did not bring her back. Did not heal my wounds. After that, I was certain I would never again feel for a woman as I had for her.

I am fortunate to have been wrong.
|}

{|class="wikitable collapsible autocollapse"
!Pages of the Codex - Page 8
|-
|Why do our instincts insist on violence? I have studied the interactions between different species. The innate desire to survive seems to demand the death of the other. Why can they not stand hand in hand? So many believe the world was created by the hand of a divine power - but I see only the designs of a madman, bent on celebrating destruction and desperation. Our origins seem chaotic. Unintended. Purpose and being instilled solely by the passage of time. Imposed first by nature - and later men...
|}

{|class="wikitable collapsible autocollapse"
!Pages of the Codex - Page 9
|-
|Over time, any sentence uttered long and loud enough becomes fixed. Becomes a truth. Provided, of course, you can outlast the dissent and silence your opponents. But should you succeed - and remove all challengers - then what remains is, by default, now true.

Is it truth in some objective sense? No. But how does one ever achieve an objective point of view? The answer is you don't. It is literally, physically impossible. There are too many variables. Too many fields and formulae to consider. We can try, of course. We can inch closer and closer to a revelation. But we'll never reach it. Not ever...

And so I have realized, that so long as The Templars exist, they will attempt to bend reality to their will. They recognize there is no such thing as an absolute truth - or if there is - we are hopelessly underequipped to recognize it. And so in its place, they seek to create their own explanation. It is the guiding principle of their so-named "New World Order"; To reshape existence in their own image. It is not about artifacts. Not about men. These are merely tools. It's about concepts. Clever of them. For how does one wage war against a concept?

It is the perfect weapon. It lacks a physical form yet can alter the world around us in numerous, often violent ways. You cannot kill a creed. Even if you kill all of its adherents, destroy all of its writings - these are a reprieve at best. Some one, some day, will rediscover it. Reinvent it. I believe that even we, the Assassins, have simply re-discovered an Order that predates the Old Man himself...
|}

{|class="wikitable collapsible autocollapse"
!Pages of the Codex - Page 10
|-
|(A drawing of a man preaching to a crowd. The heading shows how the Biblical Apple of Eden and the Piece of Eden are one and the same.)
|}

{|class="wikitable collapsible autocollapse"
!Pages of the Codex - Page 11
|-
|Attis. Dionysus. Horus. Krishna. Mithra. Jesus. Similar stories color their lives. Too similar, I think. Divine birthright. Persecution. Disciples. Miraculous acts. Resurrection...

How is it possible?

Perhaps it isn't... Merely a single story told over the ages? Borrowed then changed to fit the times? Evolving as our tools and language do? Is this tale born of fact or fiction? A bit of both? Could these figures be the same person - their life extended and transformed by a Piece of Eden?

Al Mualim spoke of Jesus as a real person - a mortal who had mastered the arts of manipulation. But what if he was wrong? If these men are real - and if they have walked amongst us many times before - does it mean they'll come again? Perhaps they are here now? So many questions, and every day, even more...
|}

{|class="wikitable collapsible autocollapse"
!Pages of the Codex - Page 12
|-
|(An astrological drawing of the solar system.)
|}

{|class="wikitable collapsible autocollapse"
!Pages of the Codex - Page 13
|-
|(A drawing of an Assassin wielding two Hidden Blades. The smelting formula is across the top. Instructional drawings for new assassination techniques adorn the left, right, and bottom of the page.)

The Hidden Blade has been a constant companion of ours over the years. Some would say it defines us - and they would not be entirely wrong. Many of our successes would not have been possible without it. Still, the device has begun to show it's age - and so I have been researching improvements beyond ending the need to remove one's finger to wield it.

The first is the addition of a metal plate that can be used to deflect incoming blows. The other Assassins believe it is forged of a new metal - and credit me with the discovery of the formula (included on this page). It is better that they not know the truth.

I have also worked with Malik to describe new methods of assassination: from on high, from ledges, and from hiding places. Basic movements, but critical nonetheless.

The third and final improvement is the most simple - the provision of a second blade - identical in every way to the first. Should an Assassin ever find himself tasked with dispatching two targets, he need only time his strike in such a way that he might reach both at the same time. These blades will be limited in number since the metals with which we forge them remain difficult to obtain. I will need to think carefully about who shall be allowed to carry two...
|}

{|class="wikitable collapsible autocollapse"
!Pages of the Codex - Page 14
|-
|Man seeks dominion over all that he encounters. I suppose it is a natural tendency for us to aspire towards mastery of our surroundings. But this should not include other human beings. Every day more and more are pressed into service - by deception or by force. Others, though not so firmly imprisoned, are made to feel as if their lives are worthless. I have seen the ways in which men persecute women. Heard the cruel words hurled at those who come here from other lands. Watched as those who believe or act differently are made to suffer...

We discuss such things often - watching as we do from the spires of Masyaf. What can be done to stop this? To encourage tolerance and equality? Some days we speak of education, believing that knowledge will free us from immorality. But as I walk the streets and see slaves sent off to auction - my heart grows cold. When I see the husband hurl abuses and stones at his wife, insisting she exists only to serve him - my fists clench. And when I see children torn from their parents so that another man might profit - sent off to suffer beneath the desert sun and die...

...On these days, I do not think that dialogue will make a difference. On these days, I can think only of how the perpetrators need to die.
|}

{|class="wikitable collapsible autocollapse"
!Pages of the Codex - Page 15
|-
|(A sketch of the island of Cyprus in the Mediterranean Sea.)
|}{{col-break}}
{|class="wikitable collapsible autocollapse"
!Pages of the Codex - Page 16
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|The Apple is more than a catalog of that which precedes us. Within its twisting, sparking innards I've caught glimpses of what will be. Such a thing should not be possible. Perhaps it isn't. Maybe it is simply a suggestion. How to know? How to be sure?

I contemplate the consequences of these visions: are they images of things to come - or simply the potential for what might be? Can we influence the outcome? Dare we try? And in so doing, do we merely ensure that which we've seen?

I am torn - as always - between action and inaction - unclear as to which - if either - will make a difference. Am I even meant to make a difference? Still, I keep this journal. Is that not an attempt to change - or perhaps guarantee - what I have seen?
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!Pages of the Codex - Page 17
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|Of all the things I've seen, none troubles me more than the image of the flames... Pillars so tall they seemed to pierce the heavens. The ground rumbled and shuddered. Mountains split and crack. Great metal towers splintered, their innards strewn about the ground... And everywhere there was screaming. A chorus so terrible that even now I feel its echoes still.

What is this madness I have seen? Is it them, I wonder? Those who came before... Is this where they went? Into the fire? Into the dust? Perhaps this destructive power is what the Templars seek. That they might hold it over us a command devotion. What hope would we have, then, if they held such darkness in their hands - that they could murder the world...
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!Pages of the Codex - Page 18
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|We are obligated to hide. To be silent. To shape the course of history in secret. But some of my brothers and sisters disagree. They grow angry, insisting it is a mistake to shroud ourselves. They say it slows our work. But they do not understand the risks. To expose ourselves now would be too dangerous. I fear we would be branded madmen and attacked. So it goes. So it always has. If there is one thing I know for certain, it is that men do not learn by being told. Instead they must be shown. They must make the connections themselves. If I say unto a man, be kind, be tolerant, be of an open mind - these words will wither and die long before they've affected change. It would be a waste. And so we must maintain our course...
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!Pages of the Codex - Page 19
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|(A drawing of a lightweight cuirass and pauldrons.)

Legends speaks of a Golden Fleece. Could the two be related?...

...I have further refined the metallurgic process, allowing for the production of a suit of armor the likes of which the world has never seen...

...It is possessed of great strength, yet so light as to allow complete freedom...

...I alternate between wonder and fear. Here we have crafted something that will surely change the face of warfare, making those who wear it nigh invincible...

Perhaps it was a mistake to create these pieces. I think it best to erase the formulae. What if it were to fall in the hands of our enemies? The risk is too great...
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!Pages of the Codex - Page 20
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|I have studied the ancient pagan faiths that came before this more recent obsession with a single, divine creator. They seem to have focused more on the fundamental forces at play in the world around us and less on arbitrary moral rules...

The sun rises in the morning and sets in the evening. The tides ebb and flow. Grass grows, withers, dies, and then in time, emerges from the ground once more. The air turns warm then cools and back again. Some hidden energy keeps us fitted to the ground and pulls us back when we attempt to leave it.

Each of these movements was represented before by a god or goddess. Each force given face, but recognized as something distinct and powerful. Which is not to say there were not connections between these forces - a pantheon of individual spirits - of rules. Invisible hands guiding the progress of the world around us.

And so here there was an attempt to categorize, study, explain, and understand the way things work - even if it was flawed. But no more. Now we are asked to succumb to a far more simplified explanation. How naive to believe there might be a single answer to every question. Every mystery. That there exists a lone divine light which rules over all. They say it is a light that brings truth and love. I say it is a light that blinds us - and forces us to stumble about in ignorance.

I long for the day when men turn away from invisible monsters and once more embrace a more rational view of the world. But these new religions are so convenient - and promise such terrible punishment should one reject them - I worry that fear shall keep us stuck to what is surely the greatest lie ever told.
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!Pages of the Codex - Page 21
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|(A schematic for an altered Hidden Blade, to be used as an injection needle. Various plants and roots have been drawn around it.)
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!Pages of the Codex - Page 22
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|(A map of Europe, Africa, Asia, and Australia. An arc points to various locations, either Vault locations, havens for the Pieces of Eden, or possible Assassins Sect locations.)
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!Pages of the Codex - Page 23
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|(An instructional diagram for free-running.)
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!Pages of the Codex - Page 24
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|Some days I miss my family... or at least the thought of them. I never knew my parents well, despite them both having lived within these walls. It was our way. Perhaps they were sad, though they showed no sign - it was not allowed.

For my part, so much of my youth was spent in training, there was little time left to reflect upon the separation. And so when they were finally lost to me, it seemed no different than the passing of two strangers. Al Mualim had been as my father, and his was a weak and dishonest love, though at the time it seem enough - better, even. Or so I thought.

Someday I will have a child - such is the way of our Order. And I will not make the same mistake. Nor any who call themselves an Assassin. We shall be allowed to love our children - and, in turn, to be loved. Al Mualim believed such attachments would weaken us - cause us to falter when our lives were on the line. But if we truly fight for what is just, does love not make such sacrifice simpler - knowing that we do so for their gain?
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!Pages of the Codex - Page 25
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|(A bust drawing of Maria.)
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!Pages of the Codex - Page 26
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|I have the answer now. I know the truth. I shall not touch that wretched thing again. Best that no one do, now or ever. I have tried - at last - to destroy it, but it will neither bend nor break nor melt. Oh the irony - I am certain if I asked, the Apple would tell me what need be done. But even this promise is insufficient. Always it holds one more gift to give. I must refrain. So it shall be sealed. We will take it to the island - once theirs, now ours. There is a treasury there - hidden well - and it shall have to suffice. Risky to separate myself from the artifact that others may discover it. Riskier still to keep it close. In time I will be tempted. I am weak. We all are. Who wouldn't be? Oh, the things I have seen... The tale is here - inside the text. Not between the lines but beneath them. Where only our eyes might peer. Go and see it for yourself. That you might succeed where I and the others have failed. Time marches on - bringing with it new discoveries and developments. And so at least one day the doorway might be opened and the message delivered. They will have their prophet.
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!Pages of the Codex - Page 27
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|We are growing larger. More make their way to our fortresses every day. Men and women. Young and old. From different lands. Of different faiths. Each tells a similar story - of having discovered the first part of our creed: that nothing is true.

Too often, though, the revelation undoes them. They lose their morality, certainty, security. Many are driven mad. We must guide them. Help them to heal. Their minds must not be filled with more fairy tales, but with knowledge instead. Let them have answers - and let those answers be difficult and complex. Such is life.
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!Pages of the Codex - Page 28
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|(A schematic for a small clockwork pistol, as well as the formula for the gunpowder needed to use it.)
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!Pages of the Codex - Page 29
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|A dark tide rises to the east - an army of such size and power that all the land is made quick to worry. Their leader is a man named Temujin, who has adopted the title Ghengis Khan. He sweeps across the lands, conquering and subsuming all who stand in his way. Whatever his motives, he must be stopped. Were I younger, I might attempt to undertake this work in secret - as I suspect the presence of a Piece of Eden. But those days are years gone, now. The mantle must be passed. It is time she and I spoke with our sons. We will travel there together, that they may be tested and that this threat might be stopped.
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!Pages of the Codex - Page 30
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|Soon I shall pass from this world. It is my time. All the hours of the day are now colored by the thoughts and fears borne of this realization. I know that the elements of my body will return to the Earth. But what of my consciousness? My identity? That is to say - what of ME? I suspect it will end. That there is no next world. Nor a return to this one. It will simply be done. Forever.

Our lives are so brief and unimportant. The cosmos cares nothing for us. For what we've done; Had we wrought evil instead of good. Had I chosen to abuse the Apple instead of seal it away. None of it would have mattered. There is no counting. No reckoning. No final judgement. There is simply silence. And darkness. Utter and absolute... And so I have begun to wonder - might there not be a way to stop - or at least delay - death's embrace?
Surely the ones who came before were not so frail and feeble as we. But I have sworn to be done with the artifact. To not gaze into its core. Still: faced as I am with the prospect of my end, what harm is there in one last look...
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{{Col-end}}

{{ACII}}
[[Category:Assassin's Order]]
[[Category:Assassin's Creed II]]